Download or read book Workshop Practice in Early Netherlandish Painting written by Maryan W. Ainsworth and published by Brepols Publishers. This book was released on 2017 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recent technical examinations of Early Netherlandish art have propelled in-depth studies of key works far beyond traditional connoisseurship methods. Ingenious new applications, as well as a prodigious amount of comparative technical documentation, have changed our views of standard workshop practices, including issues of materials and techniques, and details about the precise nature of collaboration. The studies presented in this book illustrate the variety of approaches and findings in what can be called the new connoisseurship. Here the reader will find alternative methods of evaluating Jan van Eyck's Saint Barbara and Ghent Altarpiece, Dirk Bouts's canvas paintings, Jacb Cornelisz van Oostsanen's Berlin Sketchbook, the Evora Altarpiece and the Saint Anne Altarpiece from Gerard David's workshop, Jan Gossart's Malvagna Triptych, and a triptych by Pieter I Claeissens. These individual studies will be of interest not only to aficionados of Early Netherlandish painting, but also to students who are keen to learn about the pivotal role of technical studies for this period of art history.
Download or read book Early Netherlandish Painting at the Crossroads written by Maryan W. Ainsworth and published by Metropolitan Museum of Art. This book was released on 2001 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt: The nine papers collected in this publication- which comprises the third and latest edition to the symposium volumes by the Metropolitan Museum of Art - were first presented in conjunction with the Museum's exhibition of Early Netherlandish painting culled from its own holdings in 1998. The essays, by an international roster of leading specialists, together uncover the circumstances underlying the creation of works of art and shed new light on their meaning, in the context of the growing interdisciplinary activity and burgeoning scholarship in the field. The importance of archival research into the socio-economic factors that existed in the late fifteenth and early sixteenth centuries is emphasized- especially, the impact of art markets on the production of paintings as well as sculpture. Much new material has surfaced as a result of advances in the technical investigation of works of art, underscoring the premise that the clues to the meaning of a work are often found not only in its method of manufacture but also in the specific audience for which it was intended and in the function that it originally served for that audience. -- Publisher description.
Download or read book From Van Eyck to Bruegel written by Metropolitan Museum of Art (New York, N.Y.) and published by Metropolitan Museum of Art. This book was released on 1998 with total page 466 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published in conjunction with the 1999 exhibition of the same name, ten essays and 317 illustrations (157 in color) depict northern Renaissance painting in Belgium and the Netherlands. This lovely book includes such artists as Van Eyck, Campin, Van der Weyden, David, Memling, and Bruegel, and contains commentaries on individual works, an appendix of paintings not covered in the text, artists' biographies, a glossary, a bibliography, and comparative illustrations. Oversize: 9.5x11.25"Annotation copyrighted by Book News, Inc., Portland, OR
Download or read book Making and Marketing written by Molly Faries and published by Brepols Publishers. This book was released on 2006 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is about Netherlandish workshop practice from the late fifteenth century to the 1560s. Some articles present the results of new technical studies that are comprehensive in nature, revealing the inter-relationship between prints and painting practices, modes of collaboration, shifts in procedure, the development and use of shop models, and the impact of international commerce. Others present new documentary evidence and new methods of historical statistics revealing trends in workshop size, career trajectories, and immigration.The essays have been collected around the theme of a session on workshop practice organized by Molly Faries for the 2002 Historians of Netherlandish Art International Conference held in Antwerp.
Download or read book Early Netherlandish Painting written by National Gallery of Art (U.S.) and published by Cambridge University Press. This book was released on 1986 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: The volume contains entries for paintings in the National gallery that were produced in the fifteenth and sixteenth centuries by artists from the Netherlands. The entries are arranged alphabetically by artist; a short biography and bibliography for each artist is followed by individual entries on the paintings, each in order of acquisition. The authors address traditional questions of attributes and iconography; in addition, they examine the social, economic, and religious context in which the individual work of art functioned. The volume is also probable the first museum catalogue to include the results of examination by infrared reflectography and dendrochronological analysis.
Download or read book Early Netherlandish Paintings written by Bernhard Ridderbos and published by Getty Publications. This book was released on 2005 with total page 498 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Any contemporary understanding of early Netherlandish paintings must take into account not only that historical data about them is fragmentary but also that art historians have used a variety of premises from which to study the works. This book, therefore, explores how the paintings of the period and the factual knowledge surrounding them have been assembled, analyzed, and interpreted from their rediscovery in the early nineteenth century to the present day." "Assembling these multiple perspectives in one volume, the editors underscore the common ground shared by their colleagues and intend thereby to advance the scholarly dialogue among them."--BOOK JACKET.
Download or read book Early Netherlandish Painting written by Zsuzsa Urbach and published by Taplinger Publishing Company. This book was released on 1972 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Early Netherlandish Paintings written by Henk van Veen and published by Amsterdam University Press. This book was released on 2017-02-02 with total page 492 pages. Available in PDF, EPUB and Kindle. Book excerpt: Een introductie op de Oudnederlandse schilderkunst In de negentiende eeuw vond de herontdekking plaats van vijftiende-eeuwse paneelschilders uit de Nederlanden, zoals de Meester van Flémalle alias Robert Campin, Rogier van der Weyden, de gebroeders van Eyck, Hugo van der Goes, Hans Memling, Geertgen tot Sint Jans en Gerard David. Sindsdien heeft de belangstelling voor hun werken zoals die tot uitdrukking komt in collectionering en onderzoek een geweldige vlucht genomen. De bestudering van deze schilderijen omvat allerlei aspecten, zoals toeschrijving en datering, bronnen-onderzoek, inhoudelijke interpretaties, en onderzoek naar werkplaatspraktijken en de sociale en cultuur-historische context. Deze publikatie biedt een introductie op de Oudnederlandse schilderkunst door te laten zien op welke verschillende manieren deze kunst sedert haar herontdekking verzameld, onderzocht en geïnterpreteerd is. Allereerst wordt dit gedemonstreerd aan de hand van de bespreking van een aantal afzonderlijke werken. Dan wordt de geschiedenis van de herontdekking, van het ontstaan van collecties, en van de ontwikkeling van allerlei kunst- en cultuurhistorische visies en benaderingswijzen behandeld. Tot slot komen moderne invalshoeken aan de orde: materieel-technisch onderzoek, opdrachtgeversonderzoek en onderzoek naar symbolische betekenissen. - Het boek bevat bijdragen van experts uit binnen- en buitenland en is samengesteld door Bernhard Ridderbos (Rijksuniversiteit Groningen), Anne van Buren (emeritus-hoogleraar Tufts University, USA) en Henk van Veen (Rijksuniversiteit Groningen).
Download or read book Early Netherlandish Painting Plates written by Erwin Panofsky and published by . This book was released on 1953 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Early Netherlandish Painting written by Erwin Panofsky and published by . This book was released on 1958 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Anonymous Art at Auction written by Anne-Sophie V. Radermecker and published by BRILL. This book was released on 2021-05-25 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Anonymous Art at Auction, Anne-Sophie V. Radermecker takes the opposing view of the superstar economy by examining contemporary sales of Early Flemish paintings with unknown authorship and the effects of various substitutes for real names on price formation.
Download or read book Prayers and Portraits written by and published by Yale University Press. This book was released on 2006-01-01 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher description
Download or read book Early Netherlandish Painting 1400 1500 written by Hélène Mund and published by . This book was released on 1998 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Facsimile in Early Netherlandish Painting written by Maryan W. Ainsworth and published by . This book was released on 1993 with total page 30 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Anonymous Masters written by Musées royaux des beaux-arts de Belgique and published by . This book was released on 1996 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The fifth volume examines all the works painted by anonymous masters. Most works of the 15th and early 16th centuries are not signed. Several of these works have not proved possible to attribute to a known painter or to a master with a provisional name. These works, labelled as anonymous, have been little studied until now, because they are in general thought to be of lesser quality, and because researchers have prioritised the study of more important masters. It is, however, becoming increasingly apparent that these reflect the ongoing production of the time in the Southern Netherlands. Beside the fact that these paintings represent the themes that enjoyed a certain popularity at the time, their study opens perspectives onto the socio-economic context and workshop practice. These paintings could be destined for a broad market and betray different working methods allowing for swift execution in several copies. Furthermore, two of these anonymous works, dating from around 1400 or a little bit later, rank amongst the rare representatives of pictorial production in the Southern Netherlands prior to the technical innovations introduced by the Flemish Primitives. This production is by convention called pre-Eyckian painting.
Download or read book Flemish and Dutch Artists in Early Modern England written by MaryBryanH. Curd and published by Routledge. This book was released on 2017-07-05 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: By examining their production practices in a variety of genres?including manuscript illustration, glass painting and staining, tapestry manufacture, portrait painting, and engraving?this book explores how Netherlandish artists migrating to England in the early modern period overcame difficulties raised by their outsider status. This study examines, for the first time in this context, the challenges of alien status to artistic production and the effectiveness of cooperation as a countermeasure. The author demonstrates that collaboration was chief among the strategies that these foreigners chose to secure a position in London's changing art market. Curd's exploration of these collaborations primarily follows Pierre Bourdieu's model of "establishment and challenger" in which dominance in a field of cultural production depends upon how much cultural, political, and economic capital can be accumulated and the effectiveness of the strategies used to confront competition. The analysis presented here challenges received opinion that a collaborative work is only a joint effort of artists working together on a single monument by demonstrating that the participation of patrons and middlemen can also shape the final appearance of a work of art. Furthermore, this book shows that the strategic use of collaboration served the goal of competition by helping to establish foreign artists in the London art market and suggests that their coping strategies have implications for the study of immigrant behaviors today.
Download or read book Shaping the Netherlandish Canon written by Walter S. Melion and published by University of Chicago Press. This book was released on 1991 with total page 481 pages. Available in PDF, EPUB and Kindle. Book excerpt: A treatise on Dutch art on par with Vasari's critical history of Italian art, Karel van Mander's Schilder-Boeck (or Book on Picturing) has long been recognized for its critical and historical influence--and yet, until now, no comprehensive account of the book's conception, aims, and impact has been available. In this in-depth analysis of the content and context of Van Mander's work, Walter S. Melion reveals the Schilder-Boeck's central importance to an understanding of northern Renaissance and Baroque art. By interpreting the terminology employed in the Schilder-Boeck, Melion establishes the text's relationship to past and contemporary art theory. Van Mander is seen here developing his critical categories and then applying them to Ancient, Italian, and Netherlandish artists in order to mark changes within a culture and to characterize excellence for each region. Thus Melion demonstrates how Van Mander revised both the structure and critical language of Vasari's Lives to refute the Italian's claims for the superiority of the Tuscan style, and to clarify northern artistic traditions and the concerns of Netherlandish artists. A much needed corrective to the view that Dutch art of the period was lacking in theory, Melion's work offers a compelling account of a sixteenth- and seventeenth-century theoretical and critical perspective and shows how this perspective suggests a rereading of northern art.
