Download or read book Byzantine Neumes written by Christian Troelsgård and published by Museum Tusculanum. This book was released on 2011 with total page 141 pages. Available in PDF, EPUB and Kindle. Book excerpt: The medieval chant of Byzantium is but little-known, although a large body of music has been preserved in neumatic notation. This book discusses such topics as chant transmission before the neumes, the varieties of Byzantine musical notations, words and music in Byzantine chant, and Byzantine and Western neu-matic notations, modes and melody.
Download or read book Byzantine Music and Hymnography written by Henry Julius Wetenhall Tillyard and published by [London] : Faith Press. This book was released on 1923 with total page 88 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Aural Architecture in Byzantium Music Acoustics and Ritual written by Bissera Pentcheva and published by Taylor & Francis. This book was released on 2017-07-14 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of figures -- List of contributors -- Acknowledgments -- Introduction -- 1 Aural architecture in Jerusalem, Rome, Constantinople, and Alexandria -- 2 The great outdoors: liturgical encounters with the early medieval Armenian church -- 3 Byzantine chant notation: written documents in an aural tradition -- 4 Understanding liturgy: the Byzantine liturgical commentaries -- 5 Christ's all-seeing eye in the dome -- 6 Transfigured: mosaic and liturgy at Nea Moni -- 7 We who musically represent the cherubim -- 8 Spatiality, embodiment, and agency in ekphraseis of church buildings -- 9 Acoustics of Hagia Sophia: a scientific approach to the humanities and sacred space -- 10 Live auralization of Cappella Romana at the Bing Concert Hall, Stanford University -- Glossary -- Bibliography -- Index
Download or read book Performing the Gospels in Byzantium written by Roland Betancourt and published by Cambridge University Press. This book was released on 2021-05-13 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tracing the Gospel text from script to illustration to recitation, this study looks at how illuminated manuscripts operated within ritual and architecture. Focusing on a group of richly illuminated lectionaries from the late eleventh century, the book articulates how the process of textual recitation produced marginalia and miniatures that reflected and subverted the manner in which the Gospel was read and simultaneously imagined by readers and listeners alike. This unique approach to manuscript illumination points to images that slowly unfolded in the mind of its listeners as they imagined the text being recited, as meaning carefully changed and built as the text proceeded. By examining this process within specific acoustic architectural spaces and the sonic conditions of medieval chant, the volume brings together the concerns of sound studies, liturgical studies, and art history to demonstrate how images, texts, and recitations played with the environment of the Middle Byzantine church.
Download or read book Armenian Neume System of Notation written by R. A. At'ayan and published by Routledge. This book was released on 2013-11-19 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: The study of the Armenian system of notation called Khazs (Neumes) is of significance both for Armenian and Byzantine music from a historical and aesthetic point of view. Over the centuries the Armenian people have created a musical culture which is largely inaccessible because of the fact that to this day the medieval notation of this music has not been deciphered. Prof. R.A. At'ayan's unique study based on the abundant manuscript sources of the Institute of Ancient Manuscripts (Erevan) not only traces the origin and development of this notation system convincingly, but also re-creates the tunes of the numerous chants and songs composed over the centuries.
Download or read book Russian Church Singing History from the origins to the mid seventeenth century written by Johann von Gardner and published by St Vladimir's Seminary Press. This book was released on 1980 with total page 402 pages. Available in PDF, EPUB and Kindle. Book excerpt: The history of church singing in Russia constitutes an essential aspect of that nation's culture and musical history. For the first 650 years, from the Christianization of Rus' in the year 988, liturgical chant was the only documentable art music in that vast territory that eventually became the modern nations of Russia, Ukraine and Belarus. Indeed, in Russia before the revolution of 1917, "liturgical musicology" was a bona fide scholarly discipline, taught in conservatories, universities, and theological seminaries. All activity in the field came to a halt, however, during the 75-year "Soviet era," when the study and practice of sacred music was severely repressed for ideological reasons, with a resulting lack of published research and secondary material. Consequently, Russian and Western music historians, church musicians, and liturgical scholars (as well as ordinary church-goers), whose interest in Orthodox Christianity and its art has been increasing of late, have been deprived of reference works that would impart even a general knowledge of the history and development of liturgical singing in the Russian Orthodox Church. The present Volume, Russian Church Singing: Volume 2 is the second installment of Professor Johann von Gardner's monumental work to appear in English translation. The 396-page volume, translated and edited by Dr. Vladimir Morosan, considers the development and practice of liturgical chant in the Russian lands from a variety of aspects: its origins and the various cultural influences upon its formation; extant manuscripts; the evolution of the notation and the problematics of deciphering it into modern-day notes; the forces involved in its performance; its stylistic evolution from exclusively monodic forms to improvised and, eventually, notated polyphony; its earliest known composers and performing ensembles; its aesthetics in relation to liturgy, the language, and the various problems that arose over the centuries, resulting in the adoption of Westernized stylistic models around the year 1650, which marks the approximate end of the time period covered in this volume. Much of this information is made accessible for the first time to the English reader, and will be of interest both to the specialist and to the general reader, generating a healthy demand for further research and exploration into this fascinating and hitherto unknown field. Book jacket.
Download or read book Byzantine Ecclesiastical Music written by Basilios Psilacos and published by Lulu.com. This book was released on 2010 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: An excellent book for English-speaking students and teachers of Byzantine Music Notation. Its principles are according to referenced traditional teachers. Context includes practical exercises and theory in text book format.
Download or read book Liturgy and the Emotions in Byzantium written by Andrew Mellas and published by Cambridge University Press. This book was released on 2020-07-09 with total page 219 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the liturgical experience of emotions in Byzantium through the hymns of Romanos the Melodist, Andrew of Crete and Kassia. It reimagines the performance of their hymns during Great Lent and Holy Week in Constantinople. In doing so, it understands compunction as a liturgical emotion, intertwined with paradisal nostalgia, a desire for repentance and a wellspring of tears. For the faithful, liturgical emotions were embodied experiences that were enacted through sacred song and mystagogy. The three hymnographers chosen for this study span a period of nearly four centuries and had an important connection to Constantinople, which forms the topographical and liturgical nexus of the study. Their work also covers three distinct genres of hymnography: kontakion, kanon and sticheron idiomelon. Through these lenses of period, place and genre this study examines the affective performativity hymns and the Byzantine experience of compunction.
Download or read book Cultural Transfer of Music between Byzantium and the West written by Nina-Maria Wanek and published by BRILL. This book was released on 2024-04-25 with total page 687 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first comprehensive study of Greek language ordinary chants (Gloria/Doxa, Credo/Pisteuo, Sanctus/Hagios and Agnus Dei/Amnos tu theu) in Western manuscripts from the 9th to 14th centuries. These chants – known as “Missa Graeca” – have been the subject of academic research for over a hundred years. So far, however, research has been almost exclusively from a Western point of view, without knowledge of the Byzantine sources. For the first time, this book presents an in-depth analysis of these chants and their historical, linguistic and theological-liturgical environment from a Byzantine perspective. The new approach enables the author to refute numerous (and largely contradictory) theories on the origin and development of the Missa Graeca and provides new answers to old questions.
Download or read book Musical News written by and published by . This book was released on 1904 with total page 616 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Experiencing Byzantium written by Dr Claire Nesbitt and published by Ashgate Publishing, Ltd.. This book was released on 2013-11-28 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the reception of imperial ekphraseis in Hagia Sophia to the sounds and smells of the back streets of Constantinople, the sensory perception of Byzantium is an area that lends itself perfectly to an investigation into the experience of the Byzantine world. The theme of experience embraces all aspects of Byzantine studies and the Experiencing Byzantium symposium brought together archaeologists, architects, art historians, historians, musicians and theologians in a common quest to step across the line that divides how we understand and experience the Byzantine world and how the Byzantines themselves perceived the sensual aspects of their empire and also their faith, spirituality, identity and the nature of ‘being’ in Byzantium. The papers in this volume derive from the 44th Spring Symposium of Byzantine Studies, held for the Society for the Promotion of Byzantine Studies by the University of Newcastle and University of Durham, at Newcastle upon Tyne in April 2011. They are written by a group of international scholars who have crossed disciplinary boundaries to approach an understanding of experience in the Byzantine world. Experiencing Byzantium is volume 18 in the series published by Ashgate on behalf of the Society for the Promotion of Byzantine Studies.
Download or read book Armenian Neume System of Notation written by R. A. At'ayan and published by Routledge. This book was released on 2013-11-19 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: The study of the Armenian system of notation called Khazs (Neumes) is of significance both for Armenian and Byzantine music from a historical and aesthetic point of view. Over the centuries the Armenian people have created a musical culture which is largely inaccessible because of the fact that to this day the medieval notation of this music has not been deciphered. Prof. R.A. At'ayan's unique study based on the abundant manuscript sources of the Institute of Ancient Manuscripts (Erevan) not only traces the origin and development of this notation system convincingly, but also re-creates the tunes of the numerous chants and songs composed over the centuries.
Download or read book The Harvard Dictionary of Music written by Don Michael Randel and published by Harvard University Press. This book was released on 2003-11-28 with total page 1020 pages. Available in PDF, EPUB and Kindle. Book excerpt: This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.
Download or read book Performing Orthodox Ritual in Byzantium written by Andrew Walker White and published by Cambridge University Press. This book was released on 2015-10-08 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this groundbreaking, interdisciplinary study, Andrew Walker White explores the origins of Byzantine ritual - the rites of the early Greek Orthodox Church - and its unique relationship with traditional theatre. Tracing the secularization of pagan theatre, the rise of rhetoric as an alternative to acting, as well as the transmission of ancient methods of musical composition into the Byzantine era, White demonstrates how Christian ritual was in effect a post-theatrical performing art, created by intellectuals who were fully aware of traditional theatre but who endeavoured to avoid it. The book explores how Orthodox rites avoid the aesthetic appreciation associated with secular art, and conducts an in-depth study (and reconstruction) of the late Byzantine Service of the Furnace. Often treated as a liturgical drama, White translates and delineates the features of five extant versions, to show how and why it generated widely diverse audience reactions in both medieval times and our own.
Download or read book Age of Transition written by Edward Bleiberg and published by Metropolitan Museum of Art. This book was released on 2015 with total page 173 pages. Available in PDF, EPUB and Kindle. Book excerpt: Building on the groundbreaking 2012 exhibition “Byzantium and Islam: Age of Transition,” which explored the transformations and continuities in the Byzantine Empire from the seventh to the ninth century, the present volume extends the exhibition catalogue’s innovative investigation of cultural interaction between Christian and Jewish communities and the world of Islam. Eleven essays by internationally distinguished scholars address such topics as the transmission of Christian imagery to the Mediterranean, icons preserved in The Holy Monastery of Saint Catherine at Sinai, interaction between Jewish communities and the Muslim world, the purposeful mutilation of figurative floor mosaics in places of worship, the evolution of classical and Byzantine motifs in a new cosmology for Muslim rulers, and interconnections in the realm of music. Each essay provides compelling evidence that the era of transition from Byzantine to Islamic rule in the eastern Mediterranean and North Africa resulted in unprecedented cultural cross-fertilization and significantly affected the development of the Mediterranean world for centuries to come.
Download or read book Experiencing Byzantium written by Claire Nesbitt and published by Routledge. This book was released on 2016-04-22 with total page 407 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the reception of imperial ekphraseis in Hagia Sophia to the sounds and smells of the back streets of Constantinople, the sensory perception of Byzantium is an area that lends itself perfectly to an investigation into the experience of the Byzantine world. The theme of experience embraces all aspects of Byzantine studies and the Experiencing Byzantium symposium brought together archaeologists, architects, art historians, historians, musicians and theologians in a common quest to step across the line that divides how we understand and experience the Byzantine world and how the Byzantines themselves perceived the sensual aspects of their empire and also their faith, spirituality, identity and the nature of ’being’ in Byzantium. The papers in this volume derive from the 44th Spring Symposium of Byzantine Studies, held for the Society for the Promotion of Byzantine Studies by the University of Newcastle and University of Durham, at Newcastle upon Tyne in April 2011. They are written by a group of international scholars who have crossed disciplinary boundaries to approach an understanding of experience in the Byzantine world. Experiencing Byzantium is volume 18 in the series published by Ashgate on behalf of the Society for the Promotion of Byzantine Studies.
Download or read book The Sacred Bridge written by Eric Werner and published by KTAV Publishing House, Inc.. This book was released on 1959 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This is the first full-length comparative study of the music of the Christian and Jewish liturgies. It is designed to show the liturgical and musical interdependence of Church and Synagogue during the first millennium of the Christian era and to highlight the series of cultural exhanges between East and West that occurred during those centuries. With a wealth of scholarly evidence, the author tells the story of the development of the Christian forms of worship, both Eastern and Roman. At the same time he explains the modifications made in Jewish ceremonies and rituals, in areas where Jews and Christians lived side by side, with resulting exchange in both directions, from Church to Synagogue as well as from Synagogue to Church. Professor Werner first examines Jewish practices of worship at the time of the beginnings of Christianity and then traces the spread and modifications of these ancient Jewish, and even pre-Jewish, conceptions of sacred music and ritual as they were adapted by various Christian groups. Historical, philological, and musicological scholarship is used to discover the complex interrelationship between Christian and Hebraic elements in prayer books, poetry and psalmody, hymns, devotional music, and all the other aspects of sacred liturgy. Professor Werner has used many sources previously neglected and has reexamined those already available. Scholars of theology, liturgy, and music, and historians as well, will find much that will stimulate further research, and all interested in the formation of the religions of the West will stand to profit from this scholarly work on the interplay of two great religious movements." --Jacket.
