Download or read book COMPTE RENDU ANALYTIQUE CONGRES D HISTOIRE DE L ART LA SOCIETE DE L HISTOIRE DE L ART FRANCAIS written by and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Actes du Congr s d histoire de l art Compte rendu analytique written by and published by . This book was released on 1979 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt:

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Download or read book Compte rendu analytique written by International Congress of the History of Art (11, 1921, Paris) and published by . This book was released on 1922 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalogue written by Warburg Institute. Library and published by . This book was released on 1967 with total page 848 pages. Available in PDF, EPUB and Kindle. Book excerpt:

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Download or read book Jean Baptiste Lully and the Music of the French Baroque written by James R. Anthony and published by Cambridge University Press. This book was released on 1989-02-09 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume of essays on Jean-Baptiste Lully and his musical legacy honours the distinguished French baroque scholar James R. Anthony. Jean-Baptiste Lully, court composer to Louis XIV, served as the principal architect of what would become known as the French style of music in the baroque era. The style he created strongly influenced the great musical figures in England (Purcell and Handel) and Germany (Bach and Telemann), but Lully's music itself has received little attention. Recently, through the efforts of scholars and musicians concerned with the performance practices of Lully's time, Lully's own music has begun to come alive in performance and recording. These essays, all by important baroque specialists, cover significant aspects of Lully's life and works and the French tradition he influenced. They constitute the first post-war collection of studies centred on Lully and form a fitting tribute to Professor Anthony whose own French baroque music provided a stimulus for the work of an emerging generation of scholars.

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