Download or read book Chambers s Cyclop dia of English Literature written by Robert Chambers and published by . This book was released on 1888 with total page 858 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book CHAMBERS S ENCYCLOPAEDIA A DICTIONARY OF UNIVERSAL KNOWLEDGE NEW EDITION VOL IV written by ROBERT CHAMBERS and published by . This book was released on 1892 with total page 882 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalogue With Suppl catalogue written by New Zealand gen. assembly, libr and published by . This book was released on 1885 with total page 498 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Location Register of English Literary Manuscripts and Letters Eighteenth and Nineteenth Centuries A J written by David C. Sutton and published by . This book was released on 1995 with total page 544 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Chamber s Cyclopaedia of English Literature written by Robert Chambers and published by . This book was released on 1923 with total page 902 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Chambers s Biographical Dictionary written by David Patrick and published by . This book was released on 1898 with total page 1028 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Poet s Mind written by Gregory Tate and published by OUP Oxford. This book was released on 2012-11-08 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Poet's Mind is a major study of how Victorian poets thought and wrote about the human mind. It argues that Victorian poets, inheriting from their Romantic forerunners the belief that subjective thoughts and feelings were the most important materials for poetry, used their writing both to give expression to mental processes and to scrutinise and analyse those processes. In this volume Gregory Tate considers why and how psychological analysis became an increasingly important element of poetic theory and practice in the mid-nineteenth century, a time when the discipline of psychology was emerging alongside the growing recognition that the workings of the mind might be understood using the analytical methods of science. The writings of Victorian poets often show an awareness of this psychology, but, at the same time, the language and tone of their psychological verse, and especially their ambivalent use of terms such as 'brain', 'mind', and 'soul', voice an unresolved tension, felt throughout Victorian culture, between scientific theories of psychology and metaphysical or religious accounts of selfhood. The Poet's Mind considers the poetry of Browning, Tennyson, Arnold, Clough, and George Eliot, offering detailed readings of several major Victorian poems, and presenting new evidence of their authors' interest in contemporary psychological theory. Ranging across lyric verse, epic poetry, and the dramatic monologue, the book explores the ways in which poetry simultaneously drew on, resisted, and contributed to the spread of scientific theories of mind in Victorian Britain.

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