Download or read book The Winchester troper from Mss of the Xth and XIth centuries written by Walter Howard Frere and published by . This book was released on 1894 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Winchester Troper from Mss of the Xth and XIth Centuries written by Catholic Church and published by . This book was released on 1894 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Winchester Troper written by Catholic Church and published by . This book was released on 1973 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Medieval Drama written by Center for Medieval and Renaissance Studies (Los Angeles, Calif.) and published by SUNY Press. This book was released on 1972-01-01 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: The religious medieval drama, like the Church which produced it, was international. As such, from its earliest beginnings in the tenth-century Quem quaeritis to the thirteenth-century Ludi Paschales and Passion Plays, it exhibits a cultural and thematic unity binding the various plays: a thematic unity from the fabric of Christian thought, and a cultural unity from the fact that these productions, at least up to the end of the thirteenth century, generally share a technical-philological medium: the Latin language. In later centuries, this religious drama expressed in the vernacular remained an act of faith; its purpose being to strengthen the faith of the worshippers and to express in visible, dramatic terms the facts and values of Christian belief. These essays were, in their original form, addressed to the third annual conference of the Center for Medieval and Early Renaissance Studies at the State University of New York at Binghamton. The work of international authorities on the medieval drama, they span many centuries and bear witness to the growth of the religious dramatic form and of the dramatic movement and temper of the liturgy in which that form finds its origin. Omer Jodogne establishes a difference, on the aesthetic level, between dramatic works and their theatrical performance by pointing out that the surviving texts, whether they were meant for reading or for a theatrical performance, reproduce only what was said on the stage, and, succinctly, what was done. Wolfgang Michael suggests that the first medieval drama did not originate in a slow growth from the Easter trope Quem quaeritis but was rather an original creation of the author or authors of the Concordia Regularis. He indicates that subsequent dramatic endeavors in their slow process of change and expansion reflect the working of tradition rather than an original spirit and form. Sandro Sticca examines the creation of the first Passion Play and shows that Christ's passion became increasingly popular in the tenth century, and that the new forces which allowed a more eloquent and humane visualization and description of Christ's anguish first appeared in the eleventh and twelfth centuries. He also refutes the traditional view that the Planctus Mariae is the germinal point of the Latin Passion Play. V. A. Kolve seeks to account for certain central facts about Everyman which have never had close critical attention. He analyzes the Biblical and Patristic references within which the story is shaped and which are central to the understanding of other actions and to determining the meaning of the play. Glynn Wickham, after exploding on the evidence of reference alone the old categorizing of English Saint Plays as by-products or late developments of Mysteries and Moralities, turns to a critical discussion of the three surviving texts of English Saint Plays and of their original staging by means of diagrammatic illustrations providing a vivid visualization of their performance. William Smolden takes an unaccustomed approach to the controversial question of the origins of the Quem quaeritis. He maintains that when musical evidence is called on, it brings about, on a number of occasions, a confutation of the theory of a "textual" writer. From a detailed consideration of the two earliest Quem quaeritis he feels convinced that the place of origin of the trope was the Abbey of St. Martial of Limoges.
Download or read book The Making of Liturgy in the Ottonian Church written by Henry Parkes and published by Cambridge University Press. This book was released on 2015-01-15 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: A bold re-examination of the religious and political history of Ottonian Germany through its musical and liturgical books.
Download or read book A Performer s Guide to Medieval Music written by Ross W. Duffin and published by Indiana University Press. This book was released on 2000 with total page 618 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Performer's Guide to Medieval Music is an essential compilation of essays on all aspects of medieval music performance, with 40 essays by experts on everything from repertoire, voices, and instruments to basic theory. This concise, readable guide has proven indispensable to performers and scholars of medieval music.
Download or read book The Winchester Troper written by Catholic Church and published by . This book was released on 1894 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Liturgy in Medieval England written by Richard W. Pfaff and published by Cambridge University Press. This book was released on 2009-09-24 with total page 623 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a comprehensive historical treatment of the Latin liturgy in medieval England. Richard Pfaff constructs a history of the worship carried out in churches - cathedral, monastic, or parish - primarily through the surviving manuscripts of service books, and sets this within the context of the wider political, ecclesiastical, and cultural history of the period. The main focus is on the mass and daily office, treated both chronologically and by type, the liturgies of each religious order and each secular 'use' being studied individually. Furthermore, hagiographical and historiographical themes - respectively, which saints are prominent in a given witness and how the labors of scholars over the last century and a half have both furthered and, in some cases, impeded our understandings - are explored throughout. The book thus provides both a narrative account and a reference tool of permanent value.
Download or read book The Dramatic Liturgy of Anglo Saxon England written by M. Bradford Bedingfield and published by Boydell Press. This book was released on 2002 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Liturgical rituals of the high festivals from Christmas to Ascension in late Anglo-Saxon England; liturgical practice derived from from vernacular homilies and sermons.
Download or read book The Winchester Troper From Mss of the Xth and XIth Centuries With Other Documents Illustrating the History of Tropes in England and France V 8 written by Winchester Cathedral and published by Legare Street Press. This book was released on 2023-07-18 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a rare medieval manuscript from the 10th and 11th centuries that includes Gregorian chants and other liturgical music. The Winchester Troper is a valuable resource for scholars of medieval music and liturgy, offering unique insights into the development of church music in England and France. This edition includes additional documents that provide further context and illumination of the history of tropes. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Download or read book The Cambridge History of Medieval Music written by Mark Everist and published by Cambridge University Press. This book was released on 2018-08-09 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
Download or read book Companion to Medieval and Renaissance Music written by Tess Knighton and published by Univ of California Press. This book was released on 1997 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: With contributions from a range of internationally known early music scholars and performers, Tess Knighton and David Fallows provide a lively new survey of music and culture in Europe from the beginning of the Christian era to 1600. Fifty essays comment on the social, historical, theoretical, and performance contexts of the music and musicians of the period to offer fresh perspectives on musical styles, research sources, and performance practices of the medieval and Renaissance periods.
Download or read book Western Plainchant written by David Hiley and published by Oxford University Press. This book was released on 1995 with total page 764 pages. Available in PDF, EPUB and Kindle. Book excerpt: Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come.
Download or read book The Winchester Troper written by Walter Howard Frere and published by Forgotten Books. This book was released on 2018-08-18 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from The Winchester Troper: From Mss. Of The Xth And Xith Centuries; With Other Documents Illustrating The History Of Tropes in England And France Every new movement brings with it the signs of its own decay, and while on the one hand the jubila were becoming more and more popular owing to the desire for melodies without words, (combined no doubt with a mistaken wish to enrich and embellish the old chant). On the other hand these same jubila were being fitted with words, which were found to be necessary, or at least desirable, owing to the difficulty of remembering the melodies without them. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Download or read book Routledge Revivals Medieval England 1998 written by Paul E. Szarmach and published by Routledge. This book was released on 2017-07-05 with total page 2402 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1998, this valuable reference work offers concise, expert answers to questions on all aspects of life and culture in Medieval England, including art, architecture, law, literature, kings, women, music, commerce, technology, warfare and religion. This wide-ranging text encompasses English social, cultural, and political life from the Anglo-Saxon invasions in the fifth century to the turn of the sixteenth century, as well as its ties to the Celtic world of Wales, Scotland and Ireland, the French and Anglo-Norman world of the Continent and the Viking and Scandinavian world of the North Sea. A range of topics are discussed from Sedulius to Skelton, from Wulfstan of York to Reginald Pecock, from Pictish art to Gothic sculpture and from the Vikings to the Black Death. A subject and name index makes it easy to locate information and bibliographies direct users to essential primary and secondary sources as well as key scholarship. With more than 700 entries by over 300 international scholars, this work provides a detailed portrait of the English Middle Ages and will be of great value to students and scholars studying Medieval history in England and Europe, as well as non-specialist readers.
Download or read book Books and Libraries in Early England written by Helmut Gneuss and published by Taylor & Francis. This book was released on 2024-10-28 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays in this second volume from Helmut Gneuss are devoted to the study of books, their readers, and libraries in medieval England, especially in the Anglo-Saxon period. The selection opens with a survey of the history of the medieval English library, followed by detailed studies of Anglo-Saxon book production. These also examine its relation in the 9th century to King Alfred's plan for educational reform, and to the intellectual history of the 10th century. Two articles deal with liturgical books, and include the standard classified list of liturgical manuscripts. To end, there is an analysis of the earliest modern catalogue of books with Old English texts, that by George Hickes, and an investigation of the history of the Latin hymnal in Britain.
Download or read book Dante s Performance written by Francesco Ciabattoni and published by Walter de Gruyter GmbH & Co KG. This book was released on 2024-08-05 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through an historical and philological lens, this book explores passages from Dante's Commedia which reveal elements inspired byprocessions, pageants, liturgical drama, psalm singing, or dance performance. The sacred poem finds influence in medieval theories of the performing arts as well as actual performances which Dante would have seen in churches or town squares. Dante's Performance opens a new perspective from which to consider the Commedia: Dante expected his contemporary readers to recognize references to and echoes of psalms, sacred plays, and performative practices. Twenty-first-century readers are tasked with reconstructing a cultural framework which allows us to grasp those same textual references. From the dramatization of the harrowing of hell in Inferno IX, to Beatrice's celebratory return on top of Mount Purgatory, to the songs of the blessed, this study connects Dante's language to coeval theoretical and practical texts about performance. If hell is "the Middle Age's theatrum diaboli," purgatory stages a performed purification through songs and acting, while paradise offers the spectacle of blessed spirits within the heavenly spheres as an aid to human understanding (Par. IV 28-39).
