Download or read book Comic Book Film Style written by Dru Jeffries and published by University of Texas Press. This book was released on 2017-09-05 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: Superhero films and comic book adaptations dominate contemporary Hollywood filmmaking, and it is not just the storylines of these blockbuster spectacles that have been influenced by comics. The comic book medium itself has profoundly influenced how movies look and sound today, as well as how viewers approach them as texts. Comic Book Film Style explores how the unique conventions and formal structure of comic books have had a profound impact on film aesthetics, so that the different representational abilities of comics and film are put on simultaneous display in a cinematic work. With close readings of films including Batman: The Movie, American Splendor, Superman, Hulk, Spider-Man 2, V for Vendetta, 300, Scott Pilgrim vs. the World, Watchmen, The Losers, and Creepshow, Dru Jeffries offers a new and more cogent definition of the comic book film as a stylistic approach rather than a genre, repositioning the study of comic book films from adaptation and genre studies to formal/stylistic analysis. He discusses how comic book films appropriate comics' drawn imagery, vandalize the fourth wall with the use of graphic text, dissect the film frame into discrete panels, and treat time as a flexible construct rather than a fixed flow, among other things. This cinematic remediation of comic books' formal structure and unique visual conventions, Jeffries asserts, fundamentally challenges the classical continuity paradigm and its contemporary variants, placing the comic book film at the forefront of stylistic experimentation in post-classical Hollywood.

Download or read book The Comic Book Film Adaptation written by Liam Burke and published by Univ. Press of Mississippi. This book was released on 2015-03-31 with total page 381 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the summer of 2000 X-Men surpassed all box office expectations and ushered in an era of unprecedented production of comic book film adaptations. This trend, now in its second decade, has blossomed into Hollywood's leading genre. From superheroes to Spartan warriors, The Comic Book Film Adaptation offers the first dedicated study to examine how comic books moved from the fringes of popular culture to the center of mainstream film production. Through in-depth analysis, industry interviews, and audience research, this book charts the cause-and-effect of this influential trend. It considers the cultural traumas, business demands, and digital possibilities that Hollywood faced at the dawn of the twenty-first century. The industry managed to meet these challenges by exploiting comics and their existing audiences. However, studios were caught off-guard when these comic book fans, empowered by digital media, began to influence the success of these adaptations. Nonetheless, filmmakers soon developed strategies to take advantage of this intense fanbase, while codifying the trend into a more lucrative genre, the comic book movie, which appealed to an even wider audience. Central to this vibrant trend is a comic aesthetic in which filmmakers utilize digital filmmaking technologies to engage with the language and conventions of comics like never before. The Comic Book Film Adaptation explores this unique moment in which cinema is stimulated, challenged, and enriched by the once-dismissed medium of comics.

Download or read book Comic Book Film Style written by Dru Jeffries and published by University of Texas Press. This book was released on 2017-09-05 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: Superhero films and comic book adaptations dominate contemporary Hollywood filmmaking, and it is not just the storylines of these blockbuster spectacles that have been influenced by comics. The comic book medium itself has profoundly influenced how movies look and sound today, as well as how viewers approach them as texts. Comic Book Film Style explores how the unique conventions and formal structure of comic books have had a profound impact on film aesthetics, so that the different representational abilities of comics and film are put on simultaneous display in a cinematic work. With close readings of films including Batman: The Movie, American Splendor, Superman, Hulk, Spider-Man 2, V for Vendetta, 300, Scott Pilgrim vs. the World, Watchmen, The Losers, and Creepshow, Dru Jeffries offers a new and more cogent definition of the comic book film as a stylistic approach rather than a genre, repositioning the study of comic book films from adaptation and genre studies to formal/stylistic analysis. He discusses how comic book films appropriate comics’ drawn imagery, vandalize the fourth wall with the use of graphic text, dissect the film frame into discrete panels, and treat time as a flexible construct rather than a fixed flow, among other things. This cinematic remediation of comic books’ formal structure and unique visual conventions, Jeffries asserts, fundamentally challenges the classical continuity paradigm and its contemporary variants, placing the comic book film at the forefront of stylistic experimentation in post-classical Hollywood.

Download or read book Comic Book Movies written by Blair Davis and published by Rutgers University Press. This book was released on 2018-06-25 with total page 151 pages. Available in PDF, EPUB and Kindle. Book excerpt: Comic Book Movies explores how this genre serves as a source for modern-day myths, sometimes even incorporating ancient mythic figures like Thor and Wonder Woman’s Amazons, while engaging with the questions that haunt a post-9/11 world: How do we define heroism and morality today? How far are we willing to go when fighting terror? How can we resist a dystopian state? Film scholar Blair Davis also considers how the genre’s visual style is equally important as its weighty themes, and he details how advances in digital effects have allowed filmmakers to incorporate elements of comic book art in innovative ways. As he reveals, comic book movies have inspired just as many innovations to Hollywood’s business model, with film franchises and transmedia storytelling helping to ensure that the genre will continue its reign over popular culture for years to come.

Download or read book Movie Comics written by Blair Davis and published by Rutgers University Press. This book was released on 2017-01-03 with total page 407 pages. Available in PDF, EPUB and Kindle. Book excerpt: As Christopher Nolan’s Batman films and releases from the Marvel Cinematic Universe have regularly topped the box office charts, fans and critics alike might assume that the “comic book movie” is a distinctly twenty-first-century form. Yet adaptations of comics have been an integral part of American cinema from its very inception, with comics characters regularly leaping from the page to the screen and cinematic icons spawning comics of their own. Movie Comics is the first book to study the long history of both comics-to-film and film-to-comics adaptations, covering everything from silent films starring Happy Hooligan to sound films and serials featuring Dick Tracy and Superman to comic books starring John Wayne, Gene Autry, Bob Hope, Abbott & Costello, Alan Ladd, and Dean Martin and Jerry Lewis. With a special focus on the Classical Hollywood era, Blair Davis investigates the factors that spurred this media convergence, as the film and comics industries joined forces to expand the reach of their various brands. While analyzing this production history, he also tracks the artistic coevolution of films and comics, considering the many formal elements that each medium adopted and adapted from the other. As it explores our abiding desire to experience the same characters and stories in multiple forms, Movie Comics gives readers a new appreciation for the unique qualities of the illustrated page and the cinematic moving image.

Download or read book Comics and Pop Culture written by Barry Keith Grant and published by University of Texas Press. This book was released on 2019-12-13 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: It is hard to discuss the current film industry without acknowledging the impact of comic book adaptations, especially considering the blockbuster success of recent superhero movies. Yet transmedial adaptations are part of an evolution that can be traced to the turn of the last century, when comic strips such as “Little Nemo in Slumberland” and “Felix the Cat” were animated for the silver screen. Representing diverse academic fields, including technoculture, film studies, theater, feminist studies, popular culture, and queer studies, Comics and Pop Culture presents more than a dozen perspectives on this rich history and the effects of such adaptations. Examining current debates and the questions raised by comics adaptations, including those around authorship, style, and textual fidelity, the contributors consider the topic from an array of approaches that take into account representations of sexuality, gender, and race as well as concepts of world-building and cultural appropriation in comics from Modesty Blaise to Black Panther. The result is a fascinating re-imagination of the texts that continue to push the boundaries of panel, frame, and popular culture.

Download or read book Superhero Films written by Michael Cohen and published by . This book was released on 2009 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: This thesis will demonstrate that the pursuit of a 'comic aesthetic' in superhero films is deployed through an 'aesthetic of artifice.' This thesis will examine Batman, (1989), Dick Tracy (1990), The Crow (1994), and The Shadow (1995) and compare the elements of film production with examples of pages and panels taken from comic books and comic strips to establish the influence of the comic medium on the films. I will also analyse Tank Girl (1995), Hulk (2003), Unbreakable (2000), and Batman: the movie (1966), because each has a different approach to developing the style of a comic. With all of these films I address the argument that an 'aesthetic of artifice' is a combination of formal strategies that are used in these films as a stylistic strategy for overcoming the ontological differences between these two media. I will examine the creation of artificial cinematic worlds using production design, the use of framing and composition to create 'panelling' that mimics panels in comics, 'cartooning' as a form of artifice in the depiction of characters and actions, as well as the framing and posing of the superheroes. Although other researchers have examined the relationship between comics and the cinema, little attention has been paid to the influence of superhero comics on films with the same characters. This thesis addresses the need of understanding the formal relationship between superhero films and comics by demonstrating the development of a 'comic aesthetic.'

Download or read book Film and Comic Books written by Ian Gordon and published by Univ. Press of Mississippi. This book was released on 2010-01-06 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Film and Comic Books contributors analyze the problems of adapting one medium to another; the translation of comics aesthetics into film; audience expectations, reception, and reaction to comic book-based films; and the adaptation of films into comics. A wide range of comic/film adaptations are explored, including superheroes (Spider-Man), comic strips (Dick Tracy), realist and autobiographical comics (American Splendor, Ghost World), and photo-montage comics (Mexico's El Santo). Essayists discuss films beginning with the 1978 Superman. That success led filmmakers to adapt a multitude of comic books for the screen including Marvel's Uncanny X-Men, the Amazing Spider-Man, Blade, and the Incredible Hulk as well as alternative graphic novels such as From Hell, V for Vendetta, and Road to Perdition. Essayists also discuss recent works from Mexico, France, Germany, and Malaysia. Essays from Timothy P. Barnard, Michael Cohen, Rayna Denison, Martin Flanagan, Sophie Geoffroy-Menoux, Mel Gibson, Kerry Gough, Jonathan Gray, Craig Hight, Derek Johnson, Pascal Lef?vre, Paul M. Malone, Neil Rae, Aldo J. Regalado, Jan van der Putten, and David Wilt Ian Gordon is associate professor of history and convenor of American studies at the National University of Singapore. Mark Jancovich is professor of film and television studies at the University of East Anglia. Matthew P. McAllister is associate professor of film, video, and media studies at Pennsylvania State University.

Download or read book The Quitter written by Harvey Pekar and published by Vertigo. This book was released on 2005 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Suggested for mature readers"--P. [4] of cover.

Download or read book Panel to the Screen written by Drew Morton and published by . This book was released on 2017 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A unique exploration of adaptation theory and how one dramatic visual style affects another

Download or read book How to Draw Noir Comics written by Shawn Martinbrough and published by Watson-Guptill. This book was released on 2007-10-30 with total page 146 pages. Available in PDF, EPUB and Kindle. Book excerpt: How to Draw Noir Comics: The Art and Technique of Visual Storytelling is an instructional book based on the cinematic, high contrast noir style of acclaimed comic book and graphic novel illustrator, Shawn Martinbrough. Martinbrough’s work has been published by DC Comics, Vertigo and Marvel Comics, illustrating stories ranging from Batman to the X-Men. This is his first book, released through Watson-Guptill Publications and The Nielsen Company. In How to Draw Noir Comics, Martinbrough shows how the expert use of the color black is critical for drawing noir comics. He demonstrates how to set a mood, design characters and locations, stage action and enhance drama, and discusses important topics like page layout, panel design, and cover design. How to Draw Noir Comics includes The Truce, an original graphic novel written and illustrated by Martinbrough which incorporates the many lessons addressed throughout the book, and has an introduction by critically-acclaimed novelist Greg Rucka, author of the graphic novel Whiteout, currently in production as a major motion picture.

Download or read book Comics for Film Games and Animation written by Tyler Weaver and published by Taylor & Francis. This book was released on 2013-05-07 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent years, a new market of convergence culture has developed. In this new market, one story, idea, concept, or product can be produced, distributed, appreciated, and understood by customers in a variety of different media. We are at the tipping point of this new convergence culture, and comics is a key area affected by this emerging model. In Comics for Film, Games, and Animation Tyler Weaver teaches you how to integrate comics storytelling into your own work by exploring their past, present, and future. You will explore the creation of the unique mythologies that have endured for more than seventy years, and dig into the nitty gritty of their creation, from pacing and scripting issues to collaboration. Finally, you'll gain a love and appreciation of the medium of comics, so much so that you won't be able to wait to bring that medium into your story toolbox.

Download or read book May Contain Graphic Material written by M. Keith Booker and published by Praeger. This book was released on 2007-10-30 with total page 726 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the first Superman film came to the screen in 1978, films adapted from comics have become increasingly important as a film form. Since that time, advances in computer-generated special effects have significantly improved the ability of film to capture the style and action of comics, producing film such as X-men and Spider-man.

Download or read book Adapting visual and structural features of comic books to film Possibilities and limitations written by Matthias Kreuter and published by GRIN Verlag. This book was released on 2018-05-15 with total page 81 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bachelor Thesis from the year 2015 in the subject Literature - Modern Literature, grade: 1,0, University of Cologne (Englisches Seminar), language: English, abstract: Filmic comic book adaptations are not a new phenomenon, but throughout the last decades the amount of productions based on comic book material has highly increased. While some theoreticians note that both media share aesthetic qualities and formal properties that predestine comics for filmic adaptations, critics consider comics to be inherently unfilmable due to structural differences. This thesis examines how recent films have tried to adapt the visual and structural features characteristic to comic books and how those adaptation techniques have explored the limitations of both media. Robert Rodriguez film "Sin City" (2005) will serve as the primary point of reference. Thus, this paper will try to answer the question to what extent film is able to make comic books “come alive” and to what extent it is incompatible to do so. Filmische Adaptionen von Comics sind kein neuartiges Phänomen, nichtsdestotrotz haben sie in den letzten Jahrzehnten zugenommen. Viele Theoretiker merken an, dass Film und Comics entscheidende ästhetische Qualitäten und formale Aspekte teilen, die das Medium Film geradezu prädestinieren, Comics in Bewegtbild zu verwandeln. Kritiker entgegnen, dass Comics naturgemäß unverfilmbar sind. Grund seien strukturelle Unterschiede beider Medien. Diese Bachelorarbeit geht der Frage nach, wie zeitgenössische Filme versucht haben, neben Handlung und Figuren besonders die visuellen und strukturellen Eigenschafen des Comics zu adaptieren, und wie die dabei verwendeten Techniken die Grenzen beider Medien aufgezeigt haben. Robert Rodriguez Film "Sin City" (2005) wird dabei den primären Bezugspunkt darstellen. In der Folge soll sich die Frage beantworten lassen, in welcher Weise das Medium Film Comics "zum Leben erwecken" kann und wo es in dieser Prämisse versagt.

Download or read book The Ultimate Superhero Movie Guide written by Helen O'Hara and published by Carlton Books. This book was released on 2020-03-03 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Ultimate Superhero Movie Guide is a thrilling journey through the history of the world's favourite movie genre.

Download or read book Superman 1986 90 written by Dan Jurgens and published by DC. This book was released on with total page 24 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Battle for Metropolis! Part 3 of 4. "Battleground Metropolis!" Guest-starring The Guardian. The Guardian has fallen victim to the clone disease, but does his body hold the key to the cure? Plus, a villain dies in this issue and the war heats up even more.

Download or read book Reading Comics written by Mila Bongco and published by Routledge. This book was released on 2014-04-04 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study explores how the definition of the medium, as well as its language, readership, genre conventions, and marketing and distribution strategies, have kept comic books within the realm of popular culture. Since comics have been studied mostly in relation to mass media and its influence on society, there is a void in the analysis of the critical issues related to comics as a distinct genre and art form. By focusing on comics as narratives and investigating their formal and structural aspects, as well as the unique reading process they demand, this study presents a unique contribution to the current literature on comics, and helps clarify concepts and definitions useful in studying the medium. (Ph.D. dissertation, University of Alberta, 1995; revised with new preface, bibliography, and index)