Download or read book Greek Tragedy and the Contemporary Actor written by Zachary Dunbar and published by Springer. This book was released on 2018-11-11 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a provocative and groundbreaking re-appraisal of the demands of acting ancient tragedy, informed by cutting-edge scholarship in the fields of actor training, theatre history, and classical reception. Its interdisciplinary reach means that it is uniquely positioned to identify, interrogate, and de-mystify the clichés which cluster around Greek tragedy, giving acting students, teachers, and theatre-makers the chance to access a vital range of current debates, and modelling ways in which an enhanced understanding of this material can serve as the stimulus for new experiments in the studio or rehearsal room. Two theoretical chapters contend that Aristotelian readings of tragedy, especially when combined with elements of Stanislavski’s (early) actor-training practice, can actually prevent actors from interacting productively with ancient plays and practices. The four chapters which follow (Acting Sound, Acting Myth, Acting Space, and Acting Chorus) examine specific challenges in detail, combining historical summaries with a survey of key modern practitioners, and a sequence of practical exercises.
Download or read book Acting Greek Tragedy written by Professor Graham Ley and published by Royal College of General Practitioners. This book was released on 2015-03-26 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Acting Greek Tragedy explores the dynamics of physical interaction and the dramaturgical construction of scenes in ancient Greek tragedy. Ley argues that spatial distinctions between ancient and modern theatres are not significant, as core dramatic energy can be placed successfully in either context. Guiding commentary on selected passages from Aeschylus, Sophocles and Euripides illuminates the problems involved with performing monologue, dialogue, scenes requiring three actors, and scenes with properties. A companion website - actinggreektragedy.com - offers recorded illustrations of scenes from the Workshops. What the book offers is a practical approach to the preparation of Greek scripts for performance. The translations used have all been tested in workshops, with those of Euripides newly composed for this book. The companion website can be found here: www.actinggreektragedy.com
Download or read book Objects as Actors written by Melissa Mueller and published by University of Chicago Press. This book was released on 2016-01-13 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: Objects as Actors charts a new approach to Greek tragedy based on an obvious, yet often overlooked, fact: Greek tragedy was meant to be performed. As plays, the works were incomplete without physical items—theatrical props. In this book, Melissa Mueller ingeniously demonstrates the importance of objects in the staging and reception of Athenian tragedy. As Mueller shows, props such as weapons, textiles, and even letters were often fully integrated into a play’s action. They could provoke surprising plot turns, elicit bold viewer reactions, and provide some of tragedy’s most thrilling moments. Whether the sword of Sophocles’s Ajax, the tapestry in Aeschylus’s Agamemnon, or the tablet of Euripides’s Hippolytus, props demanded attention as a means of uniting—or disrupting—time, space, and genre. Insightful and original, Objects as Actors offers a fresh perspective on the central tragic texts—and encourages us to rethink ancient theater as a whole.
Download or read book Public and Performance in the Greek Theatre written by Peter D. Arnott and published by Routledge. This book was released on 2002-09-11 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: Peter Arnott discusses Greek drama not as an antiquarian study but as a living art form. He removes the plays from the library and places them firmly in the theatre that gave them being. Invoking the practical realities of stagecraft, he illuminates the literary patterns of the plays, the performance disciplines, and the audience responses. Each component of the productions - audience, chorus, actors, costume, speech - is examined in the context of its own society and of theatre practice in general, with examples from other cultures. Professor Arnott places great emphasis on the practical staging of Greek plays, and how the buildings themselves imposed particular constraints on actors and writers alike. Above all, he sets out to make practical sense of the construction of Greek plays, and their organic relationship to their original setting.
Download or read book A Short Introduction to the Ancient Greek Theater written by Graham Ley and published by University of Chicago Press. This book was released on 2012-02-01 with total page 141 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contemporary productions on stage and film, and the development of theater studies, continue to draw new audiences to ancient Greek drama. With observations on all aspects of performance, this volume fills their need for a clear, concise account of what is known about the original conditions of such productions in the age of Pericles. Reexamining the surviving plays of Aeschylus, Sophocles, Euripides, and Aristophanes, Graham Ley here discusses acting technique, scenery, the power and range of the chorus, the use of theatrical space, and parody in their plays. In addition to photos of scenes from Greek vases that document theatrical performance, this new edition includes notes on ancient mime and puppetry and how to read Greek playtexts as scripts, as well as an updated bibliography. An ideal companion to The Complete Greek Tragedies, also published by the University of Chicago Press, Ley’s work is a concise and informative introduction to one of the great periods of world drama. "Anyone faced with Athenian tragedy or comedy for the first time, in or out of the classroom, would do well to start with A Short Introduction to Ancient Greek Theater."—Didaskalia
Download or read book The Greek Sense of Theatre written by J. Walton and published by Routledge. This book was released on 2013-07-04 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Download or read book Greek Tragic Theatre written by Rush Rehm and published by Routledge. This book was released on 2003-09-02 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: Emphasizing the political nature of Greek tragedy, as theatre of, by and for the polis, Rush Rehm characterizes Athens as a performance culture; one in which the theatre stood alongside other public forums as a place to confront matters of import. In treating the various social, religious and practical aspects of tragic production, he shows how these elements promoted a vision of the theatre as integral to the life of the city - a theatre focussed on the audience.
Download or read book A Vehicle for Performance written by Margaret Dickin and published by . This book was released on 2009 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Just as naturally happens with actors in tragedies where he who wears the mask of a messenger or servant gains glory and takes the lead while he who bears the crown and sceptre is not listened to when he speaks..."--Plutarch This book investigates the transformation of the Tragic Messenger, traditionally a minor supporting character in Greek drama who brought news from off stage, into one of the leading acting roles in ancient drama. It examines the features of Messenger speeches which made them attractive acting roles, reviews the Tragic Messenger in vase paintings, and analyzes the distribution of acting roles in the extant fifth-century tragedies. The technique of masked actors playing multiple roles in the same drama permitted 'metatheatrical' linkages between these acting roles. When these linkages involved Euripides' very vivid Messenger speeches, they allowed the Tragic Messenger to become an indispensable and stereotypical part of the drama. This was not only important in the development of the tragic genre itself, but may also have led to the stock role of the Running Slave in comedy.
Download or read book Mask and Performance in Greek Tragedy written by David Wiles and published by Cambridge University Press. This book was released on 2007-08-09 with total page 25 pages. Available in PDF, EPUB and Kindle. Book excerpt: A 2007 study of the mask in Greek tragedy, covering both ancient and modern performances.
Download or read book Acting Like Men written by Karen Bassi and published by University of Michigan Press. This book was released on 1998 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the concept of gender in relation to Greek drama
Download or read book The So called Rule of Three Actors in the Classical Greek Drama written by Kelley Rees and published by . This book was released on 1907 with total page 96 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Attic Theatre written by Arthur Elam Haigh and published by . This book was released on 1889 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Greek Acting in the Fifth Century written by James Turney Allen and published by . This book was released on 1916 with total page 14 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Companion to Greek Tragedy written by Justina Gregory and published by John Wiley & Sons. This book was released on 2008-04-15 with total page 576 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Blackwell Companion to Greek Tragedy provides readers with a fundamental grounding in Greek tragedy, and also introduces them to the various methodologies and the lively critical dialogue that characterize the study of Greek tragedy today. Comprises 31 original essays by an international cast of contributors, including up-and-coming as well as distinguished senior scholars Pays attention to socio-political, textual, and performance aspects of Greek tragedy All ancient Greek is transliterated and translated, and technical terms are explained as they appear Includes suggestions for further reading at the end of each chapter, and a generous and informative combined bibliography
Download or read book How to Stage Greek Tragedy Today written by Simon Goldhill and published by University of Chicago Press. This book was released on 2007-11 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: Space and concept -- The chorus -- The actor's role -- Tragedy and politics : what's Hecuba to him? -- Translations : finding a script -- Gods, ghosts, and Helen of Troy
Download or read book The Rule of Three Actors in the Classical Greek Drama written by Kelley Rees and published by . This book was released on 1908 with total page 116 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Understanding Greek Tragic Theatre written by Rush Rehm and published by Routledge. This book was released on 2016-07-15 with total page 187 pages. Available in PDF, EPUB and Kindle. Book excerpt: Understanding Greek Tragic Theatre, a revised edition of Greek Tragic Theatre (1992), is intended for those interested in how Greek tragedy works. By analysing the way the plays were performed in fifth-century Athens, Rush Rehm encourages classicists, actors, and directors to approach Greek tragedy by considering its original context. Emphasizing the political nature of tragedy as a theatre of, by, and for the polis, Rehm characterizes Athens as a performance culture, one in which the theatre stood alongside other public forums as a place to confront matters of import and moment. In treating the various social, religious and practical aspects of tragic production, he shows how these elements promoted a vision of the theatre as integral to the life of the city – a theatre whose focus was on the audience. The second half of the book examines four exemplary plays, Aeschylus’ Oresteia trilogy, Sophocles’ Oedipus Tyrannus, and Euripides’ Suppliant Women and Ion. Without ignoring the scholarly tradition, Rehm focuses on how each tragedy unfolds in performance, generating different relationships between the characters (and chorus) on stage and the audience in the theatre.
