Download or read book Folk Theatres of North India written by Karan Singh and published by Taylor & Francis. This book was released on 2019-11-26 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines folk theatres of North India as a unique performative structure, a counter stream to the postulations of Sanskrit and Western realistic theatre. In focusing on their historical, social and cultural imprints, it explores how these theatres challenge the linearity of cultural history and subvert cultural hegemony. The book looks at diverse forms of theatre such as svangs, nautanki, tamasha, all with conventions like open performative space, free mingling of spectators and actors, flexibility in roles and genres, etc. It discusses the genesis, history and the independent trajectory of folk theatres; folk theatre and Sanskrit dramaturgy; cinematic legacy; and theatrical space as performance besides investigating causes, inter-relations within socio-cultural factors, and the performance principles underlying them. It shows how these theatres effectively contest delimitation of human creative impulses (as revealed in classical Sanskrit theatre) from structuring as also of normative impulses of religion and culture, while amalgamating influences from Western theatre, newly-rising religious reform movements of 19th century India, tantra and Bhakti. It further highlights their ability to adapt and reinvent themselves in accordance with spatial and temporal transformations to constitute an important anthropological layer of Indian society. Comprehensive and empirically rich, this book will be an essential read for scholars and researchers of cultural studies, theatre, film and performance studies, sociology, political studies, popular culture, and South Asian studies.
Download or read book Theatres of Independence written by Aparna Bhargava Dharwadker and published by University of Iowa Press. This book was released on 2009-11 with total page 505 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatres of Independence is the first comprehensive study of drama, theatre, and urban performance in post-independence India. Combining theatre history with theoretical analysis and literary interpretation, Aparna Dharwadker examines the unprecedented conditions for writing and performance that the experience of new nationhood created in a dozen major Indian languages and offers detailed discussions of the major plays, playwrights, directors, dramatic genres, and theories of drama that have made the contemporary Indian stage a vital part of postcolonial and world theatre.The first part of Dharwadker's study deals with the new dramatic canon that emerged after 1950 and the variety of ways in which plays are written, produced, translated, circulated, and received in a multi-lingual national culture. The second part traces the formation of significant postcolonial dramatic genres from their origins in myth, history, folk narrative, sociopolitical experience, and the intertextual connections between Indian, European, British, and American drama. The book's ten appendixes collect extensive documentation of the work of leading playwrights and directors, as well as a record of the contemporary multilingual performance histories of major Indian, Western, and non-Western plays from all periods and genres. Treating drama and theatre as strategically interrelated activities, the study makes post-independence Indian theatre visible as a multifaceted critical subject to scholars of modern drama, comparative theatre, theatre history, and the new national and postcolonial literatures.
Download or read book Historical Dictionary of Japanese Traditional Theatre written by Samuel L. Leiter and published by Rowman & Littlefield. This book was released on 2014-10-30 with total page 816 pages. Available in PDF, EPUB and Kindle. Book excerpt: Historical Dictionary of Japanese Traditional Theatre is the only dictionary that offers detailed comprehensive coverage of the most important terms, people, and plays in the four principal traditional Japanese theatrical forms—nō, kyōgen, bunraku, and kabuki—supplemented with individual historical essays on each form. This updated edition adds well over 200 plot summaries representing each theatrical form in addition to: a chronology; introductory essay; appendixes; an extensive bibliography; over 1500 cross-referenced entries on important terms; brief biographies of the leading artists and writers; and plot summaries of significant plays. This book is an excellent access point for students, researchers, and anyone wanting to know more about the Japanese theatre.
Download or read book Traditional Theatres written by H. S. Shiva Prakash and published by . This book was released on 2007-01-01 with total page 102 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book provides interesting insights into traditional theatres in India. Written by one of India s well-known contemporary playwrights, it introduces some forms for the first time in English. With stunning photographs, this book reflects the richness of Indian theatre traditions.
Download or read book Women in Traditional Chinese Theater written by Qian Ma and published by University Press of America. This book was released on 2012-08-17 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: Women in Traditional Chinese Theatre seeks to introduce Western readers to Chinese classical drama as well as investigate how women have traditionally been portrayed on stage by presenting original translations of six plays from the fourteenth to twentieth centuries. Framed with a comprehensive introduction to the Chinese theatre and its representation of women, each play is preceded by an interpretative summary of the plot, and an analysis of each play's theme and significance. The selections in this volume feature women representing the most popular female archetypes in Chinese literature: the paragon of virtue, the stoic sufferer, the faithful wife, the femme fatal, and others. Appealing to both scholars and general enthusiasts of theatre, literature, and women's studies, this book reveals how the cultural constructs of Chinese women are represented in dramatic literature, and how the theatre, in turn, shapes this representation into the cultural perception of women.
Download or read book Historical Dictionary of Japanese Traditional Theatre written by Samuel L. Leiter and published by Scarecrow Press. This book was released on 2006-01-16 with total page 632 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Historical Dictionary of Japanese Traditional Theatre covers all four genres (nT, kyTgen, bunraku, and kabuki), providing information on nearly every aspect, including actors, theatres, companies, history, makeup, costumes, masks, biographies, theories, training, music, religion, criticism, and many more. This is done through hundreds of dictionary entries arranged alphabetically with abundant cross-references, a general introduction, a chronology, and a special glossary of all terms mentioned in the text but not provided with their own entries, all of which can be supplemented by consulting the most extensive bibliography of English-language Japanese theatre books, articles, and websites presently available.
Download or read book Indian Folk Theatres written by Julia Hollander and published by Routledge. This book was released on 2007-09-12 with total page 375 pages. Available in PDF, EPUB and Kindle. Book excerpt: Indian Folk Theatres is theatre anthropology as a lived experience, containing detailed accounts of recent folk theatre shows as well as historical and cultural context. It looks at folk theatre forms from three corners of the Indian subcontinent: Tamasha, song and dance entertainments from Maharastra Chhau, the lyrical dance theatre of Bihar Theru Koothu, satirical, ritualised epics from Tamil Nadu. The contrasting styles and contents are depicted with a strongly practical bias, harnessing expertise from practitioners, anthropologists and theatre scholars in India. Indian Folk Theatres makes these exceptionally versatile and up-beat theatre forms accessible to students and practitioners everywhere.
Download or read book Routledge Handbook of Asian Theatre written by Siyuan Liu and published by Routledge. This book was released on 2016-02-05 with total page 875 pages. Available in PDF, EPUB and Kindle. Book excerpt: Routledge Handbook of Asian Theatre is an advanced level reference guide which surveys the rich and diverse traditions of classical and contemporary performing arts in Asia, showcasing significant scholarship in recent years. An international team of over 50 contributors provide authoritative overviews on a variety of topics across Asia, including dance, music, puppetry, make-up and costume, architecture, colonialism, modernity, gender, musicals, and intercultural Shakespeare. This volume is divided into four sections covering: Representative Theatrical Traditions in Asia. Cross-Regional Aspects of Classical and Folk Theatres. Modern and Contemporary Theatres in Asian Countries. Modernity, Gender Performance, Intercultural and Musical Theatre in Asia. Offering a cutting edge overview of Asian theatre and performance, the Handbook is an invaluable resource for academics, researchers and students studying this ever-evolving field.
Download or read book African Theatre in Performance written by Dele Layiwola and published by Routledge. This book was released on 2013-11-05 with total page 158 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this lively and varied tribute to Martin Banham, Layiwola has assembled critical commentaries and two plays which focus primarily on Nigerian theatre - both traditional and contemporary. Dele Layiwola, Dapo Adelugba and Sonny Oti trace the beginnings of the School of Drama in 1960, at the University of Ibadan, Nigeria, where Martin Banham played a key and influential role in the growth of thriving Nigerian theatre repetoire and simulaneously encouraging the creation of a new theatre based on traditional Nigerian theatre forms. This comparative approach is taken up in Dele Layiwola's study of ritual and drama in the context of various traditions worldwide, while Oyin Ogunba presents a lucid picture of the complex use of theatre space in Yoruba ritual dramadar drama. Harsh everyday realitites, both physical and political, are graphically demonstrated by Robert McClaren (Zimbabwe) and Oga Steve Abah (Nigeria) who both show surprising and alarming links between extreme actual experiences and theatre creation and performance. The texts of the two plays - When Criminals Turn Judges by Ola Rotimi, The Hand that Feeds the King by Wale Ogunyemi, are followed by Austin O. Asagba's study of oral tradition and text in plays by Osofisan and Agbeyegbe, and Frances Harding's study on power, language, and imagery in Wole Soyinka's plays.
Download or read book World Encyclopedia of Contemporary Theatre written by Arthur Holmberg and published by Routledge. This book was released on 2014-06-03 with total page 1199 pages. Available in PDF, EPUB and Kindle. Book excerpt: The second volume of the World Encyclopedia of Contemporary Theatre covers the Americas, from Canada to Argentina, including the United States. Entries on twenty-six countries are preceded by specialist introductions on Theatre in Post-Colonial Latin America, Theatres of North America, Puppet Theatre, Theatre for Young Audiences, Music Theatre and Dance Theatre. The essays follow the series format, allowing for cross-referring across subjects, both within the volume and between volumes. Each country entry is written by specialists in the particular country and the volume has its own teams of regional editors, overseen by the main editorial team based at the University of York in Canada headed by Don Rubin. Each entry covers all aspects of theatre genres, practitioners, writers, critics and styles, with bibliographies, over 200 black & white photographs and a substantial index. This is a unique volume in its own right; in conjunction with the other volumes in this series it forms a reference resource of unparalleled value.
Download or read book Traditional Indian Theatre written by Kapila Vatsyayan and published by . This book was released on 2005-01-01 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Written by one of most renowned culture historians of our times, the present fresh edition with an afterword by the author , describes and presents an analysis of forms such as Yaksagna,Bhagvatamala,Chau,Nautanki,Ramlila,Etc.
Download or read book New Theatre Quarterly 55 Volume 14 Part 3 written by Clive Barker and published by Cambridge University Press. This book was released on 1998-11-19 with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt: New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.
Download or read book Modernization of Asian Theatres written by Yasushi Nagata and published by Springer. This book was released on 2019-05-13 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume focuses on the theatre history of Asian countries, and discusses the specific context of theatre modernization in Asia. While Asian theatre is one of the primary interests within theatre scholarship in the world today, knowledge of Asian theatre history is very limited and often surprisingly incorrect. Therefore, this volume addresses a major gap in contemporary theatre studies. The volume discusses the conflict between tradition and modernity in theatre, suggesting that the problems of modernity are closely related to the idea of tradition. Although Asian countries preserved the traditional form and values of their respective theatres, they had to also confront the newly introduced values or mechanisms of European modernity. Several papers in this volume therefore provide critical surveys of the history of theatre modernization in Asian countries or regions—Japan, Korea, Taiwan, Hong Kong, India Malaysia, Singapore, and Uyghur. Other papers focus on specific case studies of the history of modernization, discussing contemporary Taiwanese performances, translations of modern French comedy into Chinese, the modernization of Chinese Xiqu, modern Okinawan plays, Malaysian traditional performances, Korean national theatre, and Japanese plays during World War II. Renowned academics and theatre critics have contributed to this volume, making it a valuable resource for researchers and students of theatre studies, literature, and cultural studies.
Download or read book Theatre in Southeast Asia written by James R. BRANDON and published by Harvard University Press. This book was released on 2009-06-30 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt: An astonishing variety of theatrical performances may be seen in the eight countries of Southeast Asia-Burma, Cambodia, Indonesia, Laos, Malaysia, the Philippines, Thailand, and Vietnam. Brandon's lively, wide-ranging discussion points out interesting similarities and differences among the countries. Many of his photographs are included here.
Download or read book Feminist Theatres in the USA written by Charlotte Canning and published by Routledge. This book was released on 2005-06-28 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Feminist Theaters in the USA is a fresh, informative portrait of a key era in feminist and theater history It is vital reading for feminist students, theater historians and theater practitioners. Their continued movement forward will be challenged and enriched by this timely look back at the trials and accomplishments of their predecessors. Canning interviews over thirty women who took part in the dynamic feminist theater of the 1970s and 1980s. They provide first-hand accounts of the excitement, struggles and innovations which formed their experience. From this foundation Cannning constructs a compelling combination of historical survey, critique and celebration which explores: * The history of the groups and their formation * The politics which shaped their work * Their methods and creative processes * The productions they brought to the stage * The reception from critics and audiences
Download or read book Staging China written by LI Ruru and published by Springer. This book was released on 2016-01-26 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: An insightful analysis of more than a dozen Chinese stage productions, Staging China illustrates how Chinese society is reflected by and even constructed through theatre. Scholars from around the globe explore wide-ranging topics including recent approaches to classical theatre, propaganda theatre, and the challenges of independent theatres.
Download or read book Physical Theatres written by Simon Murray and published by Routledge. This book was released on 2016-03-17 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: This new edition of Physical Theatres: A Critical Introduction continues to provide an unparalleled overview of non-text-based theatre, from experimental dance to traditional mime. It synthesizes the history, theory and practice of physical theatres for students and performers in what is both a core area of study and a dynamic and innovative aspect of theatrical practice. This comprehensive book: traces the roots of physical performance in classical and popular theatrical traditions looks at the Dance Theatre of DV8, Pina Bausch, Liz Aggiss and Jérôme Bel examines the contemporary practice of companies such as Théatre du Soleil, Complicite and Goat Island focuses on principles and practices in actor training, with reference to figures such as Jacques Lecoq, Lev Dodin, Philippe Gaulier, Monika Pagneux, Etienne Decroux, Anne Bogart and Joan Littlewood. Extensive cross references ensure that Physical Theatres: A Critical Introduction can be used as a standalone text or together with its companion volume, Physical Theatres: A Critical Reader, to provide an invaluable introduction to the physical in theatre and performance. New to this edition: a chapter on The Body and Technology, exploring the impact of digital technologies on the portrayal, perception and reading of the theatre body, spanning from onstage technology to virtual realities and motion capture; additional profiles of Jerzy Grotowski, Wrights and Sites, Punchdrunk and Mike Pearson; focus on circus and aerial performance, new training practices, immersive and site-specific theatres, and the latest developments in neuroscience, especially as these impact on the place and role of the spectator.
