Download or read book Cinema Verite in America written by Stephen Mamber and published by MIT Press (MA). This book was released on 1976-02-01 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the first full-length critical studies of a documentary technique, it discusses the filmmakers who pioneered in this genre and the films they created.
Download or read book Robert Drew and the Development of Cinema Verite in America written by P.J. O'Connell and published by SIU Press. This book was released on 2010-03-19 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: Author P. J. O’Connell traces Robert Drew’s influence on cinema verite through extensive interviews with Drew and with some of the founding fathers of American cinema verite filmmaking—Donn Alan Pennebaker, Gregory Shuker, and Richard Leacock. Robert Drew’s contributions to documentary film have been both technical and conceptual. Realizing that his equipment was too heavy and intrusive, Drew persuaded Time-Life Broadcasting to sponsor the development of new, lightweight, portable synchronous sound equipment that freed documentary filmmakers from the bulky, tripod-mounted, AC-powered equipment of the past. His new technology allowed him to capture intense moments as they happened, and to make viewers feel personally involved in the events he presented. While making more than twenty documentaries in the early 1960s, Drew continued to initiate innovations that were not thought possible a generation before him. P. J. O’Connell is the executive producer of public affairs at Penn State Television and an affiliate assistant professor in the School of Communication at Penn State University.
Download or read book The Technique of Film and Video Editing written by Ken Dancyger and published by Taylor & Francis. This book was released on 2013-04-26 with total page 510 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Technique of Film & Video Editing provides a detailed, precise look at the artistic and aesthetic principles and practices of editing for both picture and sound. Analyses of photographs from dozens of classic and contemporary films and videos provide a sound basis for the professional filmmaker and student editor. This book puts into context the storytelling choices an editor will have to make against a background of theory, history, and practice. This new edition has been updated to include the latest advances in digital video and nonlinear editing and explores the new trend of documentary as mainstream entertainment, using films such as "Farenheit 9/11" and "The Fog of War" as examples.
Download or read book Documentary Screens written by Keith Beattie and published by Red Globe Press. This book was released on 2004-05-28 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Keith Beattie's study offers a clear and comprehensive analysis of documentary film and television by adopting a 'documentary studies' approach in which non-fictional work is situated within historical, economic and disciplinary contexts.
Download or read book Where is the legacy of the cinema verite moment of documentary filmmaking to found now Your response must make detailed reference to at least two film or tv examples written by Sebastian Geipel and published by GRIN Verlag. This book was released on 2004-02-24 with total page 18 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essay from the year 2003 in the subject Communications - Movies and Television, grade: D (1,5), Macquarie University (Media Department), course: Introduction to the Cinema, language: English, abstract: This essay will treat the “Cinema verite” and its development until today. As the development in Europe and in the USA had been similar, I will choice to describe the German development and emphasis an example from the 60’s and two from today. The movie from the 60’s is the German documentary “Warum ist Frau B. glücklich?” by Erika Runge, made in 1968, the actual examples are: “Der 3. Weltkrieg” by Robert Stone, made in 1998, and “Napoleon” by David Grubin, made in 2003. The stretch will lie on the first movie. It is a perfect example for the “cinema vérité”. I will give you a short overview about the movies, explain the term authenticity and give a conclusion. And during the essay you will see differences and similarities between a motion picture and a documentary movie. You will see that today documentaries could better be called infotainment and the documentaries during the 60’s could better be called portrait. While the innovation in the late 60’s was, to show the normal life (before documentaries dealt with famous persons/situations), today normal and special events are shown in a mix of movie and documentary.
Download or read book The Essay Film written by Elizabeth Papazian and published by Columbia University Press. This book was released on 2016-11-08 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: With its increasing presence in a continuously evolving media environment, the essay film as a visual form raises new questions about the construction of the subject, its relationship to the world, and the aesthetic possibilities of cinema. In this volume, authors specializing in various national cinemas (Cuban, French, German, Israeli, Italian, Lebanese, Polish, Russian, American) and critical approaches (historical, aesthetic, postcolonial, feminist, philosophical) explore the essay film and its consequences for the theory of cinema while building on and challenging existing theories. Taking as a guiding principle the essay form's dialogic, fluid nature, the volume examines the potential of the essayistic to question, investigate, and reflect on all forms of cinema—fiction film, popular cinema, and documentary, video installation, and digital essay. A wide range of filmmakers are covered, from Dziga Vertov (Man with a Movie Camera, 1928), Chris Marker (Description of a Struggle, 1960), Nicolás Guillén Landrián (Coffea Arábiga, 1968), Pier Paolo Pasolini (Notes for an African Oresteia, 1969), Chantal Akerman (News from Home, 1976) and Jean-Luc Godard (Notre musique, 2004) to Nanni Moretti (Palombella Rossa, 1989), Mohammed Soueid (Civil War, 2002), Claire Denis (L'Intrus, 2004) and Terrence Malick (The Tree of Life, 2011), among others. The volume argues that the essayistic in film—as process, as experience, as experiment—opens the road to key issues faced by the individual in relation to the collective, but can also lead to its own subversion, as a form of dialectical thought that gravitates towards crisis.
Download or read book Cin Ethnography written by Jean Rouch and published by U of Minnesota Press. This book was released on with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the most influential figures in documentary and ethnographic filmmaking, Jean Rouch has made more than one hundred films in West Africa and France. In such acclaimed works as Jaguar, The Lion Hunters, and Cocorico, Monsieur Poulet, Rouch has explored racism, colonialism, African modernity, religious ritual, and music. He pioneered numerous film techniques and technologies, and in the process inspired generations of filmmakers, from New Wave directors, who emulated his cinema verite style, to today's documentarians. Cine-Ethnography is a long-overdue English-language resource that collects Rouch's key writings, interviews, and other materials that distill his thinking on filmmaking, ethnography, and his own career. Editor Steven Feld opens with a concise overview of Rouch's career, highlighting the themes found throughout his work. In the four essays that follow, Rouch discusses the ethnographic film as a genre, the history of African cinema, his experiences of filmmaking among the Songhay, and the intertwined histories of French colonialism, anthropology, and cinema. And in four interviews, Rouch thoughtfully reflects on each of his films, as well as his artistic, intellectual, and political concerns. Cine-Ethnography also contains an annotated transcript of Chronicle of a Summer--one of Rouch's most important works--along with commentary by the filmmakers, and concludes with a complete, annotated filmography and a bibliography. The most thorough resource on Rouch available in any language, Cine-Ethnography makes clear this remarkable and still vital filmmaker's major role in the history of documentary cinema.
Download or read book The I of the Camera written by William Rothman and published by Cambridge University Press. This book was released on 2004 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in 1988, The I of the Camera has become a classic in the literature of film. Offering alternatives to the viewing and criticism of film, William Rothman challenges readers to think about film in adventurous ways that are more open to movies and our experience of them. In a series of eloquent essays examining particular films, filmmakers, genres and movements, and the Americanness of American film, Rothman argues compellingly that movies have inherited the philosophical perspective of American transcendentalism. This second edition contains all of the essays that made the book a benchmark of film criticism. It also includes fourteen essays, written subsequent to the book s original publication, as well as a new foreword. The new chapters further broaden the scope of the volume, fleshing out its vision of film history and illuminating the author s critical method and the philosophical perspective that informs it.
Download or read book Representing Reality written by Bill Nichols and published by Indiana University Press. This book was released on 1991 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a conceptual overview of documentary filmmaking practice. It addresses numerous social issues and how they are presented to the viewer by means of style, rhetoric, and narrative technique. The volume poses questions about the relationship of the documentary tradition to power, the body, authority, knowledge, and our experience of history. This study advances the pioneering work of Nichols's earlier book, Ideology and the Image. The rigorous discussion of modes of documentary representation, the relationship between narrative and nonfiction, and the representation of the body (including a chapter on pornography, ethnography, and power), give this book enormous value for the study of visual anthropology and ethnographic film. The often neglected relationship between signifier and referent is the special focus of this intensive study of documentary film. The concluding discussion of the representation of the body will also be of special interest to semioticians.
Download or read book The Cinematic Griot written by Paul Stoller and published by University of Chicago Press. This book was released on 1992-06-15 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: The most prolific ethnographic filmmaker in the world, a pioneer of cinéma vérité and one of the earliest ethnographers of African societies, Jean Rouch (1917-) remains a controversial and often misunderstood figure in histories of anthropology and film. By examining Rouch's neglected ethnographic writings, Paul Stoller seeks to clarify the filmmaker's true place in anthropology. A brief account of Rouch's background, revealing the ethnographic foundations and intellectual assumptions underlying his fieldwork among the Songhay of Niger in the 1940s and 1950s, sets the stage for his emergence as a cinematic griot, a peripatetic bard who "recites" the story of a people through provocative imagery. Against this backdrop, Stoller considers Rouch's writings on Songhay history, myth, magic and possession, migration, and social change. By analyzing in depth some of Rouch's most important films and assessing Rouch's ethnography in terms of his own expertise in Songhay culture, Stoller demonstrates the inner connection between these two modes of representation. Stoller, who has done more fieldwork among the Songhay than anyone other than Rouch himself, here gives the first full account of Rouch the griot, whose own story scintillates with important implications for anthropology, ethnography, African studies, and film.
Download or read book Cin ma V rit written by Mohammad Ali Issari and published by . This book was released on 1971 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Dziga Vertov written by Jeremy Hicks and published by Bloomsbury Publishing. This book was released on 2007-03-28 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pioneer of political documentary and inventor of cinema verite, Dziga Vertov has exerted a decisive influence on directors from Eisenstein to Godard. Yet his reputation long rested upon a lone masterpiece, 'Man with a Movie Camera'. Recently, however Vertov has begun to be recognised as the creator of a body of innovative and distinct films and, as Jeremy Hicks argues, documentary as we know it today is unthinkable without the rediscovery of Vertov. This, the first book in English to cover the whole of Vertov's career, reveals him to be an auteur, allowing readers to combine the familiar and less familiar aspects of his filmmaking and thinking in a cohesive narrative. Jeremy Hicks demonstrates how Vertov draws on Soviet journalistic models for his transformation of newsreel into the new form of documentary film. Through analyses of "Cine-Pravda No 21" (Leninist Cine-Pravda), "Cine-Eye", "Forward Soviet!", "A Sixth Part of the Earth", "The Eleventh Year", "Man with a Movie Camera", "Enthusiasm", "Three Songs of Lenin", and "Lullaby", he shows how Vertov's greatest works combine authentic documentary footage ingeniously for tremendous rhetorical effect. Today, with the energetic revival of interest in documentary film, Vertov's reflexive and overtly partisan films are of great relevance; but they need to be better known and understood. This is the purpose of "Dziga Vertov - Defining Documentary Film".
Download or read book Nonfiction Film written by Richard Barsam and published by Indiana University Press. This book was released on 1992-11-22 with total page 508 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Richard Barsam has given us as comprehensive a study of the origins and development of the nonfiction mode in motion pictures as we are ever likely to have in one volume. He draws on all the major written sources and many which are little known, and he shares with us many eloquent descriptions of the films themselves, giving us a valuable textbook." --Richard Dyer MacCann "... superb work... " --Historical Journal of Film, Radio, and Television
Download or read book What is Cin ma V rit written by Mohammad Ali Issari and published by Metuchen, N.J. : Scarecrow Press. This book was released on 1979 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Films of Mira Nair written by Amardeep Singh and published by Univ. Press of Mississippi. This book was released on 2018-09-10 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Films of Mira Nair: Diaspora Vérité presents the first, full-length scholarly study of her cinema. Mira Nair has broken new ground as both a feminist filmmaker and an Indian filmmaker. Several of her works, especially those related to the South Asian diaspora, have been influential around the globe. Amardeep Singh delves into the complexities of Nair’s films from 1981 to 2016, offering critical commentary on all of Nair’s major works, including her early documentary projects as well as shorts. The subtitle, “diaspora vérité,” alludes to Singh’s primary theme: Nair’s filmmaking project is driven aesthetically by her background in the documentary realist tradition (cinéma vérité) and thematically by her interest in the lives of migrants and diasporic populations. Mainly, Nair’s filmmaking intends to document imaginatively the experiences of diasporic communities. Nair’s focus on the diasporic appears in the long list of her films that have explored the subject, such as Mississippi Masala, So Far from India, Monsoon Wedding, The Perez Family, My Own Country, The Namesake, and The Reluctant Fundamentalist. However, a version of the diasporic sensibility also emerges even in films with an apparently different scope, such as Nair’s adaptation of Thackeray’s Vanity Fair. Nair began her career as a documentary filmmaker in the early 1980s. While Nair now has largely moved away from the documentary format in favor of making fictional feature films, Singh shows that a documentary realist style remains active in her subsequent fictional cinema.
Download or read book Organization Representation written by John Hassard and published by SAGE. This book was released on 1998-02-28 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: The representation of organizations and working life in the popular media signifies, but also helps shape, contemporary practice and institutions. Organization-Representation unravels the complex social relationship between organization and its representation, offering new insights into the interaction between the popular images we create and receive, and the power relations that govern society, working life and culture. Representations in Hollywood movies, ethnographic and documentary films, children's literature and the popular and `quality' press replicate the power structures they supposedly describe and consequently help shape contemporary realities. This volume offers rich insights into the relations between cu
Download or read book Movies and Methods written by Bill Nichols and published by Univ of California Press. This book was released on 1976 with total page 770 pages. Available in PDF, EPUB and Kindle. Book excerpt: VOLUME 2: "Movies and Methods," Volume II, captures the developments that have given history and genre studies imaginative new models and indicates how feminist, structuralist, and psychoanalytic approaches to film have achieved fresh, valuable insights. In his thoughtful introduction, Nichols provides a context for the paradoxes that confront film studies today. He shows how shared methods and approaches continue to stimulate much of the best writing about film, points to common problems most critics and theorists have tried to resolve, and describes the internal contraditions that have restricted the usefulness of post-structuralism. Mini-introductions place each essay in a larger context and suggest its linkages with other essays in the volume. A great variety of approaches and methods characterize film writing today, and the final part conveys their diversity--from statistical style analysis to phenomenology and from gay criticisms to neoformalism. This concluding part also shows how the rigorous use of a broad range of approaches has helped remove post-structuralist criticism from its position of dominance through most of the seventies and early eighties. -- Publisher description.
