Download or read book Blood on Celluloid written by B.L. Morgan and published by Speaking Volumes. This book was released on 2011-10 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: Where do you go when there's nowhere you want to go? Who do you speak with when the only person you want to talk to is dead? Someone has killed his love, Sherry St. Claire; not only killed her but tortured her first. She had saved private investigator John Dark. She had pulled him out of a dark downward spiral, and now she is dead. Someone is going to pay, Dark will see to that. But this is John Dark, and this is East St. Louis, so this case, his most personal case yet, will be far from easy, it will be far from clean, and the twists, turns, bruises, and blood will just keep coming. But this is John Dark, and this is East St. Louis, and neither would have it any other way.
Download or read book Blood and Celluloid written by Heinrich Eduard Jacob and published by . This book was released on 1930 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Celluloid Vampires written by Stacey Abbott and published by University of Texas Press. This book was released on 2009-03-06 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1896, French magician and filmmaker George Méliès brought forth the first celluloid vampire in his film Le manoir du diable. The vampire continues to be one of film's most popular gothic monsters and in fact, today more people become acquainted with the vampire through film than through literature, such as Bram Stoker's classic Dracula. How has this long legacy of celluloid vampires affected our understanding of vampire mythology? And how has the vampire morphed from its folkloric and literary origins? In this entertaining and absorbing work, Stacey Abbott challenges the conventional interpretation of vampire mythology and argues that the medium of film has completely reinvented the vampire archetype. Rather than representing the primitive and folkloric, the vampire has come to embody the very experience of modernity. No longer in a cape and coffin, today's vampire resides in major cities, listens to punk music, embraces technology, and adapts to any situation. Sometimes she's even female. With case studies of vampire classics such as Nosferatu, Martin, Blade, and Habit, the author traces the evolution of the American vampire film, arguing that vampires are more than just blood-drinking monsters; they reflect the cultural and social climate of the societies that produce them, especially during times of intense change and modernization. Abbott also explores how independent filmmaking techniques, special effects makeup, and the stunning and ultramodern computer-generated effects of recent films have affected the representation of the vampire in film.
Download or read book Blut und Zelluloid Blood Celluloid A Novel Translated by June Head written by Heinrich Eduard JACOB and published by . This book was released on 1930 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Celluloid Saints written by Theresa Sanders and published by Mercer University Press. This book was released on 2002 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The book is written with two goals in mind. The first is to give film viewers some background and context for evaluating what they see on screen, By and large. Hollywood is not conversant with theological issues; occasionally, movies reveal an appalling ignorance about religion. More often, however, the approach movies take is simply flat-footed and unsophisticated. Giving readers the tools they need to interpret and critique cinematic portrayals of sanctity is one goal of this book.".
Download or read book Celluloid Singapore written by Edna Lim and published by Edinburgh University Press. This book was released on 2018-03-07 with total page 201 pages. Available in PDF, EPUB and Kindle. Book excerpt: Celluloid Singapore is a ground-breaking study of the three major periods in Singapore's fragmented cinema history, namely the golden age of the 1950s and 60s, the post-studio 1970s, and the revival from the 1990s onwards.
Download or read book I Spit On Your Celluloid written by Heidi Honeycutt and published by SCB Distributors. This book was released on 2024-08-08 with total page 584 pages. Available in PDF, EPUB and Kindle. Book excerpt: Slumber Party Massacre. Pet Sematary. Near Dark. American Psycho... These horror movies have heavily contributed to pop culture and are loved by horror fans everywhere. But so many others have been forgotten by history. From the first silent reels to modern independent films, in this book you’ll discover the creepy, horrible, grotesque, beautiful, wrong, good, and fantastic — and the one thing they share in common. This is the true history of women directing horror movies. Having conducted hundreds of interviews and watched thousands of horror films, Heidi Honeycutt defines the political and cultural forces that shape the way modern horror movies are made by women. The women’s rights and civil rights movements, new distribution technology, digital cameras, the destruction of the classic studio system, and the abandonment of the Hays code have significantly impacted women directors and their movies. So, too, social media, modern ideas of gender and racial equality, LGBTQ acceptance, and a new generation of provocative, daring films that take shocking risks in the genre. Includes short films, anthologies, documentaries, animated horror, horror pornography, pink films, and experimental horror. I Spit on Your Celluloid is a first-of-its-kind celebration, study, and “a book that needed to be written” (says cult filmmaker Stephanie Rothman). You will never look at horror movies the same way again!
Download or read book The Celluloid Vampires written by Michael J. Murphy and published by . This book was released on 1979 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Celluloid Comrades written by Song Hwee Lim and published by University of Hawaii Press. This book was released on 2006-08-31 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Without question, Song Hwee Lim has presented us with an exemplar of quality scholarship in the study of contemporary Chinese cinemas. By combining an impressive command of Chinese and Western literary as well as film source materials with a sophisticated mode of analysis and an unassuming argumentative style, he has authored an exhilarating book—one that not only treats cinematic representations of male homosexuality with great sensitivity but also demonstrates what it means to read with critical intelligence and vision." —Rey Chow, Andrew W. Mellon Professor of the Humanities, Brown University "Celluloid Comrades is a timely demonstration of the importance of queer studies in the field of transnational Chinese cinemas. Lim dissects gay sexuality in selective Chinese-language films, and vigorously contests commonly accepted critical paradigms and theoretical models. Readers will find a provocative, powerful voice in this new book." —Sheldon H. Lu, Professor of Comparative Literature, University of California at Davis Celluloid Comrades offers a cogent analytical introduction to the representation of male homosexuality in Chinese cinemas within the last decade. It posits that representations of male homosexuality in Chinese film have been polyphonic and multifarious, posing a challenge to monolithic and essentialized constructions of both ‘Chineseness’ and ‘homosexuality.’ Given the artistic achievement and popularity of the films discussed here, the position of ‘celluloid comrades’ can no longer be ignored within both transnational Chinese and global queer cinemas. The book also challenges readers to reconceptualize these works in relation to global issues such as homosexuality and gay and lesbian politics, and their interaction with local conditions, agents, and audiences. Tracing the engendering conditions within the film industries of China, Taiwan, and Hong Kong, Song Hwee Lim argues that the emergence of Chinese cinemas in the international scene since the 1980s created a public sphere in which representations of marginal sexualities could flourish in its interstices. Examining the politics of representation in the age of multiculturalism through debates about the films, Lim calls for a rethinking of the limits and hegemony of gay liberationist discourse prevalent in current scholarship and film criticism. He provides in-depth analyses of key films and auteurs, reading them within contexts as varied as premodern, transgender practice in Chinese theater to postmodern, diasporic forms of sexualities. Informed by cultural and postcolonial studies and critical theory, this acutely observed and theoretically sophisticated work will be of interest to a wide range of scholars and students as well as general readers looking for a deeper understanding of contemporary Chinese cultural politics, cinematic representations, and queer culture.
Download or read book Transactions of the Section on Pathology and Physiology of the American Medical Association at the Annual Session written by American Medical Association. Section on Pathology and Physiology and published by . This book was released on 1913 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Transactions of the Section on Pathology and Physiology of the American Medical Association written by and published by . This book was released on 1913 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Art of War written by James Wiltgen and published by . This book was released on 2015 with total page 56 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Celluloid Nationalism and Other Melodramas written by Susan Dever and published by State University of New York Press. This book was released on 2012-02-01 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: Celluloid Nationalism and Other Melodramas looks at representation and rebellion in times of national uncertainty. Moving from mid-century Mexican cinema to recent films staged in Los Angeles and Mexico City, Susan Dever analyzes melodrama's double function as a genre and as a sensibility, revealing coincidences between movie morals and political pieties in the civic-minded films of Emilio Fernández, Matilde Landeta, Allison Anders, and Marcela Fernández Violante. These filmmakers' rationally and emotionally engaged cinema—offering representations of indigenous peoples and poor urban women who alternately endorsed "civilizing" projects and voiced resistance to such totalization—both interrupts and sustains fictions of national coherence in an increasingly transnational world.
Download or read book Son of Celluloid written by Clive Barker and published by . This book was released on 1991-01-01 with total page 56 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Questions and Answers Embracing the Curriculum of the Dental Student written by Ferdinand James Samuel Gorgas and published by . This book was released on 1901 with total page 586 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Monstrous Nature written by Robin L. Murray and published by U of Nebraska Press. This book was released on 2016-10-01 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: Godzilla, a traditional natural monster and representation of cinema’s subgenre of natural attack, also provides a cautionary symbol of the dangerous consequences of mistreating the natural world—monstrous nature on the attack. Horror films such as Godzilla invite an exploration of the complexities of a monstrous nature that humanity both creates and embodies. Robin L. Murray and Joseph K. Heumann demonstrate how the horror film and its offshoots can often be understood in relation to a monstrous nature that has evolved either deliberately or by accident and that generates fear in humanity as both character and audience. This connection between fear and the natural world opens up possibilities for ecocritical readings often missing from research on monstrous nature, the environment, and the horror film. Organized in relation to four recurring environmental themes in films that construct nature as a monster—anthropomorphism, human ecology, evolution, and gendered landscapes—the authors apply ecocritical perspectives to reveal the multiple ways nature is constructed as monstrous or in which the natural world itself constructs monsters. This interdisciplinary approach to film studies fuses cultural, theological, and scientific critiques to explore when and why nature becomes monstrous.
Download or read book American Horror Film written by Steffen Hantke and published by Univ. Press of Mississippi. This book was released on 2010-09-30 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: Creatively spent and politically irrelevant, the American horror film is a mere ghost of its former self—or so goes the old saw from fans and scholars alike. Taking on this undeserved reputation, the contributors to this collection provide a comprehensive look at a decade of cinematic production, covering a wide variety of material from the last ten years with a clear critical eye. Individual essays profile the work of up-and-coming director Alexandre Aja and reassess William Malone’s much-maligned Feardotcom in the light of the torture debate at the end of President George W. Bush’s administration. Other essays look at the economic, social, and formal aspects of the genre; the globalization of the US film industry; the alleged escalation of cinematic violence; and the massive commercial popularity of the remake. Some essays examine specific subgenres—from the teenage horror flick to the serial killer film and the spiritual horror film—as well as the continuing relevance of classic directors such as George A. Romero, David Cronenberg, John Landis, and Stuart Gordon. Essays deliberate on the marketing of nostalgia and its concomitant aesthetic and on the curiously schizophrenic perspective of fans who happen to be scholars as well. Taken together, the contributors to this collection make a compelling case that American horror cinema is as vital, creative, and thought-provoking as it ever was.
