Download or read book The World of Science Art and Industry Illustrated written by Benjamin Silliman and published by . This book was released on 1854 with total page 532 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Science and Mechanism Illustrated by Examples in the New York Exhibition 1853 1854 written by Charles Rush Goodrich and published by . This book was released on 1854 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Art and the Empire City written by Metropolitan Museum of Art (New York, N.Y.) and published by Metropolitan Museum of Art. This book was released on 2000 with total page 658 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presented in conjunction with the September 2000 exhibition at the Metropolitan Museum, this volume presents the complex story of the proliferation of the arts in New York and the evolution of an increasingly discerning audience for those arts during the antebellum period. Thirteen essays by noted specialists bring new research and insights to bear on a broad range of subjects that offer both historical and cultural contexts and explore the city's development as a nexus for the marketing and display of art, as well as private collecting; landscape painting viewed against the background of tourism; new departures in sculpture, architecture, and printmaking; the birth of photography; New York as a fashion center; shopping for home decorations; changing styles in furniture; and the evolution of the ceramics, glass, and silver industries. The 300-plus works in the exhibition and comparative material are extensively illustrated in color and bandw. Oversize: 9.25x12.25". Annotation copyrighted by Book News Inc., Portland, OR
Download or read book The Finest Building in America written by Edwin G. Burrows and published by Oxford University Press. This book was released on 2018-01-10 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: When first opened to the public in 1853, New York's Crystal Palace created a sensation. Those who had seen London's Crystal Palace, the structure it was openly intended to emulate, argued that America's copy far surpassed it. Built in what is today Bryant Park, a four-acre site between 40th and 42nd Streets, the colossus of glass and steel indeed seemed poised to displace the British original in worldwide fame. Walt Whitman pronounced it "unsurpassed anywhere for beauty." Young Samuel Clemens--not yet Mark Twain--called it a "perfect fairy palace." Many perceived it as putting America, still in the thrall of European culture, on the map. "To us on this side of the water," wrote newspaperman Horace Greely, who had also visited London's Crystal Palace, "it was original." Pulitzer Prize-winning historian Edwin G. Burrows offers the tale of what was proclaimed the country's "finest building." Centerpiece of the 1853 World's Fair, the New York Crystal Palace, like its London counterpart, was intended to display the country's latest technological achievements--as well as a few dubious cultural artifacts. But its primary function was simply to be seen and admired by the crowds that thronged to it; its very existence caused patriotic breasts to swell. And then suddenly it was gone. On October 5, 1858, merely five years after its construction, the Crystal Palace caught fire. Despite frantic attempts to save it, the magnificent dome was engulfed and within thirty minutes the entire structure reduced to a heap of smoldering debris, through which for days afterward bereft New Yorkers picked for mementos. With sumptuous images and lively storytelling The Finest Building in America brings back to life an extraordinary monument, one that briefly but wholeheartedly captured the imagination of a country, giving form to its dreams and ambitions, and then vanishing from view.
Download or read book Art Wars written by Rachel N. Klein and published by University of Pennsylvania Press. This book was released on 2020-07-17 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of three controversies that illuminate the changing cultural role of art exhibition in the nineteenth century From the antebellum era through the Gilded Age, New York City's leading art institutions were lightning rods for conflict. In the decades before the Civil War, art promoters believed that aesthetic taste could foster national unity and assuage urban conflicts; by the 1880s such hopes had faded, and the taste for art assumed more personal connotations associated with consumption and domestic decoration. Art Wars chronicles three protracted public battles that marked this transformation. The first battle began in 1849 and resulted in the downfall of the American Art-Union, the most popular and influential art institution in North America at mid-century. The second erupted in 1880 over the Metropolitan Museum's massive collection of Cypriot antiquities, which had been plundered and sold to its trustees by the man who became the museum's first paid director. The third escalated in the mid-1880s and forced the Metropolitan Museum to open its doors on Sunday—the only day when working people were able to attend. In chronicling these disputes, Rachel N. Klein considers cultural fissures that ran much deeper than the specific complaints that landed protagonists in court. New York's major nineteenth-century art institutions came under intense scrutiny not only because Americans invested them with moral and civic consequences but also because they were part and parcel of explosive processes associated with the rise of industrial capitalism. Elite New Yorkers spearheaded the creation of the Art-Union and the Metropolitan, but those institutions became enmeshed in popular struggles related to slavery, immigration, race, industrial production, and the rights of working people. Art Wars examines popular engagement with New York's art institutions and illuminates the changing cultural role of art exhibition over the course of the nineteenth century.
Download or read book George Palmer Putnam written by Ezra Greenspan and published by Penn State Press. This book was released on 2010-11-01 with total page 534 pages. Available in PDF, EPUB and Kindle. Book excerpt: George Palmer Putnam (1814&–1872) was arguably the most important American publisher of the nineteenth century, a man fully and multiply involved in developments transforming all aspects of literary culture. In this comprehensive cultural biography, Ezra Greenspan offers a wide-ranging account of a rich, productive life lived in print, interrelating Putnam&’s life with the life of his family (one of the most remarkable of its time), with the changing patterns of life in New York City and the nation, and with the institutionalization of modern print culture in nineteenth-century America. Putnam&’s roles and achievements were many: he established and ran the publishing house of G. P. Putnam&’s in New York City; published many of the leading American antebellum writers, male and female, canonical and noncanonical (indeed, was responsible for the first act of American canonization&—of Washington Irving); was the leading publisher of art books in his time and launched Putnam's Monthly; led efforts resulting in the institutionalization of the American publishing industry and was the most outspoken promoter of American authorship; led the fight in the United States for international copyright; was the first American publisher to open an overseas (London) branch office; and for a decade was the leading American agent in the international book trade. Putnam&’s achievements were not limited to his professional sphere: he was also the founding Superintendent of the Metropolitan Museum of Art, the official publisher to the New York World's Fair of 1853, the Commissioner of the Internal Revenue in New York City during the Civil War, and the organizer of the greatest authors-publishers dinner ever given in nineteenth-century America. Friend and confidant to many of the leading figures of his time, he was not simply a centrally placed publisher but was one of the most centrally placed people of his entire society. This study is based on meticulous archival research into not only Putnam's own papers but into the records of his business, the papers of other family members, and the archives of persons with whom Putnam had contact through business and social networks. In a finely detailed narrative, Greenspan weaves together the story of Putnam's life and that of the development of print culture in nineteenth-century America to offer an ambitious, comprehensive biography of this &"representative American publisher.&"
Download or read book British Museum Catalogue of printed Books written by and published by . This book was released on 1896 with total page 652 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Zinc Sculpture in America 1850 1950 written by Carol A. Grissom and published by Associated University Presse. This book was released on 2009 with total page 720 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introduced in the United States as a new material for statuary in the mid-nineteenth century, zinc has properties that allowed replication at low cost. It was used to produce modestly priced serial sculpture displayed throughout the nation on fountains, public monuments, and war memorials. Imitative finishes created the illusion of more costly bronze, stone, or polychrome wood. This first comprehensive overview of American zinc sculpture is interdisciplinary, engaging aspects of art history, popular culture, local history, technology, and art conservation. Included is a generously illustrated catalogue presenting more than eight hundred statues organized by type: trade figures and Indians, gods and goddesses, fountain figures, animals, famous men, military figures, firemen, cemetery memorials, and religous subjects. The compilation of data on these statues will be valuable to scholars, filling the current void in research libraries. The author's experience as a conservator will also make the an essential resource for historic preservationists seeking to repair statues now damaged by years of outdoor exposure. This book has 555 illustrations, 354 of which are in color. Carol Grissom is Senior Objects Conservator at the Smithsonian's Museum Conservation Institute.
Download or read book First Proofs of the Universal Catalogue of Books on Art written by National Art Library (Great Britain) and published by . This book was released on 1870 with total page 1142 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A General Catalogue of the Books in the South Africa Public Library with a list of donors office bearers and the regulations of the institution Compiled by the Librarian Frederick Maskew written by South African Public Library (CAPETOWN) and published by . This book was released on 1862 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Hammer in Their Hands written by Carroll Pursell and published by MIT Press. This book was released on 2006-08-11 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: Scholars working at the intersection of African-American history and the history of technology are redefining the idea of technology to include the work of the skilled artisan and the ingenuity of the self-taught inventor. Although denied access through most of American history to many new technologies and to the privileged education of the engineer, African-Americans have been engaged with a range of technologies, as makers and as users, since the colonial era. A Hammer in Their Hands (the title comes from the famous song about John Henry, "the steel-driving man" who beat the steam drill) collects newspaper and magazine articles, advertisements for runaway slaves, letters, folklore, excerpts from biography and fiction, legal patents, protest pamphlets, and other primary sources to document the technological achievements of African-Americans. Included in this rich and varied collection are a letter from Cotton Mather describing an early method of smallpox inoculation brought from Africa by a slave; selections from Frederick Douglass's autobiography and Uncle Tom's Cabin; the Confederate Patent Act, which barred slaves from holding patents; articles from 1904 by Booker T. Washington and W. E. B. DuBois, debating the issue of industrial education for African-Americans; a 1924 article from Negro World, "Automobiles and Jim Crow Regulations"; a photograph of an all-black World War II combat squadron; and a 1998 presidential executive order on environmental justice. A Hammer in Their Hands and its companion volume of essays, Technology and the African-American Experience (MIT Press, 2004) will be essential references in an emerging area of study.
Download or read book Catalogue or alphabetical index written by New York city, Astor libr and published by . This book was released on 1861 with total page 594 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The World of Science Art and Industry Illustrated from Examples in the New York Exhibition 1853 54 written by Benjamin Silliman and published by . This book was released on 1854 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book American Porcelain 1770 1920 written by Alice Cooney Frelinghuysen and published by Metropolitan Museum of Art. This book was released on 1989 with total page 341 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Bruno Taut s Design Inspiration for the Glashaus written by David Nielsen and published by Routledge. This book was released on 2015-09-16 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: As a formative exemplar of early architectural modernism, Bruno Taut’s seminal exhibition pavilion the Glashaus (literally translated Glasshouse) is logically part of the important debate of rethinking the origins of modernism. However, the historical record of Bruno Taut’s Glashaus has been primarily established by one art historian and critic. As a result the historical record of the Glashaus is significantly skewed toward a singlular notion of Expressionism and surprisingly excludes Taut’s diverse motives for the design of the building. In an effort to clarify the problematic historical record of the Glashaus, this book exposes Bruno Taut’s motives and inspirations for its design. The result is that Taut’s motives can be found in yet unacknowledged precedents like the botanical inspiration of the Victoria regia lily; the commercial interests of Frederick Keppler as the Director of the Deutche Luxfer Prismen Syndikat; and imitation that derived openly from the Gothic. The outcome is a substantial contribution to the re-evaluation of the generally accepted histories of the modern movement in architecture.
Download or read book Catalogue Or Alphabetical Index of the Astor Library written by and published by . This book was released on 1861 with total page 584 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue Or Alphabetical Index of the Astor Library written by Astor Library and published by New York : R. Craighead. This book was released on 1861 with total page 594 pages. Available in PDF, EPUB and Kindle. Book excerpt:
