Download or read book Victorian Women and the Theatre of Trance written by Amy Lehman and published by McFarland. This book was released on 2014-01-10 with total page 213 pages. Available in PDF, EPUB and Kindle. Book excerpt: Spiritualists in the nineteenth century spoke of the "Borderland," a shadowy threshold where the living communed with the dead, and where those in the material realm could receive comfort or advice from another world. The skilled performances of mostly female actors and performers made the "Borderland" a theatre, of sorts, in which dramas of revelation and recognition were produced in the forms of seances, trances, and spiritualist lectures. This book examines some of the most fascinating American and British actresses of the Victorian era, whose performances fairly mesmerized their audiences of amused skeptics and ardent believers. It also focuses on the transformative possibilities of the spiritualist theatre, revealing how the performances allowed Victorian women to speak, act, and create outside the boundaries of their restricted social and psychological roles.
Download or read book Women and Victorian Theatre written by Kerry Powell and published by Cambridge University Press. This book was released on 1997-12-11 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: Victorian women were exhilarated by the authoritative voice and the professional opportunity the theater offered them. In this book Kerry Powell chronicles the development of women's participation in the theater as playwrights, actresses and managers and explores the making of the Victorian actress, gender discourse and playwriting of the period, and the contributions these made to developments in the following century.
Download or read book Women s Theatre Writing in Victorian Britain written by K. Newey and published by Springer. This book was released on 2005-11-01 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Women's Theatre Writing in Victorian Britain is the first book to make a comprehensive study of women playwrights in the British theatre from 1820 to 1918. It looks at how women playwrights negotiated their personal and professional identities as writers, and examines the female tradition of playwriting which dramatises the central experience of women's lives around the themes of home, the nation, and the position of women in marriage and the family. The book also includes an extensive Appendix of authors and plays, which will be a useful reference tool for students and scholars in nineteenth-century studies and theatre historians.
Download or read book Actresses as Working Women written by Tracy C. Davis and published by Routledge. This book was released on 2002-03-11 with total page 361 pages. Available in PDF, EPUB and Kindle. Book excerpt: Using historical evidence as well as personal accounts, Tracy C. Davis examines the reality of conditions for `ordinary' actresses, their working environments, employment patterns and the reasons why acting continued to be such a popular, though insecure, profession. Firmly grounded in Marxist and feminist theory she looks at representations of women on stage, and the meanings associated with and generated by them.
Download or read book The Cambridge Companion to Victorian and Edwardian Theatre written by Kerry Powell and published by Cambridge University Press. This book was released on 2004-02-19 with total page 517 pages. Available in PDF, EPUB and Kindle. Book excerpt: This 2004 Companion is designed for readers interested in the creation, production and interpretation of Victorian and Edwardian theatre, both in its own time and on the contemporary stage. The volume opens with a brief overview and introduction surveying the theatre of the time followed by an essay contextualizing the theatre within the frame of Victorian and Edwardian culture as a whole. Succeeding chapters examine specific aspects of performance, production, and theatre, including the music, the actors, stagecraft and the audiences themselves; plays and playwriting and issues of class and gender are also explored. Chapters also deal with comedy, farce and melodrama, while other essays bring forward new topics and approaches that cross the boundaries of traditional investigation, including analysis of the economics of theatre and of the theatricality of personal identity.
Download or read book Auto Biography and Identity written by Maggie B B. Gale and published by Manchester University Press. This book was released on 2004 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Arguing that women use autobiography and performance for expression and as a means of controlling their public and private selves, the contributors of these 11 essays examine the lives and work of a variety of artists ranging from actors as working women in the eighteenth century to monologists and performance artists today. Subjects include several performers, including Alma Ellerslie, Kitty Marion, Ina Rozant, Susan Glaspell, Adrienne Kennedy, Emma Robinson, Lena Ashwell, Tilly Wedekind, Clare Dowie, Janet Cardiff, Tracey Emin, and, in an interview, Bobby Baker, as well as essays on Latina theater and lesbians as performers constructing themselves and their community. Annotation : 2005 Book News, Inc., Portland, OR (booknews.com).
Download or read book Victorian Women and Wayward Reading written by Marisa Palacios Knox and published by Cambridge University Press. This book was released on 2020-10-22 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explains how Victorian women readers strategically identified with literature to defy stereotypes and inspire their action and creativity.
Download or read book Actresses on the Victorian Stage written by Gail Marshall and published by Cambridge University Press. This book was released on 1998-05-07 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gail Marshall argues that the professional and personal history of the Victorian actress was largely defined by her negotiation with the sculptural metaphor, and that this was authorized and determined by the Ovidian myth of Pygmalion and Galatea. Drawing on evidence of theatrical fictions, visual representations and popular culture's assimilation of the sculptural image, as well as theatrical productions, she examines some of the manifestations of the sculptural metaphor on the legitimate English stage, and its implications for the actress in the later nineteenth century. Within the legitimate theatre, the 'Galatea-aesthetic' positioned actresses as predominantly visual and sexual commodities whose opportunities for interpretative engagement with their plays were minimal. This dominant aesthetic was effectively challenged only at the end of the century, with the advent of the 'New' drama, and the emergence of a body of autobiographical writings by actresses.
Download or read book Women s Playwriting and the Women s Movement 1890 1918 written by Anna Farkas and published by Routledge. This book was released on 2019-05-13 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt: The influence of the women’s movement has long been a scholarly priority in the study of British women’s drama of the late nineteenth and early twentieth centuries, but previous scholarship has largely clustered around two events: the New Woman in the 1890s and the suffrage campaign in the years before the First World War. Women’s Playwriting and the Women’s Movement, 1890–1918 is the first designated study of British women’s drama from a period of exceptional productivity and innovation for female playwrights. Both the British theatre and women’s position within British society underwent fundamental changes in this period, and this book shows how female dramatists carefully negotiated their position in the heated debates about women’s rights that occurred at this time, while staking out a place for themselves in an evolving theatrical landscape. Farkas also identifies the women’s movement as a key influence on the development of female-authored drama between 1890 and 1918, but argues that scholarly prioritizing of the "radicalism" of work associated with the New Woman and the suffrage campaign has had a distorting effect in the past. Ideal for scholars of British and Victorian theatre, Women’s Playwriting and the Women’s Movement, 1890–1918 offers a new perspective which emphasizes the complexity of women playwrights’ engagement with first-wave feminism and links it to the diversification of the British theatre in this period.
Download or read book Women Theatre and Performance written by Maggie Barbara Gale and published by Manchester University Press. This book was released on 2000 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection addresses key questions in women's theatre history and retrieves a number of previously "hidden" histories of women performers. The essays range across the past 300 years--topics covered include Susanna Centlivre and the notion of intertheatricality; gender and theatrical space; the repositioning of women performers such as Wagner's Muse, Willhelmina Schröder-Devrient, the Comédie Français' "Mademoiselle Mars," Mme. Arnould-Plessey, and the actresses of the Russian serf theatre.
Download or read book Women as Hamlet written by Tony Howard and published by Cambridge University Press. This book was released on 2007-02-22 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of actresses playing the role of Hamlet on stage and screen.
Download or read book The Cambridge Companion to Victorian and Edwardian Theatre written by Kerry Powell and published by Cambridge University Press. This book was released on 2004-02-19 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Companion is designed for readers interested in the creation, production and interpretation of Victorian and Edwardian theatre in its own time and on the contemporary stage. The volume opens with an introduction surveying the theatre of the time, followed by an essay contextualizing the theatre within the culture as a whole. Succeeding chapters examine performance, production, and theatre, including the music, the actors, stagecraft and the audience; plays and playwriting and issues of class and gender. Chapters also deal with comedy, farce, melodrama, and the economics of the theatre.
Download or read book The First English Actresses written by Elizabeth Howe and published by Cambridge University Press. This book was released on 1992-06-04 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book describes how and why women were permitted to act on the public stage after 1660 in England.
Download or read book We Shall See the Sky Sparkling written by Susana Aikin and published by Kensington Books. This book was released on 2019-01-29 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the 2019 American Fiction Award for Best Historical Fiction Set in London and Russia at the turn of the century, Susana Aikin’s debut introduces a vibrant young woman determined to defy convention and shape an extraordinary future. Like other well-bred young women in Edwardian England, Lily Throop is expected to think of little beyond marriage and motherhood. Passionate about the stage, Lily has very different ambitions. To her father’s dismay, she secures an apprenticeship at London’s famous Imperial Theatre. Soon, her talent and beauty bring coveted roles and devoted admirers. Yet to most of society, the line between actress and harlot is whisper-thin. With her reputation threatened by her mentor’s vicious betrayal, Lily flees to St. Petersburg with an acting troupe—leaving her first love behind. Life in Russia is as exhilarating as it is difficult. The streets rumble with talk of revolution, and Lily is drawn into an affair with Sergei, a Count with fervent revolutionary ideals. Following Sergei when he is banished to Vladivostok, Lily struggles to find her role in an increasingly dangerous world. And as Russian tensions with Japan erupt into war, only fortitude and single-mindedness can steer her to freedom and safety at last. With its sweeping backdrop and evocative details, We Shall See the Sky Sparkling explores a fascinating period in history through the eyes of a strong-willed, singular heroine, in a moving story of love and resilience.
Download or read book A Visitor s Guide to Victorian England written by Michelle Higgs and published by Pen and Sword. This book was released on 2014-02-12 with total page 151 pages. Available in PDF, EPUB and Kindle. Book excerpt: An “utterly brilliant” and deeply researched guide to the sights, smells, endless wonders, and profound changes of nineteenth century British history (Books Monthly, UK). Step into the past and experience the world of Victorian England, from clothing to cuisine, toilet arrangements to transport—and everything in between. A Visitor’s Guide to Victorian England is “a brilliant guided tour of Charles Dickens’s and other eminent Victorian Englishmen’s England, with insights into where and where not to go, what type of people you’re likely to meet, and what sights and sounds to watch out for . . . Utterly brilliant!” (Books Monthly, UK). Like going back in time, Higgs’s book shows armchair travelers how to find the best seat on an omnibus, fasten a corset, deal with unwanted insects and vermin, get in and out of a vehicle while wearing a crinoline, and avoid catching an infectious disease. Drawing on a wide range of sources, this book blends accurate historical details with compelling stories to bring alive the fascinating details of Victorian daily life. It is a must-read for seasoned social history fans, costume drama lovers, history students, and anyone with an interest in the nineteenth century.
Download or read book John Ruskin and the Victorian Theatre written by K. Newey and published by Springer. This book was released on 2015-12-04 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book to explore the involvement of John Ruskin with the popular theatre of his time. Based on original archival research, this book offers a fresh look at the aesthetic and social theories of Ruskin and his direct and indirect influence on the commercial theatre of the late nineteenth century.
Download or read book Victorian Spectacular Theatre 1850 1910 written by Michael R. Booth and published by Routledge. This book was released on 2015-07-24 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in 1981. This study concentrates on one aspect of Victorian theatre production in the second half of the nineteenth century – the spectacular, which came to dominate certain kinds of production during that period. A remarkably consistent style, it was used for a variety of dramatic forms, although surrounded by critical controversy. The book considers the theories and practice of spectacle production as well as the cultural and artistic movements that created the favourable conditions in which spectacle could dominate such large areas of theatre for so many years. It also discusses the growth of spectacle and the taste of the public for it, examining the influence of painting, archaeology, history, and the trend towards realism in stage production. An explanation of the working of spectacle in Shakespeare, pantomime and melodrama is followed by detailed reconstructions of the spectacle productions of Irving’s Faust and Beerbohm Tree’s King Henry VIII.
