Download or read book German Paintings of the Fifteenth Through Seventeenth Centuries written by John Oliver Hand and published by Cambridge University Press. This book was released on 1993 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: A catalogue of fifteenth and sixteenth century German paintings in the National Gallery of Art, Washington DC.
Download or read book Albrecht Altdorfer and the Origins of Landscape written by Christopher S. Wood and published by Reaktion Books. This book was released on 2013-07-15 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the early sixteenth century, Albrecht Altdorfer promoted landscape from its traditional role as background to its new place as the focal point of a picture. His paintings, drawings, and etchings appeared almost without warning and mysteriously disappeared from view just as suddenly. In Albrecht Altdorfer and the Origins of Landscape, Christopher S. Wood shows how Altdorfer transformed what had been the mere setting for sacred and historical figures into a principal venue for stylish draftsmanship and idiosyncratic painterly effects. At the same time, his landscapes offered a densely textured interpretation of that quintessentially German locus—the forest interior. This revised and expanded second edition contains a new introduction, revised bibliography, and fifteen additional illustrations.
Download or read book The Renaissance of Etching written by Catherine Jenkins and published by Metropolitan Museum of Art. This book was released on 2019-10-21 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Download or read book Catalogue of the Annual Exhibition of Engravings Etchings Woodcuts of the XV and XVI Centuries written by and published by . This book was released on 1927 with total page 74 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The New Hollstein German Engravings Etchings and Woodcuts 1400 1700 Albrecht and Erhard Altdorfer written by F. W. H. Hollstein and published by . This book was released on 1997 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: [Vol. 2].
Download or read book Museum of Fine Arts Bulletin written by Museum of Fine Arts, Boston and published by . This book was released on 1909 with total page 534 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Catalogue of books written by Bernard Quaritch (Firm) and published by . This book was released on 1912 with total page 2634 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Bulletin of the Cleveland Museum of Art written by Cleveland Museum of Art and published by . This book was released on 1927 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Print collector s Quarterly written by A. H. Stubbs and published by . This book was released on 1914 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Renaissance Engravers written by Jp. A. Calosse and published by Parkstone International. This book was released on 2023-12-28 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: This ambitious work allows the reader to discover the art of engraving in Europe from the 15th to the 16th century. The engravings of the Renaissance masters are considered models of artistic perfection, often studied and frequently copied.
Download or read book Bulletin of the Museum of Fine Arts written by Museum of Fine Arts, Boston and published by . This book was released on 1913 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Guide to the Processes and Schools of Engraving written by British Museum. Department of Prints and Drawings and published by . This book was released on 1923 with total page 60 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Dictionary Catalog of the Prints Division written by New York Public Library. Prints Division and published by . This book was released on 1974 with total page 812 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue written by Bernard Quaritch (Firm) and published by . This book was released on 1914 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Art and Progress written by and published by . This book was released on 1913 with total page 460 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Oxford History of Western Art written by Martin Kemp and published by . This book was released on 2000 with total page 578 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford History of Western Art is an innovative and challenging reappraisal of how the history of art can be presented and understood. Through a carefully devised modular structure, readers are given insights not only into how and why works of art were created, but also how works in different media relate to each other across time. Here--uniquely--is not the simple, linear "story" of art, but a rich series of stories, told from varying viewpoints. Carefully selected groupings of pictures give readers a sense of the visual "texture" of the various periods and episodes covered. The 167 illustration groups, supported by explanatory text and picture captions, create a sequence of "visual tours"--not merely a procession of individually "great" works viewed in isolation, but juxtapositions of significant images that powerfully convey a sense of the visual environments in which works of art need to be viewed in order to be understood and appreciated. The aim throughout is to make the shape and nature of these visual presentations a stimulating and rewarding experience, allowing readers to become active participants in the process of interpretation and synthesis. Another key feature of the narrative is the re-definition of traditional period boundaries. Rather than relying on conventional labels such as Medieval, Renaissance, and Baroque, the book establishes five major phases of significant historical change that unlock longer and more meaningful continuities. This new framework shows how the major religious and secular functions of art have been forged, sustained, transformed, revived, and revolutionized over the ages; how the institutions of Church and State have consistently aspired to make art in their own image; and how the rise of art history itself has come to provide the dominant conceptual framework within which artists create, patrons patronize, collectors collect, galleries exhibit, dealers deal, and art historians write. Though the coverage of topics focuses on European notions of art and their transplantation and transformation in North America, space is also given to cross-fertilizations with other traditions---including the art of Latin America, the Soviet Union, India, Africa (and Afro-Caribbean), Australia, and Canada. Written by a team of 50 specialist authors working under the direction of renowned art historian Martin Kemp, The Oxford History of Western Art is a vibrant, vigorous, and revolutionary account of Western art serving both as an inspirational introduction for the general reader and an authoritative source of reference and guidance for students.
Download or read book The Caxton Head Catalogue written by James Tregaskis (Firm) and published by . This book was released on 1915 with total page 1106 pages. Available in PDF, EPUB and Kindle. Book excerpt:
