Download or read book Using The Akai MPC With Ableton Live written by Andy Avgousti (MPC-Tutor) and published by Beat Box Digital LTD. This book was released on 2012-10-16 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Using the Akai MPC With Ableton Live' shows you the ins and outs of using your MPC with the most unique music creation application on the planet - Ableton Live! This 120 page ebook covers all the skills you need to use Live with any standalone hardware MPC, be it writing and mixing down your beats in the studio or controlling Live's clips and scenes with your MPC pads & Q Links for scintillating live performances. No waffle, no jargon - just clear, easy-to-follow tutorials covering everything you need to know including: - Using Live as a sound module for your MPC- How to sync Live with your MPC using MIDI clock and MTC, with the MPC as either master or slave- Tracking MPC sequences as both audio & MIDI directly into Live- Using the MPC pads to creatively launch clips- Using the Q-Links to control Live's dials and sliders (JJ OS2/XL & MPC4000 only)- All required MIDI and audio hardware set up instructions Each tutorial contains practical, step-by-step examples, with clear MPC and Live screen shots, handy-hint boxes, and all the project files you need to recreate the tutorials in both Live and your MPC!
Download or read book Dance Music Manual written by Rick Snoman and published by Taylor & Francis. This book was released on 2013-05-02 with total page 519 pages. Available in PDF, EPUB and Kindle. Book excerpt: Whatever your level of experience, the Dance Music Manual is packed with sound advice, techniques and practical examples to help you achieve professional results. Written by a professional producer and remixer, this book offers a comprehensive approach to music production, including knowledge of the tools, equipment and different dance genres. Get more advice and resources from the books official website, www.dancemusicproduction.com. * Included in the new edition are sections on recording instruments alongside new chapters covering more dance music genres. * Examines all aspects of music production, from sound design, compression & effect to mixing & mastering to publishing & promoting, to help you become a better producer. * The companion CD provides sample and example tracks, demonstrating the techniques used in the book.
Download or read book Alan Parsons Art Science of Sound Recording written by Julian Colbeck and published by Hal Leonard Corporation. This book was released on 2014-09-01 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Technical Reference). More than simply the book of the award-winning DVD set, Art & Science of Sound Recording, the Book takes legendary engineer, producer, and artist Alan Parsons' approaches to sound recording to the next level. In book form, Parsons has the space to include more technical background information, more detailed diagrams, plus a complete set of course notes on each of the 24 topics, from "The Brief History of Recording" to the now-classic "Dealing with Disasters." Written with the DVD's coproducer, musician, and author Julian Colbeck, ASSR, the Book offers readers a classic "big picture" view of modern recording technology in conjunction with an almost encyclopedic list of specific techniques, processes, and equipment. For all its heft and authority authored by a man trained at London's famed Abbey Road studios in the 1970s ASSR, the Book is also written in plain English and is packed with priceless anecdotes from Alan Parsons' own career working with the Beatles, Pink Floyd, and countless others. Not just informative, but also highly entertaining and inspirational, ASSR, the Book is the perfect platform on which to build expertise in the art and science of sound recording.
Download or read book Innovation in Music Technology and Creativity written by Jan-Olof Gullö and published by CRC Press. This book was released on 2024-03-27 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: Innovation in Music: Technology and Creativity is a groundbreaking collection bringing together contributions from instructors, researchers, and professionals. Split into two sections, covering composition and performance, and technology and innovation, this volume offers truly international perspectives on ever-evolving practices. Including chapters on audience interaction, dynamic music methods, AI, and live electronic performances, this is recommended reading for professionals, students, and researchers looking for global insights into the fields of music production, music business, and music technology.
Download or read book Electronic Music Machines written by Jean-Michel Réveillac and published by John Wiley & Sons. This book was released on 2019-04-26 with total page 389 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since 1960, with the advent of musical electronics, composers and musicians have been using ever more sophisticated machines to create sonic material that presents innovation, color and new styles: electro-acoustic, electro, house, techno, etc. music. The music of Pierre Henry, Kraftwerk, Pink Floyd, Daft Punk and many others has introduced new sounds, improbable rhythms and a unique approach to composition and notation. Electronic machines have become essential: they have built and influenced the music of the most recent decades and set the trend for future productions. This book explores the theory and practice related to the different machines which constitute the universe of musical electronics, omitting synthesizers which are treated in other works. Sequencers, drum machines, samplers, groove machines and vocoders from 1960 to today are studied in their historical, physical and theoretical context. More detailed approaches to the Elektron Octatrack sequencer-sampler and the Korg Electribe 2 groove machine are also included.
Download or read book Critical Approaches to the Production of Music and Sound written by Samantha Bennett and published by Bloomsbury Publishing USA. This book was released on 2018-01-11 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: Who produces sound and music? And in what spaces, localities and contexts? As the production of sound and music in the 21st Century converges with multimedia, these questions are critically addressed in this new edited collection by Samantha Bennett and Eliot Bates. Critical Approaches to the Production of Music and Sound features 16 brand new articles by leading thinkers from the fields of music, audio engineering, anthropology and media. Innovative and timely, this collection represents scholars from around the world, revisiting established themes such as record production and the construction of genre with new perspectives, as well as exploring issues in cultural and virtual production.
Download or read book Music Technology in Live Performance written by Tim Canfer and published by CRC Press. This book was released on 2023-12-07 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music Technology in Live Performance explores techniques to augment live musical performance and represents a comprehensive guide to best practices in music technology for live performance. This book presents a practical and accessible introduction to the theories of liveness and an array of live performance technologies and techniques. Areas covered include analogue and digital audio, live sound, the recording studio, and electronic music, revealing best professional practices and expert tips, alongside an exploration of approaches to increasing the exchange of energy in live performance. Music Technology in Live Performance is an ideal introduction for students of music performance, music production, and music technology, and a vital resource for professional musicians, producers, and technology developers.
Download or read book Popular Music Power and Play written by Marshall Heiser and published by Bloomsbury Publishing USA. This book was released on 2021-10-07 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Once the domain of a privileged few, the art of record production is today within the reach of all. The rise of the ubiquitous DIY project studio and internet streaming have made it so. And while the creative possibilities available to everyday musicians are seemingly endless, so too are the multiskilling and project management challenges to be faced. In order to demystify the contemporary popular-music-making phenomenon, Marshall Heiser reassesses its myriad processes and wider sociocultural context through the lens of creativity studies, play theory and cultural psychology. This innovative new framework is grounded in a diverse array of creative-practice examples spanning the CBGBs music scene to the influence of technology upon modern-day music. First-hand interviews with Jerry Harrison (Talking Heads), Bill Bruford (King Crimson, Yes) and others whose work has influenced the way records are made today are also included. Popular Music, Power and Play is as thought provoking as it will be indispensable for scholars, practitioners and aficionados of popular music and the arts in general.
Download or read book Push written by Mike D'Errico and published by Oxford University Press. This book was released on 2022 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: Push: Software Design and the Cultural Politics of Music Production shows how changes in the design of music software in the first decades of the twenty-first century shaped the production techniques and performance practices of artists working across media, from hip-hop and electronic dance music to video games and mobile apps. Emerging alongside developments in digital music distribution such as peer-to-peer file sharing and the MP3 format, digital audio workstations like FL Studio and Ableton Live introduced design affordances that encouraged rapid music creation workflows through flashy, user-friendly interfaces. Meanwhile, software such as Avid's Pro Tools attempted to protect its status as the industry standard, professional DAW of choice by incorporating design elements from pre-digital music technologies. Other software, like Cycling 74's Max, asserted its alterity to commercial DAWs by presenting users with nothing but a blank screen. These are more than just aesthetic design choices. Push examines the social, cultural, and political values designed into music software, and how those values become embodied by musical communities through production and performance. It reveals ties between the maximalist design of FL Studio, skeuomorphic design in Pro Tools, and gender inequity in the music products industry. It connects the computational thinking required by Max, as well as iZotope's innovations in artificial intelligence, with the cultural politics of Silicon Valley's design thinking. Finally, it thinks through what happens when software becomes hardware, and users externalize their screens through the use of MIDI controllers, mobile media, and video game controllers. Amidst the perpetual upgrade culture of music technology, Push provides a model for understanding software as a microcosm for the increasing convergence of globalization, neoliberal capitalism, and techno-utopianism that has come to define our digital lives.
Download or read book Producing Music written by Russ Hepworth-Sawyer and published by Routledge. This book was released on 2019-03-28 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the last two decades, the field of music production has attracted considerable interest from the academic community, more recently becoming established as an important and flourishing research discipline in its own right. Producing Music presents cutting-edge research across topics that both strengthen and broaden the range of the discipline as it currently stands. Bringing together the academic study of music production and practical techniques, this book illustrates the latest research on producing music. Focusing on areas such as genre, technology, concepts, and contexts of production, Hepworth-Sawyer, Hodgson, and Marrington have compiled key research from practitioners and academics to present a comprehensive view of how music production has established itself and changed over the years.
Download or read book The Arts of the Grid written by Liora Bigon and published by Walter de Gruyter GmbH & Co KG. This book was released on 2021-10-04 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first collection of interdisciplinary scholarship to expand on gridded modalities, with a strong affinity to the arts. It seeks to inspire new avenues of research by exploring a horizon of gridded relationships among humans, between humans and the environment, and between human and non-human actors. By bringing together philosophical themes and applied practices, the volume traces a genealogy of the "grid" as an exercise in grasping its inherent complexity and incomplete quality. A collective effort by a group of researchers, practitioners, and designers, it promotes an understanding of gridded modalities as complex networks that interact with other networks, generating new meanings and reflecting changes in thought.
Download or read book Modern MIDI written by Sam McGuire and published by CRC Press. This book was released on 2013-12-17 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the last five years, the environment in which the Musical Instrument Digital Interface (MIDI) specification works and the tools that communicate via MIDI have changed dramatically. Modern MIDI: Sequencing and Performing Using Traditional and Mobile Tools gives you all the tools you need to properly and effectively use MIDI in a modern setting, while still incorporating vintage MIDI gear. Exploring typical workflows and techniques for both the studio and the performing environment, this book helps you navigate the changes that mobile computing has made to the way the music producers and engineers work with MIDI. If you’re a MIDI user seeking to increase your efficiency and productivity while still gaining an understanding of the fundamentals of MIDI, or a music professional looking to incorporate your mobile devices into your creative process, this is the book for you. Modern MIDI shows you how to implement the necessary components to use MIDI on your iPad, Android phone, or laptop.
Download or read book Ableton Live 101 written by Eric Kuehnl and published by Rowman & Littlefield. This book was released on 2019-09-19 with total page 361 pages. Available in PDF, EPUB and Kindle. Book excerpt: Learn the basics of producing music with Ableton Live software. Ableton Live has become one of the most popular platforms for music production since its introduction in 2001. Its intuitive interface allows beginners to make music right away, while offering deep functionality to satisfy even the most advanced user. Ableton Live 101 and the included online media files will guide you through the fundamentals of music production, including: studio setup and configuration, using basic Ableton Live controls, creating Ableton Live sets, importing and working with audio and MIDI files, recording audio and MIDI, making selections and navigating, editing audio and MIDI, and basic mixing and exporting. Mastering these basic skills is the first step toward becoming an Ableton Live expert. Get started on your path to modern music production today with Ableton Live 101!
Download or read book Reimagining Sample based Hip Hop written by Michail Exarchos and published by CRC Press. This book was released on 2023-07-24 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reimagining Sample-based Hip Hop: Making Records within Records presents the poetics of hip-hop record production and the significance of sample material in record making, providing analysis of key releases in hip-hop discography and interviews with experts from the world of Hip Hop and beyond. Beginning with the history of hip-hop music making, this book guides the reader through the alternative techniques deployed by beat-makers to avoid the use of copyrighted samples and concludes with a consideration of the future of Hip Hop, alongside a companion album that has been created using findings from this research. Challenging previous theoretical understandings about Hip Hop, the author focuses on deconstructing sonic phenomena using his hands-on engineering expertise and in-depth musicological knowledge about record production. With a significant emphasis on both practice and theory, Reimagining Sample-based Hip Hop will be of interest to advanced undergraduates, postgraduates, and researchers working in audio engineering, music production, hip-hop studies, and musicology.
Download or read book Electronic Musician written by and published by . This book was released on 2009 with total page 520 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Independent Music and Digital Technology in the Philippines written by Monika E. Schoop and published by Taylor & Francis. This book was released on 2017-04-21 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the first in-depth investigation into the independent music scene in the Philippines, Monika E. Schoop exposes and portrays the as yet unexplored restructurings of the Philippine music industries, showing that digital technologies have played an ambivalent role in these developments. Based on extensive fieldwork online and offline, the book explores the diverse and innovative music production, distribution, promotion and financing strategies that have become constitutive of the independent music scene in twenty-first-century Manila.
Download or read book The Oxford Handbook of Mobile Music Studies Volume 2 written by Sumanth Gopinath and published by Oxford University Press. This book was released on 2014-03 with total page 545 pages. Available in PDF, EPUB and Kindle. Book excerpt: The two volumes of The Oxford Handbook of Mobile Music Studies consolidate an area of scholarly inquiry that addresses how mechanical, electrical, and digital technologies and their corresponding economies of scale have rendered music and sound increasingly mobile-portable, fungible, and ubiquitous. At once a marketing term, a common mode of everyday-life performance, and an instigator of experimental aesthetics, "mobile music" opens up a space for studying the momentous transformations in the production, distribution, consumption, and experience of music and sound that took place between the late nineteenth and the early twenty-first centuries. Taken together, the two volumes cover a large swath of the world-the US, the UK, Japan, Brazil, Germany, Turkey, Mexico, France, China, Jamaica, Iraq, the Philippines, India, Sweden-and a similarly broad array of the musical and nonmusical sounds suffusing the soundscapes of mobility. Volume 2 investigates the ramifications of mobile music technologies on musical/sonic performance and aesthetics. Two core arguments are that "mobility" is not the same thing as actual "movement" and that artistic production cannot be absolutely sundered from the performances of quotidian life. The volume's chapters investigate the mobilization of frequency range by sirens and miniature speakers; sound vehicles such as boom cars, ice cream trucks, and trains; the gestural choreographies of soundwalk pieces and mundane interactions with digital media; dance music practices in laptop and iPod DJing; the imagery of iPod commercials; production practices in Turkish political music and black popular music; the aesthetics of handheld video games and chiptune music; and the mobile device as a new musical instrument and resource for musical ensembles.
