Download or read book A Printmaker s Document written by Jim Dine and published by . This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book discusses 74 of Jim Dine's prints, with commentaries by the artist and printers with whom he has worked with over the years.
Download or read book Jim Dine written by Jim Dine and published by . This book was released on 2012 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Catalog of an exhibition "Jim Dine--Theme and Variation: A Half Century of Printmaking" held at Nagoya/Boston Museum of Fine Arts, Nagoya, Japan, Apr. 23-Aug. 28, 2011.
Download or read book Printmakers Council written by Printmakers Council and published by . This book was released on with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Progressive Printmakers written by Warrington Colescott and published by Univ of Wisconsin Press. This book was released on 1999 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In lively memoirs and analyses, the artists tell the story of the evolving print program at Madison."--BOOK JACKET.
Download or read book The Printmakers Bible written by Megan Fishpool and published by Bloomsbury Publishing. This book was released on 2022-10-13 with total page 644 pages. Available in PDF, EPUB and Kindle. Book excerpt: The ultimate reference guide to printmaking which is a must-have for every printmaker or print studio. The Printmakers' Bible is a comprehensive guide to all aspects of printmaking, including processes, techniques and mixed-media possibilities. It covers everything you need to know, from traditional methods such as lithography, etching and mezzotint, to new experimental techniques such as digital, photoaluminium plates, collagraphs and CAD/CAM. The book also includes essential information on colour theory, designing and preparing prints, choosing paper, setting up a studio, health and safety, tools, equipment and chemicals, making this a must-have book that every printmaker and print studio should own.
Download or read book American Printmakers of the Twentieth Century written by Donald E. Smith and published by Saint Johann Press. This book was released on 2004 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Kingdom of Images written by Peter Fuhring and published by Getty Publications. This book was released on 2015-06-18 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: Once considered the golden age of French printmaking, Louis XIV’s reign saw Paris become a powerhouse of print production. During this time, the king aimed to make fine and decorative arts into signs of French taste and skill and, by extension, into markers of his imperialist glory. Prints were ideal for achieving these goals; reproducible and transportable, they fueled the sophisticated propaganda machine circulating images of Louis as both a man of war and a man of culture. This richly illustrated catalogue features more than one hundred prints from the Getty Research Institute and the Bibliothèque nationale de France in Paris, whose print collection Louis XIV established in 1667. An esteemed international group of contributors investigates the ways that cultural policies affected printmaking; explains what constitutes a print; describes how one became a printmaker; studies how prints were collected; and considers their reception in the ensuing centuries. A Kingdom of Images is published to coincide with an exhibition on view at the Getty Research Institute from June 18 through September 6, 2015, and at the Bibliothèque nationale de France in Paris from November 2, 2015, through January 31, 2016.
Download or read book Prints and Their Makers written by Phil Sanders and published by . This book was released on 2021 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "An exploration of historical and contemporary fine art printmaking, with an emphasis on the roles and processes of the artist, master printer, and publisher"--
Download or read book Prints and Printmakers of New York State 1825 1940 written by David Tatham and published by Syracuse University Press. This book was released on 1986-08-01 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: For well over a century, New York has been a microcosm of the art and craft of American printmaking. Until 1825, printmaking in America was almost entirely an artisan's craft. Then, with the arrival of lithography, the realization arose that printmaking could also be a fine art. The essays published in this collection contribute to the body of scholarship by identifying important but hitherto insufficiently studied aspects of the graphic arts and treating them authoritatively. Their subjects concern prints in New York State, whose great metropolitan city was, after 1825, the acknowledged center of nearly everything important in the graphic arts in the U.S. The history of American prints from 1825 on is enormously rich, yet until the 1970s it was the least studied and understood aspect of the history of art in North America. It is a history more deeply rooted in popular culture and more closely tied, for a long time, to the world of commerce than the other arts. The usually small-scale, sometimes ephemeral, and often highly subtle (or highly unsubtle) nature of prints makes it easy to overlook them. The collection of essays included here were originally presented at the Twelfth Annual North American Print Conference, held in 1981 in Syracuse, New York. Locally organized, these conferences have been held during the last decade throughout the U.S. and Canada to further the study of the history of the pictorial graphic arts in North America. Contributors include several leading historians of the graphic arts of nineteenth-century America. Their chapters bring to life and flesh out figures who were previously little more than names, establish facts that correct long-held erroneous assumptions, introduce many prints of exceptional interest that have remained out of the public view for generations, and provide a rich, new context for many familiar images.
Download or read book Studio One Printmakers written by Studio One Printmakers and published by . This book was released on with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Prints of Louise Bourgeois written by Deborah Wye and published by . This book was released on 1994 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: Her increasing recognition since then culminated with the selection of her work to represent the United States at the 1993 Venice Biennale.
Download or read book Color Management Quality Output written by Tom Ashe and published by CRC Press. This book was released on 2014-01-03 with total page 732 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2012. We have all felt the frustration of wasting time, paper and effort hen our prints or web images don't match the images we see on our monitors. Fortunately, you're holding the resource that will help solve these problems. This book guides you through the hardware settings and software steps you'll need to post professional images and make stunning prints that showcase you artistic vision. In Color Managment & Quality Outprint, Tom P. Ashe, a color expert and gifted teacher, shows you how to color manage your files from input all the way through output, by clearly explaining how color works in our minds, on our monitors and computers and through our printers.
Download or read book Adirondack Prints and Printmakers written by Caroline M. Welsh and published by Syracuse University Press. This book was released on 1998-05-01 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the late eighteenth century, the Adirondacks—first characterized as a "Dismal Wilderness" and then a "Sportsman's Paradise"—has challenged cartographers, scientists, sportsmen, travelers, and artists. In a volume that covers nearly three hundred years of artistic achievement, Adirondack Museum curator Caroline M. Welsh includes essays that were originally presented at the 1995 North American Print Conference at the Adirondack Museum. Comprehensive in scope and lavishly illustrated, the book embodies the artistic spectrum from the documentary to the aesthetic. Paintings of Adirondack scenery were frequently reproduced as prints. Lithographs after original paintings disseminated affordable fine art to a broad middle class, exemplifying a pervasive nineteenth-century faith that art. By 1850, this northern expanse became a sanctuary for artists. Inspired by the drama of the landscape, the purity of the light, and the grandeur of its rugged wilderness, artists flocked to the region. From Winslow Homer, Dr. Arpad Gerster, and the French naturalist Jacques Gerard Milbert to Canadian artist David Milne, Adirondack Prints and Printmakers underscores the importance of the wilderness landscape in American art and culture and the role that prints have played to document, promote, and celebrate the Adirondacks.
Download or read book The Renaissance Print 1470 1550 written by David Landau and published by Yale University Press. This book was released on 1994-01-01 with total page 453 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through an examination of material and institutional circumstances, through the study of work shop practices and of technical and aesthetic experimentation, this book seeks to give an account of the ways in which Renaissance prints were realized, distributed, acquired, and handled by their public.
Download or read book Jim Dine I Print written by and published by Steidl. This book was released on 2021-06-29 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: An opulent and scholarly catalogue raisonné of Dine's lifelong adventures in printmaking, from woodcuts to books Within Jim Dine's (born 1935) diverse oeuvre, printmaking plays a consistent and overarching role. For six decades now, the artist's enthusiasm for woodcuts, etching and lithography, for drypoint, monotypes and aquatints has not diminished--on the contrary, since 2001 Dine has produced over 750 prints in which he repeatedly discovers fresh expression for his iconic motifs: the hearts and bathrobes, the antique torsos and flowers, not to mention Pinocchio. I Printis the latest in a series of scholarly catalogues raisonnés on Dine's printed oeuvre and comprehensively documents all works produced since 2001, including information on their dimensions, print runs and papers, the complex printing processes that often combine techniques, as well as the printers and workshops involved in their realization. This opulent publication of nearly 400 pages also lists the artist's books and portfolios that Dine has realized over the past 20 years; it is an indispensable reference for collectors, printmaking enthusiasts and academics alike.
Download or read book The Printmakers Bible written by Megan Fishpool and published by Bloomsbury Publishing. This book was released on 2022-10-13 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: The ultimate reference guide to printmaking which is a must-have for every printmaker or print studio. The Printmakers' Bible is a comprehensive guide to all aspects of printmaking, including processes, techniques and mixed-media possibilities. It covers everything you need to know, from traditional methods such as lithography, etching and mezzotint, to new experimental techniques such as digital, photoaluminium plates, collagraphs and CAD/CAM. The book also includes essential information on colour theory, designing and preparing prints, choosing paper, setting up a studio, health and safety, tools, equipment and chemicals, making this a must-have book that every printmaker and print studio should own.
Download or read book Michelangelo in Print written by Bernadine Barnes and published by Routledge. This book was released on 2017-07-05 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: In seeing printed reproductions as a form of response to Michelangelo's work, Bernadine Barnes focuses on the choices that printmakers and publishers made as they selected which works would be reproduced and how they would be presented to various audiences. Six essays set the reproductions in historical context, and consider the challenges presented by works in various media and with varying degrees of accessibility, while a seventh considers how published verbal descriptions competed with visual reproductions. Rather than concentrating on the intentions of the artist, Barnes treats the prints as important indicators of the use of, and public reaction to, Michelangelo's works. Emphasizing reception and the construction of history, her approach adds to the growing body of scholarship on print culture in the Renaissance. The volume includes a comprehensive checklist organized by the work reproduced.
