Download or read book Contemporary South African Art written by Kendell Geers and published by . This book was released on 1997 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Contemporary African Art written by Nicole Guez and published by . This book was released on 1992 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Art South Africa written by and published by . This book was released on 2008 with total page 456 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Embodying Relation written by Allison Moore and published by Duke University Press. This book was released on 2020-06-22 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Embodying Relation Allison Moore examines the tensions between the local and the global in the art photography movement in Bamako, Mali, which blossomed in the 1990s after Malian photographers Seydou Keïta and Malick Sidibé became internationally famous and the Bamako Photography Biennale was founded. Moore traces the trajectory of Malian photography from the 1880s—when photography first arrived as an apparatus of French colonialism—to the first African studio practitioners of the 1930s and the establishment in 1994 of the Bamako Biennale, Africa's most important continent-wide photographic exhibition. In her detailed discussion of Bamakois artistic aesthetics and institutions, Moore examines the post-fame careers of Keïta and Sidibé, the biennale's structure, the rise of women photographers, cultural preservation through photography, and how Mali's shift to democracy in the early 1990s enabled Bamako's art scene to flourish. Moore shows how Malian photographers' focus on cultural exchange, affective connections with different publics, and merging of traditional cultural precepts with modern notions of art embody Caribbean philosopher and poet Édouard Glissant's notion of “relation” in ways that spark new artistic forms, practices, and communities.

Download or read book Art Sud africain Contemporain written by Palais des beaux-arts (Charleroi, Belgium) and published by . This book was released on 2004 with total page 104 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book An Anthology of African Art written by N'Goné Fall and published by Distributed Art Publishers (DAP). This book was released on 2002 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt: The term "Modern African Art" is not an abuse of language. The 20th century has seen, but not properly documented, the birth, development, and maturation of contemporary art in sub-Saharan Africa, an art which was not simply imported in the 1950s but which finds its sources both in colonial realities and in local cultures and civilizations. Anthology of African Art: The Twentieth Century does not propose to document any one African art, but rather to open up this vast but underexplored field to include a diverse theoretical, historical, geographical, and critical map of this dense and ancient region. Contributions by more than 30 international authors recount the birth of art schools in the 1930s, the development of urban design and public art, and the importance of socially-concerned art during the Independence movements. From Ethiopia, Nigeria, and the Belgian Congo to Ghana, Senegal, and Angola, through the works of hundreds of artists working in every conceivable medium and context, this anthology manages the continental and unique feat of providing a thorough, expansive, diversified, and fully illustrated history of African art in the 20th century. Since 1991, Paris-based Revue Noire Editions has dedicated itself to the multidisciplinary artistic production of the African continent and the African diaspora. Publishers of the critically-acclaimed An Anthology of African Photography, a comprehensive chronicle of African photography from the mid-1800s to the present, Revue Noire also produces a self-titled magazine devoted to contemporary African art and culture.

Download or read book In Senghor s Shadow written by Elizabeth Harney and published by Duke University Press. This book was released on 2004-11-23 with total page 361 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Senghor’s Shadow is a unique study of modern art in postindependence Senegal. Elizabeth Harney examines the art that flourished during the administration of Léopold Sédar Senghor, Senegal’s first president, and in the decades since he stepped down in 1980. As a major philosopher and poet of Negritude, Senghor envisioned an active and revolutionary role for modern artists, and he created a well-funded system for nurturing their work. In questioning the canon of art produced under his aegis—known as the Ecole de Dakar—Harney reconsiders Senghor’s Negritude philosophy, his desire to express Senegal’s postcolonial national identity through art, and the system of art schools and exhibits he developed. She expands scholarship on global modernisms by highlighting the distinctive cultural history that shaped Senegalese modernism and the complex and often contradictory choices made by its early artists. Heavily illustrated with nearly one hundred images, including some in color, In Senghor’s Shadow surveys the work of a range of Senegalese artists, including painters, muralists, sculptors, and performance-based groups—from those who worked at the height of Senghor’s patronage system to those who graduated from art school in the early 1990s. Harney reveals how, in the 1970s, avant-gardists contested Negritude beliefs by breaking out of established artistic forms. During the 1980s and 1990s, artists such as Moustapha Dimé, Germaine Anta Gaye, and Kan-Si engaged with avant-garde methods and local artistic forms to challenge both Senghor’s legacy and the broader art world’s understandings of cultural syncretism. Ultimately, Harney’s work illuminates the production and reception of modern Senegalese art within the global arena.

Download or read book Sue Williamson written by Sue Williamson and published by Juta and Company Ltd. This book was released on 2003 with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt: A very special and highly respected South Africa artist, Sue has many links to the international art world. She has exhibited in Cuba, Iceland and Greece.

Download or read book Ethics and Aesthetics in Contemporary African Cinema written by James S. Williams and published by Bloomsbury Publishing. This book was released on 2019-03-21 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the beginnings of African cinema, the realm of beauty on screen has been treated with suspicion by directors and critics alike. James S. Williams explores an exciting new generation of African directors, including Abderrahmane Sissako, Mahamat-Saleh Haroun, Fanta Régina Nacro, Alain Gomis, Newton I. Aduaka, Jean-Pierre Bekolo and Mati Diop, who have begun to reassess and embrace the concept of cinematic beauty by not reducing it to ideological critique or the old ideals of pan-Africanism. Locating the aesthetic within a range of critical fields - the rupturing of narrative spectacle and violence by montage, the archives of the everyday in the 'afropolis', the plurivocal mysteries of sound and language, male intimacy and desire, the borderzones of migration and transcultural drift - this study reveals the possibility for new, non-conceptual kinds of beauty in African cinema: abstract, material, migrant, erotic, convulsive, queer. Through close readings of key works such as Life on Earth (1998), The Night of Truth (2004), Bamako (2006), Daratt (Dry Season) (2006), A Screaming Man (2010), Tey (Today) (2012), The Pirogue (2012), Mille soleils (2013) and Timbuktu (2014), Williams argues that contemporary African filmmakers are proposing propitious, ethical forms of relationality and intersubjectivity. These stimulate new modes of cultural resistance and transformation that serve to redefine the transnational and the cosmopolitan as well as the very notion of the political in postcolonial art cinema.

Download or read book Reflections in Prison written by Mac Maharaj and published by Penguin Random House South Africa. This book was released on 2010-11-18 with total page 500 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1976, when he was imprisoned on Robben Island, Nelson Mandela secretly wrote the bulk of his autobiography, Long Walk to Freedom. The manuscript was to be smuggled out by fellow prisoner Mac Maharaj, on his release later that year. Maharaj also urged Mandela and other political prisoners to write essays on southern Africa’s political future. These were smuggled out with Mandela’s autobiography, and are now published for the first time, 25 years later, in Reflections in Prison. This collection of essays provides a unique ‘snapshot’ of the thinking of Nelson Mandela, Walter Sisulu, Govan Mbeki, Ahmed Kathrada and other leaders of the anti-apartheid struggle on the eve of the 1976 Soweto Uprising. It gives an insight into their philosophies, strategies and hopes, as they debate diversity and unity, violent and non-violent forms of struggle, and non-racism in the context of different interpretations of African nationalism. Each essay is preceded by a short biography of the author, a description of his life in prison, and a pencil sketch by a leading black South African artist. The collection begins with a foreword by Desmond Tutu and a contextualising introduction by Mac Maharaj. These essays are far more than historical artefacts. They reveal the thinking that contributed to the South African ‘miracle’ and address issues that remain burningly relevant today.

Download or read book Africus written by and published by Greater Johannesburg Transitional Metropolitan. This book was released on 1995 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Market Photo Workshop in South Africa and the Born Free Generation written by Julie Bonzon and published by Taylor & Francis. This book was released on 2023-09-15 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study presents the history of the Market Photo Workshop (MPW) in Johannesburg and works produced by its new generation of photography students. Founded in 1989 by internationally renowned documentary photographer David Goldblatt, the MPW has reflected upon South African political struggles and sociocultural changes since its creation. Its foundation parallels a moment in time when photography was considered a ‘truth telling’ genre and an essential source of documents deployed against the apartheid regime. This book reflects on the evolution of the MPW in the post-apartheid era and explores how its new generation of students engages the photographic tradition of this institution and the revolutionary times that accompanied its creation to question their present moment. The book will be of interest to scholars working in art history, visual studies, photography, African studies, cultural studies and post-colonial studies.

Download or read book Under Construction written by Marie-Anne Kohl and published by MDPI. This book was released on 2021-01-14 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: While currently identitarian ideologies and essentialist notions of identity that tend to simplify and reduce life experience to simple factors are globally regaining massive attention, it becomes inevitable to recollect the thorough discussions of identity concepts of the past three decades. It also calls for an ever keener awareness of and capacity to deal with the complexity and diversity of the world we live in. Artists play a major role in the potential reflection and transformation of perceptions and conceptions of the world – musicians, dancers, choreographers, spoken word artists, performance artists, actors, also fine art, installation, media artists or photographers alike. “Performing critical identity” points to performative practices of artists that bring to the fore a critical (self-)awareness and (self-)positioning concerning identification and belonging. Social identities such as gender, sexuality, race, class, dis/ability, age or non/religiosity are closely linked to the historical, social, regional and political dimensions of their formation. From this perspective, identities are hardly one-dimensional but complex and intersectional, and are rather to be thought of as a process of identification and belonging than as a consistent essence. As different, maybe contradictory among themselves, as they are, the performative works of artists such as Lerato Shadi, Liad Hussein Kantorowicz, Nora Chipaumire, Shu Lea Cheang, Zanele Muholi, Ohno Kazuo, Anohni Hegarty, Neo Hülcker, “We’re Muslim. Don’t Panic” or of theatre collectives such as RambaZamba and Thikwa Theater in Berlin or Theater Hora in Zurich, to name but a very small quite random selection of artists, share a critical approach towards hegemonic norms or stereotyping of identities and their representations, and empower diversity. This edition puts a specific focus on the performativity of the aesthetic practices, and wants to explore different artistic approaches, strategies, tactics and perspectives of artists when they address identity issues, when they target power relations and structures of oppression and inequality, when they empower concepts of diversity. This Call for Papers invites academic as well as artistic contributions that delve into case studies of artists performing critical identity or into more general theoretical reflections on the subject. Contributions can relate to, but are not limited to following topics: - intersectionality - subversion - (self-)empowerment - resistance - subalternity - exploitation - manipulation - (anti-)feminism - appropriation - cultural globalisation - transculturality - hybrid identities - collectives - body - stage - audience - de-/construction of the difference of aesthetic genres and of high/popular culture - capitalism - colonialism - (re-)production of exclusion Dr. Marie-Anne Kohl Editor

Download or read book Dak art written by and published by . This book was released on 2008 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Art Criticism and Africa written by Katy Deepwell and published by Eastern Art Publishing. This book was released on 1998 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt: Part of African Art and Society Series, this book focuses on contemporary art and art criticism in Africa in general and in Zimbabwe, South Africa, Nigeria and Egypt in particular.

Download or read book South African Art Now written by Sue Williamson and published by Harper Design. This book was released on 2009-10-27 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: A richly illustrated collection combining moving history with stunning contemporary art, South African Art Now is the first book to document the role of art and artists in the evolution of today's post-apartheid South Africa. Artist and author Sue Williamson explores five decades of South African art, from early political art in the 1960s (during the apartheid years) to the thought-provoking works that grabbed the international art market’s interest a generation later. Featuring the work of 90 artists and more than 500 color images, and with an insightful foreword from Nobel laureate Nadine Gordimer, South African Art Now is a valuable resource for collectors, curators, and contemporary art enthusiasts.

Download or read book Dak Art written by Ugochukwu-Smooth Nzewi and published by Routledge. This book was released on 2020-06-15 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: What can an art biennale in Dakar, Senegal, tell us about current discourses surrounding the place of art in the world, and in the academic study of anthropology? This volume investigates the Dak'Art biennale, ranked among the world's top 20 biennials, drawing upon fieldwork, archival research, and the experiences of those involved. In so doing, the chapters make a statement about the impact of globally-acting art biennials, contributing to current scholarship both on biennales and the anthropology of art scene more widely. Part I opens with the history of its foundation and considers it in conjunction with the rise of contemporary art in Senegal. Part II deals with the biennale's various objectives, selection strategies, exhibition spaces, platforms for debate, and discourses between the State, the secretariat and local artists and art world professionals. Part III examines the cyclical creation of contemporary African art, and questions if the Biennial creates local canonical practices. The Epilogue uses the Dak'art biennale to question assumptions around practice in general biennale scholarship and work. Featuring a dialogic structure between practitioners of art and anthropologists, this unique volume will be of interest to students of anthropology, art history and practice, African studies and curatorial practice.