Download or read book Altarpieces written by Michael D. O'Kelly and published by iUniverse. This book was released on 2011-05 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Fireflies at dawn. . . Winged essences, charred bodies still on fire." This evocative poetry-essay collection issues a call for a renewed embracement of the reader's own expressive "self." We've each a persona to hear --- a voice to resonate through silences of night and the noises of everyday. Life is a mystery hard to crack. We bang it like a door and strum it like a lyre until it opens some new "portal" through which the voice can authentically sound-out the "truths" of being human. That's the happening of this book. Altarpieces have always been artistic creations to conceive life's "sacred" space. This book follows that tradition, if rather untraditionally. These pieces speak to "hear" life on one's own terms; from one's own altar and cathedral. This "gathering" created a poet-self identity --- called 'Apo'kstrophes'. The essays join with the poems to conceive poetry and the spiritual quest with a renewed existential-eco-romantic perspective; sounding that quest with both feet grounded on "worldly other" Planet Earth. The challenge to grasp life at the core is a wrenching-wrestling match with the "Other," that ever-present dimension of "poetry" on life's path. --- Joining philosophical play with the authenticity of word-pieces as "true orients," O'Kelly's book, with many poets helping along the way, has taken up that challenge with unflinching creativity. Want a spiritual adventure? Fly! Take the ride! "Oh, the ride! Fins spurred in shivers of hide. Life's dearness reined in the roll of the tide."
Download or read book Altarpieces and Their Viewers in the Churches of Rome from Caravaggio to Guido Reni written by PamelaM. Jones and published by Routledge. This book was released on 2017-07-05 with total page 391 pages. Available in PDF, EPUB and Kindle. Book excerpt: A social history of reception, this study focuses on sacred art and Catholicism in Rome during the late sixteenth and seventeenth centuries. The five altarpieces examined here were painted by artists who are admired today - Caravaggio, Guercino, and Guido Reni - and by the less renowned but once influential Tommaso Laureti and Andrea Commodi. By shifting attention from artistic intentionality to reception, Pamela Jones reintegrates these altarpieces into the urban fabric of early modern Rome, allowing us to see the five paintings anew through the eyes of their original audiences, both women and men, rich and poor, pious and impious. Because Italian churchmen relied, after the Council of Trent, on public altarpieces more than any other type of contemporary painting in their attempts to reform and inspire Catholic society, it is on altarpieces that Pamela Jones centers her inquiry. Through detailed study of evidence in many genres - including not only painting, prints, and art criticism, but also cheap pamphlets, drama, sermons, devotional tracts, rules of religious orders, pilgrimages, rituals, diaries, and letters - Jones shows how various beholders made meaning of the altarpieces in their aesthetic, devotional, social, and charitable dimensions. This study presents early modern Catholicism and its art in an entirely new light by addressing the responses of members of all social classes - not just elites - to art created for the public. It also provides a more accurate view of the range of religious ideas that circulated in early modern Rome by bringing to bear both officially sanctioned religious art and literature and unauthorized but widely disseminated cheap pamphlets and prints that were published without the mandatory religious permission. On this basis, Jones helps to illuminate further the insurmountable problems churchmen faced when attempting to channel the power of sacred art to elicit orthodox responses.
Download or read book The Altarpiece in Renaissance Venice written by Peter Humfrey and published by . This book was released on 1993 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: The painting and carving of altarpieces was one of the most important and characteristic tasks of Italian Renaissance artists.
Download or read book Touching the Passion Seeing Late Medieval Altarpieces through the Eyes of Faith written by Donna L. Sadler and published by BRILL. This book was released on 2018-03-06 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Touching the Passion — Seeing Late Medieval Altarpieces through the Eyes of Faith, Donna Sadler explores the manner in which worshipers responded to the carved and polychromed retables adorning the altars of their parish churches. Framed by the symbolic death of Christ re-enacted during the Mass, the historical account of the Passion on the retable situated Christ’s suffering and triumph over death in the present. The dramatic gestures, contemporary garb, and wealth of anecdotal detail on the altarpiece, invited the viewer’s absorption in the narrative. As in the Imitatio Christi, the worshiper imaginatively projected himself into the story like a child before a dollhouse. The five senses, the sculptural medium, the small scale, and the rhetoric of memory foster this immersion.
Download or read book Library of Congress Subject Headings written by Library of Congress and published by . This book was released on 2011 with total page 1352 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Library of Congress Subject Headings written by Library of Congress and published by . This book was released on 1997 with total page 1460 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Gothic and Renaissance Altarpieces written by Caterina Limentani Virdis and published by . This book was released on 2002 with total page 421 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the mid-15th century, when the tradition styles and techniques of the Middle Ages were yielding to the new influences of the Renaissance, the altarpieces of cathedrals and major churches reached a degree of elaboration never seen before. For a century or so altarpieces had been constructed so that they could be closed or open (for saints' days and festivals), often in three parts (triptychs), with two wings folding over the centre. This scheme was now expanded: panels were arranged sometimes in two tiers which could open separately. The three-part stucture could grow to five and even seven. In the most extreme case, Grunewald's Isenheim Altarpiece, there was an unprecedented number of possibilities - a sort of theological hierarchy, with panels opening to reveal deeper and deeper mysteries.
Download or read book Carved Splendor written by Rainer Kahsnitz and published by Getty Publications. This book was released on 2006 with total page 462 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The color photographs, specially commissioned for this project, are an essential feature of the book. Each altarpiece is illustrated in its entirety, with its wings both opened and closed, and in close-up views of its most important carvings and paintings - details that are not available to the average visitor to these sites."--BOOK JACKET.
Download or read book Library of Congress Subject Headings written by Library of Congress. Cataloging Policy and Support Office and published by . This book was released on 2003 with total page 1808 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Italian Renaissance Altarpiece written by David Ekserdjian and published by . This book was released on 2021-06-22 with total page 496 pages. Available in PDF, EPUB and Kindle. Book excerpt: The altarpiece is one of the most distinctive and remarkable art forms of the Renaissance period. It is difficult to imagine an artist of the time--whether painter or sculptor, major or minor--who did not produce at least one. Though many have been displaced or dismembered, a substantial proportion of these works still survive. Despite the volume of material available, no serious attempt has ever been made to examine the whole subject in depth until now. The Italian Renaissance Altarpiece is the first comprehensive study of the genre to examine its content and subject matter in real detail, from the origins of the altarpiece in the 13th century to the time of Caravaggio in the early 1600s. It discusses major developments in the history of these objects throughout Italy, covers the three key categories of Renaissance altarpiece--"immagini" (icons), "historie" (narratives), and "misteri" (mysteries)--and is illustrated with 250 beautiful reproductions of the artworks.
Download or read book Sartrean Dialectics written by Roxanne Claire Farrar and published by Rodopi. This book was released on 2000 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents a modification of the dialectical method of Jean-Paul Sartre as a tool for critical discourse on aesthetic experience. Three practical demonstrations are offered of the modified progressive-regressive method: (1) on the original location and function of a medieval altarpiece, (2) on a theme in the literature of the Marquis de Sade, and (3) on a theory of consciousness in a novel by Samuel Beckett. The study concludes with guidelines on how the method may enhance critical discourse in teaching.
Download or read book Italian Altarpieces 1250 1550 written by Eve Borsook and published by Oxford University Press, USA. This book was released on 1994 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the 1960s, the Italian altarpiece has attracted unprecedented scholarly attention, bringing artistic, liturgical, social and technical considerations to bear on the subject. The eight contributors to this book provide an impressive synopsis of the different approaches developed in order to enlarge and deepen our knowledge of paintings in terms of their historical functions. Patronage, morphology, religious meaning, pictorial composition, reception, and original setting are all discussed. In several cases, new light is shed on paintings that until a few years ago were dealt with only as elements within a history of style. In nearly all the contributions there is an overwhelming concern with reconstruction, and much new material is presented concerning the historical significance of a specific category of painting. This volume is the result of an international symposium held in June 1988 at the Harvard University for Italian Renaissance Studies at Villa I Tatti in Florence.
Download or read book Two Fourteenth century Cologne Altarpieces and the Rhenish Mysticism Thesis written by Mary Em Kirn and published by . This book was released on 1973 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Altarpiece in Renaissance Italy written by Jacob Burckhardt and published by . This book was released on 1988 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: An illustrated book on the religious altarpieces of the Italian Renaissance. Written in 1898, these essays reveal how the altarpieces were not only beautiful creations but were also the product of developments in painting.
Download or read book Uneasy Communion written by Thomas F. Glick and published by Giles. This book was released on 2010 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides a fascinating study of the iconography of altarpieces and the artistic collaboration between Jews and Christians.
Download or read book A E written by Library of Congress. Office for Subject Cataloging Policy and published by . This book was released on 1990 with total page 1548 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Polychrome Sculpture written by Johannes Taubert and published by Getty Publications. This book was released on 2016-02-15 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the decades since its initial publication in German in 1978, Polychrome Sculpture has come to be widely regarded as a watershed text on the making and meaning of European medieval and Baroque painted wood sculpture. An early proponent of interdisciplinary research, Johannes Taubert played a pioneering role in combining the rigorous scientific analysis of materials with a fuller understanding of form and function, an approach that has led to the development of technical art history as practiced today. Many of the essays in this volume apply such scientific techniques as microscopic analysis to an art-historical understanding of Romanesque and late Gothic wood sculpture, revealing that, far from serving a merely decorative function, the painted surface of these works was intricately connected to their meaning. The paint layers on the sculptures, for example, which the author spent years documenting through close examination and analysis, were intended to impart a heightened sense of reality to the life-sized sculptures, thereby enhancing the viewer’s experience of worship. Taubert believed it was crucial for conservators to understand this context before undertaking any treatments. No other book offers such a focused, subtle, and interdisciplinary examination of the subject as Polychrome Sculpture. This influential work is now available in English for the first time, in a meticulous translation enhanced and updated by new color illustrations, annotations to the original text, and a new introduction.
