Download or read book Programme written by Boston Symphony Orchestra and published by . This book was released on 1914 with total page 1186 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Harmonicon written by and published by . This book was released on with total page 540 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Monthly Repertory of English Literature written by and published by . This book was released on 1807 with total page 482 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Dictionary catalogue of Operas and Operettas which Have Been Performed on the Public Stage written by John Towers and published by . This book was released on 1910 with total page 1056 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Literary Panorama written by and published by . This book was released on 1807 with total page 764 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Monthly Repertory of English Literature written by and published by . This book was released on 1807 with total page 502 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Harmonicon written by William Ayrton and published by . This book was released on 1830 with total page 538 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Monthly Repertory of English Literature Or an Impartial Criticism of All the Books Relative to Literature Arts Sciences Etc Forming a Valuable Selection from the English Reviews and Magazines Galignani s Magazine and Paris Monthly Review etc Paris 1823 25 written by and published by . This book was released on 1807 with total page 484 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Literary Panorama and National Register written by and published by . This book was released on 1807 with total page 768 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Ingrid Bergman written by David Smit and published by McFarland. This book was released on 2012-10-26 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: Smit studies the woman behind the public image as a natural, wholesome, even saintly person, an image carefully crafted by Bergman's first producer David O. Selznick. Bergman hid behind that image to live her life on her own terms. That life included three difficult marriages, numerous lovers, and a major scandal that stained her reputation but which she survived by creating her own legend. Bergman was filled with contradictions: she was dependent upon men and chafed under their control; she loved her children but constantly left them to perform; she longed for romance but walked away from her affairs without looking back; she desired to make great films but settled for being an entertainer; she hated the scrutiny of the media but learned to charm reporters. The author also assesses Bergman's artistry--her star qualities and her acting skills. She did her best work in Alfred Hitchcock's Notorious, Roberto Rossellini's Voyage in Italy, and Ingmar Bergman's Autumn Sonata. Her life and image were the inspiration for these films in the first place.

Download or read book Dictionary catalogue of Operas and Operettas which Have Been Performed on the Public Stage Catalogue of operas and operettas written by and published by . This book was released on 1910 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Dictionary catalogue of Operas and Operettas Dictionary of operas and operettas written by John Towers and published by . This book was released on 1967 with total page 704 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Metalogicon written by and published by . This book was released on 2001 with total page 402 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The National Union Catalog Pre 1956 Imprints written by Library of Congress and published by . This book was released on 1969 with total page 712 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Operas of Antonio Vivaldi written by Reinhard Strohm and published by . This book was released on 2008 with total page 460 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book War Communication and the Politics of Culture in Early Modern Venice written by Anastasia Stouraiti and published by Cambridge University Press. This book was released on 2022-12-31 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: Weaving together cultural history and critical imperial studies, this book shows how war and colonial expansion shaped seventeenth-century Venetian culture and society. Anastasia Stouraiti tests conventional assumptions about republicanism, commercial peace and cross-cultural exchange and offers a novel approach to the study of the Republic of Venice. Her extensive research brings the history of communication in dialogue with conquest and empire-building in the Mediterranean to provide an original interpretation of the politics of knowledge in wartime Venice. The book argues that the Venetian-Ottoman War of the Morea (1684-1699) was mediated through a diverse range of cultural mechanisms of patrician elite domination that orchestrated the production of popular consent. It sheds new light on the militarisation of the Venetian public sphere and exposes the connections between bellicose foreign policies and domestic power politics in a state celebrated as the most serene republic of merchants.

Download or read book Vivaldi Motezuma and the Opera Seria written by Michael Talbot and published by Brepols Publishers. This book was released on 2008 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Great was the interest among Vivaldians and opera-lovers when a score of a large portion of Vivaldi's lost opera Motezuma (1733) was unexpectedly discovered among manuscripts from the Sing-Akademie zu Berlin returned to Berlin from Kiev in 2000. The find was providential, since in recent decades practically all of Vivaldi's performable operatic music has been presented to the public. The newly discovered work has thus given a much-needed fillip to everyone concerned with Vivaldi's operas. Scholarly discussion was initiated in an international symposium held at the De Doelen concert hall in Rotterdam in June 2005 alongside the work's first modern performance. From the start, it was planned that the papers read at the symposium, augmented by essays commissioned from other scholars, would be gathered into a book centring on Motezuma. The starting point for the contributions, all of which appear in English, is Steffen Voss's 'Vivaldi's Music for the Opera Motezuma, RV 723'. This focuses on the opera itself: its origins, transmission, dramaturgy and music. Reinhard Strohm follows with 'Vivaldi and His Operas, 1730-1734: A Critical Survey': a chronicle of Vivaldi's operatic activities during the creative period surrounding Motezuma. Strohm's essay enables one to identify more clearly what is typical - for Vivaldi and for its period - in Motezuma, and what is less typical. Micky White and Michael Talbot then offer a sidelight on Venetian opera from the same period by charting the chequered career of a nephew of Vivaldi in 'Pietro Mauro, detto 'il Vivaldi': Failed Tenor, Failed Impresario, Failed Husband, Acclaimed Copyist'. Briefly, during the late 1730s, Mauro's career in opera mirrored Vivaldi's own at a humbler level, and a scandal in which the former became embroiled may even have had repercussions for his uncle. We move next to the world of librettos and dramaturgy. The 'American' dimension of the opera is explored in Jurgen Maehder's 'Alvise Giusti's Libretto Motezuma and the Conquest of Mexico in Eighteenth-Century Italian Opera Seria'. To choose an American subject for an opera seria was a novelty at the time, and the libretto for Motezuma casts an interesting light on contemporary attitudes towards the Conquista and towards the indigenous civilizations that it brought to a brutal end. Carlo Vitali's essay 'A Case of Historical Revisionism in the Theatre: Some Undeclared Sources for Vivaldi's Motezuma' probes more deeply into the libretto's historical antecedents. Melania Bucciarelli, in 'Taming the exotic: Vivaldi's Armida al campo d'Egitto', explores the treatment of an Ottoman theme in a Vivaldi opera of the period leading up to Motezuma. In a sense, the Ottoman empire formed a prototype of 'alterity' on which later operatic depictions of non-European peoples could draw, while also supplying a test-bed for the treatment of topical subjects during a tense period of intermittent warfare with the Sublime Porte. The next two contributions redirect the focus towards the music of Motezuma. Kurt Markstrom, in 'The Vivaldi-Vinci Interconnections, 1724-26 and beyond: Implications for the Late Style of Vivaldi', considers the interaction in the operatic arena between Vivaldi and his brilliant contemporary Leonardo Vinci, who briefly burst on to the Venetian scene in the 1720s before his premature death in 1730 robbed the all-conquering Neapolitan style of one of its heroes. Markstrom shows how Vivaldi was both influenced by, and an influence on, Vinci. Michael Talbot's essay 'Vivaldi's 'Late' Style: Final Fruition or Terminal Decline?' ponders whether there is any objective basis in positing a 'late' style in Vivaldi's case and, if so, where its boundaries lie. His conclusion is that there is indeed a late style, beginning in the second half of the 1720s and divisible into two sub-periods, with Motezuma close to the end of the first. 'Final fruition' is an apt description of the first sub-period, 'terminal decline' (with qualifications) of the second. Fittingly, the concluding essay, Frederic Delamea's 'Vivaldi in scena: Thoughts on The Revival of Vivaldi's Operas', confronts the world of present-day staged performance. Why, this author asks, do we commonly pay such respect to notions of historical fidelity in the musical realization of the operas, while we trample so brutally on authenticity in the matter of stagecraft and production. This essay promises to become a seminal text for an ongoing debate.