Download or read book Transnational Cinema in Europe written by Manuel Palacio and published by LIT Verlag Münster. This book was released on 2013 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: The attempt to produce films for the international market has led to lively exchanges and meeting points between local and national identity discourses and global processes of identity formation. Co-productions alone can no longer be seen as an incentive for national cultural production. Rather, it is necessary to regard co-productions as a privileged site for an analysis of the relations between identity, nation, and culture. Transnational Cinema in Europe is the result of a collaboration of two research groups in Madrid and Vienna. The book consists of articles by members of both research groups, as well as by several other experts. (Series: Contributions to the European Theater, Film and Media Studies / Beitrage zur europaischen Theater-, Film- und Medienwissenschaft - Vol. 4)
Download or read book Transnational European Cinema written by Huw D. Jones and published by Springer Nature. This book was released on 2024-01-03 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores how audiences in contemporary Europe engage with films from other European countries. It draws on admissions data, surveys, and focus group discussions from across the continent to explain why viewers are attracted to particular European films, nationalities, and genres, including action-adventures, family films, animations, biopics, period dramas, thrillers, comedies, contemporary drama, and romance. It also examines how these films are financed, produced, and distributed, how they represent Europe and other Europeans, and how they affect audiences. Case-studies range from mainstream movies like Skyfall, Taken, Asterix & Obelix: God Save Britannia, and Sammy’s Adventures: A Turtle’s Tale to more middlebrow and arthouse titles, such as The Lives of Others, Volver, Coco Before Chanel, The Girl with the Dragon Tattoo, Intouchables, The Angels’ Share, Ida, The Hunt, and Blue Is the Warmest Colour. The study shows that watching European films can sometimes improve people’s understandings of other countries and make them feel more European. However, this is limited by the strong preference for Anglo-American action-adventures that offer few insights into the realities of European life. While some popular European arthouse films explore a wider range of nationalities, social issues, and historical events, these mainly appeal to urban-dwelling graduates. They can also sometimes accentuate tensions between Europeans instead of bringing them together. The book discusses what these findings mean for the European film industry, audiovisual policy, and scholarship on transnational and European cinema. It also considers how surveys, focus groups, databases and other methods that go beyond traditional textual analysis can offer new insights into our understanding of film.
Download or read book Film Architecture and the Transnational Imagination written by Tim Bergfelder and published by Amsterdam University Press. This book was released on 2007 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Summary: "Film Architecture and the Transnational Imagination presents for the first time a comparative study of European film set design in the late 1920s and 1930s; based on a wealth of designers ʼ drawings, film stills and archival documents, the book offers a new insight into the development and significance of trans-national artistic collaboration during this period. European cinema from the late 1920s to the late 1930s is famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema provides a comprehensive analysis of the practices, styles, and function of cinematic production design during this period, and its influence on subsequent filmmaking patterns."--Publisher description.
Download or read book European Cinema after the Wall written by Leen Engelen Leen Engelen and published by Rowman & Littlefield. This book was released on 2013-11-21 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the fall of the Berlin Wall in 1989, transnational European cinema has risen, not only in terms of production but also in terms of a growing focus on multiethnic themes within the European context. This shift from national to trans-European filmmaking has been profoundly influenced by such historical developments as the collapse of the Iron Curtain and the subsequent ongoing enlargement of the European Union. In European Cinema after the Wall: Screening East–West Mobility, Leen Engelen and Kris Van Heuckelom have brought together essays that critically examine representations of post-1989 migration from the former Eastern Bloc to Western Europe, uncovering an array of common tropes and narrative devices that characterize the influences and portrayals of immigration. Featuring essays by contributors from backgrounds as divergent as film studies, Slavic and Russian studies, comparative literature, sociology, contemporary history, and communication and media studies, this volume will appeal to scholars of film, European history, and those interested in the impact of migration, diaspora, and the global flow of cinematic culture.
Download or read book European Cinema in Motion written by D. Berghahn and published by Springer. This book was released on 2010-08-10 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection brings together international experts on the cinema of migration and diaspora in postcolonial and postnational Europe. It offers a comprehensive theoretical and analytical discussion of a highly productive creative sector and documents the spectrum of this area of exploration in European, transnational and World Cinema studies.
Download or read book European Cinema After 1989 written by L. Rivi and published by . This book was released on 2007 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book European Cinema and Television written by Ib Bondebjerg and published by Springer. This book was released on 2016-04-19 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers comparative studies of the production, content, distribution and reception of film and television drama in Europe. The collection brings together scholars from the humanities and social sciences to focus on how new developments are shaped by national and European policies and practices, and on the role of film and television in our everyday lives. The chapters explore key trends in transnational European film and television fiction, addressing issues of co-production and collaboration, and of how cultural products circulate across national borders. The chapters investigate how watching film and television from neighbouring countries can be regarded as a special kind of cultural encounter with the possibility of facilitating reflections on national differences within Europe and negotiations of what characterizes a national or a European identity respectively.
Download or read book The Europeanness of European Cinema written by Mary Harrod and published by Bloomsbury Publishing. This book was released on 2014-12-19 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: From The Artist to The White Ribbon, from Oscar to Palme d'Or-winning productions, European filmmaking is more prominent, world-wide, than ever before. This book identifies the distinctive character of European cinema, both in films and as a critical concept, asking: what place does European cinema have in an increasingly globalized world? Including in-depth analyses of production and reception contexts, as well as original readings of key European films from leading experts in the field, it re-negotiates traditional categories such as auteurism, art cinema and national cinemas. As the first publication to explore 'Europeanness' in cinema, this book refocuses and updates historically significant areas of study in relation to this term. Leading scholars in European cinema - including Thomas Elsaesser, Tim Bergfelder, Anne Jackel, Lucy Mazdon and Ginette Vincendeau - acknowledge the transnational character of European filmmaking whilst also exploring the oppositions between European and Hollywood filmmaking, considering the value of the 'European' label in the circulation of films within and beyond the continent. The Europeanness of European Cinema makes a lively, timely intervention in the fields of European and transnational film studies.
Download or read book European Cinema After 1989 written by Luisa Rivi and published by Palgrave MacMillan. This book was released on 2007-12-10 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book brings post-Berlin Wall Europe and European cinema to full visibility and into the fray of current debates on cultural identity, transnational cinema, and postcolonialism. It presents new ways of reading post-1989 European film policy in relation to culture, ways that are crucial to rethinking Europe in its geopolitical and symbolic configuration. In particular, it addresses how the neglected strategies of coproduction articulate a supranational Europe and redefine European identity. By drawing on contemporary political, cultural, and philosophical discourses, Rivi offers pointed analyses of some of the recent most significant European films like Nostalghia, Underground, Land and Freedom, No Man’s Land, Lamerica, La promesse, Code inconnu and Caché.
Download or read book Fatih Akin s Cinema and the New Sound of Europe written by Berna Gueneli and published by Indiana University Press. This book was released on 2019-01-09 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Fatih Akın’s Cinema and the New Sound of Europe, Berna Gueneli explores the transnational works of acclaimed Turkish-German filmmaker and auteur Fatih Akın. The first minority director in Germany to receive numerous national and international awards, Akın makes films that are informed by Europe’s past, provide cinematic imaginations about its present and future, and engage with public discourses on minorities and migration in Europe through his treatment and representation of a diverse, multiethnic, and multilingual European citizenry. Through detailed analyses of some of Akın’s key works—In July, Head-On, and The Edge of Heaven, among others—Gueneli identifies Akın’s unique stylistic use of multivalent sonic and visual components and multinational characters. She argues that the soundscapes of Akın’s films—including music and multiple languages, dialects, and accents—create an “aesthetic of heterogeneity” that envisions an expanded and integrated Europe and highlights the political nature of Akın’s decisions regarding casting, settings, and audio. At a time when belonging and identity in Europe is complicated by questions of race, ethnicity, religion, and citizenship, Gueneli demonstrates how Akın’s aesthetics intersect with politics to reshape notions of Europe, European cinema, and cinematic history.
Download or read book Euro Visions written by Mariana Liz and published by Bloomsbury Publishing USA. This book was released on 2016-09-22 with total page 201 pages. Available in PDF, EPUB and Kindle. Book excerpt: European cinema not only occupies a dominant place in film history, it is also a field that has been raising more interest with the expanding work on the transnational. Euro-Visions asks what idea of Europe emerges, is represented and constructed by contemporary European film. Adopting a broad and wide-ranging approach, Euro-Visions mixes political sources, historical documents and filmic texts and offers an integration of policy and economic contexts with textual analysis. Mariana Liz examines costume dramas, biopics and war films, mainstream co-productions and tales of 'Fortress Europe' by renowned auteurs, showing how films from different European nations depict and contribute to the formation of the idea of Europe. Case studies include Girl with a Pearl Earring, La Vie en Rose, Black Book, Good Bye Lenin!, Match Point and The Silence of Lorna.
Download or read book Far Flung Families in Film written by Daniela Berghahn and published by Edinburgh University Press. This book was released on 2014-08-20 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book fills this gap and provides an essential resource for academics and researchers with an interest in cinematic representations of the family and transnational cinema.
Download or read book German Film After Germany written by Randall Halle and published by University of Illinois Press. This book was released on 2008-06-25 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: A focused examination of German film's transformation from a national to transnational industry
Download or read book Transnational Cinema in a Global North written by Andrew K. Nestingen and published by Wayne State University Press. This book was released on 2005 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: Volume of essays examining the transition from national Nordic cinemas to transnational and global Nordic cinema.
Download or read book Cinema of Collaboration written by Mariana Ivanova and published by Berghahn Books. This book was released on 2019-10-03 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: From their very inception, European cinemas undertook collaborative ventures in an attempt to cultivate a transnational “Film-Europe.” In the postwar era, it was DEFA, the state cinema of East Germany, that emerged as a key site for cooperative practices. Despite the significant challenges that the Cold War created for collaboration, DEFA sought international prestige through various initiatives. These ranged from film exchange in occupied Germany to partnerships with Western producers, and from coproductions with Eastern European studios to strategies for film co-authorship. Uniquely positioned between East and West, DEFA proved a crucial mediator among European cinemas during a period of profound political division.
Download or read book The New European Cinema written by Rosalind Galt and published by Columbia University Press. This book was released on 2006 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rosalind Galt offers innovative readings of some of the most popular and influential European films of the 1990s, including Emir Kusturica's 'Underground', Lars Von Trier's 'Zentropa', and Giuseppe Tornatore's 'Cinema Paradiso'.
Download or read book The New European Cinema written by Rosalind Galt and published by Columbia University Press. This book was released on 2006-03-21 with total page 470 pages. Available in PDF, EPUB and Kindle. Book excerpt: New European Cinema offers a compelling response to the changing cultural shapes of Europe, charting political, aesthetic, and historical developments through innovative readings of some of the most popular and influential European films of the 1990s. Made around the time of the revolutions of 1989 but set in post-World War II Europe, these films grapple with the reunification of Germany, the disintegration of the Balkans, and a growing sense of historical loss and disenchantment felt across the continent. They represent a period in which national borders became blurred and the events of the mid-twentieth-century began to be reinterpreted from a multinational European perspective. Featuring in-depth case studies of films from Italy, Germany, eastern Europe, and Scandinavia, Rosalind Galt reassesses the role that nostalgia, melodrama, and spectacle play in staging history. She analyzes Giuseppe Tornatore's Cinema Paradiso, Michael Radford's Il Postino, Gabriele Salvatores's Mediterraneo, Emir Kusturica's Underground, and Lars von Trier's Zentropa, and contrasts them with films of the immediate postwar era, including the neorealist films of Roberto Rossellini and Vittorio De Sica, socialist realist cinema in Yugoslavia, Billy Wilder's A Foreign Affair, and Carol Reed's The Third Man. Going beyond the conventional focus on national cinemas and heritage, Galt's transnational approach provides an account of how post-Berlin Wall European cinema inventively rethought the identities, ideologies, image, and popular memory of the continent. By connecting these films to political and philosophical debates on the future of Europe, as well as to contemporary critical and cultural theories, Galt redraws the map of European cinema.
