Download or read book Harmonic Function in Chromatic Music written by Daniel Harrison and published by University of Chicago Press. This book was released on 1994-05-28 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: Applicable on a wide scale not only to this repertory, Harrison's lucid explications of abstract theoretical concepts provide new insights into the workings of tonal systems in general.
Download or read book Chromaticism in Jazz Applying Techniques and Concepts written by Masaya Yamaguchi and published by Masaya Music. This book was released on 2012-09-23 with total page 82 pages. Available in PDF, EPUB and Kindle. Book excerpt: he purpose of this book is to share my thoughts with all melodic instrumentalists, to suggest an avenue into chromatic jazz improvisation. The title Chromaticism in Jazz implies the coloristic, intervallic, non-diatonic, paratonal, and superimposition styles of jazz improvisation that may be represented by the mid-60 s Miles Davis Quintet and the 60 s John Coltrane Quartet (and later Coltrane groups). It must also be noted that the application of chromatic lines in improvisation should not overshadow the natural flow of ideas, but should be explored thoughtfully to create contrast and more lyrical, melodic playing. As the subject of dissonance versus consonance has shifted and evolved throughout the course of jazz history, chromaticism has been developed by later generations to stretch the boundaries of jazz improvisation. The use of superimposed lines against harmonic structures can often create an interesting deflection, in conjunction with more standard jazz language. This work will lay the structural guidelines of chromaticism and give some examples of how chromatic lines can be used in a jazz context. After learning the evolution of chromaticism in recorded jazz, you will then gain the knowledge and skill to explore further possibilities. I hope this book will offer a new treatment for the chromatic deficiency in American musical society at large.
Download or read book Composition Chromaticism and the Developmental Process written by Henry Burnett and published by Routledge. This book was released on 2017-07-05 with total page 431 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musicology, having been transmitted as a compilation of disparate events and disciplines, has long necessitated a 'magic bullet', a 'unified field theory' so to speak, that can interpret the steady metamorphosis of Western art music from late medieval modality to twentieth-century atonality within a single theoretical construct. Without that magic bullet, discussions of this kind are increasingly complicated and, to make matters worse, the validity of any transformational models and ideas of the natural evolution of styles is questioned and even frowned upon today as epitomizing a grotesque teleological bigotry. Going against current thinking, Henry Burnett and Roy Nitzberg claim that the teleological approach to observing stylistic change is still valid when considered from the purely compositional perspective. The authors challenge the traditional understanding of development, and advance a new theory of eleven-pitch tonality as it relates to the corpus of Western composition. The book plots the evolution of tonality and its bearing on style and the compositional process itself. The theory is not based on the diatonic aspect of the various tonal systems exploited by composers; rather, the theory is chromatically based - the chromatically inflected octave being the source not only of a highly ingenious developmental dialectic, but also encompassing the moment-to-moment progression of the musical narrative itself. Even the most profound teachings of Schenker, and the often startlingly original and worthwhile speculations of Riemann, Tovey, Dahlhaus and others, still provide no theory of development and so are ultimately unable to unite the various tendrils of the compositional organism into a unified whole. Burnett and Nitzberg move beyond existing theory and analysis to base their theory from the standpoint of chromatic 'pitch fields'. These fields are the specific chromatic pitch choices that a composer uses to inform and design a complete composition, utilizing
Download or read book Desire in Chromatic Harmony written by Kenneth M. Smith and published by Oxford University Press. This book was released on 2020-04-15 with total page 361 pages. Available in PDF, EPUB and Kindle. Book excerpt: How does musical harmony engage listeners in relations of desire? Where does this desire come from? Author Kenneth Smith seeks to answer these questions by analyzing works from the turn of the twentieth- century that are both harmonically enriched and psychologically complex. Desire in Chromatic Harmony yields a new theory of how chromatic chord progressions direct the listener on intricate journeys through harmonic space, mirroring the tensions of the psyche found in Schopenhauer, Freud, Lacan, Lyotard, and Deleuze. Smith extends this mode of enquiry into sophisticated music theory, while exploring philosophically engaged European and American composers such as Richard Strauss, Alexander Skryabin, Josef Suk, Charles Ives, and Aaron Copland. Focusing on harmony and chord progression, the book drills down into the diatonic undercurrent beneath densely chromatic and dissonant surfaces. From the obsession with death and mourning in Suk's asrael Symphony to an exploration of "perversion" in Strauss's elektra; from the Sufi mysticism of Szymanowski's Song of the Night to the failed fantasy of the American dream in Copland's The Tender Land, Desire in Chromatic Harmony cuts a path through the dense forests of chromatic complexity, revealing the psychological make-up of post-Wagnerian psychodynamic music.
Download or read book Chromaticism written by Vladimir Barsky and published by Routledge. This book was released on 2014-05-01 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musical practices in the 20th century pose new and complex problems in the study of the fundamental principles of pitch organization. The analysis of basic harmonic categories, one of which is chromaticism, acquires particular importance as a means of restoring time, which has gone out of joint and identifying the logical principles in the historical process of musical development. Vladimir Barsky, in his thoroughly researched and clearly written guide, traces the progress of the concept of chromaticism throughout Western musical history, and recreates an integrated logical and historical perspective in order to make a specific study of this key subject. He identifies the dynamics of the changing historical theories of chromaticism and relates these to musical practices, applying them to the analysis of current pitch systems. This book will be an invaluable tool for readers whose aim is to come nearer to comprehending the idioms of 20th century music.
Download or read book Audacious Euphony written by Richard Cohn and published by Oxford University Press. This book was released on 2012-01-01 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music theorists have long believed that 19th-century triadic progressions idiomatically extend the diatonic syntax of 18th-century classical tonality, and have accordingly unified the two repertories under a single mode of representation. Post-structuralist musicologists have challenged this belief, advancing the view that many romantic triadic progressions exceed the reach of classical syntax and are mobilized as the result of a transgressive, anti-syntactic impulse. In Audacious Euphony, author Richard Cohn takes both of these views to task, arguing that romantic harmony operates under syntactic principles distinct from those that underlie classical tonality, but no less susceptible to systematic definition. Charting this alternative triadic syntax, Cohn reconceives what consonant triads are, and how they relate to one another. In doing so, he shows that major and minor triads have two distinct natures: one based on their acoustic properties, and the other on their ability to voice-lead smoothly to each other in the chromatic universe. Whereas their acoustic nature underlies the diatonic tonality of the classical tradition, their voice-leading properties are optimized by the pan-triadic progressions characteristic of the 19th century. Audacious Euphony develops a set of inter-related maps that organize intuitions about triadic proximity as seen through the lens of voice-leading proximity, using various geometries related to the 19th-century Tonnetz. This model leads to cogent analyses both of particular compositions and of historical trends across the long nineteenth century. Essential reading for music theorists, Audacious Euphony is also a valuable resource for music historians, performers and composers.
Download or read book A Chromatic Approach to Jazz Harmony and Melody written by Dave Liebman and published by . This book was released on 2006 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Chromatic Fourth During Four Centuries of Music written by Peter Williams and published by Oxford University Press. This book was released on 1997 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: The "Chromatic Fourth" is a musical pattern of six notes moving by step up or down the scale. In this essentially practical study Peter Williams draws on his extensive knowledge of the music of four centuries to investigate and analyze over 200 examples taken from composers ranging from Bach to Bart k, and from Schubert to Shostakovich.
Download or read book Triadic Chromatic Approach written by George Garzone and published by Garlianus Musical Editions. This book was released on 2020-04-03 with total page 51 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book Chromatic Lines Over Standard Tune Chord Progressions is designed to free the improvisor from the normal sounds that he or she usually plays. All the compositions are based off on the Triadic Chromatic Approach concept, so you will get a clear example of the sound itself from the combination of the Triadic Chromatic Approach and the standard progressions. For all Bb, Eb, C and Bass instruments. You will find in this book compositions and exercises with chromatic lines.
Download or read book Chromaticism written by Vladimir Barskiĭ and published by Routledge. This book was released on 1996 with total page 211 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musical practices in the 20th century pose new and complex problems in the study of the fundamental principles of pitch organisation. The analysis of basic harmonic categories, one of which is chromaticism, acquires particular importance as a means of restoring time, which has gone "out of joint" and identifying the logical principles in the historical process of musical development. Vladimir Barsky, in this thoroughly researched and clearly written guide, traces the progress of the concept of chromaticism throughout Western musical history, and recreates an integrated logical and historical perspective in order to make a specific study of this key subject. He identifies the dynamics of the changing historical theories of chromaticism and relates these to musical practices, applying them to the analysis of current pitch systems. This book will be an invaluable tool for readers whose aim is to come nearer to understanding the idioms of 20th-century music.
Download or read book A Creative Approach to Music Fundamentals written by William Duckworth and published by Cengage Learning. This book was released on 2012-01-10 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: A CREATIVE APPROACH TO MUSIC FUNDAMENTALS is a reader-friendly, creative text that focuses on music fundamentals through written and aural exercises. In addition, the text strives to teach students how to create music through learning rhythm, melody, scales, intervals, and triads. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
Download or read book How to Create Jazz Chord Progressions written by Chuck Marohnic and published by Alfred Music. This book was released on with total page 48 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chuck Marohnic gives the keyboard player a basic vocabulary of scales and chords, chord changes and voicings. Included is information about the cycle of fifths, the III-V-I progression, chord substitutions, blues, turn-arounds, relative majors/minors.
Download or read book Chromatic Harmony written by Justine Shir-Cliff and published by . This book was released on 1965 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Chromaticism written by Howard Boatwright and published by Fayetteville, N.Y. : Walnut Grove Press. This book was released on 1994 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: After defining chromaticism, this work derives the 12 tones by monochord, discussing various tunings and the units of all pitch structures. It offers a theory of chromatic modes before illustrating the polyphonic-additive process and includes an entire movement of a string quartet.
Download or read book Lyric Cousins written by Fiona Sampson and published by Edinburgh University Press. This book was released on 2016-10-27 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Leading poet, critic and former musician explores the 'deep forms' common to both poetry and musicToday, poetry and art music occupy similar cultural positions: each has a tendency to be regarded as problematic, adifficult and therefore aelitist. Despite this, the audiences and numbers of participants for each are substantial: yet they tend not to overlap. This is odd, because the forms share early history in song and saga, and have some striking similarities, often summed up in the word lyric.These similarities include much that is most significant to the experience of each, and so of most interest to practitioners and audiences. They encompass, at the very least: the way each art-form is aural, and takes place in time; a shared reliance on temporal, rather than spatial, forms; an engagement with sensory experience and pleasure; availability for both shared public performance and private reading, sight-reading and hearing in memory; and scope for non-denotative meaning. In other words, looking at these elements in music is a way to look at them in poetry, and vice versa.This is a study of these two formal craft traditions that is concerned with the similarities in their roles, structures, projects and capacities.Key FeaturesSets out a new way to think about both music and poetry Doesnt make its arguments from within or for one particular school of music or poetry but has wide applicability Uses each 'cousin' art-form to cast light on the other as a whole: it is not just for poet-musicians, or musicians writing for voiceA rare 'joint' perspective: written by an award-winning poet who was formerly a professional musician
Download or read book Emotion and Meaning in Music written by Leonard B. Meyer and published by University of Chicago Press. This book was released on 1956 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lays the groundwork for exhaustive study of the basic problem of music theory and aesthetics, the relationship between pattern and meaning, and provides a basis for the meaningful discussion of emotion and meaning in all art.
Download or read book Chromaticism Non Diatonic Scales How to Play Outside the Stated Tonality Book Online Audio written by David Liebman and published by Alfred Music. This book was released on 2015-04 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A concise description of David's approach to playing over the stated tonality using chromaticism, polychords, derived chords, and non-diatonic scales. Includes a CD of David playing examples over selected piano chords. A sure way to "hip up" and modernize your playing.
