Download or read book Brechtian Cinemas written by Nenad Jovanovic and published by SUNY Press. This book was released on 2017-01-30 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the influence of Bertolt Brechts ideas on the practice and study of cinema. In Brechtian Cinemas, Nenad Jovanovic uses examples from select major filmmakers to delineate the variety of ways in which Bertolt Brechts concept of epic/dialectic theatre has been adopted and deployed in international cinema. Jovanovic critically engages Brechts ideas and their most influential interpretations in film studies, from apparatus theory in the 1970s to the presently dominant cognitivist approach. He then examines a broad body of films, including Brechts own Mysteries of a Hairdressing Salon (1923) and Kuhle Wampe (1932), Jean-Marie Straub and Danièle Huillets History Lessons (1972), Peter Watkinss La Commune (2000), and Lars von Triers Nymphomaniac (2013). Jovanovic argues that the role of montagea principal source of artistic estrangement (Verfremdung) in earlier Brechtian filmshas diminished as a result of the techniques conventionalization by todays Hollywood and related industries. Operating as primary agents of Verfremdung in contemporary films inspired by Brechts view of the world and the arts, Jovanovic claims, are conventions borrowed from the main medium of his expression, theatre. Drawing upon a vast number of sources and disciplines that include cultural, film, literature, and theatre studies, Brechtian Cinemas demonstrates a continued and broad relevance of Brecht for the practice and understanding of cinema. This book opens up one of the most vaguely and often ill employed terms within film theory for extremely detailed discussion, providing the most thorough analysis of Brechtianism available to film scholars. It will become a standard reference. R. Barton Palmer, coeditor of Invented Lives, Imagined Communities: The Biopic and American National Identity
Download or read book Rethinking Brechtian Film Theory and Cinema written by Angelos Koutsourakis and published by Edinburgh University Press. This book was released on 2018-09-20 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Making a compelling argument for the continuing relevance of Brechtian film theory and cinema, this book offers new research and analysis of Brecht the film and media theorist, placing his scattered writings on the subject within the lively film theory debates that took place in Europe between the 1920sÃǾ2ƠÂ01960s.
Download or read book Brecht and East Asian Theatre written by Anthony Tatlow and published by Hong Kong University Press. This book was released on 1983-01-01 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book contains unique information about Bertolt Brecht and East Asian theatre. It focuses in particular on China and offers first and detailed accounts of important Brecht productions from those directly involved. Hence it grants remarkable insight into the problems of modern Chinese theatre and its relationship to Western theatre and into possible future developments. The book also throws light on Brecht's work and suggests ways of 're-producing' Brecht in the West. It consists of papers presented at a Hong Kong conference by distinguished Western critics (John Willett, Klaus Volker) and prominent practitioners of the theatre in China - directors (Huang Zuolin, Chen Yong), stage designers, translators and scholars. There are also accounts of Brecht productions in Japan and India, which form a stimulating contrast with the Chinese experience. With a wealth of practical examples, the book enables us to appreciate how theatre develops within different social structures. Presenting examples of cultural affinity and cultural disjunction, it also makes a useful contribution to intercultural study.
Download or read book The Theatre of Bertolt Brecht written by John Willett and published by . This book was released on 1977 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Brecht on Theatre written by Bertolt Brecht and published by Macmillan. This book was released on 1964 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays of Brecht translated and edited to explain his theories and discussion of his dramatic works.
Download or read book Brecht Broadway and United States Theater written by J. Chris Westgate and published by Cambridge Scholars Publishing. This book was released on 2009-05-05 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: Not long after the 2001 terrorist attacks in New York City, Bertolt Brecht’s name was on the lips of many writing about Broadway. Invoked knowingly—but not always knowledgeably—“Brecht” became something between marketing strategy and erudite justification for another season of Broadway musicals, another ignominy endured by the German playwright whose epic theater has only seldom been understood in the United States. To say that Brechtian and Broadway theatrical traditions represent divergence of philosophy, method, or ambition is to indulge—with the whimsy of Mark Twain—in understatement. Nevertheless, many references to Brecht since 2001 imply compatibility instead of contradiction—a confusion or corruption that suggested the need of looking closely at what Brecht wrote and intended in his epic theater more than seventy years after his first—and, unfortunately, typical—experience with United States theater. Beginning with the 1935 production of The Mother and moving through recent productions of political theater, including The Resistible Rise of Arturo Ui, Urinetown: The Musical, and My Name is Rachel Corrie, this anthology considers the encounters of Brecht and Broadway in terms of dramaturgy, performance, and reception. The essays in this anthology explore the political, cultural, and economic constraints shaping many of the encounters of Brecht and Broadway in U.S. theater history. This means looking at how, in many cases, epic theater has been co-opted and commodified by Broadway and what that commodification reveals about the culture of theater. Simultaneously, this means theorizing how epic theater finds—or can find—ways of providing a necessary bulwark against Broadway escapism, and what this suggests for the future of political theater in the U.S. What results is a dialectical history tracing Brecht’s encounters with Broadway, a history that opens-up and debates the complicated and often conflicted influence of Bertolt Brecht on United States theater. “Dr. Westgate's book on Brecht and Broadway is an excellent study of the reception of Brecht's work in the American theater and academe. Brecht, along with Moliere; Ibsen and Chekhov, is one of the most frequently performed playwrights in translation in America. A thorough investigation of the trajectory of Brecht stagings on Broadway has long been overdue. I am very grateful that Dr. Westgate has taken on the task and arrived at such a splendid result. The book is a must reading for any serious Brecht scholar.” —Carl Weber, Stanford Drama Department, Collaborator with Brecht at the Berliner Ensemble, Director of many Brecht stagings in the U.S. “This is a provocative collection of essays outlining the sometimes unexpected connections between Brecht and the Broadway theatre. Like Brecht himself, these essays are playful, argumentative, and productively dialectical in their contradictions. The book is both entertaining and educational, and bound to provoke healthy debate. I recommend it as a demonstration of the ongoing relevance of Brechtian theories of theatre to the analysis of mainstream commercial theatre." —Sean Carney, Associate Professor, McGill University
Download or read book Brecht Turkish Theater and Turkish German Literature written by Ela E. Gezen and published by Boydell & Brewer. This book was released on 2018 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: Uncovers the central role of Brecht reception in Turkish theater and Turkish-German literature, examining interactions between Turkish and German writers, texts, and contexts.
Download or read book After Brecht written by Janelle G. Reinelt and published by University of Michigan Press. This book was released on 1994 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: How contemporary British political theater has evolved and expanded from the legacy of Bertolt Brecht
Download or read book Brecht in India written by Dr. Prateek and published by Routledge. This book was released on 2020-11-12 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: Brecht in India analyses the dramaturgy and theatrical practices of the German playwright Bertolt Brecht in post-independence India. The book explores how post-independence Indian drama is an instance of a cultural palimpsest, a site celebrating a dialogue between Western and Indian theatrical traditions, rather than a homogenous and isolated canon. Analysing the dissemination of a selection of Brecht’s plays in the Hindi belt between the 1960s and the 1990s, this study demonstrates that Brecht’s work provided aesthetic and ideological paradigms to modern Hindi playwrights, helping them develop and stage a national identity. The book also traces how the reception of Brecht was mediated in India, how it helped post-independence Indian playwrights formulate a political theatre, and how the dissemination of Brechtian aesthetics in India addressed the anxiety related to the stasis in Brechtian theatre in Europe. Tracking the dialogue between Brechtian aesthetics in India and Europe and a history of deliberate cultural resistance, Brecht in India is an invaluable resource for academics and students of theatre studies and theatre historiography, as well as scholars of post-colonial history and literature.
Download or read book Brecht in Practice written by David Barnett and published by Bloomsbury Publishing. This book was released on 2014-11-20 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: David Barnett invites readers, students and theatre-makers to discover new ways of apprehending and making use of Brecht in this clear and accessible study of Brecht's theories and practices. The book analyses how Brecht's ideas can come alive in rehearsal and performance, and reveals just how carefully Brecht realized his vision of a politicized, interventionist theatre. What emerges is a nuanced understanding of Brecht's concepts, his work with actors and his approaches to directing. The reader is encouraged to engage with his method which sought to 'make theatre politically', in order to appreciate the innovations he introduced into his stagecraft. Barnett provides many examples of how Brecht's ideas can be staged, and the final chapter takes a closer look at two very different plays: one written by Brecht and one by a playwright with no acknowledged connection to Brecht. Through an interrogation of The Resistible Rise of Arturo Ui and Patrick Marber's Closer, Barnett asks how a Brechtian approach can enliven and illuminate production.
Download or read book The Brecht Yearbook Das Brecht Jahrbuch 40 written by Theodore F. Rippey and published by Boydell & Brewer. This book was released on 2016 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: Newest volume of the central scholarly forum for discussion of Brecht and aspects of theater and literature of particular interest to him, especially the politics of literature and theater in a global context.
Download or read book Das Brecht Jahrbuch written by Tom Kuhn and published by Boydell & Brewer. This book was released on 2018 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: The leading publication on Brecht, his work, and topics of interest to him; this annual volume documents the International Brecht Society's 2016 symposium, "Recycling Brecht." Published for the International Brecht Society by Camden House, the Brecht Yearbook is the central scholarly forum for discussion of Brecht's life and work and of topics of particular interest to him, especially the politics of literature and of theater in a global context. It includes a wide variety of perspectives and approaches, and, like Brecht himself, is committed to the concept of the use value of literature, theater, and theory. Volume42 features a selection of the papers given and protocols of the events held at the International Brecht Society's "Recycling Brecht" symposium at St. Hugh's College, Oxford, in June 2016. The theme of recycling is understood bothas a description of Brecht's own creative practice and as an activity applied to his works by others. The volume includes keynote papers by Hans-Thies Lehmann and Amal Allana on Brecht's reception of Antigone and on the reception and recycling of Brecht in India, respectively. Other papers are on a wide range of topics, from Brecht's own "recycling" of Shakespeare and others, through the reception of his own works in a range of contexts and by later writers, to contemporary works that may be understood as post-Brechtian. The final section, introduced by an extended interview with American playwright Tony Kushner, documents additional creative responses to the theme. Volume co-editors Tom Kuhn and David Barnett are, respectively, Professor of Twentieth-Century German Literature at the University of Oxford and Professor of Theatre at the University of York. Managing Editor Theodore F. Rippey is Associate Professor of German at Bowling Green State University.
Download or read book Brecht On Film Radio written by Bertolt Brecht and published by Bloomsbury Publishing. This book was released on 2015-02-06 with total page 441 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Weimar Germany to Hollywood to East Berlin, Brecht on Film and Radio gathers together a selection of Bertolt Brecht's own writings on the new film and broadcast media that revolutionised arts and communication in the twentieth century. Bertolt Brecht's hugely influential views on drama, acting and stage production have long been widely recognised. Less familiar, but of profound importance, are his writings on film and radio. From Weimar Germany to Hollywood to East Berlin, Brecht on Film and Radio gathers together for the first time a selection of Brecht's own writings on the new film and broadcast media that fascinated him throughout his life and revolutionised arts and communication in the twentieth century. Marc Silberman's full editorial commentary sets Brecht's ideas in the context of his other work. "I strongly wish that after their invention of the radio the bourgeoisie would make a further invention that enables us to fix for all time what the radio communicates. Later generations would then have the opportunity to marvel how a caste was able to tell the whole planet what it had to say and at the same time how it enabled the planet to see that it had nothing to say." (Bertolt Brecht)
Download or read book The Theatricalists written by Theron Schmidt and published by Northwestern University Press. This book was released on 2024-09-15 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines how the politics of the theater can illuminate the theatricality of politics Theatricality is often dismissed as a distraction from “real” politics, as when cynical political gestures are derided as “pure theater” or “only theater.” But the artists and theater companies discussed in this book, including Back to Back Theatre, Tim Crouch, Rabih Mroué, Nature Theater of Oklahoma, and Christoph Schlingensief, take a different approach. Theron Schmidt argues that they represent a “theatricalist turn” that explores and tests the conditions of the theater itself. Across diverse contexts of political engagement, ranging from disability rights to representations of violence, these theatrical conditions are interconnected with political struggles, such as those over who is seen and heard, how labor is valued, and what counts as “political” in the first place. In a so-called post-political era, The Theatricalists argues that an examination of theater’s internal politics can expand our understanding of the theatricality of politics more broadly.
Download or read book After In Yer Face Theatre written by William C. Boles and published by Springer Nature. This book was released on 2020-04-29 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book revisits In-Yer-Face theatre, an explosive, energetic theatrical movement from the 1990s that introduced the world to playwrights Sarah Kane, Martin McDonagh, Mark Ravenhill, Jez Butterworth, and many others. Split into three sections the book re-examines the era, considers the movement’s influence on international theatre, and considers its lasting effects on contemporary British theatre. The first section offers new readings on works from that time period (Antony Neilson and Mark Ravenhill) as well as challenges myths created by the Royal Court Theatre about the its involvement with In-Yer-Face theatre. The second section discusses the influence of In-Yer-Face on Portuguese, Russian and Australian theater, while the final section discusses the legacy of In-Yer-Face writers as well as their influences on more recent playwrights, including chapters on Philip Ridley, Sarah Kane, Joe Penhall, Martin Crimp, Dennis Kelly, and Verbatim Drama.
Download or read book Gao Xingjian and Transcultural Chinese Theater written by Sy Ren Quah and published by University of Hawaii Press. This book was released on 2004-04-30 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: A reclusive painter living in exile in Paris, Gao Xingjian found himself instantly famous when he became the first Chinese language writer to receive the Nobel Prize for Literature (2000). The author of the novel Soul Mountain, Gao is best known in his native country not as a visual artist or novelist, but as a playwright and theater director. This important yet rarely studied figure is the focus of Sy Ren Quah’s rich account appraising his contributions to contemporary Chinese and World Theater over the past two decades. A playwright himself, Quah provides an in-depth analysis of the literary, dramatic, intellectual, and technical aspects of Gao’s plays and theatrical concepts, treating Gao’s theater not only as an art form but, with Gao himself, as a significant cultural phenomenon. The Bus Stop, Wild Man, and other early works are examined in the context of 1980s China. Influenced by Stanislavsky, Brecht, and Beckett, as well as traditional Chinese theater arts and philosophies, Gao refused to conform to the dominant realist conventions of the time and made a conscious effort to renovate Chinese theater. The young playwright sought to create a "Modern Eastern Theater" that was neither a vague generalization nor a nationalistic declaration, but a challenge to orthodox ideologies. After fleeing China, Gao was free to experiment openly with theatrical forms. Quah examines his post-exile plays in a context of performance theory and philosophical concerns, such as the real versus the unreal, and the Self versus the Other. The image conveyed of Gao is not of an activist but of an intellectual committed to maintaining his artistic independence who continues to voice his opinion on political matters.
Download or read book The Brechtian Aspect of Radical Cinema written by Martin Walsh and published by London : BFI Pub.. This book was released on 1981 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt:
