Download or read book Works in Baudry s Edition written by George Payne Rainsford James and published by . This book was released on 1849 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Poetical Works in Baudry s Edition written by Thomas Colley Grattan and published by . This book was released on 1846 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt:

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Download or read book Works in Baudry s Edition written by George Payne Rainsford James and published by . This book was released on 2020-04-24 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!

Download or read book Elegy for Theory written by D. N. Rodowick and published by Harvard University Press. This book was released on 2014-01-06 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rhetorically charged debates over theory have divided scholars of the humanities for decades. In Elegy for Theory, D. N. Rodowick steps back from well-rehearsed arguments pro and con to assess why theory has become such a deeply contested concept. Far from lobbying for a return to the "high theory" of the 1970s and 1980s, he calls for a vigorous dialogue on what should constitute a new, ethically inflected philosophy of the humanities. Rodowick develops an ambitiously cross-disciplinary critique of theory as an academic discourse, tracing its historical displacements from ancient concepts of theoria through late modern concepts of the aesthetic and into the twentieth century. The genealogy of theory, he argues, is constituted by two main lines of descent—one that goes back to philosophy and the other rooted instead in the history of positivism and the rise of the empirical sciences. Giving literature, philosophy, and aesthetics their due, Rodowick asserts that the mid-twentieth-century rise of theory within the academy cannot be understood apart from the emergence of cinema and visual studies. To ask the question, "What is cinema?" is to also open up in new ways the broader question of what is art. At a moment when university curriculums are everywhere being driven by scientism and market forces, Elegy for Theory advances a rigorous argument for the importance of the arts and humanities as transformative, self-renewing cultural legacies.

Download or read book The Encyclop dia Britannica written by Hugh Chisholm and published by . This book was released on 1910 with total page 1032 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Anamorphic Authorship in Canonical Film Adaptation written by Robert Geal and published by Springer. This book was released on 2019-05-21 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book develops a new approach for the study of films adapted from canonical ‘originals’ such as Shakespeare’s plays. Departing from the current consensus that adaptation is a heightened example of how all texts inform and are informed by other texts, this book instead argues that film adaptations of canonical works extend cinema’s inherent mystification and concealment of its own artifice. Film adaptation consistently manipulates and obfuscates its traces of ‘original’ authorial enunciation, and oscillates between overtly authored articulation and seemingly un-authored unfolding. To analyse this process, the book moves from a dialogic to a psychoanalytic poststructuralist account of film adaptations of Shakespeare’s plays. The differences between these rival approaches to adaptation are explored in depth in the first part of the book, while the second part constructs a taxonomy of the various ways in which authorial signs are simultaneously foregrounded and concealed in adaptation’s anamorphic drama of authorship.

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