Download or read book Antologia di storia della musica written by and published by . This book was released on 1959 with total page 138 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Antologia di storia della musica written by Andrea Della Corte and published by . This book was released on 1940 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Antologia della storia della musica Terza edizione ampiamente rinnovata written by Andrea della CORTE and published by . This book was released on 1937 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Antologia della storia della musica written by Andrea Della Corte and published by . This book was released on 1929 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Antologia della storia della musica L ottocento written by Andrea Della Corte and published by . This book was released on 1929 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Antologia di storia della musica written by Riccardo Allorto and published by . This book was released on 1959 with total page 162 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Antologia della storia della musica Dalla Grecia antica al settecento written by and published by . This book was released on 1927 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Antologia della storia della musica written by Andrea Della Corte and published by . This book was released on 1937 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Antologia della storia della musica written by Andrea Della Corte and published by . This book was released on 1945 with total page 514 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The International Cyclopedia of Music and Musicians written by Oscar Thompson and published by . This book was released on 1975 with total page 2506 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Source Readings in Music History written by William Oliver Strunk and published by W. W. Norton & Company. This book was released on 1998 with total page 1584 pages. Available in PDF, EPUB and Kindle. Book excerpt: The definitive collection of great writings on music from ancient Greece through the twentieth century.

Download or read book Italian Ars Nova Music written by Viola L. Hagopian and published by Univ of California Press. This book was released on 2023-11-10 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1973.

Download or read book Author title Catalog written by University of California, Berkeley. Library and published by . This book was released on 1963 with total page 1016 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Romanic Review written by and published by . This book was released on 1927 with total page 824 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Antologia della storia della musica written by Andrea Della Corte and published by . This book was released on 1929 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Aesthetics of Thomas Aquinas written by Umberto Eco and published by Harvard University Press. This book was released on 1988 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: The well-known Italian semiotician and novelist Umberto Eco discloses for the first time to English-speaking readers the unsuspected richness, breadth, complexity, and originality of the aesthetic theories advanced by the influential medieval thinker Thomas Aquinas, heretofore known principally as a scholastic theologian. Inheriting his basic ideas and conceptions of art and beauty from the classical world, Aquinas transformed or modified these ideas in the light of Christian theology and of developments in metaphysics and optics during the thirteenth century. Setting the stage with an account of the vivid aesthetic and artistic sensibility that flourished in medieval times, Eco examines Aquinas's conception of transcendental beauty, his theory of aesthetic perception or visio, and his account of the three conditions of beauty--integrity, proportion, and clarity--that, centuries later, emerged again in the writings of the young James Joyce. He examines the concrete application of these theories in Aquinas's reflections on God, mankind, music, poetry, and scripture. He discusses Aquinas's views on art and compares his poetics with Dante's. In a final chapter added to the second Italian edition, Eco examines how Aquinas's aesthetics came to be absorbed and superseded in late medieval times and draws instructive parallels between Thomistic methodology and contemporary structuralism. As the only book-length treatment of Aquinas's aesthetics available in English, this volume should interest philosophers, medievalists, historians, critics, and anyone involved in poetics, aesthetics, or the history of ideas.

Download or read book Opera in Theory and Practice Image and Myth written by Lorenzo Bianconi and published by University of Chicago Press. This book was released on 2003-11 with total page 516 pages. Available in PDF, EPUB and Kindle. Book excerpt: The History of Italian Opera marks the first time a team of scholars has worked together to investigate the entire Italian operatic tradition, rather than limiting its focus to major composers and their masterworks. Including both musicologists and historians of other arts, the contributors approach opera not only as a distinctive musical genre but also as a form of extravagant theater and a complex social phenomenon. This sixth volume in the series centers on the sociological and critical aspects of opera in Italy, considering the art in the context of an Italian literary and cultural canon rarely revealed in English and American studies. In its six chapters, contributors survey critics' changing attitudes toward opera over several centuries, trace the evolution of formal conventions among librettists, explore the historical relationships between opera and Italian literature, and examine opera's place in Italian popular and national culture. In perhaps the volume's most striking contribution, German scholar Carl Dahlouse offers his most important statement on the dramaturgy of opera.