Download or read book Women in Russian Theatre written by Catherine Schuler and published by Psychology Press. This book was released on 1996 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fascinating feminist counterpoint to the established area of Russian theatre populated by male artists such as Stanislavsky, Chekov and Meyerhold. Schuler focuses upon the extraordinary lives and work of eight Russian actresses.
Download or read book Women in Russian Theatre written by Catherine Schuler and published by Routledge. This book was released on 2013-06-17 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: Women in Russian Theatre is a fascinating feminist counterpoint to the established area of Russian theatre populated by male artists such as Stanislavsky, Chekov and Meyerhold. With unprecedented access to newly-opened files in Russia, Catherine Schuler brings to light the actresses who had an impact upon Russian modernist theatre. Schuler brings to light the extradordinary lives and work of eight Russian actresses who flourished on the stage between the late nineteenth and early twentieth century.
Download or read book Women Theatre and Performance written by Maggie Barbara Gale and published by Manchester University Press. This book was released on 2000 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection addresses key questions in women's theatre history and retrieves a number of previously "hidden" histories of women performers. The essays range across the past 300 years--topics covered include Susanna Centlivre and the notion of intertheatricality; gender and theatrical space; the repositioning of women performers such as Wagner's Muse, Willhelmina Schröder-Devrient, the Comédie Français' "Mademoiselle Mars," Mme. Arnould-Plessey, and the actresses of the Russian serf theatre.
Download or read book Women in Nineteenth Century Russia written by Wendy Rosslyn and published by Open Book Publishers. This book was released on 2012 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This collection of essays examines the lives of women across Russia--from wealthy noblewomen in St Petersburg to desperately poor peasants in Siberia--discussing their interaction with the Church and the law, and their rich contribution to music, art, literature and theatre. It shows how women struggled for greater autonomy and, both individually and collectively, developed a dynamic presence in Russia's culture and society"--Publisher's description.
Download or read book Fruits of Her Plume Essays on Contemporary Russian Women s Culture written by Helena Goscilo and published by Routledge. This book was released on 2015-05-20 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 1980s witnessed the ascendency of Russian women in multiple spheres of artistic creation, including literature, film, and painting. This volume may thus be said to engage not only women's artistic production but, indeed, the best and most colourful of recent Russian culture. Treating contemporary Russian women's creativity, it approaches women's texts, films, and canvasses from a range of perspectives, from anti-gendered to feminist. Some of the essays introduce writers not previously well studied, others challenge conventional interpretations and assumptions, while still others yield original viewpoints through novel juxtapositions. In addition to offering insights into the various artists under analysis, the essays map the wide terrain of issues and methodologies proliferating in cultural criticism today, and mirror the diversity that is one of the most appealing features of women's creativity in contemporary Russia.
Download or read book Theatre and Identity in Imperial Russia written by Catherine A. Schuler and published by University of Iowa Press. This book was released on 2009-05-01 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: What role did the theatre—both institutionally and literally—play in Russia’s modernization? How did the comparatively harmonious relationship that developed among the state, the nobility, and the theatre in the eighteenth century transform into ideological warfare between the state and the intelligentsia in the nineteenth? How were the identities of the Russian people and the Russian soul configured and altered by actors in St. Petersburg and Moscow? Using the dramatic events of nineteenth-century Russian history as a backdrop, Catherine Schuler answers these questions by revealing the intricate links among national modernization, identity, and theatre. Schuler draws upon contemporary journals written and published by the educated nobility and the intelligentsia—who represented the intellectual, aesthetic, and cultural groups of the day—as well as upon the laws of the Russian empire and upon theatrical memoirs. With fascinating detail, she spotlights the ideologically charged binaries ascribed to prominent actors—authentic/performed, primitive/civilized, Russian/Western—that mirrored the volatility of national identity from the Napoleonic Wars through the reign of Alexander II. If the path traveled by Russian artists and audiences from the turn of the nineteenth century to the era of the Great Reforms reveals anything about Russian culture and society, it may be that there is nothing more difficult than being Russian in Russia. By exploring the ways in which theatrical administrators, playwrights, and actors responded to three tsars, two wars, and a major revolt, this carefully crafted book demonstrates the battle for the hearts and minds of the Russian people.
Download or read book Stanislavsky and female actors written by Maria Ignatieva and published by University Press of America. This book was released on 2008-10-07 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: Every single artistic endeavor in Stanislavsky's life was achieved in close collaboration with female partners. First, it was his own mother, Elizaveta Alekseyeva, who shaped his personality, and encouraged his exploration of theatre. Then it was his artistic mother, Glikeria Fedotova, who guided him through the ten years of his work. Then Maria Lilina, his wife, who became his best student, and later one of the best actresses of the Art Theatre. It would be impossible to understand Stanislavsky's development as an actor and director without his work with Maria Andreyeva, the 'femme fatale' of turn of the century Russian theatre, or Olga Knipper, whom he directed and acted with for forty years. And near the end of his life, when Stanislavsky introduced the method of physical action (metod phizicheskix deistvii), another woman embraced his work, a young actress named Irina Rozanova. Stanislavsky and Female Actors is the exploration of Stanislavsky's artistic and personal relationship with the leading actresses of the Moscow Art Theatre. It seeks to portray their life-long artistic dialogue and offers a new biographical study of the previously unknown spheres of Stanislavsky's life, as well as the lives of the Moscow Art Theatre's principal actresses.
Download or read book Historical Dictionary of Russian Theatre written by Laurence Senelick and published by Rowman & Littlefield. This book was released on 2015-08-13 with total page 693 pages. Available in PDF, EPUB and Kindle. Book excerpt: A latecomer continually hampered by government control and interference, the Russian theatre seems an unlikely source of innovation and creativity. Yet, by the middle of the nineteenth century, it had given rise to a number of outstanding playwrights and actors, and by the start of the twentieth century, it was in the vanguard of progressive thinking in the realms of directing and design. Its influence throughout the world was pervasive: Nikolai Gogol', Anton Chekhov and Maksim Gor'kii remain staples of repertories in every language, the ideas of Konstantin Stanislavskii, Vsevolod Meierkhol'd and Mikhail Chekhov continue to inspire actors and directors, while designers still draw on the graphics of the World of Art group and the Constructivists. What distinguishes Russian theater from almost any other is the way in which these achievements evolved and survived in ongoing conflict or cooperation with the State. This second edition of Historical Dictionary of Russian Theatre covers the history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on individual actors, directors, designers, entrepreneurs, plays, playhouses and institutions, Censorship, Children’s Theater, Émigré Theater, and Shakespeare in Russia. This book is an excellent access point for students, researchers, and anyone wanting to know more about Russian Theatre.
Download or read book Resilient Russian Women in the 1920s 1930s written by Marcelline Hutton and published by Lulu.com. This book was released on 2015-07 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: The stories of Russian educated women, peasants, prisoners, workers, wives, and mothers of the 1920s and 1930s show how work, marriage, family, religion, and even patriotism helped sustain them during harsh times. The Russian Revolution launched an eco-nomic and social upheaval that released peasant women from the control of traditional extended families. It promised urban women equality and created opportunities for employment and higher education. Yet, the revolution did little to eliminate Russian patriarchal culture, which continued to undermine women's social, sexual, eco-nomic, and political conditions. Divorce and abortion became more widespread, but birth control remained limited, and sexual liberation meant greater freedom for men than for women. The transformations that women needed to gain true equality were postponed by the pov-erty of the new state and the political agendas of leaders like Lenin, Trotsky, and Stalin.
Download or read book The Dramatic Works of Catherine the Great written by Lurana Donnels O'Malley and published by Ashgate Publishing, Ltd.. This book was released on 2006 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first in-depth study of Catherine the Great's plays and opera libretti, this book provides analysis and critical interpretation of the dramatic works by this eighteenth-century Russian Empress. O'Malley sets close textual analysis within an historical framework, analyzing the major plays according to content, style, themes, characters, and relation to Catherine's life and political aims. The study investigates how Catherine expressed her social ideas throughout her drama and exploited the stage's power to promote her political ideals and ideology.
Download or read book Female Spectacle written by Susan A. Glenn and published by Harvard University Press. This book was released on 2009-07-01 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: When the French actress Sarah Bernhardt made her first American tour in 1880, the term feminism had not yet entered our national vocabulary. But over the course of the next half-century, a rising generation of daring actresses and comics brought a new kind of woman to center stage. Exploring and exploiting modern fantasies and fears about female roles and gender identity, these performers eschewed theatrical convention and traditional notions of womanly modesty. They created powerful images of themselves as ambitious, independent, and sexually expressive New Women. Female Spectacle reveals the theater to have been a powerful new source of cultural authority and visibility for women. Ironically, theater also provided an arena in which producers and audiences projected the uncertainties and hostilities that accompanied changing gender relations. From Bernhardt's modern methods of self-promotion to Emma Goldman's political theatrics, from the female mimics and Salome dancers to the upwardly striving chorus girl, Glenn shows us how and why theater mattered to women and argues for its pivotal role in the emergence of modern feminism.
Download or read book Modern Drama by Women 1880s 1930s written by Katherine E. Kelly and published by Routledge. This book was released on 2002-09-11 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modern Drama by Women 1880s-1930s offers the first direct evidence that women playwrights helped create the movement known as Modern Drama. It contains twelve plays by women from the Americas, Europe and Asia, spanning a national and stylistic range from Swedish realism to Russian symbolism. Six of these plays are appearing in their first English-language translation. Playwrights include: * Anne-Charlotte Leffler Edgren (Sweden) * Amelai Pincherle Rosselli (Italy) * Elsa Berstein (Germany) * Elizabeth Robins (Britain) * Marie Leneru (France) * Alfonsina Storni (Argentina) * Hella Wuolijoki (Finland) * Hasegawa Shigure (Japan) * Rachilde (France) * Zinaida Gippius (Russia) * Djuna Barnes (USA) * Marita Bonner (USA) This groundbreaking anthology explodes the traditional canon. In these plays, the New Woman represents herself and her crises in all of the styles and genres available to the modern dramatist. Unprecedented in diversity and scope, it is a collection which no scholar, student or lover of modern drama can afford to miss.
Download or read book Russian Theatre in Practice written by Amy Skinner and published by Bloomsbury Publishing. This book was released on 2019-04-18 with total page 383 pages. Available in PDF, EPUB and Kindle. Book excerpt: Amidst the turmoil of political revolution, the stage directors of twentieth-century Russia rewrote the rules of theatre making. From realism to the avant-garde, politics to postmodernism, and revolution to repression, these practitioners shaped perceptions of theatre direction across the world. This edited volume introduces students and practitioners alike to the innovations of Russia's directors, from Konstantin Stanislavsky and Vsevolod Meyerhold to Anatoly Efros, Oleg Efremov and Genrietta Ianovskaia. Strongly practical in its approach, Russian Theatre in Practice: The Director's Guide equips readers with an understanding of the varying approaches of each director, as well as the opportunity to participate and explore their ideas in practice. The full range of the director's role is covered, including work on text, rehearsal technique, space and proxemics, audience theory and characterization. Each chapter focuses on one director, exploring their historical context, and combining an examination of their directing theory and technique with practical exercises for use in classroom or rehearsal settings. Through their ground-breaking ideas and techniques, Russia's directors still demand our attention, and in this volume they come to life as a powerful resource for today's theatre makers.
Download or read book The Routledge Reader in Gender and Performance written by Lizbeth Goodman and published by Routledge. This book was released on 2002-01-31 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Reader in Gender and Performance presents the most influential and widely-known, critical work on gender and performing arts, together with exciting and provocative new writings. It provides systematically arranged articles to guide the reader from topic to topic, and specially linked articles by scholars and teachers to explain key issues and put the extracts in context. This comprehensive volume: * reviews women's contributions to theatre history * includes contributions from many of the top academics in this discipline * examines how theatre has represented women over the centuries * introduces readers to major theoretical approaches and more complex questions about gender, the body and cross-dressing * offers an international perspective, including material from post-apartheid South Africa and post-communist Russia.
Download or read book A History of Russian Theatre written by Robert Leach and published by Cambridge University Press. This book was released on 1999-11-29 with total page 468 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive history of Russian theatre, written by an international team of experts.
Download or read book Woman in Soviet Russia written by Fannina W. Halle and published by Taylor & Francis. This book was released on 2024-11-26 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Women in Soviet Russia (1933) was the first attempt to provide a comprehensive account of the position of women in the Soviet Union. It looks at the history of women’s achievements following the 1917 revolution, and of the efforts made by the Communists to establish sex equality between man and woman. This history embraces every activity of women, economical, political, cultural and biological. A survey is provided of women’s participation in the civil wars and in the work of the Five Year Plan; of woman’s role as mother, wife, worker and political leader; of her position in the home, in the state, and in industry; of the attempts of the Soviets to abolish prostitution; of the establishment of creches and maternity clinics; of the situation with regard to abortion and methods of birth control; of the marriage laws; and, above all, of the development of sex relations in Russia and the emotional life of both old and young Russian women.
Download or read book The Routledge Anthology of Women s Theatre Theory and Dramatic Criticism written by Catherine Burroughs and published by Taylor & Francis. This book was released on 2023-09-29 with total page 745 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Anthology of Women's Theatre Theory and Dramatic Criticism is the first wide-ranging anthology of theatre theory and dramatic criticism by women writers. Reproducing key primary documents contextualized by short essays, the collection situates women’s writing within, and also reframes the field’s male-defined and male-dominated traditions. Its collection of documents demonstrates women’s consistent and wide-ranging engagement with writing about theatre and performance and offers a more expansive understanding of the forms and locations of such theoretical and critical writing, dealing with materials that often lie outside established production and publication venues. This alternative tradition of theatre writing that emerges allows contemporary readers to form new ways of conceptualizing the field, bringing to the fore a long-neglected, vibrant, intelligent, deeply informed, and expanded canon that generates a new era of scholarship, learning, and artistry. The Routledge Anthology of Women's Theatrical Theory and Dramatic Criticism is an important intervention into the fields of Theatre and Performance Studies, Literary Studies, and Cultural History, while adding new dimensions to Feminist, Gender and Sexuality Studies.
