Download or read book Catalogue of European Paintings Before Eighteen Hundred by Ursula Hoff written by National Gallery of Victoria and published by . This book was released on 1961 with total page 64 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book European Painting and Sculpture Before 1800 written by Ursula Hoff and published by . This book was released on 1973 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book European Paintings Before Eighteen Hundred written by Ursula Hoff and published by . This book was released on 1967 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalogue of the Harvard University Fine Arts Library the Fogg Art Museum written by Harvard University. Fine Arts Library and published by . This book was released on 1971 with total page 880 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalogue of the Library of the National Gallery of Canada Has Mag written by Ottawa. National Gallery of Canada. Library and published by . This book was released on 1973 with total page 776 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book National Union Catalog written by and published by . This book was released on 1968 with total page 648 pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes entries for maps and atlases.

Download or read book Catalogue of the Library of the National Gallery of Canada Mah written by National Gallery of Canada. Library and published by . This book was released on 1973 with total page 798 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Jan van Eyck and Portugal s Illustrious Generation written by Barbara von Barghahn and published by Pindar Press. This book was released on 2013-12-31 with total page 887 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book investigates Jan Van Eyck's patronage by the Crown of Portugal and his role as diplomat-painter for the Duchy of Burgundy following his first voyage to Lisbon in 1428-1429, when he painted two portraits of Infanta Isabella, who became the third wife of Philip the Good in 1430. New portrait identifications are provided for the Ghent Altarpiece (1432) and its iconographical prototype, the lost Fountain of Life. These altarpieces are analysed with regard to King Joao I's conquest of Ceuta, achieved by his sons, who were hailed as an "illustrious generation." Strong family ties between the dynastic houses of Avis and Lancaster explain Lusitania's sustained fascination with Arthurian lore and the Grail quest. Several chapters of this book are overlaid with a chivalric veneer. A second "secret mission" to Portugal in 1437 by Jan van Eyck is postulated and this diplomatic visit is related to Prince Henry the Navigator's expedition to Tangier and King Duarte's attempts to forge an alliance with Alfonso V of Aragon. Late Eyckian commissions are reviewed in the light of this ill-fated crusade and additional new portraits are identified. The most significant artist of Renaissance Flanders appears to have been patronized as much by the House of Avis as by the Duchy of Burgundy. Barbara von Barghahn is Professor of Art History at George Washington University and a specialist in the art history of Portugal, Spain, and their colonial dominions, as well as Flanders. In 1993, she was conferred O Grao Comendador in the Portuguese Order of Prince Henry the Navigator. She has spent nearly a decade completing research about Jan van Eyck's diplomatic visits to the Iberian Peninsula.

Download or read book European Paintings Before 1800 in Australian and New Zealand Public Collections written by P. A. Tomory and published by . This book was released on 1989 with total page 156 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Library Catalog of the Metropolitan Museum of Art written by Metropolitan Museum of Art (New York, N.Y.). Library and published by . This book was released on 1973 with total page 842 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Pompeo Batoni written by Edgar Peters Bowron and published by Yale University Press. This book was released on 2007-01-01 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Inventive storytelling: the early subject pictures -- Batoni's British patrons and the grand tour -- Painter of princes and prince of painters -- Restorer of the Roman school: final years and reception -- Drawings, working methods, and studio practices.

Download or read book Library Catalog of the Metropolitan Museum of Art New York written by Metropolitan Museum of Art (New York, N.Y.). Library and published by . This book was released on 1980 with total page 802 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book A Pavane for Another Time written by Bernard Smith and published by Macmillan Education AU. This book was released on 2002 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following art historian Bernard Smith's award-winning autobiographical account of his earlier life ("The Boy Adeodatus: the portrait of a lucky young bastard", first published in 1984) he now reflects on life in the 1940s. Themes recalling the period before the family departed for England in September 1948 include; courtship and marriage; forebodings of war and attitudes to Communism and Fascism; political involvement in cultural activities with artists and emigre European-trained art historians anxious to promote modern art and knowledge of art history (not taught in universities at that time) and early employment at the Art Gallery of New South Wales pioneering the arrangement of travelling exhibitions for regional centres. Smith's formative training as an art historian and critic is the important and recurring theme of this book. It encompasses his encounters at London's Courtauld and Warburg Institutes with art historians Anthony Blunt, Ernst Gombrich, Rudolf Wittkower and many others; his introduction to art historical methodologies and insights (such as Gombrich's insistence on the linkage between image and concept); and his obligatory 'grand tours' of a range of European cities and their museums, art works and architectural monuments.

Download or read book General Catalogue of Printed Books written by British Museum. Department of Printed Books and published by . This book was released on 1968 with total page 530 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Paintings of Titian written by Harold Edwin Wethey and published by . This book was released on 1971 with total page 460 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Volume of the Walpole Society written by Walpole Society (Great Britain) and published by . This book was released on 1976 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book British Art for Australia 1860 1953 written by Matthew C. Potter and published by Routledge. This book was released on 2018-12-21 with total page 603 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traditional postcolonial scholarship on art and imperialism emphasises tensions between colonising cores and subjugated peripheries. The ties between London and British white settler colonies have been comparatively neglected. Artworks not only reveal the controlling intentions of imperialist artists in their creation but also the uses to which they were put by others in their afterlives. In many cases they were used to fuel contests over cultural identity which expose a mixture of rifts and consensuses within the British ranks which were frequently assumed to be homogeneous. British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian national galleries and other key Australian and UK institutions. Multiple audiences in the disciplines of art history, cultural history, and museology are addressed by analysing how Australians used British art to carve a distinct identity, which artworks were desirable, economically attainable, and why, and how the acquisition of British art fits into a broader cultural context of the British world. It considers the often competing roles of the British Old Masters (e.g. Romney and Constable), Victorian (e.g. Madox Brown and Millais), and modern artists (e.g. Nash and Spencer) alongside political and economic factors, including the developing global art market, imperial commerce, Australian Federation, the First World War, and the coming of age of the Commonwealth.