Download or read book Calendar of Manuscripts in Paris Archives and Libraries Relating to the History of the Mississippi Valley to 1803 written by Carnegie Institution of Washington. Department of Archaeology and published by . This book was released on 1928 with total page 908 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Registers of the French Churches of Bristol Stonehouse and Plymouth written by Charles Edmund Lart and published by . This book was released on 1912 with total page 650 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Huguenot Pedigrees written by Charles Edmund Lart and published by Genealogical Publishing Com. This book was released on 1967 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work, which was originally published as an appendix to Sylvester Judd's flawless History of Hadley, contains several hundred genealogies arranged alphabetically by the surname of the founder of the Hadley line. Every person mentioned in the genealogies is cited in the index, which contains 7,500 references.

Download or read book Guide to Materials for American History in the Libraries and Archives of Paris written by Waldo Gifford Leland and published by . This book was released on 1932 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The French Regime in Wisconsin 1634 1760 written by Reuben Gold Thwaites and published by . This book was released on 1906 with total page 606 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Triumph of Pleasure written by Georgia Cowart and published by University of Chicago Press. This book was released on 2008-12-15 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: With a particular focus on the court ballet, comedy-ballet, opera, and opera-ballet, Georgia J. Cowart tells the long-neglected story of how the festive arts deployed an intricate network of subversive satire to undermine the rhetoric of sovereign authority.

Download or read book Pioneers of France in the New World written by Francis Parkman and published by . This book was released on 1906 with total page 542 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Opera and Society in Italy and France from Monteverdi to Bourdieu written by Victoria Johnson and published by Cambridge University Press. This book was released on 2007-05-03 with total page 32 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edited volume brings together academic specialists writing on the multi-media operatic form from a range of disciplines: comparative literature, history, sociology, and philosophy. The presence in the volume's title of Pierre Bourdieu, the leading cultural sociologist of the late twentieth century, signals the editors' intention to synthesise advances in social science with advances in musicological and other scholarship on opera. Through a focus on opera in Italy and France, the contributors to the volume draw on their respective disciplines both to expand our knowledge of opera's history and to demonstrate the kinds of contributions that stand to be made by different disciplines to the study of opera. The volume is divided into three sections, each of which is preceded by a concise and informative introduction explaining how the chapters in that section contribute to our understanding of opera.

Download or read book The Seven Years War written by Francis Parkman and published by . This book was released on 1968 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Religious Culture of the Huguenots 1660 1750 written by Dr Anne Dunan-Page and published by Ashgate Publishing, Ltd.. This book was released on 2013-06-28 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recent years have witnessed a revival of interest in the history of the Huguenots, and new research has increased our understanding of their role in shaping the early-modern world. Yet while much has been written about the Huguenots during the sixteenth-century wars of religion, much less is known about their history in the following centuries. The ten essays in this collection provide the first broad overview of Huguenot religious culture from the Restoration of Charles II to the outbreak of the French Revolution. Dealing primarily with the experiences of Huguenots in England and Ireland, the volume explores issues of conformity and nonconformity, the perceptions of 'refuge', and Huguenot attitudes towards education, social reform and religious tolerance. Taken together they offer the most comprehensive and up-to-date survey of Huguenot religious identity in the seventeenth and eighteenth centuries.

Download or read book Backstage at the Revolution written by Victoria Johnson and published by University of Chicago Press. This book was released on 2008 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: On July 14, 1789, a crowd of angry French citizens en route to the Bastille broke into the Paris Opera and helped themselves to any sturdy weapon they could find. Yet despite its long association with the royal court, its special privileges, and the splendor of its performances, the Opera itself was spared, even protected, by Revolutionary officials. Victoria Johnson’s Backstage at the Revolution tells the story of how this legendary opera house, despite being a lightning rod for charges of tyranny and waste, weathered the most dramatic political upheaval in European history. Sifting through royal edicts, private letters, and Revolutionary records of all kinds, Johnson uncovers the roots of the Opera’s survival in its identity as a uniquely privileged icon of French culture—an identity established by the conditions of its founding one hundred years earlier under Louis XIV. Johnson’s rich cultural history moves between both epochs, taking readers backstage to see how a motley crew of singers, dancers, royal ministers, poet entrepreneurs, shady managers, and the king of France all played a part in the creation and preservation of one of the world’s most fabled cultural institutions.

Download or read book William III written by A.M. Claydon and published by Routledge. This book was released on 2014-06-11 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: William III, William of Orange (1650-1702), is a key figure in English history. Grandson of Charles I and married to Mary, eldest daughter of James II, the pair became the object of protestant hopes after James lost the throne. Though William was personally unpopular - his continental ties the source of suspicion and resentment - Tony Claydon argues that William was key to solving the chronic instability of seventeenth-century Britain and Ireland. It took someone with a European vision and foreign experience of handling a free political system, to end the stand-off between ruler and people that had marred Stuart history. Claydon takes a thematic approach to investigate all these aspects in their wider context, and presents William as the crucial factor in Britain's emergence as a world power, and as a model of open and participatory government.

Download or read book Memory and Identity written by Bertrand Van Ruymbeke and published by Univ of South Carolina Press. This book was released on 2003 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This edited volume contains ... papers that were presented at the 1997 international symposium 'Out of New Babylon: The Huguenots and their Diaspora', held at the College of Charleston, South Carolina"-- Library of Congress.

Download or read book Touched by the Graces written by Buford Norman and published by Summa Publications, Inc.. This book was released on 2001 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: After situating the libretti in the context of French classicism, the author first discusses the prologues to the Quinault-Lully operas, then devotes a chapter to each of the libretti in which he examines such traditional literary elements as performance history, plot, characterization, and style, as well as issues more specifically related to musical theater. The concluding chapter summarizes what opera can tell us about French classicism and explores in depth some of the key theoretical issues such as representation, imitation, and recognition.

Download or read book Unnaturally French written by Peter Sahlins and published by Cornell University Press. This book was released on 2018-08-06 with total page 473 pages. Available in PDF, EPUB and Kindle. Book excerpt: In his rich and learned new book about the naturalization of foreigners, Peter Sahlins offers an unusual and unexpected contribution to the histories of immigration, nationality, and citizenship in France and Europe. Through a study of foreign citizens, Sahlins discovers and documents a premodern world of legal citizenship, its juridical and administrative fictions, and its social practices. Telling the story of naturalization from the sixteenth to the early nineteenth centuries, Unnaturally French offers an original interpretation of the continuities and ruptures of absolutist and modern citizenship, in the process challenging the historiographical centrality of the French Revolution.Unnaturally French is a brilliant synthesis of social, legal, and political history. At its core are the tens of thousands of foreign citizens whose exhaustively researched social identities and geographic origins are presented here for the first time. Sahlins makes a signal contribution to the legal history of nationality in his comprehensive account of the theory, procedure, and practice of naturalization. In his political history of the making and unmaking of the French absolute monarchy, Sahlins considers the shifting policies toward immigrants, foreign citizens, and state membership.Sahlins argues that the absolute citizen, exemplified in Louis XIV's attempt to tax all foreigners in 1697, gave way to new practices in the middle of the eighteenth century. This "citizenship revolution," long before 1789, produced changes in private and in political culture that led to the abolition of the distinction between foreigners and citizens. Sahlins shows how the Enlightenment and the political failure of the monarchy in France laid the foundations for the development of an exclusively political citizen, in opposition to the absolute citizen who had been above all a legal subject. The author completes his original book with a study of naturalization under Napoleon and the Bourbon Restoration. Tracing the twisted history of the foreign citizen from the Old Regime to the New, Sahlins sheds light on the continuities and ruptures of the revolutionary process, and also its consequences.

Download or read book The Courtly Consort Suite in German speaking Europe 1650 1706 written by Michael Robertson and published by Ashgate Publishing, Ltd.. This book was released on 2009 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dance music at the courts of seventeenth-century Germany is a genre that is still largely unknown. Dr Michael Robertson sets out to redress the balance and study the ensemble dance suites that were played at the German courts between the end of the Thirty Years War and the early years of the eighteenth century. The book examines the dissemination of dance music, the influence of Jean-Baptiste Lully, instrumentation and performance practice, and the differences between the French and Italian styles. It also studies the courtly suites before the advent of Lullism and the differences between the suites of court composers and town musicians.

Download or read book Inventing the Business of Opera written by Beth Glixon and published by Oxford University Press. This book was released on 2005-12-01 with total page 425 pages. Available in PDF, EPUB and Kindle. Book excerpt: In mid seventeenth-century Venice, opera first emerged from courts and private drawing rooms to become a form of public entertainment. Early commercial operas were elaborate spectacles, featuring ornate costumes and set design along with dancing and music. As ambitious works of theater, these productions required not only significant financial backing, but also strong managers to oversee several months of rehearsals and performances. These impresarios were responsible for every facet of production from contracting the cast to balancing the books at season's end. The systems they created still survive, in part, today. Inventing the Business of Opera explores public opera in its infancy, from 1637 to 1677, when theater owners and impresarios established Venice as the operatic capital of Europe. Drawing on extensive new documentation, the book studies all of the components necessary to opera production, from the financial backing of various populations of Venice, to the commissioning and creation of the libretto and the score; the recruitment and employment of singers, dancers, and instrumentalists; the production of the scenery and the costumes, and, the nature of the audience; and, finally, the issue of patronage. Throughout the book, the problems faced by impresarios come into new focus. The authors chronicle the progress of Marco Faustini, the impresario most well known today, who made his way from one of Venice's smallest theaters to one of the largest. His companies provide the most personal view of an impresario and his partners, who ranged from Venetian nobles to artisans. Throughout the book, Venice emerges as a city that prized novelty over economy, with new repertory, scenery, costumes, and expensive singers the rule rather than the exception. The authors examine the challenges faced by four separate Venetian theaters during the seventeenth century: San Cassiano, the first opera theater, the Novissimo, the small Sant'Aponal, and San Luca, established in 1660. Only two of them would survive past the 1650s. Through close examination of an extraordinary cache of documents--including personal papers, account books, and correspondence -- Beth and Jonathan Glixon provide a comprehensive view of opera production in mid-seventeenth century Venice. For the first time in a study of opera, an emphasis is placed on the physical production -- the scenery, costumes, and stage machinery -- that tied these opera productions to the social and economic life of the city. This original and meticulously researched study will be of strong interest to all students of opera and its history.