Download or read book Early Twentieth Century Brass Idioms written by Howard T. Weiner and published by Scarecrow Press. This book was released on 2008-11-06 with total page 187 pages. Available in PDF, EPUB and Kindle. Book excerpt: The work of multiple scholars is combined in this single volume, bringing together in conversation the traditions of brass instrumentalism and jazz idiom. Early Twentieth-Century Brass Idioms: Art, Jazz, and Other Popular Traditions, edited by Howard T. Weiner, features articles by some of the most distinguished jazz and brass scholars and performers in the world. The topics covered span continents and decades and bridge gaps that until now remained uncrossed. Two primary themes emerge throughout the book and enter into dialogue with each other: the contribution brass performers made to the evolution of jazz in the early 20th century, and the influence jazz and popular music idioms had on the evolution of brass performance. The 13 articles in this volume cover a range of topics from Italian jazz trumpet style to the origins of jazz improvisation to the role of brass in klezmer music. New Orleans becomes a focal point as the essays examine the work of many important musicians, including Louis Armstrong, Buddy Bolden, Bunk Johnson, King Oliver, James Reese Europe, and Newell 'Spiegle' Willcox. Included as well is an interview with two legends of jazz trumpet, William Fielder and Joe Wilder, and the renowned performer and teacher Jimmy Owens reveals his practice techniques. Many of the essays include bibliographies, discographies, and other reference information. The meeting of the Historic Brass Society and the Institute of Jazz Studies represents the first time scholars have gathered to bring these two fields into such comprehensive discussion with each other. Early Twentieth-Century Brass Idioms: Art, Jazz, and Other Popular Traditions presents this historic conversation.
Download or read book A History of Twentieth Century Music in a Theoretic Analytical Context written by Elliott Antokoletz and published by Routledge. This book was released on 2014-03-14 with total page 526 pages. Available in PDF, EPUB and Kindle. Book excerpt: A History of Twentieth-Century Music in a Theoretic-Analytical Context is an integrated account of the genres and concepts of twentieth-century art music, organized topically according to aesthetic, stylistic, technical, and geographic categories, and set within the larger political, social, economic, and cultural framework. While the organization is topical, it is historical within that framework. Musical issues interwoven with political, cultural, and social conditions have had a significant impact on the course of twentieth-century musical tendencies and styles. The goal of this book is to provide a theoretic-analytical basis that will appeal to those instructors who want to incorporate into student learning an analysis of the musical works that have reflected cultural influences on the major musical phenomena of the twentieth century. Focusing on the wide variety of theoretical issues spawned by twentieth-century music, A History of Twentieth-Century Music in a Theoretic-Analytical Context reflects the theoretical/analytical essence of musical structure and design.
Download or read book Quotation and Cultural Meaning in Twentieth Century Music written by David Metzer and published by Cambridge University Press. This book was released on 2003-04-17 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout the twentieth century, musicians frequently incorporated bits of works by other musicians into their own compositions and performances. When a musician borrows from a piece, he or she draws upon not only a melody but also the cultural associations of the original piece. By working with and altering a melody, a musician also transforms those associations. This book explores that vibrant practice, examining how musicians used quotation to participate in the cultural dialogues sustained around such areas as race, childhood, madness, and the mass media.
Download or read book The Language of Twentieth Century Music written by Robert Fink and published by New York : Schirmer Books. This book was released on 1975 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt: This rich anthology of 50 first-rate musical compositions documents the development of musical style from the early Middle Ages to the middle of the 18th century. Each piece has been carefully selected by noted musicologist Carl Parrish as an exemplar of an important step in the evolution of musical style, as well as for its intrinsic interest and beauty. Selections include a Gregorian hymn, an English lute piece, a German organ chorale prelude, operatic arias, instrumental and vocal motets, a French ballad, and works by Vivaldi, Telemann, Pergolesi, Alessandro Scarlatti, Buxtehude, and other masters. Dr. Parrish has also provided an interesting commentary on each composition, evaluating its style, form and historical setting. Complete compositions or sections of compositions are supplied whenever possible, and to facilitate study, each example is presented so that it can be performed either vocally or at the piano.
Download or read book Yor b Music in the Twentieth Century written by Bode Omojola and published by Boydell & Brewer. This book was released on 2012 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on extensive field research conducted over the course of two decades, Bode Omojola examines traditional and contemporary Yorùbá genres of music. From the primeval age of Ayànàgalú (the Yorùbá pioneer-drummer-turned-deity-of-drumming) to the modern era, Yorùbá musical traditions have been shaped by individual performers: drummers, dancers, singers, and chanters, wself-mediated visions of their social and cultural environment. Yorùbá Music in the Twentieth Century explores the role of the performer and the performing group in creating these traditions, contributing to the ongoing reorientation of scholarship on African music toward individual creativity within a larger social network. Drawing on extensive field research conducted over the course of two decades, Bode Omojola examines traditional Yorùbá genres such as bàtá and dùndún drumming as well as more contemporary genres such as Yorùbá popular music. The book also addresses a spectrum of social issues, ranging from gender inequality to the impactianity and Islam on Yorùbá musical practice. Throughout, Omojola emphasizes the interrelatedness of the different components of the Yorùbá musical landscape, as well as the role of specific individuals and groups of musicians, whohave continued to draw from indigenous Yorùbá musical resources to create new musical forms in the process of engaging the social dynamics of a rapidly changing environment. Awarded honorable mention in the 2014 Kwabena Nketia Book Competition of the African Music Section of the Society for Ethnomusicology. Bode Omojola is a Five College Associate Professor of Music at Mt. Holyoke College.
Download or read book Twentieth century Music written by Elliott Antokoletz and published by . This book was released on 1992 with total page 568 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents a comprehensive exploration of twentieth-century musical idioms within their larger political, social, economic, and cultural contexts. This book provides an overview of the vast array of technical principles that characterize modern music and at the same time reveals the distinguishing features of the numerous styles. Organized into historical and theoretical-analytical portions, this book illustrates topics with in-depth analyses of one or more works of a given composer citing illustrates topics with in-depth analyses of one or more works of a given composer. Musicians, music teachers, and music enthusiasts.
Download or read book The Cambridge History of Twentieth Century Music written by Nicholas Cook and published by Cambridge University Press. This book was released on 2004-08-05 with total page 848 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher Description
Download or read book Musicking in Twentieth Century Europe written by Klaus Nathaus and published by Walter de Gruyter GmbH & Co KG. This book was released on 2020-12-16 with total page 455 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music has gained the increasing attention of historians. Research has branched out to explore music-related topics, including creative labor, economic histories of music production, the social and political uses of music, and musical globalization. This handbook both covers the history of music in Europe and probes its role for the making of Europe during a "long" twentieth century. It offers concise guidance to key historical trends as well as the most important research on central topics within the field.
Download or read book Twentieth Century Music and Politics written by Pauline Fairclough and published by Routledge. This book was released on 2016-02-17 with total page 349 pages. Available in PDF, EPUB and Kindle. Book excerpt: When considering the role music played in the major totalitarian regimes of the century it is music's usefulness as propaganda that leaps first to mind. But as a number of the chapters in this volume demonstrate, there is a complex relationship both between art music and politicised mass culture, and between entertainment and propaganda. Nationality, self/other, power and ideology are the dominant themes of this book, whilst key topics include: music in totalitarian regimes; music as propaganda; music and national identity; émigré communities and composers; music's role in shaping identities of 'self' and 'other' and music as both resistance to and instrument of oppression. Taking the contributions together it becomes clear that shared experiences such as war, dictatorship, colonialism, exile and emigration produced different, yet clearly inter-related musical consequences.
Download or read book Twentieth Century Music and the Question of Modernity written by Eduardo de la Fuente and published by Routledge. This book was released on 2010-09-13 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the first decade of the twentieth-century, many composers rejected the principles of tonality and regular beat. This signaled a dramatic challenge to the rationalist and linear conceptions of music that had existed in the West since the Renaissance. The ‘break with tonality’, Neo-Classicism, serialism, chance, minimalism and the return of the ‘sacred’ in music, are explored in this book for what they tell us about the condition of modernity. Modernity is here treated as a complex social and cultural formation, in which mythology, narrative, and the desire for ‘re-enchantment’ have not completely disappeared. Through an analysis of Schoenberg, Stravinsky, Boulez and Cage, 'the author shows that the twentieth century composer often adopted an artistic personality akin to Max Weber’s religious types of the prophet and priest, ascetic and mystic. Twentieth Century Music and the Question of Modernity advances a cultural sociology of modernity and shows that twentieth century musical culture often involved the adoption of ‘apocalyptic’ temporal narratives, a commitment to ‘musical revolution’, a desire to explore the limits of noise and sound, and, finally, redemption through the rediscovery of tonality. This book is essential reading for those interested in cultural sociology, sociological theory, music history, and modernity/modernism studies.
Download or read book Images Volume 3 written by B.J. Rosco and published by Alfred Music. This book was released on with total page 44 pages. Available in PDF, EPUB and Kindle. Book excerpt: B.J. Rosco sends the piano student on an exploration of music history and music styles through this innovative collection of enticing repertoire. Beginning with the Baroque era, and ending with the contemporary sounds of the Twentieth Century, this series provides excellent preparation for studying the music of the masters. Extensive composer lists from each era provide the student with a reference for further exploration and study. Titles are: * March of the Prince * Bouree * Musette * Sarabande * My Music Box * Evening Melody * Cotillion Waltz * Promenade of the Trolls * Emerald Reflections * Playing Games * Purple Zigzags.
Download or read book The Why of Music written by Donald N. Ferguson and published by U of Minnesota Press. This book was released on 1969-01-20 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Why of Music was first published in 1969. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. In his many tears of teaching and writing about music Professor Ferguson has given much thought to the question of the why of music — why does music affect us as it does, why are we deeply moved by some music by not by other music, what is it about music that "sends" us, and where does it send us? In this book he explores such questions in depth and provides intriguing answers. The discussions are presented in the form of dialogues between the author and several friends. As Professor Ferguson explains, the book is intended to take the reader on a guided tour, a tour which follows, in part, the familiar roads of formal music appreciation but which leads more often into byways where, almost hidden by the brilliant Hows that line the more familiar roads, lurks the essential Why of music. He describes this Why as the fertilizing commerce between music and human experience—a portrayal, not of the tangible facts of experience, but of the concern aroused by our encounter with those facts. He explains that while avant-garde abstractionism is concerned only with music as art—a concern too specialized for the general music lover to grasp and too narrow to sustain interest—the Why of enduring music lies in its endeavor to portray experience as it lives in Everyman's mind.
Download or read book The Modern Brass Ensemble in Twentieth Century Britain written by John Miller and published by Boydell & Brewer. This book was released on 2022-09-27 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first study of the performance practice, repertoire and context of the modern 'brass ensemble' in the musical world.
Download or read book Historical Dictionary of Modern and Contemporary Classical Music written by Nicole V. Gagné and published by Rowman & Littlefield. This book was released on 2019-07-17 with total page 545 pages. Available in PDF, EPUB and Kindle. Book excerpt: The contemporary music scene thus embodies a uniquely broad spectrum of activity, which has grown and changed down to the present hour. With new talents emerging and different technologies developing as we move further into the 21st century, no one can predict what paths music will take next. All we can be certain of is that the inspiration and originality that make music live will continue to bring awe, delight, fascination, and beauty to the people who listen to it. This book cover modernist and postmodern concert music worldwide from the years 1888 to 2018. This second edition of Historical Dictionary of Modern and Contemporary Classical Music contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on the most important composers, musicians, methods, styles, and media in modernist and postmodern classical music worldwide, from 1888 to 2018. This book is an excellent resource for students, researchers, and anyone wanting to know more about modern and contemporary classical music.
Download or read book Music of the Gilded Age written by N. Lee Orr and published by Bloomsbury Publishing USA. This book was released on 2007-05-30 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: America's Gilded Age was a time of great musical evolution. As the country continued to develop a musical style apart from Europe, its church and religious music and opera took on new forms. Music-as-entertainment also evolved, with marching bands at public events and the new musicals in theaters. This volume presents the composers, musicians, songwriters, instruments and musical forms that uniquely identify the Gilded Age. Chapters include: Concerts and Symphony orchestras; Grand Opera; Composers, Critics, and Conservatories; Amateurs and Music at Home; Sacred Music, Black and White; Ragtime, Vaudeville, and the American Musical Stage; Music, Politics, and the Progressive Movement; and Music Industries and Technology
Download or read book An Introduction to Twentieth Century Music written by Peter S. Hansen and published by Boston : Allyn and Bacon. This book was released on 1971 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Serious" music of the 20th century up to about 1970 in Europe and America, with the influence of technology and relationship to modern art. From Debussy to Cage.
Download or read book Musical Receptions of Greek Antiquity written by Katerina Levidou and published by Cambridge Scholars Publishing. This book was released on 2016-06-22 with total page 387 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musical Receptions of Greek Antiquity: From the Romantic Era to Modernism is a rich contribution to a topic of increasing scholarly interest, namely, the impact of Greek antiquity on modern culture, with a particular focus on music of the nineteenth and twentieth centuries. This collection of essays offers a more comprehensive interdisciplinary examination of music’s interaction with Greek antiquity since the nineteenth century than has been attempted so far, analysing its connotations and repercussions. The volume sheds light on a number of hitherto underexplored case studies, and revisits and reassesses some well-known instances. Through scrutiny of a wide range of cases that extend from the Romantic era to experimentations of the second half of the twentieth century, the collection illuminates how the engagement with and interpretation of elements of ancient Greek culture in and through music reflect the specific historical, cultural and social contexts in which they took place. In analysing the multiple ways in which Greek antiquity inspired Western art music since the nineteenth century, the volume takes advantage of current interdisciplinary developments in musicology, as well as research on reception across various fields, including musicology, Slavic studies, modern Greek studies, Classics, and film studies. By encompassing a wide variety of case studies on repertories at the margins of the Western European art music tradition, while not excluding some central European ones, this volume broadens the focus of an increasingly rich field of research in significant ways.
