EBookClubs

Read Books & Download eBooks Full Online

EBookClubs

Read Books & Download eBooks Full Online

Book Library of Congress Subject Headings

Download or read book Library of Congress Subject Headings written by Library of Congress and published by . This book was released on 2002 with total page 1656 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Library of Congress Subject Headings

Download or read book Library of Congress Subject Headings written by Library of Congress. Cataloging Policy and Support Office and published by . This book was released on 2009 with total page 1596 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Library of Congress Subject Headings

Download or read book Library of Congress Subject Headings written by Library of Congress. Subject Cataloging Division and published by . This book was released on 1980 with total page 1326 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book A E

Download or read book A E written by Library of Congress. Office for Subject Cataloging Policy and published by . This book was released on 1990 with total page 1548 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Library of Congress Subject Headings

Download or read book Library of Congress Subject Headings written by Library of Congress. Office for Subject Cataloging Policy and published by . This book was released on 1990 with total page 1534 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Library of Congress Subject Headings

Download or read book Library of Congress Subject Headings written by Library of Congress and published by . This book was released on 1997 with total page 1460 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Library of Congress Subject Headings  A E

Download or read book Library of Congress Subject Headings A E written by Library of Congress. Subject Cataloging Division and published by . This book was released on 1989 with total page 1468 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Library of Congress Subject Headings  P Z

Download or read book Library of Congress Subject Headings P Z written by Library of Congress. Subject Cataloging Division and published by . This book was released on 1989 with total page 1546 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Library of Congress Subject Headings  F O

Download or read book Library of Congress Subject Headings F O written by Library of Congress. Subject Cataloging Division and published by . This book was released on 1988 with total page 1452 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book P Z

Download or read book P Z written by Library of Congress. Office for Subject Cataloging Policy and published by . This book was released on 1990 with total page 1644 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Sassetta

    Book Details:
  • Author : Sassetta
  • Publisher : Harvard University Press
  • Release : 2009
  • ISBN : 9780674035232
  • Pages : 646 pages

Download or read book Sassetta written by Sassetta and published by Harvard University Press. This book was released on 2009 with total page 646 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sassetta, the subtle genius from Siena, revolutionized Italian painting with an altarpiece for the small Tuscan town of Borgo San Sepolcro in 1437-1444. To produce this volume, experts in art and general history have joined forces across the boundaries of eight different nations to explore Sassetta's work.

Book Staging the Liturgy

Download or read book Staging the Liturgy written by Justin E. A. Kroesen and published by . This book was released on 2009 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: TABLE OF CONTENTSTABLE OF CONTENTS PREFACE INTRODUCTIONFORMINTRODUCTION Status quaestionis The morphology of the medieval retable in western Europe The retable: definition and origins The panel retable The winged retable THE ORIGIN AND DEVELOPMENT OF THE MEDIEVALRETABLE IN THE IBERIAN PENINSULA The ancestry of the Iberian retable (600-1200)The decoration of the mensa and stipes Ciboria and baldachins Reliquaries combined with altars Objects above and on the mensa Wall and vault paintings SummaryRomanesque altar retables (1000-1250) The oldest known retables SummaryThe retable under French influence (1250-1400) Painted retables Carved retables SummaryThe painted retable under Italian influence (1330-1400) Contacts with Tuscany Catalonia Other parts of Spain SummarySculptured retables in Catalonia (1325-1430) Stone retables in ltalo-Gothic style The Lleida SchoolInternational Gothic SummaryInternational Gothic in retable painting (1380-1450) Catalonia Valencia, Mallorca, Aragon and Navarre Castile SummaryThe import of retables from northern Europe (1390-1520) English alabasters Triptychs from the Southern Netherlands Foreign sculpture, Spanish structure SummaryPainted retables in the Spanish-Flemish style (1430-1510) Catalonia, Valencia and Aragon Castile and Navarre Portugal Summary Sculptured wall retables in the Late Gothic style (1470-1530) Cathedrals Other churches Summary The transition to the Renaissance retable (1490-1530) Painted retables Sculptured retables Summary Relationships to other traditions and genres (1470-1540) Relationships to other traditionsRelationships to other genres SUMMARY THE MEDIEVAL CHOIR IN THE IBERIAN PENINSULA:FORM AND LOCATION General characteristics The form of the choir Choir stalls Choir partitions The location of the choir The Romanesque coro in Santiago de Compostela The church of St James and its choir Reasons for the nave location Possible antecedents Gothic nave choirs Monastic churches From mosques to cathedrals Other cathedrals Collegiate and parish churches Exceptions that prove the rule The exceptions Burgos and León The coro alto Monastic churches Secular churches Possible antecedents Summary BETWEEN THE TWO CHOIRS: THE CROSSING AS ACROSSROADS OF ACTIVITY Between the two choirs The crossing as a place for preachingThe high altar visible for both clergy and laity CONSEQUENCES FOR THE RETABLE II. ENVIRONMENT III. MESSAGE INTRODUCTION Word and image in the medieval church interiorThe main features of medieval retable iconography in western Europe INTRODUCTION Status quaestionis The choir in the medieval church interior of western Europe The Office The location of the choir in the church interior Consequences for the use of the church ICONOGRAPHY OF THE MEDIEVAL RETABLE IN THEIBERIAN PENINSULAGeneral tendencies The Eucharistic message The hagiographical message The narrative messageTHE RETABLE IN ITS RELIGIOUS AND HISTORICCONTEXT Backcloth to the Mass From communal celebration to clerical spectacle Enrichment of the ritual and its decor Changing attitudes to the Sacrament Background to the sermon The development of the sermon References to retables in sermons Other uses of imagery by preachersDevotional image The individualisation of devotion Illustrated devotional literature The devotional book and the retable Prestige object The secularisation of the retable Private founding of high altar retables Retable rivalry Mirror of the Reconquest The Reconquest as a holy war From coexistence to Inquisition The Reconquest and the retable Expression of reform The 'Reform of the Catholic Monarchs' Correspondences with the retable Cardinal Cisneros, reformer and Maecenas SUMMARY GENERAL CONCLUSIONS BIBLIOGRAPHYINDEX OF PLACES AND PERSONSPLATES.

Book Italian Altarpieces 1250 1550

Download or read book Italian Altarpieces 1250 1550 written by Eve Borsook and published by Oxford University Press, USA. This book was released on 1994 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the 1960s, the Italian altarpiece has attracted unprecedented scholarly attention, bringing artistic, liturgical, social and technical considerations to bear on the subject. The eight contributors to this book provide an impressive synopsis of the different approaches developed in order to enlarge and deepen our knowledge of paintings in terms of their historical functions. Patronage, morphology, religious meaning, pictorial composition, reception, and original setting are all discussed. In several cases, new light is shed on paintings that until a few years ago were dealt with only as elements within a history of style. In nearly all the contributions there is an overwhelming concern with reconstruction, and much new material is presented concerning the historical significance of a specific category of painting. This volume is the result of an international symposium held in June 1988 at the Harvard University for Italian Renaissance Studies at Villa I Tatti in Florence.

Book Library of Congress Subject Headings Supplements  1966 1971 Cumulation

Download or read book Library of Congress Subject Headings Supplements 1966 1971 Cumulation written by Library of Congress. Subject Cataloging Division and published by . This book was released on 1972 with total page 806 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Art in Renaissance Italy

Download or read book Art in Renaissance Italy written by John T. Paoletti and published by Laurence King Publishing. This book was released on 2005 with total page 575 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Art in Renaissance Italy' sets the art of that time in its context, exploring why it was created and in particular looking at who commissioned the palaces and cathedrals, the paintings and the sculptures.

Book The Oxford History of Western Art

Download or read book The Oxford History of Western Art written by Martin Kemp and published by . This book was released on 2000 with total page 578 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford History of Western Art is an innovative and challenging reappraisal of how the history of art can be presented and understood. Through a carefully devised modular structure, readers are given insights not only into how and why works of art were created, but also how works in different media relate to each other across time. Here--uniquely--is not the simple, linear "story" of art, but a rich series of stories, told from varying viewpoints. Carefully selected groupings of pictures give readers a sense of the visual "texture" of the various periods and episodes covered. The 167 illustration groups, supported by explanatory text and picture captions, create a sequence of "visual tours"--not merely a procession of individually "great" works viewed in isolation, but juxtapositions of significant images that powerfully convey a sense of the visual environments in which works of art need to be viewed in order to be understood and appreciated. The aim throughout is to make the shape and nature of these visual presentations a stimulating and rewarding experience, allowing readers to become active participants in the process of interpretation and synthesis. Another key feature of the narrative is the re-definition of traditional period boundaries. Rather than relying on conventional labels such as Medieval, Renaissance, and Baroque, the book establishes five major phases of significant historical change that unlock longer and more meaningful continuities. This new framework shows how the major religious and secular functions of art have been forged, sustained, transformed, revived, and revolutionized over the ages; how the institutions of Church and State have consistently aspired to make art in their own image; and how the rise of art history itself has come to provide the dominant conceptual framework within which artists create, patrons patronize, collectors collect, galleries exhibit, dealers deal, and art historians write. Though the coverage of topics focuses on European notions of art and their transplantation and transformation in North America, space is also given to cross-fertilizations with other traditions---including the art of Latin America, the Soviet Union, India, Africa (and Afro-Caribbean), Australia, and Canada. Written by a team of 50 specialist authors working under the direction of renowned art historian Martin Kemp, The Oxford History of Western Art is a vibrant, vigorous, and revolutionary account of Western art serving both as an inspirational introduction for the general reader and an authoritative source of reference and guidance for students.

Book Polychrome Sculpture

    Book Details:
  • Author : Johannes Taubert
  • Publisher : Getty Publications
  • Release : 2016-02-15
  • ISBN : 1606064339
  • Pages : 250 pages

Download or read book Polychrome Sculpture written by Johannes Taubert and published by Getty Publications. This book was released on 2016-02-15 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the decades since its initial publication in German in 1978, Polychrome Sculpture has come to be widely regarded as a watershed text on the making and meaning of European medieval and Baroque painted wood sculpture. An early proponent of interdisciplinary research, Johannes Taubert played a pioneering role in combining the rigorous scientific analysis of materials with a fuller understanding of form and function, an approach that has led to the development of technical art history as practiced today. Many of the essays in this volume apply such scientific techniques as microscopic analysis to an art-historical understanding of Romanesque and late Gothic wood sculpture, revealing that, far from serving a merely decorative function, the painted surface of these works was intricately connected to their meaning. The paint layers on the sculptures, for example, which the author spent years documenting through close examination and analysis, were intended to impart a heightened sense of reality to the life-sized sculptures, thereby enhancing the viewer’s experience of worship. Taubert believed it was crucial for conservators to understand this context before undertaking any treatments. No other book offers such a focused, subtle, and interdisciplinary examination of the subject as Polychrome Sculpture. This influential work is now available in English for the first time, in a meticulous translation enhanced and updated by new color illustrations, annotations to the original text, and a new introduction.