Download or read book Traditional Afro Cuban Concepts in Contemporary Music written by ARTURO RODRIGUEZ and published by Mel Bay Publications. This book was released on 2011-03-11 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: This course examines the infusion of traditional Afro-Latin and especially Afro-Cuban concepts into contemporary Western music. Upon completion of this book you will have mastered many new skills that will help you become a more accomplished percussionist and, more importantly, a more complete musician. By exploring the role of percussion in traditional Afro-Cuban music, you will understand the important contribution drums make towards a complete musical piece, and that a drum is not merely a rhythmic placeholder but truly a musical instrument worthy of recognition. While this book focuses primarily on hand percussion, its basic principals are also applied to the drum kit. There is no standard notation in this book; rather, the rhythms are illustrated with easily understood charts based on counting out subdivided beats. Two companion CDs offer audio examples of all major points.
Download or read book Afro Cuban Rhythms written by Trevor Salloum and published by Mel Bay Publications. This book was released on 2016-09-07 with total page 33 pages. Available in PDF, EPUB and Kindle. Book excerpt: Afro-Cuban Rhythms: Gig Savers Complete Edition combines both of Trevor Salloum's popular previous editions. The material is designed for the intermediate to advanced percussionist who has some basic understanding of percussion notation. Part one is a collection of traditional rhythms ideal for a percussion ensemble or for the individual who wants to learn the authentic parts of each rhythm. The material is presented in a concise and user-friendly style. Part one includes information on Clave, Tumbao for one and two drums, Yambú, Guaguancó (Havana), Guaguancó (Matanzas), Rumba columbia, Conga (Havana), Conga (Matanzas) and Conga (Santiago). Part two is structured just like part one, but covers a different set of rhythms: Bembe, Makuta, Yuka, Palo, Arará, Abakuá (Havana), Abakuá (Matanzas), Gagá, Vudú and Iyesa. All rhythms presented in this edition are easily adapted to conga drums and Afro-Cuban hand percussion.
Download or read book Mel Bay Presents Traditional Afro Cuban Concepts in Contemporary Music written by Arturo Rodriguez and published by Mel Bay Publications. This book was released on 2003 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt: This course examines the infusion of traditional Afro-Latin and especially Afro-Cuban concepts into contemporary Western music. Upon completion of this book you will have mastered many new skills that will help you become a more accomplished percussionist and, more importantly, a more complete musician. By exploring the role of percussion in traditional Afro-Cuban music, you will understand the important contribution drums make towards a complete musical piece, and that a drum is not merely a rhythmic placeholder but truly a musical instrument worthy of recognition. While this book focuses primarily on hand percussion, its basic principals are also applied to the drum kit. There is no standard notation in this book; rather, the rhythms are illustrated with easily understood charts based on counting out subdivided beats. Two companion CDs offer audio examples of all major points.
Download or read book written by Joe Conzo and published by AuthorHouse. This book was released on 2010-10-28 with total page 510 pages. Available in PDF, EPUB and Kindle. Book excerpt: Joe Conzo and David A. Perez luminously recreate the life of widely acclaimed Afro-Cuban and jazz musician Tito Puente in the biography "Mambo Diablo - My Journey with Tito Puente." The authors chronicle the life of the popular and combative New York Puerto Rican multi talented musician and entertainer who climbed from his obscure and poor environment in East Harlem (El Barrio), New York to international fame and recognition. Countless stories have been written about Tito Puente's percussive musical abilities, but rarely has the talent, intuition, mishaps and controversies been presented in a vivid and personal biography. Joe Conzo was Tito's close friend, confidant and chronicler for nearly 40 years - no one was closer to Tito or knew him better, not even his family. Joe tells the story of a man and his music the way it has never been told. David A. Perez sets down Joe's personal recollections and fits them into the context of the social milieu and revolving world. Hundreds of articles have been written about Puente, and three books Powell, Josephine. Tito Puente - When The Drums are Dreaming, Authorhouse, 2007 (Information re: Tito is based on her conversations with Tito Puente. The book is self-published and chronicles many of his activities on the West Coast. There are many inconsistencies, mis-quotes, and errors of fact.) Loza, Steven. Tito Puente and the Making of Latin Music, University of Illinois Press, 1999 (A technical work that is based on interviews with people who knew Tito. The life of Puente is glanced over; the musicians he worked with are almost overlooked. Joe Conzo is among those interviewed.)Payne, Jim. Tito Puente - The King of Latin Music, Hudson Music, 2000. (Is presented as an overview of Tito Puente's music and includes a DVD with footage of Tito discussing his 50-year career. Joe Conzo provided much of the information for this endeavor.) record some of his achievements. None of them touch on the personal life of the man, expose his weaknesses, reveal his intensity for perfection, and describe the musical brilliance in such a delicate and personal way. Joe and David reveal the inner Tito Puente through his music, his musical associations and present a man that is more than a flamboyant percussionist. Tito played piano - and he played it well. Tito played the saxophone and often sat in the sax section of his orchestra. Tito played the vibes and had an incomparable style that was exciting, romantic and jazzy. He composed about 500 tunes, probably more. And, yet in the realm of American jazz historians, writers and critics ignore, brush over and avoid the importance of Tito's music and his contributions. A prime example of this is Ken Burn's television documentary about jazz - he virtually ignores Afro-Cuban music, Afro-Cuban jazz. Joe and David reveal Tito's rightful place in the history of music and give an unbiased, on-the-mark portrait of Puente's complexities like no book before it. Author and journalist Pete Hamill sets the stage for the journey in the preface.
Download or read book Contemporary Latin JAzz Guitar written by Neff Irizarry, 2nd and published by . This book was released on 2021-11-20 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: A complete guide to playing Latin music on guitar
Download or read book The Salsa Guidebook written by Rebeca Mauleon and published by "O'Reilly Media, Inc.". This book was released on 2011-01-12 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: The only complete method book on Salsa ever published. Numerous musical examples of how different Afro-Cuban styles are created, what each instrument does, text explaining the history and structure of the music, etc. "This will be the Salsa Bible for years to come." Sonny Bravo, Tito-Puente's pianist.
Download or read book First Lessons Conga written by TREVOR SALLOUM and published by Mel Bay Publications. This book was released on 2012-11-21 with total page 32 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book and accompanying audio are a perfect introduction to the conga drum. The book includes lessons on music notation, posture, positioning, tuning, and hand strokes. There are also many exercises, examples of Latin rhythms, andeven some history of the instrument. Written by best-selling Mel Bay author Trevor Salloum, this method is all you need to start playing the conga today!
Download or read book Decoding Afro Cuban Jazz written by Chucho Valdés and published by . This book was released on 2019-02-19 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Lydia Cabrera and the Construction of an Afro Cuban Cultural Identity written by Edna M. Rodríguez-Plate and published by Univ of North Carolina Press. This book was released on 2005-11-16 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lydia Cabrera (1900-1991), an upper-class white Cuban intellectual, spent many years traveling through Cuba collecting oral histories, stories, and music from Cubans of African descent. Her work is commonly viewed as an extension of the work of her famous brother-in-law, Cuban anthropologist Fernando Ortiz, who initiated the study of Afro-Cubans and the concept of transculturation. Here, Edna Rodriguez-Mangual challenges this perspective, proposing that Cabrera's work offers an alternative to the hegemonizing national myth of Cuba articulated by Ortiz and others. Rodriguez-Mangual examines Cabrera's ethnographic essays and short stories in context. By blurring fact and fiction, anthropology and literature, Cabrera defied the scientific discourse used by other anthropologists. She wrote of Afro-Cubans not as objects but as subjects, and in her writings, whiteness, instead of blackness, is gazed upon as the "other." As Rodriguez-Mangual demonstrates, Cabrera rewrote the history of Cuba and its culture through imaginative means, calling into question the empirical basis of anthropology and placing Afro-Cuban contributions at the center of the literature that describes the Cuban nation and its national identity.
Download or read book Cuba and Its Music written by Ned Sublette and published by Chicago Review Press. This book was released on 2007-02 with total page 690 pages. Available in PDF, EPUB and Kindle. Book excerpt: This entertaining history of Cuba and its music begins with the collision of Spain and Africa and continues through the era of Miguelito Valdes, Arsenio Rodriguez, Benny More, and Perez Prado. It offers a behind-the-scenes examination of music from a Cuban point of view, unearthing surprising, provocative connections and making the case that Cuba was fundamental to the evolution of music in the New World. The ways in which the music of black slaves transformed 16th-century Europe, how the "claves" appeared, and how Cuban music influenced ragtime, jazz, and rhythm and blues are revealed. Music lovers will follow this journey from Andalucia, the Congo, the Calabar, Dahomey, and Yorubaland via Cuba to Mexico, Puerto Rico, Saint-Domingue, New Orleans, New York, and Miami. The music is placed in a historical context that considers the complexities of the slave trade; Cuba's relationship to the United States; its revolutionary political traditions; the music of Santeria, Palo, Abakua, and Vodu; and much more.
Download or read book Music around the World 3 volumes written by Andrew R. Martin and published by Bloomsbury Publishing USA. This book was released on 2020-09-08 with total page 1047 pages. Available in PDF, EPUB and Kindle. Book excerpt: With entries on topics ranging from non-Western instruments to distinctive rhythms of music from various countries, this one-stop resource on global music also promotes appreciation of other countries and cultural groups. A perfect resource for students and music enthusiasts alike, this expansive three-volume set provides readers with multidisciplinary perspectives on the music of countries and ethnic groups from around the globe. Students will find Music around the World: A Global Encyclopedia accessible and useful in their research, not only for music history and music appreciation classes but also for geography, social studies, language studies, and anthropology. Additionally, general readers will find the books appealing and an invaluable general reference on world music. The volumes cover all world regions, including the Americas, Europe, Africa and the Middle East, and Asia and the Pacific, promoting a geographic understanding and appreciation of global music. Entries are arranged alphabetically. A preface explains the scope of the set as well as how to use the encyclopedia, followed by a brief history of traditional music and important current influences of music in each particular world region.
Download or read book Geographies of Cubanidad written by Rebecca M. Bodenheimer and published by Univ. Press of Mississippi. This book was released on 2015-07-10 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: Derived from the nationalist writings of José Martí, the concept of Cubanidad (Cubanness) has always imagined a unified hybrid nation where racial difference is nonexistent and nationality trumps all other axes identities. Scholars have critiqued this celebration of racial mixture, highlighting a gap between the claim of racial harmony and the realities of inequality faced by Afro-Cubans since independence in 1898. In this book, Rebecca M. Bodenheimer argues that it is not only the recognition of racial difference that threatens to divide the nation, but that popular regional sentiment further contests the hegemonic national discourse. Given that the music is a prominent symbol of Cubanidad, musical practices play an important role in constructing regional, local, and national identities. This book suggests that regional identity exerts a significant influence on the aesthetic choices made by Cuban musicians. Through the examination of several genres, Bodenheimer explores the various ways that race and place are entangled in contemporary Cuban music. She argues that racialized notions which circulate about different cities affect both the formation of local identity and musical performance. Thus, the musical practices discussed in the book—including rumba, timba, eastern Cuban folklore, and son—are examples of the intersections between regional identity formation, racialized notions of place, and music-making.
Download or read book Conga and Bongo Drum in Jazz written by Trevor Salloum and published by Mel Bay Publications. This book was released on 2016-10-05 with total page 93 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first book ever published on how to play the conga and bongo drum in jazz. This text is an essential tool for band teachers and drummers playing LatinPercussion in jazz with special emphasis on swing. Includes chapters on history,description, tuning, position/posture, notation, strokes, rhythms, etc. Completewith photos, interviews, music transcriptions and video links. This much-needed text fills a niche in the application of the conga and bongo drum in jazz. Special features include archival photos, a rare interview with legendary jazz guitaristKenny Burrell, online companion video with Candido and Bobby Sanabria and the most comprehensive discography ever complied on the use of conga and bongo drums in jazz with over 100 listings and commentary including Candido, Ray Barretto, Armando Peraza, Willie Bobo, Luis Miranda, Patato Valdez, Willie Rodriguez, Tata Guines and many more
Download or read book New York and the International Sound of Latin Music 1940 1990 written by Benjamin Lapidus and published by Univ. Press of Mississippi. This book was released on 2020-12-28 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: New York City has long been a generative nexus for the transnational Latin music scene. Currently, there is no other place in the Americas where such large numbers of people from throughout the Caribbean come together to make music. In this book, Benjamin Lapidus seeks to recognize all of those musicians under one mighty musical sound, especially those who have historically gone unnoticed. Based on archival research, oral histories, interviews, and musicological analysis, Lapidus examines how interethnic collaboration among musicians, composers, dancers, instrument builders, and music teachers in New York City set a standard for the study, creation, performance, and innovation of Latin music. Musicians specializing in Spanish Caribbean music in New York cultivated a sound that was grounded in tradition, including classical, jazz, and Spanish Caribbean folkloric music. For the first time, Lapidus studies this sound in detail and in its context. He offers a fresh understanding of how musicians made and formally transmitted Spanish Caribbean popular music in New York City from 1940 to 1990. Without diminishing the historical facts of segregation and racism the musicians experienced, Lapidus treats music as a unifying force. By giving recognition to those musicians who helped bridge the gap between cultural and musical backgrounds, he recognizes the impact of entire ethnic groups who helped change music in New York. The study of these individual musicians through interviews and musical transcriptions helps to characterize the specific and identifiable New York City Latin music aesthetic that has come to be emulated internationally.
Download or read book Suspect Freedoms written by Nancy Raquel Mirabal and published by NYU Press. This book was released on 2017-01-10 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beginning in the early nineteenth century, Cubans migrated to New York City to organize and protest against Spanish colonial rule. While revolutionary wars raged in Cuba, expatriates envisioned, dissected, and redefined meanings of independence and nationhood. An underlying element was the concept of Cubanidad, a shared sense of what it meant to be Cuban. Deeply influenced by discussions of slavery, freedom, masculinity, and United States imperialism, the question of what and who constituted “being Cuban” remained in flux and often, suspect. The first book to explore Cuban racial and sexual politics in New York during the nineteenth and twentieth centuries, Suspect Freedoms chronicles the largely unexamined and often forgotten history of more than a hundred years of Cuban exile, migration, diaspora, and community formation. Nancy Raquel Mirabal delves into the rich cache of primary sources, archival documents, literary texts, club records, newspapers, photographs, and oral histories to write what Michel Rolph Trouillot has termed an “unthinkable history.” Situating this pivotal era within larger theoretical discussions of potential, future, visibility, and belonging, Mirabal shows how these transformations complicated meanings of territoriality, gender, race, power, and labor. She argues that slavery, nation, and the fear that Cuba would become “another Haiti” were critical in the making of early diasporic Cubanidades, and documents how, by the late nineteenth and early twentieth centuries, Afro-Cubans were authors of their own experiences; organizing movements, publishing texts, and establishing important political, revolutionary, and social clubs. Meticulously documented and deftly crafted, Suspect Freedoms unravels a nuanced and vital history.
Download or read book Rumba Afro Cuban Conga Drum Improvisation Volume 2 written by CLIFF BROOKS and published by Mel Bay Publications. This book was released on 2011-01-24 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is designed to take your soloing ability from 0 to 90 MPH on the quinto, conga drum, bongo or timbales while mastering the clave rhythm at the same time. It is rich with authentic phrasing. Volume 2 has much to offer for beginners and veterans alike. the book will widened your soloing horizons, and is something you will continually refer back to for ideas and inspiration. You will enjoy learning many of these unique and interesting flavorsThis teaching method brings together two different learning approaches for Afro-Cuban Drumming. the first approach is to learn by way of reading written notation; the second is to learn solely by listening and feeling. Three types of Afro-Cuban syncopated expressions are transcribed in this book: Quinto Ride, Quinto Phrase, and Quinto Solo. the helpful companion CDs allows one to hear these expressions ensuring proper comprehension of the concepts taught in this lesson.
Download or read book Cuban Music written by Maya Roy and published by . This book was released on 2002 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: Native Americans supplied the maracas. African slaves brought drums and ritual music, and Spaniards brought guitars, brass instruments, and clarinets along with European ballroom dancing. The advent of blues and jazz gave new forms to styles of songs, notably feeling songs, which joined the more traditional styles of trova and bolero. Cuban culture represents a convergence of these diverse backgrounds, and the musical heritage presented in this book reflects these traditions as well. In colonial times, African ritual sounds mixed with Catholic liturgies and brass bands of the Spanish military academies. Ballroom dances, including French music from Haiti popular in 18th-century Havana society, existed side by side with the cabildos (guilds and carnival clubs) and the plantations. The son, considered the expression of Cuban musical identity, had its origins in a rural setting in which African slaves and small farmers from Andalusia worked and played music together, developing many variations over the years, including big band music. Cuban music is now experiencing a major renaissance, and is enjoyed throughout the world.
