Download or read book The Collected Works of Henrik Ibsen The Vikings at Helgeland The pretenders written by Henrik Ibsen and published by . This book was released on 1906 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Collected Works of Henrik Ibsen written by Henrik Ibsen and published by . This book was released on 1917 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Vikings and the Pretenders written by Henrik Ibsen and published by Wildside Press LLC. This book was released on 2007-10-01 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: Henrik Johan Ibsen (1828-1906) was a major Norwegian playwright largely responsible for the rise of modern realistic drama. He is often referred to as the "father of modern drama."
Download or read book VOLUME II THE VIKINGS AT HELGELAND THE PRETENDER written by WILLIAM ARCHER and published by . This book was released on 1906 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Vikings at Helgeland written by Henrik Ibsen and published by . This book was released on 1906 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Collected Works of Henrik Ibsen The vikings of Helgeland tr by W Archer The pretenders tr by W Archer written by Henrik Ibsen and published by . This book was released on 1926 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Collected Works of Henrik Ibsen The vikings of Helgeland written by Henrik Ibsen and published by . This book was released on 1906 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Pretenders by Henrik Ibsen Delphi Classics Illustrated written by Henrik Ibsen and published by Delphi Classics. This book was released on 2017-07-17 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: This eBook features the unabridged text of ‘The Pretenders by Henrik Ibsen - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of Henrik Ibsen’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Ibsen includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Pretenders by Henrik Ibsen - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Ibsen’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
Download or read book The Collected Works of S S Van Dine written by Willard Huntington Wright and published by Good Press. This book was released on 2023-12-29 with total page 2721 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Collected Works of S.S. Van Dine represents a significant anthology that spans both the rich tapestry of early twentieth-century detective fiction and the nuanced development of literary form within the genre. Showcasing an array of narratives that oscillate between the intricately plotted whodunits and psychological thrillers, this collection underscores the versatility and depth of S.S. Van Dine (a pseudonym for Willard Huntington Wright) in shaping and challenging the conventions of detective fiction. Notable for its intellectual rigor and the cultivation of the fictional detective Philo Vance, the anthology stands out for its blend of sophistication with the intricate puzzles of crime and mystery, marking a pivotal moment in the literary landscape of its time. The contributing figure, Willard Huntington Wright, brought to his pseudonymous works an eclectic background as a critic, art historian, and intellectual, bridging diverse cultural and artistic movements into the realm of detective fiction. His work, under the guise of Van Dine, intersects with the broader currents of modernism, incorporating elements of art, philosophy, and science into the detective genre, thereby elevating it beyond mere entertainment to a form of social commentary and literary experimentation. This blend of highbrow intellectualism with the populist demands of detective fiction reflects a unique fusion that was revolutionary at the time. For enthusiasts of detective fiction and scholars alike, The Collected Works of S.S. Van Dine offers a compelling journey through the evolution of the genre, highlighted by the cerebral and complex investigations of Philo Vance. This collection is not merely a testament to the ingenuity of Wright as an author, but also serves as an invaluable resource for understanding the dynamic interplay between genre, culture, and literature in the early twentieth century. Readers are encouraged to delve into this anthology to appreciate the breadth of perspectives and narrative techniques that contribute to the rich tapestry of detective fiction, making it a must-read for those seeking depth and sophistication within this genre.
Download or read book Henrik Ibsen and the Birth of Modernism written by Toril Moi and published by OUP Oxford. This book was released on 2008-02-14 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: Henrik Ibsen (1828-1906) is the founder of modern theater, and his plays are performed all over the world. Yet in spite of his unquestioned status as a classic of the stage, Ibsen is often dismissed as a fuddy-duddy old realist, whose plays are of interest only because they remain the gateway to modern theater. In Henrik Ibsen and the Birth of Modernism , Toril Moi makes a powerful case not just for Ibsen's modernity, but for his modernism. Situating Ibsen in his cultural context, she shows how unexpected his rise to world fame was, and the extent of his influence on writers such Shaw, Wilde, and Joyce who were seeking to escape the shackles of Victorianism. Henrik Ibsen and the Birth of Modernism also rewrites nineteenth-century literary history; positioning Ibsen between visual art and philosophy, the book offers a critique of traditional theories of the opposition between realism and modernism. Modernism, Moi argues, arose from the ruins of idealism, the dominant aesthetic paradigm of the nineteenth century. She also shows why Ibsen still matters to us today, by focusing on two major themes-his explorations of women, men, and marriage and his clear-eyed chronicling of the tension between skepticism and the everyday. This radical new account places Ibsen in his rightful place alongside Baudelaire, Flaubert, and Manet as a founder of European modernism.
Download or read book The Selected Works of Henrik Ibsen written by Henrik Ibsen and published by Library of Alexandria. This book was released on 2012-02-06 with total page 3866 pages. Available in PDF, EPUB and Kindle. Book excerpt: The eleven volumes of this edition contain all, save one, of the dramas which Henrik Ibsen himself admitted to the canon of his works. The one exception is his earliest, and very immature, tragedy, Catilina, first published in 1850, and republished in 1875. This play is interesting in the light reflected from the poet’s later achievements, but has little or no inherent value. A great part of its interest lies in the very crudities of its style, which it would be a thankless task to reproduce in translation. Moreover, the poet impaired even its biographical value by largely rewriting it before its republication. He did not make it, or attempt to make it, a better play, but he in some measure corrected its juvenility of expression. Which version, then, should a translator choose? To go back to the original would seem a deliberate disregard of the poet’s wishes; while, on the other hand, the retouched version is clearly of far inferior interest. It seemed advisable, therefore, to leave the play alone, so far as this edition was concerned. Still more clearly did it appear unnecessary to include The Warrior’s Barrow and Olaf Liliekrans, two early plays which were never admitted to any edition prepared by the poet himself. They were included in a Supplementary Volume of the Norwegian collected edition, issued in 1902, when Ibsen’s life-work was over. They have even less intrinsic value than Catilina, and ought certainly to be kept apart from the works by which he desired to be remembered. A fourth youthful production, St. John’s Night, remains to this day in manuscript. Not even German piety has dragged it to light. With two exceptions, the plays appear in their chronological order. The exceptions are Love’s Comedy, which ought by rights to come between The Vikings and The Pretenders, and Emperor and Galilean, which ought to followThe League of Youth instead of preceding it. The reasons of convenience which prompted these departures from the exact order are pretty obvious. It seemed highly desirable to bring the two Saga Plays, if I may so call them, into one volume; while as for Emperor and Galilean, it could not have been placed between The League of Youth and Pillars of Society save by separating its two parts, and assigning Caesar’s Apostasy to Volume V., The Emperor Julian to Volume VI. For the translations of all the plays in this edition, except Love’s Comedy and Brand, I am ultimately responsible, in the sense that I have exercised an unrestricted right of revision. This means, of course, that, in plays originally translated by others, the merits of the English version belong for the most part to the original translator, while the faults may have been introduced, and must have been sanctioned, by me. The revision, whether fortunate or otherwise, has in all cases been very thorough. In their unrevised form, these translations have met with a good deal of praise and with some blame. I trust that the revision has rendered them more praiseworthy, but I can scarcely hope that it has met all the objections of those critics who have found them blameworthy. For, in some cases at any rate these objections proceeded from theories of the translator’s function widely divergent from my own—theories of which nothing, probably, could disabuse the critic’s mind, save a little experience of the difficulties of translating (as distinct from adapting) dramatic prose. Ibsen is at once extremely easy and extremely difficult to translate. It is extremely easy, in his prose plays, to realise his meaning; it is often extremely difficult to convey it in natural, colloquial, and yet not too colloquial, English. He is especially fond of laying barbed-wire entanglements for the translator’s feet, in the shape of recurrent phrases for which it is absolutely impossible to find an equivalent that will fit in all the different contexts. But this is only one of many classes of obstacles which encountered us on almost every page. I think, indeed, that my collaborators and I may take it as no small compliment that some of our critics have apparently not realised the difficulties of our task, or divined the laborious hours which have often gone to the turning of a single phrase. And, in not a few cases, the difficulties have proved sheer impossibilities. I will cite only one instance. Writing of The Master Builder, a very competent, and indeed generous, critic finds in it “a curious example of perhaps inevitable inadequacy.... ‘Duty! Duty! Duty!’ Hilda once exclaims in a scornful outburst. ‘What a short, sharp, stinging word!’ The epithets do not seem specially apt. But in the original she cries out ‘Pligt! Pligt! Pligt!’ and the very word stings and snaps.” I submit that in this criticism there is one superfluous word—to wit, the “perhaps” which qualifies “inevitable.” For the term used by Hilda, and for the idea in her mind, there is only one possible English equivalent: “Duty.” The actress can speak it so as more or less to justify Hilda’s feeling towards it; and, for the rest, the audience must “piece out our imperfections with their thoughts” and assume that the Norwegian word has rather more of a sting in its sound. It might be possible, no doubt, to adapt Hilda’s phrase to the English word, and say, “It sounds like the swish of a whip lash,” or something to that effect. But this is a sort of freedom which, rightly or wrongly, I hold inadmissible. Once grant the right of adaptation, even in small particulars, and it would be impossible to say where it should stop. The versions here presented (of the prose plays, at any rate) are translations, not paraphrases. If we have ever dropped into paraphrase, it is a dereliction of principle; and I do not remember an instance. For stage purposes, no doubt, a little paring of rough edges is here and there allowable; but even that, I think, should seldom go beyond the omission of lines which manifestly lose their force in translation, or are incomprehensible without a footnote.
Download or read book Ibsen Scandinavia and the Making of a World Drama written by Narve Fulsås and published by Cambridge University Press. This book was released on 2018 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reveals the processes by which Ibsen's drama, while firmly rooted in his Scandinavian origins, was appropriated by other European traditions.
Download or read book Henrik Ibsen written by Ivo de Figueiredo and published by Yale University Press. This book was released on 2019-04-02 with total page 721 pages. Available in PDF, EPUB and Kindle. Book excerpt: A magnificent new biography of Henrik Ibsen, among the greatest of modern playwrights Henrik Ibsen (1820–1908) is arguably the most important playwright of the nineteenth century. Globally he remains the most performed playwright after Shakespeare, and Hedda Gabler, A Doll’s House, Peer Gynt, and Ghosts are all masterpieces of psychological insight. This is the first full-scale biography to take a literary as well as historical approach to the works, life, and times of Ibsen. Ivo de Figueiredo shows how, as a man, Ibsen was drawn toward authoritarianism, was absolute in his judgments over others, and resisted the ideas of equality and human rights that formed the bases of the emerging democracies in Europe. And yet as an artist, he advanced debates about the modern individual’s freedom and responsibility—and cultivated his own image accordingly. Where other biographies try to show how the artist creates the art, this book reveals how, in Ibsen’s case, the art shaped the artist.
Download or read book The Collected Works of Henrik Ibsen written by Henrik Ibsen and published by BoD – Books on Demand. This book was released on 2023-09-12 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reproduction of the original.
Download or read book The Open Shelf written by and published by . This book was released on 1900 with total page 524 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Richard Mansfield written by Paul Wilstach and published by . This book was released on 1908 with total page 1156 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Ibsen in Germany 1870 1900 written by William Henri Eller and published by . This book was released on 1918 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt:
