Download or read book Sexing the Maple written by Richard Cavell and published by Broadview Press. This book was released on 2006-09-14 with total page 527 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sexing the Maple is a unique sourcebook designed to raise issues of nationalism and sexuality in Canada through a rich and diverse selection of fiction, poetry, criticism, and history. Structured so as to provide an interactive study of these issues, the collection considers topics as wide-ranging as First Nations sexuality, censorship, assisted reproduction, and religion. Literary works by Alice Munro, Jane Rule, Timothy Findley, Leonard Cohen, Irving Layton, Lynn Crosbie, Michael Turner, and many others are juxtaposed with criticism and historical documents, many of which were previously out of print or unavailable. Selections include Marshall McLuhan’s 1967 article “The Future of Sex” and excerpts from Stan Persky and John Dixon’s Kiddie Porn, SKY Lee’s Disappearing Moon Cafe, and Margaret Atwood’s A Handmaid’s Tale.

Download or read book Double Takes written by David R. Jarraway and published by University of Ottawa Press. This book was released on 2013-05-25 with total page 445 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the past forty years, Canadian literature has found its way to the silver screen with increasing regularity. Beginning with the adaptation of Margaret Laurence’s A Jest of God to the Hollywood film Rachel, Rachel in 1966, Canadian writing would appear to have found a doubly successful life for itself at the movies: from the critically acclaimed Kamouraska and The Apprenticeship of Duddy Kravitz in the 1970s through to the award-winning Love and Human Remains and The English Patient in the 1990s. With the more recent notoriety surrounding the Oscar-nominated Away from Her, and the screen appearances of The Stone Angel and Fugitive Pieces, this seems like an appropriate time for a collection of essays to reflect on the intersection between literary publication in Canada, and its various screen transformations. This volume discusses and debates several double-edged issues: the extent to which the literary artefact extends its artfulness to the film artefact, the degree to which literary communities stand to gain (or lose) in contact with film communities, and perhaps most of all, the measure by which a viable relation between fiction and film can be said to exist in Canada, and where that double-life precisely manifests itself, if at all. - This book is published in English.

Download or read book Weird Sex Snowshoes written by Katherine Monk and published by Raincoast Books. This book was released on 2001 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite the glare emanating from Hollywood, the Canadian film industry perseveres, experimenting with form, content and style to create unique and varied movies. In this study of contemporary film in Canada, Vancouver Sun film reviewer Katherine Monk details the growth of our country's quirky, diverse and stubbornly independent cinema. With the discerning eye of a critic, the enthusiasm of an insatiable cinephile and the passion of a proud Canuck, Monk delves into the guts of Canada's cinematic tradition-where it came from, what it looks like and what's going on beneath the surface of the frame. She pulls Canadian film apart at the splice marks, rips open its subtext and exposes not just the beating heart of one plucky cinematic species-but the hidden soul of a nation.Full of film reviews and profiles of some of Canada's greatest filmmakers (David Cronenberg, Atom Egoyan, Francois Girard, Robert Lepage, Anne Wheeler and many more), Weird Sex & Snowshoes explores the slippery notion of "Canadian identity" and how it has evolved through images on the silver screen.

Download or read book Screening Gender Framing Genre written by Peter Dickinson and published by University of Toronto Press. This book was released on 2007-01-01 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the history and theory of films adapted from Canadian literature through the lens of gender studies. This study offers readings of works by well-known Canadian authors such as Margaret Atwood, Marie-Claire Blais, and Michael Ondaatje, and by important Canadian filmmakers such as Mireille Dansereau, Claude Jutra, and Bruce McDonald.

Download or read book Great Canadian Film Directors written by George Melnyk and published by University of Alberta. This book was released on 2007-06-15 with total page 489 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film directors articulate creative visions that provide insights into national cultures. 18 essays highlight Canada's prominent Anglophone and Francophone filmmakers.

Download or read book Canadian Cinema Since the 1980s written by David L. Pike and published by University of Toronto Press. This book was released on 2012-12-06 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: Award-winning author David L. Pike offers a unique focus on the crucial quarter-century in Canadian filmmaking when the industry became a viable force on the international stage. Pike provides a lively, personal, and accessible history of the most influential filmmakers and movements of both Anglo-Canadian and Quebecois cinema, from popular movies to art film and everything in between. Along with in-depth studies of key directors, including David Cronenberg, Patricia Rozema and Denys Arcand, Jean-Claude Lauzon, Robert Lepage, Léa Pool, Atom Egoyan, and Guy Maddin, Canadian Cinema since the 1980s reflects on major themes and genres and explores the regional and cultural diversity of the period. Pike positions Canadian filmmaking at the frontlines of a profound cinematic transformation in the age of global media and presents fresh perspectives on both its local and international contexts. Making a significant advance in the study of the film industry of the period, Canadian Cinema since the 1980s is also an ideal text for students, researchers, and Canadian film enthusiasts.

Download or read book Fantastic Female Filmmakers written by Suzanne Simoni and published by Second Story Press. This book was released on 2008-01-01 with total page 139 pages. Available in PDF, EPUB and Kindle. Book excerpt: Women have been writing, producing and directing movies since filmmaking began in the early 1900s. From taming wild dogs to filming from the open door of a plane to being nominated for an academy award, women directors have done amazing things in the world of film. Fantastic Female Filmmakers tells the stories of ten women who are some of the most creative and respected directors in the world. From Nell Shipman, who started her own production company in the silent movie days, to Ida Lupino, the American actress who was the first woman to direct herself in a film, to Academy-Award nominee Deepa Mehta, whose films have brought East Indian stories to audiences around the world. These directors prove that women can be stars behind the camera as well as on the screen.

Download or read book One Hundred Years of Canadian Cinema written by George Melnyk and published by University of Toronto Press. This book was released on 2004-01-01 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: Melnyk argues passionately that Canadian cinema has never been a singular entity, but has continued to speak in the languages and in the voices of Canada's diverse population.

Download or read book Rethinking Who We Are written by Paul U. Angelini and published by Fernwood Publishing. This book was released on 2020-07-10T00:00:00Z with total page 455 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rethinking Who We Are takes a non-conventional approach to understanding human difference in Canada. Contributors to this volume critically re-examine Canadian identity by rethinking who we are and what we are becoming by scrutinizing the “totality” of difference. Included are analyses on the macro differences among Canadians, such as the disparities produced from unequal treatment under Canadian law, human rights legislation and health care. Contributors also explore the diversities that are often treated in a non-traditional manner on the bases of gender, class, sexuality, disAbility and Indigeniety. Finally, the ways in which difference is treated in Canada’s legal system, literature and the media are explored with an aim to challenge existing orthodoxy and push readers to critically examine their beliefs and ideas, particularly in an age where divisive, racist and xenophobic politics and attitudes are resurfacing.

Download or read book Anglophone Literature and Culture in the Anthropocene written by Gina Comos and published by Cambridge Scholars Publishing. This book was released on 2019-05-02 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Defined as an ecological epoch in which humans have the most impact on the environment, the Anthropocene poses challenging questions to literary and cultural studies. If, in the Anthropocene, the distinction between nature and culture increasingly collapses, we have to rethink our division between historiography and natural history, as well as notions of the subject and of agency since the Enlightenment. This anthology collects papers from literary and cultural studies that address various issues surrounding the topic. Even though the new epoch seems to require a collective self-understanding as a unified species, readings of the Anthropocene and conceptualizations of human-nature relationships largely differ in Anglophone literatures and cultures. These differing perspectives are reflected in the structure of this book, which is divided into five separate sections: the introductory part familiarizes the reader with the concept and the challenges it poses for the humanities in general and for literary and cultural studies in particular, and the three following sections combine broader, more theoretical, essays with in-depth critical readings of US, Canadian, and Australian representations of the Anthropocene in literature. The final part moves beyond literature to include media theoretical perspectives and discussions of photography and cinema in the Anthropocene.

Download or read book Fairy Tale Films Beyond Disney written by Jack Zipes and published by Routledge. This book was released on 2015-09-16 with total page 565 pages. Available in PDF, EPUB and Kindle. Book excerpt: The fairy tale has become one of the dominant cultural forms and genres internationally, thanks in large part to its many manifestations on screen. Yet the history and relevance of the fairy-tale film have largely been neglected. In this follow-up to Jack Zipes’s award-winning book The Enchanted Screen (2011), Fairy-Tale Films Beyond Disney offers the first book-length multinational, multidisciplinary exploration of fairy-tale cinema. Bringing together twenty-three of the world’s top fairy-tale scholars to analyze the enormous scope of these films, Zipes and colleagues Pauline Greenhill and Kendra Magnus-Johnston present perspectives on film from every part of the globe, from Hayao Miyazaki’s Spirited Away, to Jan Švankmajer’s Alice, to the transnational adaptations of 1001 Nights and Hans Christian Andersen. Contributors explore filmic traditions in each area not only from their different cultural backgrounds, but from a range of academic fields, including criminal justice studies, education, film studies, folkloristics, gender studies, and literary studies. Fairy-Tale Films Beyond Disney offers readers an opportunity to explore the intersections, disparities, historical and national contexts of its subject, and to further appreciate what has become an undeniably global phenomenon.

Download or read book The Oxford Handbook of Canadian Cinema written by Janine Marchessault and published by Oxford University Press. This book was released on 2019-03-20 with total page 506 pages. Available in PDF, EPUB and Kindle. Book excerpt: The chapters in The Oxford Handbook of Canadian Cinema present a rich, diverse overview of Canadian cinema. Responding to the latest developments in Canadian film studies, this volume takes into account the variety of artistic voices, media technologies, and places which have marked cinema in Canada throughout its history. Drawing on a range of established and emerging scholars from a range of disciplines, this volume will be useful to teachers, scholars, and to a general readership interested in cinema in Canada. Moving beyond the director-focused approach of much previous scholarship, this book is concerned with communities, institutions, and audiences for Canadian cinema at both national and international levels. The choice of subjects covered ranges from popular, genre cinema to the most experimental of artistic interventions. Canadian cinema is seen in its interaction with other forms of art-making and media production in Canada and at the international level. Particular attention has been paid to the work of Indigenous filmmakers, members of diasporic communities and feminist and LGBTQ artists. The result is a book attentive to the complex social and institutional contexts in which Canadian cinema is made and consumed.

Download or read book Shall We Dance written by Charles Blattberg and published by McGill-Queen's Press - MQUP. This book was released on 2003-06-13 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: Charles Blattberg shows that while a just politics based on dialogue is at the core of Canadians' sense of ourselves as citizens, our current forms of dialogue are inadequate. To some, we should be pleading before authorities responsible for upholding a unified foundation for our politics. Pierre Trudeau and his followers, for example, advocate a Charter of Rights and Freedoms that trumps any values not contained within it. To others, we ought to be true to the longstanding Canadian political tradition of compromise and so negotiate our conflicts, a form of dialogue that strives for accommodation rather than trumping. Blattberg argues, however, that both of these approaches have largely failed us. To him, the preferred form of dialogue in Canadian politics today should be that of conversation. As he shows, only conversation aims for the genuine reconciliation of conflict; only it will help us realize the common good that is at the heart of a truly patriotic Canadian politics.

Download or read book The Gendered Screen written by Brenda Austin-Smith and published by Wilfrid Laurier Univ. Press. This book was released on 2010-05-20 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first major study of Canadian women filmmakers since the groundbreaking Gendering the Nation (1999). The Gendered Screen updates the subject with discussions of important filmmakers such as Deepa Mehta, Anne Wheeler, Mina Shum, Lynne Stopkewich, Léa Pool, and Patricia Rozema, whose careers have produced major bodies of work. It also introduces critical studies of newer filmmakers such as Andrea Dorfman and Sylvia Hamilton and new media video artists. Feminist scholars are re-examining the ways in which authorship, nationality, and gender interconnect. Contributors to this volume emphasize a diverse feminist study of film that is open, inclusive, and self-critical. Issues of hybridity and transnationality as well as race and sexual orientation challenge older forms of discourse on national cinema. Essays address the transnational filmmaker, the queer filmmaker, the feminist filmmaker, the documentarist, and the video artist—just some of the diverse identities of Canadian women filmmakers working in both commercial and art cinema today.

Download or read book Scripting the Environment written by Geo Takach and published by Springer. This book was released on 2016-12-08 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores how to engage audiences both beyond and within the academy more deeply in environmental research through arts-based forms. It builds on a multi-pronged case study of scripts for documentary film, audio-visual and stage formats, focusing on how the identity of a place is constructed and contested in the face of environmental concerns around fossil-fuel extraction in a globalized, visual society--and specifically on the rising, international public-relations war over Alberta’s stewardship of the tar sands. Each script is followed by discussion of the author’s choices of initiating idea, research sources, format, voices, world of the story, structure and visual style, and other notes on the convergence of synthesis, analysis and (re)presentation in the script. Included are lively analysis and commentary on screenwriting and playwriting theory, the creation and dissemination of the scripts, and reflections to ground a proposed framework for writing eco-themed scripts for screen, audio-visual and stage formats.

Download or read book Film and the City written by George Melnyk and published by Athabasca University Press. This book was released on 2014-05-01 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt: Most Canadians are city dwellers, a fact often unacknowledged by twentieth-century Canadian films, with their preference for themes of wilderness survival or rural life. Modernist Canadian films tend to support what film scholar Jim Leach calls “the nationalist-realist project,” a documentary style that emphasizes the exoticism and mythos of the land. Over the past several decades, however, the hegemony of Anglo-centrism has been challenged by francophone and First Nations perspectives and the character of cities altered by a continued influx of immigrants and the development of cities as economic and technological centers. No longer primarily defined through the lens of rural nostalgia, Canadian urban identity is instead polyphonic, diverse, constructed through multiple discourses and mediums, an exchange rather than a strict orientation. Taking on the urban as setting and subject, filmmakers are ideally poised to create and reflect multiple versions of a single city. Examining fourteen Canadian films produced from 1989 to 2007, including Denys Arcand’s Jésus de Montréal (1989), Jean-Claude Lauzon’s Léolo (1992), Mina Shum’s Double Happiness (1994), Clément Virgo’s Rude (1995), and Guy Maddin’s My Winnipeg (2007), Film and the City is the first comprehensive study of Canadian film and “urbanity”—the totality of urban culture and life. Drawing on film and urban studies and building upon issues of identity formation in Canadian studies, Melnyk considers how filmmakers, films, and urban audiences experience, represent, and interpret urban spatiality, visuality, and orality. In this way, Film and the City argues that Canadian narrative film of the postmodern period has aided in articulating a new national identity.

Download or read book Decolonizing the Lens of Power written by Kerstin Knopf and published by Rodopi. This book was released on 2008 with total page 564 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book that comprehensively examines Indigenous filmmaking in North America, as it analyzes in detail a variety of representative films by Canadian and US-American Indigenous filmmakers: two films that contextualize the oral tradition, three short films, and four dramatic films. The book explores how members of colonized groups use the medium of film as a means for cultural and political expression and thus enter the dominant colonial film discourse and create an answering discourse. The theoretical framework is developed as an interdisciplinary approach, combining postcolonialism, Indigenous studies, and film studies. As Indigenous people are gradually taking control over the imagemaking process in the area of film and video, they cease being studied and described objects and become subjects who create self-controlled images of Indigenous cultures. The book explores the translatability of Indigenous oral tradition into film, touching upon the changes the cultural knowledge is subject to in this process, including statements of Indigenous filmmakers on this issue. It also asks whether or not there is a definite Indigenous film practice and whether filmmakers tend to dissociate their work from dominant classical filmmaking, adapt to it, or create new film forms and styles through converging classical film conventions and their conscious violation. This approach presupposes that Indigenous filmmakers are constantly in some state of reaction to Western ethnographic filmmaking and to classical narrative filmmaking and its epitome, the Hollywood narrative cinema. The films analyzed are The Road Allowance People by Maria Campbell, Itam Hakim, Hopiit by Victor Masayesva, Talker by Lloyd Martell, Tenacity and Smoke Signals by Chris Eyre, Overweight With Crooked Teeth and Honey Moccasin by Shelley Niro, Big Bear by Gil Cardinal, and Atanarjuat: The Fast Runner by Zacharias Kunuk.