Download or read book From Afro Cuban Rhythms to Latin Jazz written by Raul A. Fernandez and published by Univ of California Press. This book was released on 2006-05-23 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the complexity of Cuban dance music and the webs that connect it, musically and historically, to other Caribbean music, to salsa, and to Latin Jazz. Establishing a scholarly foundation for the study of this music, Raul A. Fernandez introduces a set of terms, definitions, and empirical information that allow for a broader, more informed discussion. He presents fascinating musical biographies of prominent performers Cachao López, Mongo Santamaría, Armando Peraza, Patato Valdés, Francisco Aguabella, Cándido Camero, Chocolate Armenteros, and Celia Cruz. Based on interviews that the author conducted over a nine-year period, these profiles provide in-depth assessments of the musicians’ substantial contributions to both Afro-Cuban music and Latin Jazz. In addition, Fernandez examines the links between Cuban music and other Caribbean musics; analyzes the musical and poetic foundations of the Cuban son form; addresses the salsa phenomenon; and develops the aesthetic construct of sabor, central to Cuban music. Copub: Center for Black Music Research

Download or read book Funkifying the Cl ve written by Lincoln Goines and published by Alfred Music Publishing. This book was released on 1990 with total page 82 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Essence of Afro Cuban Percussion and Drum Set written by Ed Uribe and published by Warner Bros Publications. This book was released on 1996 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: An in-depth study (324 pages) of all the percussion instruments, rhythms and song styles of Afro-Cuban music, along with their applications to the drum set. Detailed technical studies of each instrument are presented along with notations of many rhythm styles. The entire rhythm section (parts for bass, piano, horn section, string section, tres, and guitar) is also studied in detail. The book comes with two CDs that include performances of each percussion instrument, drum set, all rhythm section instruments, as well as examples of all musical styles with full instrumentation in score form.

Download or read book Rhythms of Race written by Christina D. Abreu and published by UNC Press Books. This book was released on 2015-05-04 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: Among the nearly 90,000 Cubans who settled in New York City and Miami in the 1940s and 1950s were numerous musicians and entertainers, black and white, who did more than fill dance halls with the rhythms of the rumba, mambo, and cha cha cha. In her history of music and race in midcentury America, Christina D. Abreu argues that these musicians, through their work in music festivals, nightclubs, social clubs, and television and film productions, played central roles in the development of Cuban, Afro-Cuban, Latino, and Afro-Latino identities and communities. Abreu draws from previously untapped oral histories, cultural materials, and Spanish-language media to uncover the lives and broader social and cultural significance of these vibrant performers. Keeping in view the wider context of the domestic and international entertainment industries, Abreu underscores how the racially diverse musicians in her study were also migrants and laborers. Her focus on the Cuban presence in New York City and Miami before the Cuban Revolution of 1959 offers a much needed critique of the post-1959 bias in Cuban American studies as well as insights into important connections between Cuban migration and other twentieth-century Latino migrations.

Download or read book Afro Cuban Rhythms written by TREVOR SALLOUM and published by Mel Bay Publications. This book was released on 2016-09-07 with total page 32 pages. Available in PDF, EPUB and Kindle. Book excerpt: Afro-Cuban Rhythms: Gig Savers Complete Edition combines both of Trevor Salloum's popular previous editions. The material is designed for the intermediate to advanced percussionist who has some basic understanding of percussion notation. Part one is a collection of traditional rhythms ideal for a percussionensemble or for the individual who wants to learn the authentic parts of each rhythm. The material is presented in a concise and user-friendly style. Part oneincludes information on Clave, Tumbao for one and two drums, Yamb£, Guaguanc¢ (Havana), Guaguanc¢ (Matanzas), Rumba columbia, Conga (Havana), Conga (Matanzas) and Conga (Santiago). Part two is structured just like part one, but covers a different set of rhythms: Bembe, Makuta, Yuka, Palo,Arar†, Abaku† (Havana), Abaku† (Matanzas), Gag†, Vud£ and Iyesa. All rhythms presented in this edition are easily adapted to conga drums and Afro-Cuban hand percussion.

Download or read book Funkifying the Cl ve written by Lincoln Goines and published by . This book was released on 1990 with total page 63 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book West African Rhythms for Drumset written by Royal Hartigan and published by Alfred Music Publishing. This book was released on 1995 with total page 116 pages. Available in PDF, EPUB and Kindle. Book excerpt: With Freeman Kwazdo Donkor and Abraham Adzenyah. Based on four Ghanaian rhythmic groups (Sikyi, Adowa, Gahu and Akom), this book and CD will provide drumset players with a "new" vocabulary based on some of the oldest and most influential rhythms in the world. A groundbreaking presentation!

Download or read book The Clave Matrix written by David Peñalosa and published by . This book was released on 2012-08-01 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: CLAVE MATRIX: The entire interwoven structure of clave-based music as it relates to its generative source.CLAVE: A Spanish word meaning 'code,' or 'key,' as in the key to a mystery or puzzle. Also 'keystone,' the wedge-shaped stone in the center of an arch that ties all the stones together. Clave is the key pattern that both binds and decodes the rhythmic structure of Afro-Cuban music.MATRIX: The point of origin from which something takes form and develops; a grid-like array of elements, an interwoven pattern.

Download or read book Afro Cuban Big Band Play Along for Drumset Percussion Book CD written by Joe McCarthy and published by Alfred Music. This book was released on 2008-12 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Afro-Cuban Big Band Play-Along book and CD gives the drummer/percussionist an opportunity to play contemporary Afro-Cuban music in a big band setting. The book and CD includes six charts from the Grammy(R) Award-winning Caribbean Jazz Project album, Afro-Bop Alliance (featuring Dave Samuels). The tracks, minus the drum/percussion parts, will give the player an opportunity to solo and experiment with a variety of groove and/or style variations.

Download or read book Decoding Afro Cuban Jazz written by Chucho Valdés and published by . This book was released on 2019-02-19 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Cuba and Its Music written by Ned Sublette and published by Chicago Review Press. This book was released on 2007-02 with total page 690 pages. Available in PDF, EPUB and Kindle. Book excerpt: This entertaining history of Cuba and its music begins with the collision of Spain and Africa and continues through the era of Miguelito Valdes, Arsenio Rodriguez, Benny More, and Perez Prado. It offers a behind-the-scenes examination of music from a Cuban point of view, unearthing surprising, provocative connections and making the case that Cuba was fundamental to the evolution of music in the New World. The ways in which the music of black slaves transformed 16th-century Europe, how the "claves" appeared, and how Cuban music influenced ragtime, jazz, and rhythm and blues are revealed. Music lovers will follow this journey from Andalucia, the Congo, the Calabar, Dahomey, and Yorubaland via Cuba to Mexico, Puerto Rico, Saint-Domingue, New Orleans, New York, and Miami. The music is placed in a historical context that considers the complexities of the slave trade; Cuba's relationship to the United States; its revolutionary political traditions; the music of Santeria, Palo, Abakua, and Vodu; and much more.

Download or read book The Artistry of Afro Cuban Bat Drumming written by Kenneth Schweitzer and published by Univ. Press of Mississippi. This book was released on 2013-02-01 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: An iconic symbol and sound of the Lucumí/Santería religion, Afro-Cuban batá are talking drums that express the epic mythological narratives of the West African Yoruba deities known as orisha. By imitating aspects of speech and song, and by metaphorically referencing salient attributes of the deities, batá drummers facilitate the communal praising of orisha in a music ritual known as a toque de santo. In The Artistry of Afro-Cuban Batá Drumming, Kenneth Schweitzer blends musical transcription, musical analysis, interviews, ethnographic descriptions, and observations from his own experience as a ritual drummer to highlight the complex variables at work during a live Lucumí performance. Integral in enabling trance possessions by the orisha, by far the most dramatic expressions of Lucumí faith, batá drummers are also entrusted with controlling the overall ebb and flow of the four- to six-hour toque de santo. During these events, batá drummers combine their knowledge of ritual with an extensive repertoire of rhythms and songs. Musicians focus on the many thematic acts that unfold both concurrently and in quick succession. In addition to creating an emotionally charged environment, playing salute rhythms for the orisha, and supporting the playful song competitions that erupt between singers, batá drummers are equally dedicated to nurturing their own drumming community by creating a variety of opportunities for the musicians to grow artistically and creatively.

Download or read book Style Studies for the Creative Drummer written by John Xepoleas and published by Alfred Music Publishing. This book was released on 1993-11 with total page 72 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of studies on rock, jazz, and Latin rhythms designed to increase a drummer's versatility. Each study contains basic rhythms plus practical variations---all proven successful in numerous playing situations. Includes John's phrasing techniques which are applied to all the rhythms. With discography and audio, this revised and updated method provides a perfect base for the teacher and student to help focus on the three main genres of music.

Download or read book Music and Revolution written by Robin D. Moore and published by Univ of California Press. This book was released on 2006 with total page 734 pages. Available in PDF, EPUB and Kindle. Book excerpt: Annotation A history of Cuban music during the Castro regime (1950s to the present.

Download or read book The Afro Cuban Handbook written by Javier Diaz and published by . This book was released on 2009 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examples, both in notation and recorded examples, include rhythmic patterns for single instruments and combinations including congas, bells, bembes, timbales, maracas, bongos, shekeres and claves. These illustrate a number of rhythmic styles including Yoruba, Nanigo, Dahomea, Bantu, carnival, rumba, son, quajiro, bolero, habanera, contradanza, danzon, mambo, charanga, pachanga, chachacha, Afro, descarga, pilon, boogaloo, salsa, songo, timba, and montuno.

Download or read book Origins of Cuban Music and Dance written by Benjamin Lapidus and published by Scarecrow Press. This book was released on 2008-10-17 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Origins of Cuban Music and Dance: Changüí is the first in-depth study of changüí, a style of music and dance in Guantánamo, Cuba. Changüí is analogous to blues in the United States and is a crucible of Cuban Creole culture. Benjamin Lapidus describes changüí and its relationship to the roots of son, Cuba's national genre and the style of music that contributed to the development of salsa, in Eastern Cuba. He also highlights the connections between Afro-Haitian music and Cuban popular music through changüí, connections with the Caribbean that have been largely overlooked in the past. After an initial historical discussion about the region of Guantánamo and the inter-connectedness of its various musical styles with a focus on changüí, Lapidus discusses the technical aspects of the genre as practiced within the region and beyond. He considers the socio-historical importance of its lyrics, presenting numerous musical transcriptions that explain how the music is structured, as well as providing background stories to songs. In a chapter unique to this book and a first in Cuban musicology and ethnography, Lapidus describes years of festivals and musical competitions to show how local musical identity takes shape, particularly when encountering national narratives of music history. The volume concludes with a comparison between changüí and son, as well as a bibliography, discography, and videography.

Download or read book Practical Applications written by Chuck Silverman and published by Alfred Music Publishing. This book was released on 2002 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: English / Spanish. Practical Applications, using Afro-Caribbean Rhythms to Develop Command and Control of the Drumset. Formerly a three-part series that explores Afro-Caribbean rhythms as applied to the drumset, this revision combines the series into one book and online audio. The unique approach is in teaching rhythms while developing total drumset technique and independence. Includes English and Spanish text and an authentic recording performed by a band of Latin music all-stars. Styles covered include: cha-cha-cha, samba, mambo, cumbia, bolero, 6/8 merengue, songo, bossa nova, NY mozambique. Also covers Latin, jazz, rock, and funk applications for these styles.