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Book A Descriptive Catalogue of the Oriental Mss  Belonging to the Late E  G  Browne

Download or read book A Descriptive Catalogue of the Oriental Mss Belonging to the Late E G Browne written by E. G. Browne and published by Cambridge University Press. This book was released on 1932-01-03 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: 468 manuscripts, classified, with an English alphabetical index and a title index in Arabic characters.

Book Guide To  Or Descriptive Catalogue of the Chinese Museum

Download or read book Guide To Or Descriptive Catalogue of the Chinese Museum written by John R. Peters and published by . This book was released on 1845 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Bibliotheca Ms  Stowensis

Download or read book Bibliotheca Ms Stowensis written by Charles O'Conor and published by . This book was released on 1819 with total page 624 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Bibliotheca MS  Stowensis  A Descriptive Catalogue of the Manuscripts in the Stowe Library

Download or read book Bibliotheca MS Stowensis A Descriptive Catalogue of the Manuscripts in the Stowe Library written by Charles O'Conor (D.D.) and published by . This book was released on 1818 with total page 622 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book A Descriptive Catalogue of the Etched Work of Wenceslaus Hollar 1607 1677

Download or read book A Descriptive Catalogue of the Etched Work of Wenceslaus Hollar 1607 1677 written by Richard Pennington and published by Cambridge University Press. This book was released on 2002-07-25 with total page 524 pages. Available in PDF, EPUB and Kindle. Book excerpt: A catalogue of over 2,700 etchings, which form an important pictorial chronicle of seventeenth-century England.

Book Catalogue

Download or read book Catalogue written by Bernard Quaritch (Firm) and published by . This book was released on 1915 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Huai su and the Beginnings of Wild Cursive Script in Chinese Calligraphy

Download or read book Huai su and the Beginnings of Wild Cursive Script in Chinese Calligraphy written by Adele Schlombs and published by Franz Steiner Verlag. This book was released on 1998 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Der M�nchskalligraph Huai-su (ca. 725-ca. 782) gilt als einer der Begruender der "Wilden Konzeptschrift" (k'uang-ts'ao), die den exzentrischen Stil innerhalb der chinesischen Kalligraphiegeschichte pr�gte und zur Herausbildung einer vom klassischen Ideal der Wang-Schule abweichenden Traditionslinie fuehrte. Die vorliegende Studie gibt erstmals Einblick in die Prim�rquellen: neben Briefen und anderen Zeugnissen des Huai-su zahlreiche Lobgedichte von Beamten und Gelehrten. Alles deutet darauf hin, da� es sich bei seinem Hauptwerk, der sog. Autobiographie, um ein Empfehlungsschreiben in eigener Sache handelt. Neben einer annotierten �bersetzung der Autobiographie und s�mtlicher Kollophone, die einen �berblick ueber das Schicksal der Querrolle im Laufe der Jahrhunderte vermitteln, bietet die Studie eine Untersuchung der �sthetischen Kriterien, welche die chinesische Kunsttheorie zur Beurteilung der "wilden Konzeptschrift" entwickelte, und stellt neue Methoden der formalen Analyse vor. Die Frage der Authentizit�t der im Palastmuseum Taipei befindlichen Querrolle wird eingehend geprueft; der Beweis, da� es sich nicht um ein Original aus der Hand des Huai-su, sondern um eine dem Original sehr nahe gepauste Kopie des 12.-13. Jhs. handelt, wird erbracht. Auch die uebrigen, seinem Oeuvre zugerechneten Werke werden vorgestellt und einer kritischen Analyse unterzogen.

Book Taoism and the Arts of China

    Book Details:
  • Author : Stephen Little
  • Publisher : Univ of California Press
  • Release : 2000-01-01
  • ISBN : 9780520227859
  • Pages : 422 pages

Download or read book Taoism and the Arts of China written by Stephen Little and published by Univ of California Press. This book was released on 2000-01-01 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt: A celebration of Taoist art traces the influence of philosophy on the visual arts in China.

Book Science and Civilisation in China  Part 1  Paper and Printing

Download or read book Science and Civilisation in China Part 1 Paper and Printing written by Joseph Needham and published by Cambridge University Press. This book was released on 1985-07-11 with total page 520 pages. Available in PDF, EPUB and Kindle. Book excerpt: Part one of the fifth volume of Joseph Needham's great enterprise is written by one of the project's collaborators. Professor Tsien Tsuen-Hsuin, working in regular consultation with Dr Needham, has written the most comprehensive account of every aspect of paper and printing in China to be published in the West. From a close study of the vast mass of source material, Professor Tsien brings order and illumination to an area of technology which has been of profound importance in the spread of civilisation. The main body of the book is a detailed study of the invention, technology and aesthetic development of printing in China. From the growth and ultimate refinements of early woodcut printing to the spread of printing from movable type and the development of book-binding, Professor Tsien carries the story forward to the beginning of the nineteenth century when 'more printed pages existed in Chinese than in all other languages put together'.

Book Official descriptive and illustrated catalogue

Download or read book Official descriptive and illustrated catalogue written by and published by . This book was released on 1851 with total page 788 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book An Introduction to Chinese Art

Download or read book An Introduction to Chinese Art written by Michael Sullivan and published by Univ of California Press. This book was released on with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book A Century for the Century

Download or read book A Century for the Century written by Martin Hutner and published by David R. Godine Publisher. This book was released on 2004 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: These lists are usually generated in neat doses of one hundred titles. Here then (at least in the opinions of Messrs. Hutner and Kelly) are the hundred greatest printed books of the twentieth century. Given another pair of editors, you d probably be offered a different list, but this one serves and serves well, for it concentrates not only on the recognized chestnuts, but also lesser-known, and often exceedingly récherché volumes that have left their mark. It is noteworthy that only two books in the survey were printed by offset; the rest are all letterpress. And although America is strongly represented, there are also selections from Italy, France, Germany, the Netherlands, England, Wales and Switzerland. Every book is illustrated in fine line duotone, many in color, and best of all, the captions that accompanied the original Grolier exhibit have been transcribed intact. In their two prefatory essays, Hutner has provided a convincing defense of his choices (1900 1948), and Kelly, a spirited apologia for his (1949 1999). Joe Blumenthal ended his survey of fine printing in America with the observation that the art of the book, one of the slender graces of civilization, works its charm on each new generation. This survey, while admittedly neither comprehensive nor definitive, provides an excellent overview of fine printing over the past hundred years. Despite Morison s contention that typography is the most conservative of all the arts, the form of the book continues to mutate, evolve, and advance. If we are to overcome the complexities of a digital age, we would do well to appreciate, if not embrace, that heritage. -- Amazon.com.

Book Asian Art

Download or read book Asian Art written by Lark E. Mason and published by Antique Collectors Club Dist. This book was released on 2002 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: A specialist in Asian art at Sotheby's, Mason presents a very useful introduction to a complicated subject. He begins with an essay on the history of Asia, which despite its brevity will be useful for the collector targeted by this book. Individual chapters range from ceramics and metalwork to prints, paintings, and textiles; the chapter on "The Artisan and Craftsman" examines the quality, condition, and authenticity of works in areas such as arms, armor, glass, ivory, and jewelry. The book contains appendixes of chronological tables and major marks on Chinese and Japanese works of art, as well as an index and a fine bibliography. The narrative does not confuse readers new to the subject with excessive detail, and the photographs are clear and very instructive. A beautiful book at a reasonable price, this volume contains an amazing wealth of information on a very broad subject. Recommended for both public and academic libraries.-Martin Chasin, Adult Inst., Bridgeport, CT Copyright 2003 Reed Business Information.

Book The Painting of T ang Yin

    Book Details:
  • Author : Anne De Coursey Clapp
  • Publisher : University of Chicago Press
  • Release : 1991-11
  • ISBN : 9780226106991
  • Pages : 340 pages

Download or read book The Painting of T ang Yin written by Anne De Coursey Clapp and published by University of Chicago Press. This book was released on 1991-11 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: +This richly illustrated volume documents the art and fully examines the career of the sixteenth-century Chinese master T'ang Yin. One of the four great painters of the middle Ming period, the ambitious T'ang Yin rose above the merchant class into which he was born to become a member of the elite scholarly circle in the city of Suchou. Deprived by accident of his academic degrees and so forced to paint for a living, T'ang Yin became a social anomaly whose style of life cut across the conventions of his time. His experiences throw into sharp relief the realities faced by a Chinese painter who was both elite Confucian scholar and professional painter. Anne De Coursey Clapp's work also explores larger issues of Ming painting raised by the artist's turbulent career. She describes the social and intellectual values exalted in Ming Suchou, its system of patronage, the contrast between the professional and amateur artist, and the formative influence of twelfth-century Sung dynasty styles on Suchou painters. Clapp shows how T'ang Yin's artistic inventions were made in the course of leading the revival of Sung dynasty styles in Suchou: tracing T'ang Yin's early studies of ancient and contemporary masters, she describes how he reworked an antique style, converting it into a vehicle of expression that reached fruition in a long series of fresh and powerful paintings of landscapes and birds-and-flowers. In the process, she revises the distorted version of middle Ming painting written by later Chinese art theorists to justify their own social and artistic values, noting especially the role of art patrons and their effect on artistic production. Clapp analyzes the increasing currency of painting as a means of social exchange in ancient China. In particular, she identifies commemorative painting as a major genre of the later dynasties and explores the role it played in the oeuvres of professional masters with its humanistic implications for the Chinese view of the ideal scholarly man. Her broad view of T'ang Yin's career shows him divided between the professional and amateur camps of his time: in landscape and figural subjects he was aligned with the professionals; in flower subjects with the amateurs. Clap argues that the uneven distribution of styles and genres between this master who was subject to the market, and those who were independent of it, suggests that T'ang deliberately tried to expand the range of his paintings in order to appeal to buyers in the lower educational and social strata. Illustrated by some of T'ang Yin's most celebrated paintings and by some which are published for the first time, her work is of tremendous importance to art, literary, and cultural historians of Ming China. "In this important work, Anne de Coursey Clapp has drawn a clear picture of T'ang Yin's life, patronage relationships, and contribution to the history of Chinese painting. In the person of T'ang Yin, she has chosen an ideal focus around which to examine some of the misleading stereotypes which have distorted our understanding of Chinese painting since the seventeenth century. Marked by analytical clarity and scrupulous scholarship, her work is a welcome addition to the few works in English on individual Chinese artists."—Louise Yuhas, Occidental College

Book Official Descriptive and Illustrated Catalogue

Download or read book Official Descriptive and Illustrated Catalogue written by Great Exhibition (1851, London) and published by . This book was released on 1851 with total page 734 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Protecting the Dharma through Calligraphy in Tang China

Download or read book Protecting the Dharma through Calligraphy in Tang China written by Pietro De Laurentis and published by Routledge. This book was released on 2021-11-30 with total page 545 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a study of the earliest and finest collated inscription in the history of Chinese calligraphy, the Ji Wang shengjiao xu 集王聖教序 (Preface to the Sacred Teaching Scriptures Translated by Xuanzang in Wang Xizhi’s Collated Characters), which was erected on January 1, 673. The stele records the two texts written by the Tang emperors Taizong (599–649) and Gaozong (628–683) in honor of the monk Xuanzang (d. 664) and the Buddhist scripture Xin jing (Heart Sutra), collated in the semi-cursive characters of the great master of Chinese calligraphy, Wang Xizhi (303–361). It is thus a Buddhist inscription that combines Buddhist authority, political power, and artistic charm in one single monument. The present book reconstructs the multifaceted context in which the stele was devised, aiming at highlighting the specific role calligraphy played in the propagation and protection of Buddhism in medieval China.