Download or read book The Theater of Fine Devices written by Guillaume de La Perrière and published by . This book was released on 1614 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Theater Of Fine Devices Containing an Hundred Morall Emblemes written by and published by . This book was released on 1614 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Theatre of Fine Devices written by Guillaume de La Perrière and published by . This book was released on 1614 with total page 115 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Theatre of Fine Devices written by Thomas Combe and published by . This book was released on 1983-04-05 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt: A reproduction of a popular Renaissance emblem book (1593?) offering one hundred proverbs, each illustrated with a woodcut and amplified in a short poem. This delightful facsimile is invaluable for students, scholars, and teachers of Renaissance literature and culture.
Download or read book Legal Emblems and the Art of Law written by Peter Goodrich and published by Cambridge University Press. This book was released on 2014 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: The emblem book was invented by the humanist lawyer Andrea Alciato in 1531. The preponderance of juridical and normative themes, of images of rule and infraction, of obedience and error in the emblem books is critical to their purpose and interest. This book outlines the history of the emblem tradition as a juridical genre, along with the concept of, and training in, obiter depicta, in things seen along the way to judgment. It argues that these books depict norms and abuses in classically derived forms that become the visual standards of governance. Despite the plethora of vivid figures and virtual symbols that define and transmit law, contemporary lawyers are not trained in the critical apprehension of the visible. This book is the first to reconstruct the history of the emblem tradition, evidencing the extent to which a gallery of images of law already exists and structuring how the public realm is displayed, made present and viewed.
Download or read book The Seventeenth century French Emblem written by Alison Saunders and published by Librairie Droz. This book was released on 2000 with total page 458 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Studies in seventeenth century imagery written by Mario Praz and published by Ed. di Storia e Letteratura. This book was released on 2001 with total page 618 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Painted Closet of Lady Anne Bacon Drury written by H.L. Meakin and published by Routledge. This book was released on 2017-07-05 with total page 411 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lady Anne Bacon Drury (1572-1624) was the granddaughter and niece of two of England's Lord Keepers of the Great Seal, Sir Nicholas Bacon and Sir Francis Bacon. Lady Anne was also the friend and patroness of John Donne and Joseph Hall; however, she deserves to be remembered in her own right. Within her massive country house, Lady Anne created a tiny painted room that she seems to have used as a kind of three-dimensional book. The walls consisted of panels of pictures and mottoes, grouped under Latin sentences. These panels can still be viewed in a Suffolk museum: Christchurch Mansion in Ipswich. Some panels point to classical and Biblical sources, and to popular emblem books. The sources of other panels are more recondite, while still others are original compositions by Lady Anne. The panels exhibit a contemptus mundi theme and reflect a struggle with ambition, pride, and even despair. Some panels also appear to register carefully veiled but pointed critiques of political and religious events and figures. Lady Anne's painted closet or 'architext' is thus relevant to a wide range of early modern scholarship in various disciplines but is as yet largely unappreciated. For the first time in four hundred years, this book fully describes the closet and places it in its personal, social, intellectual, and aesthetic contexts. It argues for the painted closet's importance for understanding early modern conceptualizations of private and public spaces, and for illuminating fundamental early modern habits of seeing and reading (especially combinations of text and image). Finally, this book explores the closet as an example of the ingenious ways in which female subjectivity found ways to express itself even within the constraints of early modern patriarchal society in England.
Download or read book The Routledge Companion to Medieval Iconography written by Colum Hourihane and published by Taylor & Francis. This book was released on 2016-12-19 with total page 588 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sometimes enjoying considerable favor, sometimes less, iconography has been an essential element in medieval art historical studies since the beginning of the discipline. Some of the greatest art historians – including Mâle, Warburg, Panofsky, Morey, and Schapiro – have devoted their lives to understanding and structuring what exactly the subject matter of a work of medieval art can tell. Over the last thirty or so years, scholarship has seen the meaning and methodologies of the term considerably broadened. This companion provides a state-of-the-art assessment of the influence of the foremost iconographers, as well as the methodologies employed and themes that underpin the discipline. The first section focuses on influential thinkers in the field, while the second covers some of the best-known methodologies; the third, and largest section, looks at some of the major themes in medieval art. Taken together, the three sections include thirty-eight chapters, each of which deals with an individual topic. An introduction, historiographical evaluation, and bibliography accompany the individual essays. The authors are recognized experts in the field, and each essay includes original analyses and/or case studies which will hopefully open the field for future research.
Download or read book Emblems of Mortality written by Clayton G. MacKenzie and published by University Press of America. This book was released on 2000 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: In our own age, the engagement with death has been discretely narrowed into a brief process of formal commemoration and burial, but in Shakespeare's time it was ritualized into the very fabric of everyday life, where the reminders of death, the journey to the grave, and the moment of expiry were all central to the cultural engagement with mortality in post-Reformation England. Inevitably, this way of seeing the world impacted the writing of Shakespeare and his contemporaries, not only in relation to the intellectual content of the drama but with regard to its visual impressions as well. Emblems of Mortality explores the relationship between Shakespeare's theatre and popular memento mori and funereal iconography of the Renaissance, combining cultural studies and historicism with semiotic analysis of period iconography. Through close reading of Elizabethan signs and sign systems with attention to historical context, the work seeks to demonstrate the quality and intention of some of Shakespeare's theatrical designs in a way that will appeal to scholars of drama and students of Shakespeare's work.
Download or read book Monarchy Print Culture and Reverence in Early Modern England written by Stephanie E. Koscak and published by Routledge. This book was released on 2020-06-11 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: This richly illustrated and interdisciplinary study examines the commercial mediation of royalism through print and visual culture from the second half of the seventeenth century. The rapidly growing marketplace of books, periodicals, pictures, and material objects brought the spectacle of monarchy to a wide audience, saturating spaces of daily life in later Stuart and early Hanoverian England. Images of the royal family, including portrait engravings, graphic satires, illustrations, medals and miniatures, urban signs, playing cards, and coronation ceramics were fundamental components of the political landscape and the emergent public sphere. Koscak considers the affective subjectivities made possible by loyalist commodities; how texts and images responded to anxieties about representation at moments of political uncertainty; and how individuals decorated, displayed, and interacted with pictures of rulers. Despite the fractious nature of party politics and the appropriation of royal representations for partisan and commercial ends, print media, images, and objects materialized emotional bonds between sovereigns and subjects as the basis of allegiance and obedience. They were read and re-read, collected and exchanged, kept in pockets and pasted to walls, and looked upon as repositories of personal memory, national history, and political reverence.
Download or read book The Unruly Tongue in Early Modern England written by Nathalie Vienne-Guerrin and published by Rowman & Littlefield. This book was released on 2012 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Unruly Tongue in Early Modern England is a scholarly edition of three early modern treatises on the unruly tongue: Jean de Marconville, A Treatise of the Good and Evell Tounge (ca.1592), William Perkins, A Direction for the Government of the Tongue according to Gods worde (1595), and George Webbe, The Araignement of an unruly Tongue (1619). "The tongue can no man tame" says the Bible (James 3:8), and yet these texts try to tame the tongues of men and tell them how they should rule this little but essential organ and avoid swearing, blaspheming, cursing, lying, flattering, railing, slandering, quarrelling, babbling, jesting, or mocking. This volume excavates the biblical and classical sources in which these early modern texts are embedded and gives a panorama of the sins of the tongue that the Elizabethan society both cultivates and strives to contain. Vienne-Guerrin provides the reader with early modern images of what Erasmus described as a "slippery" and "ambivalent" organ that is both sweet and sour, a source of life and death.
Download or read book Catalogue of the Library of Robert Hoe of New York written by Robert Hoe and published by . This book was released on 1911 with total page 716 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Epigrams of Sir John Harington written by Gerard Kilroy and published by Routledge. This book was released on 2017-03-02 with total page 371 pages. Available in PDF, EPUB and Kindle. Book excerpt: Many scholars have been calling for a new edition of Sir John Harington's Epigrams. Gerard Kilroy, using the three manuscripts arranged and revised by the author, offers the first complete text in print of Harington's four hundred Epigrams, uncovers Harington's elaborate design of forty theological decades, and restores the emblems and political elegies that Harington uses to frame his complete collection and define its serious purpose.
Download or read book Staged Normality in Shakespeare s England written by Rory Loughnane and published by Springer. This book was released on 2018-12-11 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book looks at the staging and performance of normality in early modern drama. Analysing conventions and rules, habitual practices, common things and objects, and mundane sights and experiences, this volume foregrounds a staged normality that has been heretofore unseen, ignored, or taken for granted. It draws together leading and emerging scholars of early modern theatre and culture to debate the meaning of normality in an early modern context and to discuss how it might transfer to the stage. In doing so, these original critical essays unsettle and challenge scholarly assumptions about how normality is represented in the performance space. The volume, which responds to studies of the everyday and the material turn in cultural history, as well as to broader philosophical engagements with the idea of normality and its opposites, brings to light the essential role that normality plays in the composition and performance of early modern drama.
Download or read book A C written by Robert Hoe and published by . This book was released on 1903 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book What You Will written by Kathryn Schwarz and published by University of Pennsylvania Press. This book was released on 2011-06-24 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: In What You Will Kathryn Schwarz traces a curious pattern in sixteenth- and seventeenth-century representations of femininity: women pose a threat when they conform too willingly to social conventions. Exemplary texts describe chaste women who kill their rapists, constant wives who make marriage a debilitating obligation, and devoted mothers who destroy the fitness of children. These cautionary tales draw attention to the more ordinary, necessary choices that take prescribed roles as a mandate for purposeful acts. For early modern narratives, writes Schwarz, intentional compliance poses a complex problem: it sustains crucial tenets of order and continuity but unsettles the hierarchical premises from which those tenets derive. Feminine will appears as a volatile force within heterosociality, lending contingent security to a system that depends less on enforced obedience than on contract and consent. The book begins with an examination of early modern disciplines that treat will as an aspect of the individual psyche, of rhetoric, and of sexual and gendered identities. Drawing on these readings, Schwarz turns to Shakespearean works in which feminine characters articulate and manage the values that define them, revealing the vital force of conventional acts. Her analysis engages with recent research that has challenged the premise of feminine subordination, both by identifying alternative positions and by illuminating resistance within repressive structures. Schwarz builds on this awareness of disparate modes and sites of action in formulating the book's central questions: With what agency, and to what effect, do feminine subjects inhabit the conventions of femininity? In what sense are authenticity and masquerade inseparable aspects of social performance? How might coercive systems produce effective actors? What possibilities emerge from the paradox of prescribed choice? Her conclusions have implications not only for early modern scholarship but also for histories of gender and sexuality, queer studies, and theories of the relationship between subjectivity and ideological constraint.
