Download or read book Composition musicale et informatique written by Claude Fatus and published by . This book was released on 1989 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Syst me conseiller en composition musicale les proc d s d augmentation de diminution et de r p tition analyse des connaissances requises en troisi me secondaire pour d velopper un th me m lodique l aide de ces proc d s en consid rant le programme de musique du secondaire written by Marie-Michèle Boulet and published by Québec : Dép. d'informatique, Université Laval. This book was released on 1991 with total page 110 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Algorithmes de composition written by Carlos Miguel Marques da Costa Caires and published by . This book was released on 2010 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Le développement d'environnements de composition assistée par ordinateur, destinés à la formalisation informatique de structures musicales, a constitué pendant la deuxième moitié du XX Siècle une importante avancée pour l'écriture contemporaine. À partir d'une réflexion sur l'influence que tels environnements ont apportée à la composition musicale, cette étude proposera un ensemble d'outils CAO qui essayeront de donner une nouvelle approche vis-à-vis de cette problématique. La recherche s'appuiera principalement sur mon expérience personnelle en tant que compositeur et sera orientée à partir de trois aspects fondamentaux : 1 - Processus de composition - Création d'un corpus de procédés de composition visant sa formalisation algorithmique. 2 - Représentation des données musicales - création d'un ensemble d'outils de visualisation et d'écoute des données et des structures musicales. 3 - Interaction Compositeur-Ordinateur. Création, expérimentation et développement d'interfaces graphiques de contrôle (recherches ergonomiques) pour chaque type de fonction.
Download or read book Composition Musicale Par Ordinateur written by Canadian Commission for Unesco and published by Canadian Commission for Unesco = Commission canadienne pour l'Unesco. This book was released on 1980 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This report includes "acknowledgements, an article briefly describing the project ... 14 of the papers presented at the final workshop in Aarhus in 1978. Six of these are illustrated by sound examples on recorded tape ..."
Download or read book Le calcul de la musique written by and published by . This book was released on 2009 with total page 560 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Le calcul de la musique written by Laurent Pottier and published by PU Saint-Etienne. This book was released on 2009 with total page 546 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ouvrage théorique et pratique qui traite des modèles pour la composition musicale et des possibilités offertes par l'informatique pour le calcul de la musique. L'ensemble est illustré d'exemples pris dans le répertoire contemporain. Il présente notamment les principaux concepts de la composition assistée par ordinateur et détaille le contrôle de synthèse sonore par ordinateur.
Download or read book Virtual Music written by David Cope and published by MIT Press. This book was released on 2004-01-30 with total page 600 pages. Available in PDF, EPUB and Kindle. Book excerpt: Virtual Music is about artificial creativity. Focusing on the author's Experiments in Musical Intelligence computer music composing program, the author and a distinguished group of experts discuss many of the issues surrounding the program, including artificial intelligence, music cognition, and aesthetics. The book is divided into four parts. The first part provides a historical background to Experiments in Musical Intelligence, including examples of historical antecedents, followed by an overview of the program by Douglas Hofstadter. The second part follows the composition of an Experiments in Musical Intelligence work, from the creation of a database to the completion of a new work in the style of Mozart. It includes, in sophisticated lay terms, relatively detailed explanations of how each step in the process contributes to the final composition. The third part consists of perspectives and analyses by Jonathan Berger, Daniel Dennett, Bernard Greenberg, Douglas R. Hofstadter, Steve Larson, and Eleanor Selfridge-Field. The fourth part presents the author's responses to these commentaries, as well as his thoughts on the implications of artificial creativity. The book (and corresponding Web site) includes an appendix providing extended musical examples referred to and discussed in the book, including composers such as Scarlatti, Bach, Mozart, Beethoven, Schubert, Chopin, Puccini, Rachmaninoff, Prokofiev, Debussy, Bartok, and others. It is also accompanied by a CD containing performances of the music in the text.
Download or read book La cr ation musicale par ordinateur written by Frédéric Levé and published by . This book was released on 1987 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Syst me conseiller en composition musicale le proc d question r ponse analyse des connaissances requises en troisi me secondaire pour composer un th me m lodique en utilisant le proc d question r ponse written by Marie-Michèle Boulet and published by Québec : Dép. d'informatique, Université Laval. This book was released on 1991 with total page 56 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book From Music to Sound written by Makis Solomos and published by Routledge. This book was released on 2019-10-28 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Music to Sound is an examination of the six musical histories whose convergence produces the emergence of sound, offering a plural, original history of new music and showing how music had begun a change of paradigm, moving from a culture centred on the note to a culture of sound. Each chapter follows a chronological progression and is illustrated with numerous musical examples. The chapters are composed of six parallel histories: timbre, which became a central category for musical composition; noise and the exploration of its musical potential; listening, the awareness of which opens to the generality of sound; deeper and deeper immersion in sound; the substitution of composing the sound for composing with sounds; and space, which is progressively viewed as composable. The book proposes a global overview, one of the first of its kind, since its ambition is to systematically delimit the emergence of sound. Both well-known and lesser-known works and composers are analysed in detail; from Debussy to contemporary music in the early twenty-first century; from rock to electronica; from the sound objects of the earliest musique concrète to current electroacoustic music; from the Poème électronique of Le Corbusier-Varèse-Xenakis to the most recent inter-arts attempts. Covering theory, analysis and aesthetics, From Music to Sound will be of great interest to scholars, professionals and students of Music, Musicology, Sound Studies and Sonic Arts. Supporting musical examples can be accessed via the online Routledge Music Research Portal.
Download or read book Interfaces homme machine et cr ation musicale written by Hugues Vinet and published by Hermes Science Publications. This book was released on 1999 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: En musique, l'informatique joue un rôle central dans la création contemporaine. L'utilisation de l'ordinateur en composition prend de multiples formes en rapport avec la diversité des approches esthétiques. Après deux générations informatiques avant vu se succéder systèmes conversationnels et graphiques, quel bilan peut-on tirer des outils de création musicale du point de vue de leurs interfaces d'utilisation ? Dans quelle mesure la conception et l'évaluation de celles-ci peuvent-elles être rationalisées ? Les créateurs doivent-ils se conformer aux représentations proposées par la machine ou peuvent-ils les infléchir à leur idée ? Quelles améliorations peut-on attendre des évolutions technologiques et des recherches liées aux interfaces homme-ordinateur ? C'est à ces questions qu'ont été invités à répondre chercheurs en informatique musicale, spécialistes des interfaces, concepteurs de logiciels, compositeurs et musicologues dans le cadre d'un colloque, organisé les 11 et 12 décembre 1998 par l'Ircam et l'Ina-GRM, dont les actes sont réunis dans cet ouvrage. La première partie propose plusieurs perspectives historiques sur les rapports entretenus entre nombres, techniques et musique, aboutissant à la présentation des plus récents environnements informatiques de composition. Les deux parties suivantes sont respectivement consacrées aux interfaces graphiques et gestuelles. La quatrième regroupe des témoignages de compositeurs dans leur rapport à la technologie. La dernière partie transcrit la table ronde qui a clôturé le colloque.
Download or read book Readings in Music and Artificial Intelligence written by Eduardo Reck Miranda and published by Routledge. This book was released on 2013-10-28 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: The interplay between emotional and intellectual elements feature heavily in the research of a variety of scientific fields, including neuroscience, the cognitive sciences and artificial intelligence (AI). This collection of key introductory texts by top researchers worldwide is the first study which introduces the subject of artificial intelligence and music to beginners. Eduardo Reck Miranda received a Ph.D. in music and artificial intelligence from the University of Edinburgh, Scotland. He has published several research papers in major international journals and his compositions have been performed worldwide. Also includes 57 musical examples.
Download or read book Algorithmic Composition written by Gerhard Nierhaus and published by Springer Science & Business Media. This book was released on 2009-08-28 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: Algorithmic composition – composing by means of formalizable methods – has a century old tradition not only in occidental music history. This is the first book to provide a detailed overview of prominent procedures of algorithmic composition in a pragmatic way rather than by treating formalizable aspects in single works. In addition to an historic overview, each chapter presents a specific class of algorithm in a compositional context by providing a general introduction to its development and theoretical basis and describes different musical applications. Each chapter outlines the strengths, weaknesses and possible aesthetical implications resulting from the application of the treated approaches. Topics covered are: markov models, generative grammars, transition networks, chaos and self-similarity, genetic algorithms, cellular automata, neural networks and artificial intelligence are covered. The comprehensive bibliography makes this work ideal for the musician and the researcher alike.
Download or read book Musical Creativity written by Guerino Mazzola and published by Springer Science & Business Media. This book was released on 2011-11-03 with total page 331 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book represents a new approach to musical creativity, dealing with the semiotics, mathematical principles, and software for creativity processes. After a thorough introduction, the book offers a first practical part with a detailed tutorial for students in composition and improvisation, using musical instruments and music software. The second, theoretical part deals with historical, actual, and new principles of creative processes in music, based on the results and methods developed in the first author’s book Topos of Music and referring to semiotics, predicative objects, topos theory, and object-oriented concept architectures. The third part of the book details four case studies in musical creativity, including an analysis of the six variations of Beethoven's sonata op. 109, a discussion of the creative process in a CD coproduced in 2011 by the first and second authors, a recomposition of Boulez’s "Structures pour deux pianos" using the Rubato software module BigBang developed by the third author, and the Escher theorem from mathematical gesture theory in music. This is both a textbook addressed to undergraduate and graduate students of music composition and improvisation, and also a state-of-the-art survey addressed to researchers in creativity studies and music technology. The book contains summaries and end-of-chapter questions, and the authors have used the book as the main reference to teach an undergraduate creativity studies program and also to teach composition. The text is supported throughout with musical score examples.
Download or read book Mod les physiques cr ation musicale et ordinateur written by ACROE and published by Les Editions de la MSH. This book was released on 1994 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: L'informatique musicale a déjà une histoire. Depuis son origine, quasiment identique à celle de l'ordinateur, elle a developpé des techniques de synthèse de son, aidé à comprendre le fonctionnement de la perception, proposé des systèmes pour l'analyse et la construction de structures musicales, créé des outils pour la composition... Récemment est apparu un courant nouveau : celui de la synthèse par “modèle physique” auquel on doit de nombreuses réalisations, depuis les premiers algorithmes de simulation d'objets vibrants vers la fin des années 70, jusqu'aux circuits intégrés spécialisés bientôt disponibles, en passant par des machines étudiées pour la simulation physique en temps-réel. Essentiellement attaché à la production du phénomène sonore dans les systèmes musicaux informatiques, il annonce véritablement une mutation dans la manière même d'envisager le rôle de l'ordinateur dans le processus général de représentation et de création.
Download or read book La synth se sonore en composition musicale assist e par ordinateur written by Jean Bresson and published by . This book was released on 2007 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cette th se porte sur la reprŽsentation et la crŽation du son par la synth se dans le contexte de la composition musicale. Ce sujet s'ins re dans la problŽmatique gŽnŽrale de la dualitŽ entre le domaine symbolique de la composition et celui du signal (sonore). Les questions soulevŽes concernent principalement la structuration (notamment temporelle) des processus compositionnels liŽs ˆ la synth se. Notre travail s'appuie sur les principes de la composition assistŽe par ordinateur (CAO), mettant en avant une dŽmarche interactive du compositeur vis-ˆ-vis des processus de composition rŽalisŽs par ordinateur, que nous rapprochons de la notion de modŽlisation. En particulier, la programmation visuelle devient un moyen pour le compositeur de formaliser et d'exprimer des idŽes et formes musicales. Cette th se sugg re une conception du son reprŽsentŽ sous forme de programmes unifiant donnŽes et processus musicaux, qui permet d'envisager de nouvelles modalitŽs d'Žcriture pour la composition musicale Žlectroacoustique. Un syst me intŽgrŽ ˆ l'environnement de CAO OpenMusic est prŽsentŽ, permettant aux compositeurs de dŽvelopper des processus et mod les compositionnels liŽs ˆ la synth se sonore.
Download or read book Le Compositeur et l ordinateur written by Marc Battier and published by . This book was released on 1981 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt:
