Download or read book The Rise of Gospel Blues written by Michael W. Harris and published by Oxford University Press. This book was released on 1994-06-23 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: Most observers believe that gospel music has been sung in African-American churches since their organization in the late 1800s. Yet nothing could be further from the truth, as Michael W. Harris's history of gospel blues reveals. Tracing the rise of gospel blues as seen through the career of its founding figure, Thomas Andrew Dorsey, Harris tells the story of the most prominent person in the advent of gospel blues. Also known as "Georgia Tom," Dorsey had considerable success in the 1920s as a pianist, composer, and arranger for prominent blues singes including Ma Rainey. In the 1930s he became involved in Chicago's African-American, old-line Protestant churches, where his background in the blues greatly influenced his composing and singing. Following much controversy during the 1930s and the eventual overwhelming response that Dorsey's new form of music received, the gospel blues became a major force in African-American churches and religion. His more than 400 gospel songs and recent Grammy Award indicate that he is still today the most prolific composer/publisher in the movement. Delving into the life of the central figure of gospel blues, Harris illuminates not only the evolution of this popular musical form, but also the thought and social forces that forged the culture in which this music was shaped.
Download or read book King of the Blues written by Daniel de Vise and published by Grove Press. This book was released on 2021-10-05 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first full and authoritative biography of an American—indeed a world-wide—musical and cultural legend “No one worked harder than B.B. No one inspired more up-and-coming artists. No one did more to spread the gospel of the blues.”—President Barack Obama “He is without a doubt the most important artist the blues has ever produced.”—Eric Clapton Riley “Blues Boy” King (1925-2015) was born into deep poverty in Jim Crow Mississippi. Wrenched away from his sharecropper father, B.B. lost his mother at age ten, leaving him more or less alone. Music became his emancipation from exhausting toil in the fields. Inspired by a local minister’s guitar and by the records of Blind Lemon Jefferson and T-Bone Walker, encouraged by his cousin, the established blues man Bukka White, B.B. taught his guitar to sing in the unique solo style that, along with his relentless work ethic and humanity, became his trademark. In turn, generations of artists claimed him as inspiration, from Jimi Hendrix and Eric Clapton to Carlos Santana and the Edge. King of the Blues presents the vibrant life and times of a trailblazing giant. Witness to dark prejudice and lynching in his youth, B.B. performed incessantly (some 15,000 concerts in 90 countries over nearly 60 years)—in some real way his means of escaping his past. Several of his concerts, including his landmark gig at Chicago’s Cook County Jail, endure in legend to this day. His career roller-coasted between adulation and relegation, but he always rose back up. At the same time, his story reveals the many ways record companies took advantage of artists, especially those of color. Daniel de Visé has interviewed almost every surviving member of B.B. King’s inner circle—family, band members, retainers, managers, and more—and their voices and memories enrich and enliven the life of this Mississippi blues titan, whom his contemporary Bobby “Blue” Bland simply called “the man.”
Download or read book The Rise of Gospel Blues The Music of Thomas Andrew Dorsey in the Urban Church written by Michael W. Harris Associate Professor of History and African-American World Studies Wesleyan University and published by Oxford University Press, USA. This book was released on 1992-04-30 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the early 1930s an exciting new musical form arose in Chicago known as the gospel blues. The principal figure in the creation of this distinctive music was a blues pianist named Thomas A. Dorsey, who had considerable success in the 1920s as a pianist, composer, and arranger for such prominent blues singers as Ma Rainey. In the 1930s, Dorsey became increasingly involved in the African-American churches in Chicago. His background in the blues was an important influence on his composing and singing of church music. At first the "respectable" Chicago churches rejected this new form, not only because of Dorsey's blues playing and singing, but more because of the excitement in the church congregation that this new gospel blues produced. However, by the end of the 1930s, the power of the music had made gospel blues a major force in African-American churches and religion. Through the voices of such singers as Mahalia Jackson, gospel blues helped shape the development of American popular music. In this book, Harris looks at the story of the rise of gospel blues as seen through the career of its founding figure. Harris also places it in the broader contexts of African-American religion and the large urban migration of African-Americans after World War I.
Download or read book The Original Blues written by Lynn Abbott and published by Univ. Press of Mississippi. This book was released on 2017-02-27 with total page 866 pages. Available in PDF, EPUB and Kindle. Book excerpt: Blues Book of the Year —Living Blues Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Blues, Gospel, Soul, or R&B–Certificate of Merit (2018) 2023 Blues Hall of Fame Inductee - Classic of Blues Literature category With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America’s favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler “String Beans” May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the “blues master piano player of the world.” His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female “coon shouters” acquired a more dignified aura in the emergent persona of the “blues queen.” Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before—a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.
Download or read book The Cambridge Companion to Blues and Gospel Music written by Allan Moore and published by Cambridge University Press. This book was released on 2002 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Robert Johnson to Aretha Franklin, Mahalia Jackson to John Lee Hooker, blues and gospel artists figure heavily in the mythology of twentieth-century culture. The styles in which they sang have proved hugely influential to generations of popular singers, from the wholesale adoptions of singers like Robert Cray or James Brown, to the subtler vocal appropriations of Mariah Carey. Their own music, and how it operates, is not, however, always seen as valid in its own right. This book provides an overview of both these genres, which worked together to provide an expression of twentieth-century black US experience. Their histories are unfolded and questioned; representative songs and lyrical imagery are analysed; perspectives are offered from the standpoint of the voice, the guitar, the piano, and also that of the working musician. The book concludes with a discussion of the impact the genres have had on mainstream musical culture.
Download or read book Texas Blues written by Alan B. Govenar and published by Texas A&M University Press. This book was released on 2008-10-09 with total page 622 pages. Available in PDF, EPUB and Kindle. Book excerpt: Texas Blues allows artists to speak in their own words, revealing the dynamics of blues, from its beginnings in cotton fields and shotgun shacks to its migration across boundaries of age and race to seize the musical imagination of the entire world. Fully illustrated with 495 dramatic, high-quality color and black-and-white photographs—many never before published—Texas Blues provides comprehensive and authoritative documentation of a musical tradition that has changed contemporary music. Award-winning documentary filmmaker and author Alan Govenar here builds on his previous groundbreaking work documenting these musicians and their style with the stories of 110 of the most influential artists and their times. From Blind Lemon Jefferson and Aaron “T-Bone” Walker of Dallas, to Delbert McClinton in Fort Worth, Sam “Lightnin’” Hopkins in East Texas, Baldemar (Freddie Fender) Huerta in South Texas, and Stevie Ray Vaughan in Austin, Texas Blues shows the who, what, where, and how of blues in the Lone Star State.
Download or read book Great God A mighty the Dixie Hummingbirds written by J. Jerome Zolten and published by Oxford University Press, USA. This book was released on 2003 with total page 385 pages. Available in PDF, EPUB and Kindle. Book excerpt: Zolten offers a high-flying account of gospel's most revered groups and the social and musical history they helped make. 20 halftones.
Download or read book People Get Ready written by Bob Darden and published by A&C Black. This book was released on 2004-01-01 with total page 456 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Africa through the spirituals, from minstrel music through jubilee, and from traditional to contemporary gospel, "People Get Ready!" provides, for the first time, an accessible overview of this musical genre.
Download or read book Homer Rodeheaver and the Rise of the Gospel Music Industry written by KEVIN. YEO MUNGONS (DOUGLAS.) and published by . This book was released on 2021-05-15 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book When Sunday Comes written by Claudrena N. Harold and published by University of Illinois Press. This book was released on 2020-11-16 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gospel music evolved in often surprising directions during the post-Civil Rights era. Claudrena N. Harold's in-depth look at late-century gospel focuses on musicians like Yolanda Adams, Andraé Crouch, the Clark Sisters, Al Green, Take 6, and the Winans, and on the network of black record shops, churches, and businesses that nurtured the music. Harold details the creative shifts, sonic innovations, theological tensions, and political assertions that transformed the music, and revisits the debates within the community over groundbreaking recordings and gospel's incorporation of rhythm and blues, funk, hip-hop, and other popular forms. At the same time, she details how sociopolitical and cultural developments like the Black Power Movement and the emergence of the Christian Right shaped both the art and attitudes of African American performers. Weaving insightful analysis into a collective biography of gospel icons, When Sunday Comes explores the music's essential place as an outlet for African Americans to express their spiritual and cultural selves.
Download or read book Kennedy s Blues written by Guido van Rijn and published by Univ. Press of Mississippi. This book was released on 2009-09-23 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: Kennedy's Blues: African American Blues and Gospel Songs on JFK collects in a single volume the blues and gospel songs written by African Americans about the presidency of John F. Kennedy and offers a close analysis of Kennedy's hold upon the African-American imagination. These blues and gospel songs have never been transcribed and analyzed in a systematic way, so this volume provides a hitherto untapped source on the perception of one of the most intriguing American presidents. After eight years of Republican rule, the young Democratic president received a warm welcome from African Americans. However, with the Cold War military draft and the slow pace of civil rights measures, inspiration temporarily gave way to impatience. Dr. Martin Luther King, Jr., Medgar Evers, the March on Washington, and the groundbreaking civil rights bill all found their way into blues and gospel songs. The many blues numbers devoted to the assassination and the president's legacy are evidence of JFK's near-canonization by African Americans. Blues historian Guido van Rijn shows that John F. Kennedy became a mythical hero to blues songwriters despite what was left unaccomplished.
Download or read book Anointed to Sing the Gospel written by Kathryn B. Kemp and published by . This book was released on 2015-06-05 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: Anointed to Sing the Gospel is the biography of the "Father of Gospel Music," Dr. Thomas A. Dorsey from Villa Rica, GA to Chicago, IL. It encompasses the spiritual dilemma that caused him to cross-over completely to the gospel song from blues and jazz. The impact of Thomas A. Dorsey as a modern-day Levite and his impact on music of the 20th and 21st century Levites is examined. Interviews with contemporaries and devotees of Thomas A. Dorsey are included.
Download or read book Roosevelt s Blues AfricanAmerican Blues and Gospel Songs on FDR written by Guido van Rijn and published by Univ. Press of Mississippi. This book was released on 1997 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The New Paramount Book of Blues written by Alex van der Tuuk and published by . This book was released on 2017 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fifty-eight biographies of Paramount blues artists with sensational new information based on years of research: Lovie Austin, Charles Avery, Viola Bartlette, Ed Bell, Eloise Bennett, Arthur "Blind" Blake, Lucille Bogan, Ardell Bragg, Henry Brown, Willie Brown, Hattie Burleson, Bob Call, Ben Covington, Ben Curry, Teddy Darby, Emmett Dickenson, Aletha Dickerson, Mattie Dorsey, Sally Duffie, Amos Easton, Bernice Edwards, Kid Edwards, Will Ezell, Leroy Roscoe Garnett, Clifford Gibson, Roosevelt Graves, Lee Green, George Hannah, Walter Hawkins, Bertha Henderson, Edna Hicks, Eddie House, James Jackson, Charlie Jackson, Louise Johnson, Tommy Johnson, Moses Mason, Hattie McDaniel, Charles McFadden, Sodarisa Miller, Marshall Owens, Charley Patton, Joe Reynolds, Elzadie Robinson, Isadore Rodgers, J.D. Short, Henry Sims, Danny Small, Bessie Mae Smith, Charlie Spand, Freddie Spruell, Frank Stokes, Joel Taggart, Elvie Thomas and Geeshie Wiley, Willard Thomas, Wesley Wallace, Nolan Welsh, "Jabo" Williams.
Download or read book Singing in a Strange Land written by Nick Salvatore and published by Little, Brown. This book was released on 2007-10-15 with total page 460 pages. Available in PDF, EPUB and Kindle. Book excerpt: A prizewinning historian pens this biography of C.L. Franklin, the greatest African-American preacher of his generation, father of Aretha, and civil rights pioneer.
Download or read book The Gospel Sound written by Anthony Heilbut and published by Hal Leonard Corporation. This book was released on 1985 with total page 463 pages. Available in PDF, EPUB and Kindle. Book excerpt: Spotlights the careers of the gospel singers who have made a distinctive contribution to the world of music
Download or read book A City Called Heaven written by Robert M. Marovich and published by University of Illinois Press. This book was released on 2015-03-15 with total page 489 pages. Available in PDF, EPUB and Kindle. Book excerpt: In A City Called Heaven, Robert M. Marovich follows gospel music from early hymns and camp meetings through its growth into the sanctified soundtrack of the city's mainline black Protestant churches. Marovich mines print media, ephemera, and hours of interviews with artists, ministers, and historians--as well as relatives and friends of gospel pioneers--to recover forgotten singers, musicians, songwriters, and industry leaders. He also examines the entrepreneurial spirit that fueled gospel music's rise to popularity and granted social mobility to a number of its practitioners. As Marovich shows, the music expressed a yearning for freedom from earthly pains, racial prejudice, and life's hardships. Yet it also helped give voice to a people--and lift a nation. A City Called Heaven celebrates a sound too mighty and too joyous for even church walls to hold.
