Download or read book The Sound of Ontology written by Kenneth LaFave and published by Lexington Books. This book was released on 2017-11-15 with total page 141 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Sound of Ontology: Music as a Model for Metaphysics explores connections between Western art music in the late 19th and early 20th centuries, and the ideas that dominated philosophy leading up to and during that period. In the process of establishing John Cage as Richard Wagner’s heir via Arnold Schoenberg, the author discovers that the old metaphysics of representation is still in charge of how we think about music and about experience in general. Instead of settling for the positivist definition of music as mere sound framed by time, LaFave provides a phenomenology of music that reveals pitch as the ontological counterpart to frequency, and music as a vehicle for understanding how, as Heidegger observed, the Being of “things of value” are invariably grounded in the Being of “things of nature.” Numerous musical examples and a poem by Wallace Stevens illustrate LaFave’s case that hierarchy is intrinsic to this understanding. Alfred North Whitehead’s process philosophy is brought to bear alongside Heidegger’s phenomenological ontology to show that not only music, but reality itself, depends on a play of interlocking hierarchies to effect the nature-value connection, making aesthetics first philosophy.
Download or read book The Musical Representation written by Charles O. Nussbaum and published by MIT Press. This book was released on 2007 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: How human musical experience emerges from the audition of organized tones is a riddle of long standing. In The Musical Representation, Charles Nussbaum offers a philosophical naturalist's solution. Nussbaum founds his naturalistic theory of musical representation on the collusion between the physics of sound and the organization of the human mind-brain. He argues that important varieties of experience afforded by Western tonal art music since 1650 arise through the feeling of tone, the sense of movement in musical space, cognition, emotional arousal, and the engagement, by way of specific emotional responses, of deeply rooted human ideals. Construing the art music of the modern West as representational, as a symbolic system that carries extramusical content, Nussbaum attempts to make normative principles of musical representation explicit and bring them into reflective equilibrium with the intuitions of competent listeners. Nussbaum identifies three modes of musical representation, describes the basis of extramusical meaning, and analyzes musical works as created historical entities (performances of which are tokens or replicas). In addition, he explains how music gives rise to emotions and evokes states of mind that are religious in character. Nussbaum's argument proceeds from biology, psychology, and philosophy to music--and occasionally from music back to biology, psychology, and philosophy. The human mind-brain, writes Nussbaum, is a living record of its evolutionary history; relatively recent cognitive acquisitions derive from older representational functions of which we are hardly aware. Consideration of musical art can help bring to light the more ancient cognitive functions that underlie modern human cognition. The biology, psychology, and philosophy of musical representation, he argues, have something to tell us about what we are, based on what we have been.
Download or read book The Ontology and Function of Money written by Leonidas Zelmanovitz and published by Lexington Books. This book was released on 2015-12-24 with total page 471 pages. Available in PDF, EPUB and Kindle. Book excerpt: The central thesis of the book is that in order to evaluate monetary policy, one should have a clear idea about the characteristics and functions of money as it evolved and in its current form. That is to say that without an understanding about how money evolved as a social institution, what it is today, and what is possible to know about monetary phenomena, it is not possible to develop a meaningful ethics for money; or, to put it differently, to find what kind of institutional arrangements may be deemed good money for the kind of society we are in. And without that, one faces severe limitations in offering a normative position about monetary policy. The project is, consequently, an interdisciplinary one. Its main thread is an inquiry of moral philosophy and its foundations, as applied to money, in order to create tools to evaluate public policy in regard to money, banking, and public finance; and the views of different schools on those topics are discussed. The book is organized in parts on metaphysics, epistemology, ethics and politics of money to facilitate the presentation of all the subjects discussed to an educated readership (and not necessarily just one with a background in economics).
Download or read book Noise Matters written by Greg Hainge and published by Bloomsbury Publishing USA. This book was released on 2013-03-14 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Everyone knows what noise is. Or do they? Can we in fact say that one man's noise is another teenager's music? Is noise in fact only an auditory phenomenon or does it extend far beyond this realm? If our common definitions of noise are necessarily subjective and noise is not just unpleasant sound, then it merits a closer look (or listen). Greg Hainge sets out to define noise in this way, to find within it a series of operations common across its multiple manifestations that allow us to apprehend it as something other than a highly subjective term that tells us very little. Examining a wide range of texts, including Sartre's novel Nausea and David Lynch's iconic films Eraserhead and Inland Empire, Hainge investigates some of the Twentieth Century's most infamous noisemongers to suggest that they're not that noisy after all; and it finds true noise in some surprising places. The result is a thrilling and illuminating study of sound and culture.
Download or read book The Sound of Ontology written by Kenneth LaFave and published by . This book was released on 2017 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a unique approach to some of philosophy's fundamental issues. It points to music as a model for exploring such questions as, "What does it mean to value?" This is not a musical study, per se, but a philosophical text that uses music as a vehicle for investigating these and other metaphysical, axiological, and aesthetic matters.
Download or read book An Introduction to Ontology written by Nikk Effingham and published by John Wiley & Sons. This book was released on 2013-08-26 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this engaging and wide-ranging new book, Nikk Effingham provides an introduction to contemporary ontology - the study of what exists - and its importance for philosophy today. He covers the key topics in the field, from the ontology of holes, numbers and possible worlds, to space, time and the ontology of material objects - for instance, whether there are composite objects such as tables, chairs or even you and me. While starting from the basics, every chapter is up-to-date with the most recent developments in the field, introducing both longstanding theories and cutting-edge advances. As well as discussing the latest issues in ontology, Effingham also helpfully deals in-depth with different methodological principles (including theory choice, Quinean ontological commitment and Meinongianism) and introduces them alongside an example ontological theory that puts them into practice. This accessible and comprehensive introduction will be essential reading for upper-level undergraduate and post-graduate students, as well as any reader interested in the present state of the subject.
Download or read book All About Music written by Guerino Mazzola and published by Springer. This book was released on 2016-11-23 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explains music’s comprehensive ontology, its way of existence and processing, as specified in its compact characterization: music embodies meaningful communication and mediates physically between its emotional and mental layers. The book unfolds in a basic discourse in everyday language that is accessible to everybody who wants to understand what this topic is about. Musical ontology is delayed in its fundamental dimensions: its realities, its meaningful communication, and its embodied utterance from musical creators to an interested audience. The authors' approach is applicable to every musical genre and is scientific, the book is suitable for non-musicians and non-scientists alike.
Download or read book Metaphysics and Ontology Without Myths written by Fabio Bacchini and published by Cambridge Scholars Publishing. This book was released on 2014-10-02 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: Metaphysics and ontology feature among the traditional and fundamental concerns of philosophers. Gaining a picture of the world and the kind of objects that exist out there is for most philosophers (past and present) a preliminary aim upon which other theoretical activities depend. In fact, it seems that sound conclusions on topics relevant to ethics, aesthetics, psychology, and common and scientific knowledge can be achieved only after one has been given a picture of that sort. What is worth stressing, though, is that from time to time the tribunal of history has managed to put its finger on some flawed conclusions. To take a time-worn example, who would now accept Plato’s claim that the spatiotemporal world is just an imperfect copy of a world of abstract objects conceived of as perfect unchanging models of concrete things? The picture Plato gave us is nothing but a myth – an account which is too far away from what common sense and science could accept, too detached from the usual ways of conducting a rational discussion. Therefore, pictures of this kind appear to be supported by nothing but dogmas, i.e. uncompromising principles taken as true without any previous critical analysis. And Plato has no shortage of company. Issues of this kind revolving around metaphysics and ontology are tackled in the essays in this volume, which approach a secular debate in fresh and original ways, providing the necessary tools for clearing the field of unpalatable metaphysical and ontological items.
Download or read book Sonic Flux written by Christoph Cox and published by University of Chicago Press. This book was released on 2018-11-02 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Edison’s invention of the phonograph through contemporary field recording and sound installation, artists have become attracted to those domains against which music has always defined itself: noise, silence, and environmental sound. Christoph Cox argues that these developments in the sonic arts are not only aesthetically but also philosophically significant, revealing sound to be a continuous material flow to which human expressions contribute but which precedes and exceeds those expressions. Cox shows how, over the course of the twentieth and twenty-first centuries, philosophers and sonic artists have explored this “sonic flux.” Through the philosophical analysis of works by John Cage, Maryanne Amacher, Max Neuhaus, Christian Marclay, and many others, Sonic Flux contributes to the development of a materialist metaphysics and poses a challenge to the prevailing positions in cultural theory, proposing a realist and materialist aesthetics able to account not only for sonic art but for artistic production in general.
Download or read book Ontology Without Borders written by Jody Azzouni and published by Oxford University Press. This book was released on 2017-07-20 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: Our experience of objects (and consequently our theorizing about them) is very rich. We perceive objects as possessing individuation conditions. They appear to have boundaries in space and time, for example, and they appear to move independently of a background of other objects or a landscape. In Ontology Without Boundaries Jody Azzouni undertakes an analysis of our concept of object, and shows what about that notion is truly due to the world and what about it is a projection onto the world of our senses and thinking. Location and individuation conditions are our product: there is no echo of them in the world. Features, the ways that objects seem to be, aren't projections. Azzouni shows how the resulting austere metaphysics tames a host of ancient philosophical problems about constitution ("Ship of Theseus," "Sorities"), as well as contemporary puzzles about reductionism. In addition, it's shown that the same sorts of individuation conditions for properties, which philosophers use to distinguish between various kinds of odd abstracta-universals, tropes, and so on, are also projections. Accompanying our notion of an object is a background logic that makes cogent ontological debate about anything from Platonic objects to Bigfoot. Contemporary views about this background logic ("quantifier variance") make ontological debate incoherent. Azzouni shows how a neutral interpretation of quantifiers and quantifier domains makes sense of both philosophical and pre-philosophical ontological debates. Azzouni also shows how the same apparatus makes sense of our speaking about a host of items--Mickey Mouse, unicorns, Martians--that nearly all of us deny exist. It's allowed by what Azzouni shows about the background logic of our ontological debates, as well as the semantics of the language of those debates that we can disagree over the existence of things, like unicorns, without that background logic and semantics forcing ontological commitments onto speakers that they don't have.
Download or read book Representing Sound written by Jay Hodgson and published by Wilfrid Laurier Univ. Press. This book was released on 2014-05-28 with total page 123 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first title in the Laurier Digital series. Representing Sound elucidates the base technical ontology, the machine essence, of every recorded musical communication. In so doing, it suggests the broad contours of an unprecedented theoretical basis for considering recording practice that posits no fundamental relationship between it and live performance. Representing Sound thus complicates common conceptions of sound to include different ontological states. This seemingly simple notion–that the acoustic phenomena we encounter in concert are, by nature, different from those we encounter when we listen to records–should have profound consequences for the way everyone, from musicologists to rock stars, considers recording practice. In the tradition of books like Marshall McLuhan’s and Quentin Fiore’s The Medium Is The Massage (1968), Representing Sound sets its text within more than one hundred original visual artworks, each designed to reinforce the essay’s broader creative resonances. This allows readers to approach the larger ontological argument either atomistically (i.e., on a frame-by-frame basis) or holistically, depending on their creative or analytic needs. In this way, Representing Sound provides a possible model for creative scholarly work in the impending post-book era.
Download or read book Musical Ontology written by Lisa Giombini and published by Aesthetics. This book was released on 2017 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is musical ontology? Why should we as philosophers address it, if ever? These questions constitute the Ariadne's thread running throughout this whole work. The number of papers, volumes and essays that have recently been dedicated to the topic of art and musical ontology is so vast that trying to get a grip on the debate seems like trying to find one's bearings without a compass. This book is a guide to help hapless readers find their way through this philosophical jungle. It is constructed on three levels: the presentation of the debate on musical ontology; a meta-ontological inquiry; and a sort of meta-meta-ontological overview, in which both the ontological and the meta-ontological are examined. It does not contain any apology for musical ontology, nor any attempt to definitively get it off the hook The approach is aporetic, in the spirit of an open investigation in which more questions than answers are posited. But this is the whole point. If this study manages to provide the readers with the necessary theoretical tools to answer these questions for themselves, it could be considered a success. "Whether you are philosophers, musicians or music a cionados, whether you are interested in the analysis, the criticism, the editing, the interpretation of music, or the pursuit of speci c musicological problems, ontology may teach you the kind of issues and considerations to take into account when listening to music. And even if at the end of the book the ontology of art is still not become your cup of tea, I bet the next time you happen upon a performance of My Favorite Things you will dwell for a moment on the puzzles that the sound of music brings about."
Download or read book Merleau Ponty s Ontology written by Martin C. Dillon and published by Northwestern University Press. This book was released on 1997 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dillon's general thesis is that Merleau-Ponty has developed the first genuine alternative to ontological dualism seen in Western philosophy.
Download or read book Where are You written by Maurizio Ferraris and published by . This book was released on 2014 with total page 227 pages. Available in PDF, EPUB and Kindle. Book excerpt: An analysis of the history and social role of mobile phones today (with an enhancement of their primary writing function) is followed by a proposal of a philosophical theory of objects, which is meant to be complementary to Searle's 'collective intentionality', that places writing at the basis of social reality.
Download or read book Making Noise written by Hillel Schwartz and published by Mit Press. This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Listening across millennia, a cultural historian explores the process by which noise today has become as powerfully metaphorical--and intriguing--as the original Babel. When did the "silent deeps" become cacophonous and galaxies begin to swim in a sea of cosmic noise? Why do we think that noises have colors and that colors can be loud? How loud is too loud, and says who? Attending, as ears do, to a surround of sounds at once physical and political, Hillel Schwartz listens across millennia for changes in the Western experience and understanding of noise. From the uproarious junior gods of Babylonian epics to crying infants heard over baby monitors, from doubly mythic Echo to amplifier feedback, from shouts frozen in Rabelaisian air to the squawk of loudspeakers and the static of shortwave radio, Making Noise follows "unwanted sound" on its surprisingly revealing path through terrains domestic and industrial, urban and rural, legal and religious, musical and medical, poetic and scientific. At every stage, readers can hear the cultural reverberations of the historical soundwork of actresses, admen, anthropologists, astronomers, builders, composers, dentists, economists, engineers, filmmakers, firemen, grammar school teachers, jailers, nurses, oceanographers, pastors, philosophers, poets, psychologists, and the writers of children's books. Drawing upon such diverse sources as the archives of antinoise activists and radio advertisers, catalogs of fireworks and dental drills, letters and daybooks of physicists and physicians, military manuals and training films, travel diaries and civil defense pamphlets, as well as museum collections of bells, ear trumpets, megaphones, sirens, stethoscopes, and street organs, Schwartz traces the process by which noise today has become as powerfully metaphorical as the original Babel. Endnotes and bibliography are not included in the physical book but are available online at the MIT Press Web site.
Download or read book Sonic Warfare written by Steve Goodman and published by MIT Press. This book was released on 2012-08-24 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of the production, transmission, and mutation of affective tonality—when sound helps produce a bad vibe. Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread—to produce a bad vibe. Sonic weapons of this sort include the “psychoacoustic correction” aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or “sound bombs”) over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations. Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture. Goodman concludes with speculations on the not yet heard—the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths.
Download or read book Austere Realism written by Terence E. Horgan and published by MIT Press. This book was released on 2009-08-21 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: A provocative ontological-cum-semantic position asserting that the right ontology is austere in its exclusion of numerous common-sense and scientific posits and that many statements employing such posits are nonetheless true. The authors of Austere Realism describe and defend a provocative ontological-cum-semantic position, asserting that the right ontology is minimal or austere, in that it excludes numerous common-sense posits, and that statements employing such posits are nonetheless true, when truth is understood to be semantic correctness under contextually operative semantic standards. Terence Horgan and Matjaz Potrc argue that austere realism emerges naturally from consideration of the deep problems within the naive common-sense approach to truth and ontology. They offer an account of truth that confronts these deep internal problems and is independently plausible: contextual semantics, which asserts that truth is semantically correct affirmability. Under contextual semantics, much ordinary and scientific thought and discourse is true because its truth is indirect correspondence to the world. After offering further arguments for austere realism and addressing objections to it, Horgan and Potrc consider various alternative austere ontologies. They advance a specific version they call “blobjectivism”—the view that the right ontology includes only one concrete particular, the entire cosmos (“the blobject”), which, although it has enormous local spatiotemporal variability, does not have any proper parts. The arguments in Austere Realism are powerfully made and concisely and lucidly set out. The authors' contentions and their methodological approach—products of a decade-long collaboration—will generate lively debate among scholars in metaphysics, ontology, and philosophy.
