Download or read book Tomas Gutierrez Alea written by Paul A. Schroeder and published by Routledge. This book was released on 2014-01-21 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: Schroeder offers a thorough introduction to the films of Tomás Gutiérrez Alea, Cuba's leading filmmaker, covering all 12 of Alea's feature films and examining in depth his three best films within the context of revolutionary Cuba.
Download or read book Memories of Underdevelopment written by Tomás Gutiérrez Alea and published by Rutgers University Press. This book was released on 1990 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes the complete English continuity script of the film, Memorias del subdesarollo (Memories of underdevelopment) directed by Tomás Gutiérrez Alea and the complete English translation (entitled 'Inconsolable memories') of Edmundo Desnoes' novel of the same name on which it was based.
Download or read book Cuban Cinema written by Michael Chanan and published by U of Minnesota Press. This book was released on 2004 with total page 564 pages. Available in PDF, EPUB and Kindle. Book excerpt: New chapters express ongoing concerns about freedom of expression, the role of the Havana Film Festival in restoring Havana's central position in Latin American cinema, & the changing audience for Cuban films.
Download or read book A Cuban Cinema Companion written by Salvador Jiménez Murguía and published by Rowman & Littlefield. This book was released on 2020-01-15 with total page 411 pages. Available in PDF, EPUB and Kindle. Book excerpt: With the recent shift in Cuba-US relations stemming from the relaxing of travel restrictions and an influx of American visitors, interest in Cuba and its culture has increased substantially. A new emphasis has been placed on the island country’s many cultural and artistic achievements, specifically in film. Cuban cinema is recognized around the world as having produced some of the most celebrated works originating from Latin America—such as Fresa y Chocolate and La Muerte de un Burócrata—as well as many prominent artists—including directors Tomás Gutiérrez Alea and Humberto Solás. In A Cuban Cinema Companion, editors Salvador Jimenez Murguía, Sean O’Reilly, and Amanda McMenamin have assembled a collection of essays about more than100 films across six decades, including feature films, documentaries, and animation. These entries also provide information on directors, actresses, and actors of Cuban cinema. Entries range from films like Retrato de Teresa to Buena Vista Social Club and include descriptions of each film’s plot, themes, and critical commentary, as well as comprehensive production details and brief suggestions for further reading. Beginning with the victory of the Cuban revolution—from the first ten years of what is often referred to as Cuba’s “Golden Age” of film to the present—this volume offers readers valuable insights into Cuban history, politics, and culture. An indispensable guide to one of the great world cinemas, A Cuban Cinema Companion will be of interest to students, academics, and the general public alike.
Download or read book Afro Cuban Identity in Post Revolutionary Novel and Film written by Andrea Easley Morris and published by Lexington Books. This book was released on 2011-11-25 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt: Afro-Cuban Identity in Post-Revolutionary Novel and Film examines the changing discourse on race as portrayed in Cuban novels and films produced after 1959. Andrea Easley Morris analyzes the artists’ participation in and questioning of the revolutionary government’s revision of national identity to include the unique experience and contributions of Cuban men and women of African descent. While the Cuban revolution brought sweeping changes that vastly improved the material condition of many Afro-Cubans, at the time overrepresented among Cuba’s poor and marginalized, the government’s official position was that racial inequities had been resolved as early as 1962. Although a more open dialogue on race was cut short, the work of several novelists and film directors from the late 1960s and 70s expresses the need to explore what was gained and lost by Afro-Cubans in the early years of the revolution, among them Manuel Granados, Miguel Barnet, Nivaria Tejera, Sara Gómez, César Leante, Tomás Gutiérrez Alea, Sergio Giral, and Manuel Cofiño. Their works participate in the process of redefining Cuban national identity that took place after the revolution and, more specifically, they explore the place of Afro-Cuban identity within a broader notion of revolutionary “Cubanness.” This occurs through an emphasis on Afro-Cuban cultural practices that have constituted forms of resistance to colonial and neo-colonial oppression. This book examines the identity conflicts portrayed in these works and takes into account the artists’ negotiation of their own status within the revolutionary context by looking at the narrative strategies used to address racial issues within the constraints placed on cultural production in Cuba after 1962.
Download or read book Cuban Image written by Michael Chanan and published by U of Minnesota Press. This book was released on with total page 559 pages. Available in PDF, EPUB and Kindle. Book excerpt: New chapters express ongoing concerns about freedom of expression, the role of the Havana Film Festival in restoring Havana's central position in Latin American cinema, & the changing audience for Cuban films.
Download or read book On Actors and the Art of Acting written by George Henry Lewes and published by London Smith, Elder 1875.. This book was released on 1875 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Cinema and Social Change in Latin America written by Julianne Burton and published by University of Texas Press. This book was released on 2010-06-28 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the late 1960s, films from Latin America have won widening audiences in North America and Europe. Until now, no single book has offered an introduction to the diverse personalities and practices that make up this important regional film movement. In Cinema and Social Change in Latin America, Julianne Burton presents twenty interviews with key figures of Latin American cinema, covering three decades and ranging from Argentina to Mexico. Interviews with pioneers Fernando Birri, Nelson Pereira dos Santos, and Glauber Rocha, renowned feature filmmakers Tomás Gutiérrez Alea and Carlos Diegues, prize-winning documentarists Patricio Guzmán and Helena Solberg-Ladd, among others, endeavor to balance personal achievement against the backdrop of historical, political, social, and economic circumstances that have influenced each director's career. Presented also are conversations that cast light on the related activities of acting, distribution, theory, criticism, and film-based community organizing. More than their counterparts in other regions of the world, Latin American artists and intellectuals acknowledge the degree to which culture is shaped by history and politics. Since the mid-1950s, a period of rising nationalism and regional consciousness, talented young artists and activists have sought to redefine the uses of the film medium in the Latin American context. Questioning the studio and star systems of the Hollywood industrial model, these innovators have developed new forms, content, and processes of production, distribution, and reception. The specific approaches and priorities of the New Latin American Cinema are far from monolithic. They vary from realism to expressionism, from observational documentary to elaborate fictional constructs, from "imperfect cinema" to a cinema that emulates the high production values of the developed sectors, from self-reflexive to "transparent" cinematic styles, from highly industrialized modes of production to purely artisanal ones. What does not vary is the commitment to film as a vehicle for social transformation and the expression of national and regional cultural autonomy. From early alternative cinema efforts in Argentina, Brazil, and Cuba to a contemporary perspective from within the Mexican commercial industry to the emerging cinema and video production from Central America, Cinema and Social Change in Latin America offers the most comprehensive look at Latin American film available today.
Download or read book The Cinema of Sara G mez written by Susan Lord and published by Indiana University Press. This book was released on 2021-07-06 with total page 441 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout the 1960s until her untimely death in 1974, Afro-Cuban filmmaker Sara Gómez engaged directly and courageously with the social, political, economic, and cultural transformations promised by the Cuban Revolution. Gómez directed numerous documentary films in 10 prolific years. She also made De cierta manera (One way or another), her only feature-length film. Her films navigate complex experiences of social class, race, and gender by reframing revolutionary citizenship, cultural memory, and political value. Not only have her inventive strategies become foundational to new Cuban cinema and feminist film culture, but they also continue to inspire media artists today who deal with issues of identity and difference. The Cinema of Sara Gómez assembles history, criticism, biography, methodology, and theory of Gómez's work in scholarly writing; interviews with friends and collaborators; the film script of De cierta manera; and a detailed and complete filmography. Featuring striking images, this anthology reorients how we tell Cuban cinema history and how we think about the intersections of race, gender, and revolution. By addressing Gómez's entire body of work, The Cinema of Sara Gómez unpacks her complex life and gives weight to her groundbreaking cinema.
Download or read book Despite All Adversities written by Andrés Lema-Hincapié and published by State University of New York Press. This book was released on 2015-10-26 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: 2016 CHOICE Outstanding Academic Title Despite All Adversities examines a representative selection of notable queer films by Spanish America's most important directors since the 1950s. Each chapter focuses on a single film and offers rich and thoughtful new interpretations by a prominent scholar. The book explores films from across the region, including Tomás Gutiérrez Alea's and Juan Carlos Tabío's Fresa y chocolate (Strawberry and Chocolate, 1993), Marcelo Piñeyro's Plata quemada (Burnt Money, 2000), Barbet Schroeder's La Virgen de los Sicarios (Our Lady of the Assassins, 2000), Lucía Puenzo's XXY (XXY, 2007), Francisco J. Lombardi's No se lo digas a nadie (Don't Tell Anyone, 1998), Arturo Ripstein's El lugar sin límites (Hell Without Limits, 1978), among others. A survey of recent lesbian-themed Mexican films is also included.
Download or read book Framing Latin American Cinema written by Ann Marie Stock and published by U of Minnesota Press. This book was released on 1997 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: Proposes new critical directions in Latin American film. Framing Latin American Cinema embraces multiple modes of scholarship, juxtaposing feature films and documentaries, and locating cinema within larger cultural debates. Considering works from Argentina, Brazil, Cuba, Colombia, Guatemala, Mexico, and Venezuela, the contributors address a range of topics including studies of directors like Roman Chalbaud and Fernando Perez, examinations of viewer patterns and critical tendencies, and analyses of Mexican melodrama, revolutionary films, and such internationally acclaimed works as Dona Herlinda and A Place in the World.
Download or read book The Cinema of Latin America written by Alberto Elena and published by Wallflower Press. This book was released on 2003 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume focuses on the vibrant practices that make up Latin American cinema, a historically important regional cinema and one that is increasingly returning to popular and academic appreciation.
Download or read book Translating Cuba written by Robert S. Lesman and published by Routledge. This book was released on 2021 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Cuban culture has long been available to English speakers via translation. This study examines the complex ways in which English renderings of Cuban texts from various domains-poetry, science fiction, political and military writing, music, film-have represented, reshaped, or amended original texts. Taking in a broad corpus, it becomes clear that the mental image an Anglophone audience has formed of Cuban culture since 1959 depends heavily on the decisions of translators. At times, a clear ideological agenda drives moves like strengthening the denunciatory tone of a song or excising passages from a political text. At other moments, translators' indifference to the importance of certain facets of a work, such as a film's onscreen text or the lyrics sung on a musical performance, impoverishes the English speaker's experience of the rich weave of self-expression in the original Spanish. In addition to the dynamics at work in the choices translators make at the level of the text itself, this study attends to how paratexts like prefaces, footnotes, liner notes, and promotional copy shape the audience's experience of the text"--
Download or read book Feminisms in the Cinema written by Laura Pietropaolo and published by Indiana University Press. This book was released on 1995-06-22 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Feminisms in the Cinema provides a platform for both women filmmakers and the women who analyze their films." -- Bloomsbury Review "... invaluable... [demonstrates] how gender and genre intersect... how feminisms are flourishing, at home and abroad." -- Women's Review of Books Well-known feminist theorists juxtapose their work with that of women filmmakers. Each writer addresses some aspect of marginality, discussing it as a political strategy and as a challenge to power structures.
Download or read book Fidel written by Tad Szulc and published by Harper Perennial. This book was released on 2000-02-08 with total page 704 pages. Available in PDF, EPUB and Kindle. Book excerpt: Never before has any biographer had such close access to Fidel Castro as did Tad Szule. The outcome of a long, direct relationship, this riveting portrait reveals astonishing and exclusive information about Cuba, the revolution, and the notorious, larger-than-life leader who has ruled his country with an iron fist for more than forty years. Only Tad Szule could bring Fidel to such vivid life--the loves and losses of the man, the devious tactics of the conspirator, the triumphs and defeats of the revolutionary leader who challenged an American president and brought the world to the brink of nuclear disaster. From Jesuit schools to jungle hideouts and the Palace of the Revolution, here is Fidel...The Untold Story. Never before has any biographer had such close access to Fidel Castro as did Tad Szulc. The outcome of a long, direct relationship, this riveting portrait reveals astonishing and exclusive information about Cuba, the revolution, and the notorious, larger-than-life leader who has ruled his country with an iron fist for more than forty years. Only Tad Szulc could bring Fidel to such vivid life--the loves and losses of the man, the devious tactics of the conspirator, the triumphs and defeats of the revolutionary leader who challenged an American president and brought the world to the brink of nuclear disaster. From Jesuit schools to jungle hideouts and the Palace of the Revolution, here is FIDEL...THE UNTOLD STORY.
Download or read book Teaching Sound Film written by R. J. Cardullo and published by Springer. This book was released on 2016-10-26 with total page 460 pages. Available in PDF, EPUB and Kindle. Book excerpt: Teaching Sound Film: A Reader is a film analysis-and-criticism textbook that contains 35 essays on 35 geographically diverse, historically significant sound films. The countries represented here are France, Italy, England, Belgium, Russia, India, China, Cuba, Germany, Japan, Russia, Romania, Czechoslovakia, Brazil, Taiwan, Austria, Afghanistan, South Korea, Finland, Burkina Faso, Mexico, Iran, Israel, Colombia, and the United States. The directors represented include Jean Renoir, Orson Welles, Akira Kurosawa, Federico Fellini, Woody Allen, Aki Kaurismäki, Ken Loach, Tomás Gutiérrez Alea, Abbas Kiarostami, Michael Haneke, and Hong Sang-soo. Written with university students (and possibly also advanced high school students) in mind, the essays in Teaching Sound Film: A Reader cover some of the central films treated—and central issues raised—in today’s cinema courses and provide students with practical models to help them improve their own writing and analytical skills. These essays are clear and readable—that is, sophisticated and meaty yet not overly technical or jargon-heavy. This makes them perfect introductions to their respective films as well as important contributions to the field of film studies in general. Moreover, this book’s scholarly apparatus features credits, images, bibliographies for all films discussed, filmographies for all the directors, a list of topics for writing and discussion, a glossary of film terms, and an appendix containing three essays, respectively, on film acting, avant-garde cinema, and theater vs. film.
Download or read book Latin American Cinema written by Paul A. Schroeder Rodríguez and published by Univ of California Press. This book was released on 2016-03-08 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book charts a comparative history of Latin America’s national cinemas through ten chapters that cover every major cinematic period in the region: silent cinema, studio cinema, neorealism and art cinema, the New Latin American Cinema, and contemporary cinema. Schroeder Rodríguez weaves close readings of approximately fifty paradigmatic films into a lucid narrative history that is rigorous in its scholarship and framed by a compelling theorization of the multiple discourses of modernity. The result is an essential guide that promises to transform our understanding of the region’s cultural history in the last hundred years by highlighting how key players such as the church and the state have affected cinema’s unique ability to help shape public discourse and construct modern identities in a region marked by ongoing struggles for social justice and liberation.
