Download or read book Andrea Mantegna Paintings in Close Up written by Roger Godfrey and published by Osmora Incorporated. This book was released on 2015-01-06 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt: Andrea Mantegna (1431-1506), one of the foremost north Italian painters of the 15th century. A master of perspective and foreshortening, he made important contributions to the compositional techniques of Renaissance painting. Like other artists of the time, Mantegna experimented with perspective, e.g., by lowering the horizon in order to create a sense of greater monumentality. His flinty, metallic landscapes and somewhat stony figures give evidence of a fundamentally sculptural approach to painting. He also led a workshop that was the leading producer of prints in Venice before 1500.
Download or read book Andrea Mantegna Drawings in Close Up written by Roger Godfrey and published by Osmora Incorporated. This book was released on 2015-01-09 with total page 76 pages. Available in PDF, EPUB and Kindle. Book excerpt: Andrea Mantegna made important contributions to the compositional techniques of Renaissance drawing somewhat rocky figures give evidence of a fundamentally sculptural approach to drawing. His human forms were distinguished for their solidity, expressiveness, and anatomical correctness. Mantegna developed a passionate interest in classical antiquity. The influence of both ancient Roman sculpture and the contemporary sculptor Donatello are clearly evident in Mantegna's rendering of the human figure.
Download or read book The Bauhaus Group written by Nicholas Fox Weber and published by Knopf. This book was released on 2009-10-27 with total page 561 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nicholas Fox Weber, for thirty-three years head of the Albers Foundation, spent many years with Anni and Josef Albers, the only husband-and-wife artistic pair at the Bauhaus (she was a textile artist; he a professor and an artist, in glass, metal, wood, and photography). The Alberses told him their own stories and described life at the Bauhaus with their fellow artists and teachers, Walter Gropius, Paul Klee, Wassily Kandinsky, Ludwig Mies van der Rohe, as well these figures’ lesser-known wives and girlfriends. In this extraordinary group biography, Weber brilliantly brings to life the Bauhaus geniuses and the community of the pioneering art school in Germany’s Weimar and Dessau in the 1920s and early 1930s. Here are: Walter Gropius, founder of the Bauhaus, the architect who streamlined design early in his career and who saw the school as a place for designers to collaborate in an ideal setting . . . a dashing hussar, the ardent young lover of the renowned femme fatale Alma Mahler, beginning when she was the wife of composer Gustav Mahler . . . Paul Klee, the onlooker, smoking his pipe, observing Bauhaus dances as well as his colleagues’ lectures from the back of the room . . . the cook who invented recipes and threw together his limited ingredients with the same spontaneity, sense of proportion, and fascination that underscored his paintings . . . Wassily Kandinsky, the Russian-born pioneer of abstract painting, guarding a secret tragedy one could never have guessed from his lively paintings, in which he used bold colors not just for their visual vibrancy, but for their “sound” effects . . . Josef Albers, who entered the Bauhaus as a student in 1920 and was one of the seven remaining faculty members when the school was closed by the Gestapo in 1933 . . . Annelise Else Frieda Fleischmann, a Berlin heiress, an intrepid young woman, who later, as Anni Albers, made art the focal point of her existence . . . Ludwig Mies van der Rohe, imperious, decisive, often harsh, an architect who became director—the last—of the Bauhaus, and the person who guided the school’s final days after SS storm troopers raided the premises. Weber captures the life, spirit, and flair with which these geniuses lived, as well as their consuming goal of making art and architecture. A portrait infused with their fulsome embrace of life, their gift for laughter, and the powerful force of their individual artistic personalities.
Download or read book Andrea Mantegna and Giovanni Bellini written by Alistair Smith and published by . This book was released on 1975 with total page 52 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Genius of Andrea Mantegna written by Keith Christiansen and published by Metropolitan Museum of Art. This book was released on 2009 with total page 66 pages. Available in PDF, EPUB and Kindle. Book excerpt: Few artists have managed to imprint their personality so indelibly on posterity as Andrea Mantegna (c. 1430-1506). Before he reached the age of twenty, Mantegna was already being praised for his "alto ingegno" (exalted genius), and he became the court artist for the Gonzaga family in Mantua before he was thirty. Yet, this book argues, Mantegna was not simply a great painter. Together with Donatello, he was the defining genius of the 15th century: the measure of what an artist could be. His highly original and deeply personal vision, the descriptive richness of his pictures, and his biting, hypercritical but always exalted mind gave Mantegna's art an extraordinary edge and earned him a preeminent place in the Renaissance.
Download or read book 15th and 16th Century Italian Drawings in the Metropolitan Museum of Art written by Metropolitan Museum of Art (New York, N.Y.) and published by Metropolitan Museum of Art. This book was released on 1982 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Mantegna and Painting as Historical Narrative written by Jack M. Greenstein and published by University of Chicago Press. This book was released on 1992-06 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this study, Jack M. Greenstein draws on Early Renaissance art theory, modern narratology, translation studies, critical theory, the philosophy of history, and biblical hermeneutics to explicate the sense and significance of one of Andrea Mantegna's most enigmatic and influential works, the Uffizi Circumcision of Christ. Faced with a work that resists established methods of iconographical analysis, Greenstein reassesses the nature and goals of high humanist narrative painting. The result is a new, historically grounded theory of iconography that calls into question many widely held assumptions about the social and intellectual value of Early Renaissance art. Greenstein's theory rests on a careful analysis of Leon Battista Alberti's commentary On Painting, which equated both the form and the content of artistically composed painting with historia. Situating this equation within a centuries-old discourse on the multivalent significance of the Bible, Greenstein shows that, for Alberti, historia was a mode of artistic narrative, common to literature and painting, in which moral truths were presented to the corporeal senses, particularly to vision, in the guise of plausible human actions. In Greenstein's reading, the painter's primary task was the construction of a visually plausible narrative that effectively conveyed the higher meanings of historia. Having thus delineated the structure of significance in Albertian painting, Greenstein shows what was at stake when a painter of Mantegna's historical bent undertook to produce a historia. As one of the leading historical thinkers of his age, Mantegna imbued his depicted scenes with the plausibility of historical events by employing thosecodes of evidence, causality, and historical distance that underlay the Renaissance sense of the past. But the Circumcision of Christ resisted such treatment because the symbolic conventions developed by earlier artists for conveying the higher theological meanings of the theme were incompatible with the representational fidelity embraced by painters of historia. Mantegna overcame these difficulties by arriving at a new understanding of the Circumcision, which remained faithful to the narrative structure as well as the theological content of the biblical account. His interpretation was widely adopted by later artists, but was so pictorial in nature that, despite its consistency with the biblical account, it remained with-out parallel in theological literature. Greenstein's discovery--that artistic production of Albertian painting was a specialized and singularly visual form of thinking whose roots lay more in readerly hermeneutics than in perception, commerce, or common visual experience--raises questions about narrative, representation, and the textuality of art that will interest a wide array of scholars.
Download or read book The Reconfigured Eye written by William J. Mitchell and published by MIT Press. This book was released on 1994-07-25 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: Continuing William Mitchell's investigations of how we understand, reason about, and use images, The Reconfigured Eye provides the first systematic, critical analysis of the digital imaging revolution. "An intelligent and readable approach to the digitization of images.... A useful overview of a critical subject."—New York Times Book Review Enhanced? Or faked? Today the very idea of photographic veracity is being radically challenged by the emerging technology of digital image manipulation and synthesis: photographs can now be altered at will in ways that are virtually undetectable, and photorealistic synthesized images are becoming increasingly difficult to distinguish from actual photographs. Continuing William Mitchell's investigations of how we understand, reason about, and use images, The Reconfigured Eye provides the first systematic, critical analysis of the digital imaging revolution. It describes the technology of the digital image in detail and looks closely at how it is changing the way we explore ideas, at its aesthetic potential, and at the ethical questions it raises.
Download or read book Modernist Mysteries Persephone written by Tamara Levitz and published by Oxford University Press. This book was released on 2012-09-27 with total page 688 pages. Available in PDF, EPUB and Kindle. Book excerpt: Here, Levitz demonstrates how a group of collaboratoring artists - Igor Stravinsky, Ida Rubenstein, Jacques Copeau, André Gide and others - used the myth of Perséphone to perform and articulate their most deeply held beliefs about four topics significant to modernism: religion, sexuality, death, and historical memory in art.
Download or read book Preaching that Shows written by Margaret Cooling and published by SCM Press. This book was released on 2022-04-25 with total page 203 pages. Available in PDF, EPUB and Kindle. Book excerpt: For many years the resolution plot has dominated homiletical theory, made most famous by the ‘Lowry Loop’ – a staple of preaching theory for today’s ministry student. Whilst the approach is important, some have accused ‘resolution plot’ of leaving little room for ambiguity, and failing to reflect the messy reality of life. Offering a ground-breaking approach as a counter to well-worn preaching strategies, this book explores the ‘revelatory plot’, focused more on the gradual revelation of relevant truths within the biblical text through character and embodied insight, and through imaginative and sensory detail rather than through answering the questions ‘how and ‘why’. It will prove an invaluable resource for students, homileticians and preachers alike.
Download or read book Meta and Inter Images in Contemporary Visual Art and Culture written by Carla Taban and published by Leuven University Press. This book was released on 2013-10-14 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring the epistemological potential of meta- and inter-images Since the 1990s, when the question of the visual became central in various arts and humanities disciplines, images that refer to themselves as such or to other images have enjoyed an increasing interest. Meta- and Inter-Images in Contemporary Visual Art and Culture partakes in, enriches and updates these debates. It investigates what meta- and inter-images can make known about the visual, in its own terms, by its own means. Written by scholars in aesthetics, art history, and cultural, film, literary, media, and visual studies, the essays gathered here tackle meta- and inter-images in an array of creative artefacts, practices, and media. They unfold the epistemological potential of every meta- and inter-image discussed to raise questions such as: What are images? How do they work? By whom, to what purpose, to what effect and in what context/s are they used? How are they created and understood? And how do they challenge our (pre)conceptions of images and the ways we study them? Contributors Maaheen Ahmed (Université catholique de Louvain), Vangelis Athanassopoulos (Université Paris I Panthéon-Sorbonne), Sotirios Bahtsetzis (Hellenic Open University), Concepción Cortés Zulueta (Universidad Autónoma de Madrid), Mafalda Dâmaso (Goldsmiths, University of London), Elisabeth-Christine Gamer (University of Bern), Amanda Gluibizzi (Ohio State University), Stella Hockenhull (University of Wolverhampton), Anaël Lejeune (Université catholique de Louvain), Fabrice Leroy (University of Louisiana at Lafayette), Johanna Malt (King’s College London), Olga Moskatova (IKKM, Bauhaus-Universität Weimar), Magdalena Nowak (The Graduate School for Social Research at the Polish Academy of Sciences), Jorgelina Orfila (Texas Tech University), Fran Pheasant-Kelly (University of Wolverhampton), Raphaël Pirenne (School of Graphic Research, E.R.G. Brussels), Abigail Susik (Willamette University)
Download or read book Andrea Mantegna written by Stephen J. Campbell and published by John Wiley & Sons. This book was released on 2016-01-19 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Andrea Mantegna: Making Art (History) presents the art of Mantegna as challenging the parameters of the history of art in the demands it makes upon historical interpretation, and explores the artist’s potentially transformative impact on the study of the early Renaissance. Features an array of new methodologies for the study of Mantegna and early Renaissance art Critically addresses the question of iconography and “literary” art, as well as the politics of the monographic exhibition Includes translations of two seminal accounts of the artist by Roberto Longhi and Daniel Arasse, key texts not previously available in English Explores the Mantegna’s potentially transformative impact on the study of the early Renaissance
Download or read book Delphi Complete Paintings of Andrea Mantegna Illustrated written by Andrea Mantegna and published by Delphi Classics. This book was released on 2020-05-02 with total page 546 pages. Available in PDF, EPUB and Kindle. Book excerpt: The most important northern Italian artist of the early Renaissance, Andrea Mantegna was a student of Roman archaeology and the son-in-law of Jacopo Bellini. A pioneering master of perspective, Mantegna used pictorial devices such as extreme foreshortening, lowering the horizon to create greater monumentality and rendering his figures as more rounded and modelled, with Donatellian naturalism. His masterpieces are renowned for their minute attention to detail, rendering rocky and metallic landscapes with a fundamentally sculptural approach to painting. His paintings were highly sought after by Europe’s royal houses, while Dürer, Rubens and Rembrandt are just a few of the artists that copied and learnt from his works. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Mantegna’s complete paintings in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of Andrea Mantegna – over 200 images, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Mantegna’s celebrated works in detail, as featured in traditional art books * Hundreds of images in colour – highly recommended for viewing on tablets and smart phones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the paintings * Easily locate the artworks you wish to view * Includes a selection of Mantegna's drawings and sculptures – explore the artist’s varied works * Features three bonus biographies, including Giorgio Vasari’s seminal life of the artist – discover Mantegna's world Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights Scenes from the Life of Saint James Adoration of the Shepherds Saint Luke Altarpiece San Zeno Altarpiece Agony in the Garden Presentation at the Temple Adoration of the Magi Saint Sebastian Portrait of Carlo de’ Medici Camera degli Sposi Lamentation of Christ Pietà Madonna of the Quarry The Triumphs of Caesar Parnassus The Triumph of the Virtues Samson and Delilah The Paintings The Complete Paintings Alphabetical List of Paintings The Drawings and Sculptures List of Other Artworks The Biographies Andrea Mantegna by Giorgio Vasari Andrea Mantegna by N. D’Anvers Andrea Mantegna by William Michael Rossetti Please visit www.delphiclassics.com to browse through our range of exciting titles or to buy the whole Art series as a Super Set
Download or read book The Fabric of Images written by Caroline Villers and published by . This book was released on 2000 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the fourteenth and fifteenth centuries, painting on textile supports was carried out side by side with panel painting all over Europe. This volume of essays by conservators and art historians adopts an interdisciplinary approach to visual and written evidence in order to reconstruct what can be known about original display, function and painting technique.
Download or read book Caught In Between written by Petho Agnes Petho and published by Edinburgh University Press. This book was released on 2020-05-04 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays explores intermediality as a new perspective in the interpretation of the cinemas that have emerged after the collapse of the former Eastern bloc. As an aesthetic based on a productive interaction of media and highlighting cinema's relationship with the other arts, intermediality always implies a state of in-betweenness which is capable of registering tensions and ambivalences that go beyond the realm of media. The comparative analyses of films from Hungary, Romania, Poland, the Czech Republic, Bosnia and Herzegovina and Russia demonstrate that intermediality can be employed in this way as a form of introspection dealing with complex issues of art and society. Appearing in a variety of sensuous or intellectual modes, intermediality can become an effective poetic strategy to communicate how the cultures of the region are caught in-between East and West, past and present, emotional turmoil and more detached self-awareness. The diverse theoretical approaches that unravel this in-betweenness contribute to the understanding of intermedial phenomena in contemporary cinema as a whole.
Download or read book The Embedded Portrait written by Christopher Wood and published by Princeton University Press. This book was released on 2023-11-14 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A new study of the early Renaissance portrait"--
Download or read book Albrecht Altdorfer and the Origins of Landscape written by Christopher S. Wood and published by Reaktion Books. This book was released on 2013-07-15 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the early sixteenth century, Albrecht Altdorfer promoted landscape from its traditional role as background to its new place as the focal point of a picture. His paintings, drawings, and etchings appeared almost without warning and mysteriously disappeared from view just as suddenly. In Albrecht Altdorfer and the Origins of Landscape, Christopher S. Wood shows how Altdorfer transformed what had been the mere setting for sacred and historical figures into a principal venue for stylish draftsmanship and idiosyncratic painterly effects. At the same time, his landscapes offered a densely textured interpretation of that quintessentially German locus—the forest interior. This revised and expanded second edition contains a new introduction, revised bibliography, and fifteen additional illustrations.
