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Download or read book The Best One act Plays of 1946 1947 written by Margaret Gardner Mayorga and published by . This book was released on 1947 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt:

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Download or read book The Best One act Plays of 1946 47 written by and published by . This book was released on 1948 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt:

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Download or read book the Best Plays of 1946 1947 written by Burns Mantle and published by . This book was released on 1947 with total page 580 pages. Available in PDF, EPUB and Kindle. Book excerpt:

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Download or read book The Best Plays of 1946 1947 written by Burns Mantle and published by . This book was released on 1947 with total page 555 pages. Available in PDF, EPUB and Kindle. Book excerpt:

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Download or read book Best plays of 1946 1947 and the yearbook of the drama in America written by Burns Mantle and published by . This book was released on 1920 with total page 474 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Best Plays of 1946 47 written by and published by . This book was released on 1948 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book An Index to One act Plays Supplement written by Hannah Logasa and published by . This book was released on 1950 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt:

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Download or read book Act Like a Man written by Robert H Vorlicky and published by University of Michigan Press. This book was released on 2023-06-20 with total page 394 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the first comprehensive study of plays written for male characters only, Robert Vorlicky offers a new theory that links cultural codes governing gender and the conventions determining dramatic form. Act Like a Manlooks at a range of plays, including those by O'Neill, Albee, Mamet, Baraka, and Rabe as well as new works by Philip Kan Gotanda, Alonzo Lamont, and Robin Swados, to examine how dialogue within these works reflects the social codes of male behavior and inhibits individualization among men. Plays in which women are absent are often characterized by the location of a male "other"—a female presence who distances himself from the dominant, impersonal masculine ethos and thereby becomes a facilitator of personal communication. The potential authority of this figure is so powerful that its presence becomes the primary determinant of the quality of men's interaction and of the range of male subjectivities possible. This formulation becomes the basis of an alternative theory of American dramatic construction, one that challenges traditional dramaturgical notions of realism. The book will appeal to scholars and students interested in drama, gender, race, sexuality, and American culture, as well as playwrights, teachers of playwrights, and artistic directors. It includes an extensive bibliography of more than four hundred male-cast plays and monodramas, the first such compilation and one that points to further research into a previously unexplored area.

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