Download or read book A Source Book in Theatrical History written by A. M. Nagler and published by Courier Corporation. This book was released on 2013-04-09 with total page 642 pages. Available in PDF, EPUB and Kindle. Book excerpt: An annotated collection of more than 300 unusually interesting and detailed passages includes views by observers from ancient Greece to modern times on acting, directing, make-up, costuming, props, much more.
Download or read book The Making of Theatre History written by Paul Kuritz and published by PAUL KURITZ. This book was released on 1988 with total page 478 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Making the Scene written by Oscar G. Brockett and published by . This book was released on 2010-02-15 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: A lively, beautifully illustrated history of theatrical stage design from ancient Greek times to the present, coauthored by the world's leading authority, Oscar G. Brockett.
Download or read book History of the Theatre written by Oscar Gross Brockett and published by . This book was released on 1974 with total page 706 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Digital Performance written by Steve Dixon and published by MIT Press. This book was released on 2007-02-23 with total page 1027 pages. Available in PDF, EPUB and Kindle. Book excerpt: The historical roots, key practitioners, and artistic, theoretical, and technological trends in the incorporation of new media into the performing arts. The past decade has seen an extraordinarily intense period of experimentation with computer technology within the performing arts. Digital media has been increasingly incorporated into live theater and dance, and new forms of interactive performance have emerged in participatory installations, on CD-ROM, and on the Web. In Digital Performance, Steve Dixon traces the evolution of these practices, presents detailed accounts of key practitioners and performances, and analyzes the theoretical, artistic, and technological contexts of this form of new media art. Dixon finds precursors to today's digital performances in past forms of theatrical technology that range from the deus ex machina of classical Greek drama to Wagner's Gesamtkunstwerk (concept of the total artwork), and draws parallels between contemporary work and the theories and practices of Constructivism, Dada, Surrealism, Expressionism, Futurism, and multimedia pioneers of the twentieth century. For a theoretical perspective on digital performance, Dixon draws on the work of Philip Auslander, Walter Benjamin, Roland Barthes, Jean Baudrillard, and others. To document and analyze contemporary digital performance practice, Dixon considers changes in the representation of the body, space, and time. He considers virtual bodies, avatars, and digital doubles, as well as performances by artists including Stelarc, Robert Lepage, Merce Cunningham, Laurie Anderson, Blast Theory, and Eduardo Kac. He investigates new media's novel approaches to creating theatrical spectacle, including virtual reality and robot performance work, telematic performances in which remote locations are linked in real time, Webcams, and online drama communities, and considers the "extratemporal" illusion created by some technological theater works. Finally, he defines categories of interactivity, from navigational to participatory and collaborative. Dixon challenges dominant theoretical approaches to digital performance—including what he calls postmodernism's denial of the new—and offers a series of boldly original arguments in their place.
Download or read book The Oxford Illustrated History of Theatre written by John Russell Brown and published by Oxford Illustrated History. This book was released on 2001 with total page 598 pages. Available in PDF, EPUB and Kindle. Book excerpt: A scholarly look at 4,500 years of theater, beginning with its Greek origins and concluding with a study of theater since 1970.
Download or read book Musical Theatre written by John Kenrick and published by Bloomsbury Publishing. This book was released on 2017-07-27 with total page 349 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musical Theatre: A History is a new revised edition of a proven core text for college and secondary school students – and an insightful and accessible celebration of twenty-five centuries of great theatrical entertainment. As an educator with extensive experience in professional theatre production, author John Kenrick approaches the subject with a unique appreciation of musicals as both an art form and a business. Using anecdotes, biographical profiles, clear definitions, sample scenes and select illustrations, Kenrick focuses on landmark musicals, and on the extraordinary talents and business innovators who have helped musical theatre evolve from its roots in the dramas of ancient Athens all the way to the latest hits on Broadway and London's West End. Key improvements to the second edition: · A new foreword by Oscar Hammerstein III, a critically acclaimed historian and member of a family with deep ties to the musical theatre, is included · The 28 chapters are reformatted for the typical 14 week, 28 session academic course, as well as for a two semester, once-weekly format, making it easy for educators to plan a syllabus and reading assignments. · To make the book more interactive, each chapter includes suggested listening and reading lists, designed to help readers step beyond the printed page to experience great musicals and performers for themselves. A comprehensive guide to musical theatre as an international phenomenon, Musical Theatre: A History is an ideal textbook for university and secondary school students.
Download or read book Operetta written by Richard Traubner and published by Routledge Studies in Musical G. This book was released on 2003 with total page 512 pages. Available in PDF, EPUB and Kindle. Book excerpt: Considered the classic history of this important musical theater form. Traubner's book, first published in 1983, is still recognized as the key history of the people and productions that made operetta a worldwide phenomenon.
Download or read book The Gay Lesbian Theatrical Legacy written by Billy J. Harbin and published by University of Michigan Press. This book was released on 2005 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recovers the hidden history of theater professionals who transgressed the gendered expectations of their time
Download or read book Theatrical Worlds Beta Version written by Charles Mitchell and published by Orange Grove Texts Plus. This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "From the University of Florida College of Fine Arts, Charlie Mitchell and distinguished colleagues form across America present an introductory text for theatre and theoretical production. This book seeks to give insight into the people and processes that create theater. It does not strip away the feeling of magic but to add wonder for the artistry that make a production work well." -- Open Textbook Library.
Download or read book The Monster in Theatre History written by Michael Chemers and published by Routledge. This book was released on 2017-07-28 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Monsters are fragmentary, uncertain, frightening creatures. What happens when they enter the realm of the theatre? The Monster in Theatre History explores the cultural genealogies of monsters as they appear in the recorded history of Western theatre. From the Ancient Greeks to the most cutting-edge new media, Michael Chemers focuses on a series of ‘key’ monsters, including Frankenstein’s creature, werewolves, ghosts, and vampires, to reconsider what monsters in performance might mean to those who witness them. This volume builds a clear methodology for engaging with theatrical monsters of all kinds, providing a much-needed guidebook to this fascinating hinterland.
Download or read book The Cambridge History of British Theatre written by Jane Milling and published by Cambridge University Press. This book was released on 2004 with total page 574 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher Description
Download or read book Interpreting the Theatrical Past written by Thomas Postlewait and published by . This book was released on 1989 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A History of African American Theatre written by Errol G. Hill and published by Cambridge University Press. This book was released on 2003-07-17 with total page 652 pages. Available in PDF, EPUB and Kindle. Book excerpt: Table of contents
Download or read book A New History of Early English Drama written by John D. Cox and published by Columbia University Press. This book was released on 1997 with total page 590 pages. Available in PDF, EPUB and Kindle. Book excerpt: Twenty-six original essays by leading theorists and historians of the pre-seventeenth-century English stage chart a paradigmatic shift within the field. In contrast to the traditional emphasis on individual authors, the contributors to this storehouse of new historical information and critical insight explore the place of the stage within the larger society, as well as issues of performance and physical space, providing an innovative approach to both literary studies and cultural history.
Download or read book A Theater of Our Own written by Richard Christiansen and published by . This book was released on 2004 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: Who produced the first stage adaptation of "The Wizard of Oz" in 1902-nearly forty years before the movie classic?
Download or read book The Theatrical Event written by Willmar Sauter and published by . This book was released on 2000-10 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Theatrical Event discusses the objectives of theatre studies by focusing on the communicative encounter between performer and spectator—the theatrical event. A theatrical event includes the presentation of a performance and the attention of an audience; in this sense, every performance—on stage or in the street, historical or contemporary—that is watched by an audience is a theatrical event. The concept underlines the “eventness” of all encounters between performers and spectators. In the first part of the book, Willmar Sauter presents various models for the analysis of theatrical events, examining the relationship between performance and perception and the interaction between the performative event and its context. Using examples from ancient and recent theatre history and discussing traditional and nontraditional approaches to theatre theory, he builds a paradigmatic change in the concept of theatre. Constructs such as playing culture (as opposed to written culture), theatrical communication, theatricality, and theatre as a model of cultural event are brought into focus and their methodological advantages explored. The second part of the book uses the theoretical groundwork of the first part to enhance a variety of topics, including such legends as Sarah Bernhardt and other historical phenomena such as a Swedish Renaissance play, Strindberg's ideas on acting, the question of ethnicity in the political theatre of the 1930s, and critical writings on contemporary performances. Sauter examines how Robert Lepage's staging of A Dream Play is viewed by critics and scholars and analyzes Dario Fo's intercultural transfer to outdoor performances in Stockholm and the unusual sensationalism of Strindberg's Miss Julie.
