Download or read book The Regional Production of Red Figure Pottery written by Stine Schierup and published by Aarhus Universitetsforlag. This book was released on 2014-10-27 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the latter part of the fifth century BC, regional red-figure productions were established outside Attica in regional Greece and in the western Mediterranean, propelled by the impact of the art of Attic vase painting. This collection of papers addresses key issues posed by these production centres. Why did they emerge? To what degree was their inception prompted by the emigration of Attic craftsmen in the context of the weakened Attic pottery market at the onset of the Peloponnesian War? How did Attic vase painting influence already existing traditions, and what was selected, adopted or adapted at the receiving end? Who was using red-figure in mainland Greece and Italy, and what were its particular functions in the local cultures? These and more questions are addressed here with the presentation not only of syntheses, but also primary publication of much newly discovered material. Regional production centres covered include those of Euboea, Boeotia, Corinth, Laconia, Macedonia, Ambracia, Lucania, Apulia, Sicily, Locri and Etruria.
Download or read book Red figure Pottery in its Ancient Setting written by Bodil Bundsgaard and published by Aarhus Universitetsforlag. This book was released on 2012-05-30 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contributions on a variety of topics, e.g. mantle-figures on Athenian late classical red-figure, white-ground cups in fifth-century graves, late 'Apulian' red-figure vases, an overview of Athenian pottery in Southern Italy and Sicily, the Panathenaic amphora shape in Southern Italian red-figure production and Achilles and Troilos in Athens and Etruria. Contributions by Martin Langner, Annie Verbanck-Pierard, Adrienne Lezzi-Hafter, Athena Tsingarida, Maurizio Gualtieri, Helena Fracchia, Victoria Sabetai, Martin Bentz, Thomas Mannack, Stine Scierup and Guy Hedreen.
Download or read book The Regional Production of Red figure Pottery written by Stine Schierup and published by Aarhus University Press. This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the latter part of the fifth century BC a range of new local red-figure productions were established outside Attica: in mainland Greece as well as in the western Mediterranean. The 17 papers collected in this anthology deal with the norms and conventions of these regional production centres, the means of transmission, pottery-industry circumstances, iconographic choices, archaeological contexts, as well as issues of reception and function from a cross-regional perspective. The contributions reflect the rapid development within this field of study during the last decades and include material and syntheses on this topic published for the first time to an English-speaking audience. The papers will deal with the Euboean, Boeotian, Corinthian, Laconian, Ambracian and Macedonian production centres in mainland Greece and the Sicilian, Calabrian, Lucanian, Apulian and Etruscan workshops in the Italic peninsula.
Download or read book The Red figure Pottery written by Sharon Herbert and published by ASCSA. This book was released on 1977 with total page 142 pages. Available in PDF, EPUB and Kindle. Book excerpt: Inferior clays and glazes, unsuited to the red-figure style, means that the indigenous production of red-figure vases in Corinth was very limited. However for about 75 years, in the middle of the 5th century B.C., Corinthian potters tried to imitate the Athenian fashion and this book catalogues 186 pieces of their work. The author discusses the reasons for the production of Corinthian red figure even in limited quantities. Six painters are identified as responsible for at least half the known pieces. Thirteen deposits provide chronological evidence to supplement that of the painting style. The volume serves to bring forward a small but significant segment of the non-Attic pottery industries, and should stimulate interest in other unpublished, unreported examples. All items in the catalogue are illustrated in photographs; line drawings are used to demonstrate details of technique.
Download or read book The Complex Past of Pottery written by Jan Paul Crielaard and published by BRILL. This book was released on 2023-12-11 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: Proceedings of the ARCHON International Conference, held in Amsterdam,1996.
Download or read book Patterns in the Production of Paestan Red Figure Pottery written by Edward Herring and published by Cambridge Scholars Publishing. This book was released on 2022-05-10 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Most of the previous scholarship on Paestan red-figure pottery has focused on the cataloguing of collections, the attribution of vases to painters and workshops, iconographic and stylistic matters, and individual vessels and vase forms. This partly reflects the history of vase-painting scholarship, which grew out of antiquarian collecting during 18th and 19th centuries, and partly the fact that a full archaeological provenance is not preserved for the majority of vessels. This book uses a database containing in excess of 1,800 vessels and fragments to identify patterns in the production and decoration of Paestan vases that cast light on the choices made by vase-producers and the preferences of their customers. It considers the popularity of different vessel shapes over time, the use of highly generic decorative scenes, which are characteristic of Paestan red-figure, as well as the popularity of scenes of myth, images of the gods, and scenes of nude and half-draped women. Paestan red-figure is compared with the vessels decorated in Applied Red produced at the same site. A comparison is also made between the output of the Paestan red-figure industry and that of Apulia. As the majority of the vases in the sample derive from tombs, the patterns identified provide insights into the ways in which the ancient populations of Paestum and South-West Italy commemorated the dead.
Download or read book Patterns in the Production of Apulian Red Figure Pottery written by Edward Herring and published by Cambridge Scholars Publishing. This book was released on 2018-10-01 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: Most of the previous scholarship on Apulian red-figure pottery has focused on the cataloguing of collections, the attribution of vases to painters and workshops, iconographic and stylistic matters, and individual vessels and vase forms. This partly reflects the history of vase-painting scholarship, which grew out of antiquarian collecting during the eighteenth and nineteenth centuries, and the fact that a full archaeological provenance is not preserved for the overwhelming majority of vessels. This book takes a different approach by using a database containing in excess of 13,500 vessels and fragments to identify patterns in the production and decoration of Apulian vases that cast light on the choices made by vase-producers and the preferences of their customers. Individual chapters consider the popularity of different vessel shapes over time, the use of highly generic decorative scenes, which are characteristic of Apulian red-figure, as well as the popularity of scenes of myth, images of the gods, scenes of the life of the non-Greek population of ancient Puglia, and those showing funerary monuments. As virtually all of the vases in the sample derive from tombs, the patterns identified provide insights into the ways in which the ancient populations of South-East Italy, both Greek and indigenous, honoured their dead.
Download or read book Red figure Pottery in Its Ancient Setting written by Stine Schierup and published by . This book was released on 2012 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "What happened when Athenian pottery reached other cultural contexts and was absorbed into indigenous communities around or outside Greece? How did the various contexts influence the adaption of Athenian iconography and does the setting add to an understanding of how Athenian iconographic themes were altered or absorbes as they entered into new cultural contexts? To highlight these interpretative challenges the National Museum of Denmark in 2009 stages the colloquium "Red-figure Pottery in its Ancient Setting" and invited a group of specialists to present cases from within their areas of research which would serve to enhance our understanding of the great range of the character and value of red-figure pottery and its imagery whether in local Greek, a colonial Greek, en Etruscan or any other indigenous community. The various cases presented in these proceedings of the colloquium clearly demonstrate that this approach to the study of Greek pottery and its imagery has much to offer."--Publisher's website.
Download or read book Black figure and Red figure Greek Pottery written by Royal Ontario Museum Art and Archaeo and published by Hassell Street Press. This book was released on 2021-09-09 with total page 20 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Download or read book Corinthian Red figure Pottery written by Sharon Herbert and published by . This book was released on 1972 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Roman Pottery in the Near East Local Production and Regional Trade written by Bettina Fischer-Genz and published by Archaeopress Publishing Ltd. This book was released on 2014-03-15 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents papers presented at an international workshop dedicated to the study of Roman common ware pottery in the Near East held in Berlin on 18th and 19th February 2010.
Download or read book Potters and Communities of Practice written by Linda S. Cordell and published by University of Arizona Press. This book was released on 2012 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: The peoples of the American Southwest during the 13th through the 17th centuries witnessed dramatic changes in settlement size, exchange relationships, ideology, social organization, and migrations that included those of the first European settlers. Concomitant with these world-shaking events, communities of potters began producing new kinds of wares—particularly polychrome and glaze-paint decorated pottery—that entailed new technologies and new materials. The contributors to this volume present results of their collaborative research into the production and distribution of these new wares, including cutting-edge chemical and petrographic analyses. They use the insights gained to reflect on the changing nature of communities of potters as they participated in the dynamic social conditions of their world.
Download or read book Seeking Ancient Greek Black and Red Figure Pottery in Romania and Bulgaria written by Kiyotari Tsuboi and published by . This book was released on 2010 with total page 22 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Italic People of Ancient Apulia written by T. H. Carpenter and published by Cambridge University Press. This book was released on 2014-08-28 with total page 371 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book makes recent scholarship on the Italic people of fourth-century BC Apulia available to English-speaking audiences.
Download or read book The Italic Patronage of Early Apulian Red figure written by Jed M. Thorn and published by . This book was released on 2010 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: This dissertation investigates the relationship between Early Apulian red-figure pottery workshops and the Italic peoples of Apulia. Apulian red-figure--produced from c. 430 BC through the end of the 4th century BC--is rarely found outside of South Italy. It has long been assumed that it was made in the modern Italian region of Puglia, where the majority of it has been found. The earliest Apulian red-figure pottery exhibits contiguity with contemporary trends in Attic red-figure; its style, iconography, and shape selection were, with a few notable exceptions, thoroughly Greek. Consequently, it has been widely assumed that red-figure potters and painters had emigrated from Athens to Taras, Apulia's only Greek colony, where they established a local industry that served as the exclusive supplier of Apulian red-figure pottery for roughly a century. This is, however, a conjecture that has not yet received support from archaeological finds. The questions of where Apulian red-figure was born and where it was made remain open; these are the central questions addressed in this dissertation. The analysis focuses on three main types of archaeological evidence: distributional, iconographic, and archaeometric. The distributional evidence confirms that the primary market for Early Apulian red-figure was a network of Italic (i.e., non-Greek) communities to the northwest of Taras (modern Taranto), on the Adriatic side of the Apulian Murge. The iconography of the vases that reached this market suggests that their painted scenes may have been consciously selected on account of the meaning they held for the people who acquired them. This evidence raises the possibility that Apulian red-figure painters and their patrons may have, in some cases, been in direction communication with each other, a possibility that does not accord well with traditional views regarding the locations of workshops. Finally, the core evidence cited in this study is data produced by a neutron activation analysis project that isolated the chemical compositions of 41 Apulian red-figure vases. The project's sample group included archaeological reference material made with Tarantine clays, enabling it to test the assumption that Early Apulian red-figure was produced exclusively at Taras. The chemical analysis demonstrated that while certain vase-painters can be linked decisively with Taras, other Early Apulian workshops were using a clay type that seems not to have been Tarantine in origin. The evidence presented and discussed in this dissertation suggests that some Early Apulian red-figure pottery was produced at Italic settlements outside of Taras. This conclusion has important implications for our understanding of intercultural dynamics in Classical Apulia.
Download or read book The Complex Past of Pottery written by ARCHON (Organization). International Conference and published by Brill. This book was released on 1999 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: Proceedings of the ARCHON International Conference, held in Amsterdam,1996.
Download or read book A History of the Study of South Italian Black and Red figure Pottery written by Ronald Higginson and published by British Archaeological Association. This book was released on 2011 with total page 127 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers an overview of the whole period from the first evidence of the Roman rediscovery of figured vases until the end of the 20th century. It looks at how figured vases were received in each successive period and how this determined the way they were studied. First, the Roman urge to collect vases purely as both decorative curiosities found locally and as trophies form Corinth. Then after many centuries of silence, the mediaeval discovery of vases in Tuscany and particularly around Arezzo and the belief that these vases must be supernatural because the painting on them was beyond the skills of contemporary artists. This was followed by the later use of vases as complements to the display of sculpture and to their being regarded as of secondary importance. By the 18th century, vase-painting was being studied for its iconography and as comparative material with ancient texts. Finally the search for the origin of the vases themselves became the great debate, and these supposed origins were also used for political ends. In the 19th century, classification took over as the main type of scholarship. In the 20th century, images of life depicted in vase-paintings are used as a vehicle through which the ancient world is understood. The focus of this work is the history of scholarship. It looks at the aspects of study that each subsequent century thought important, the varied forms scholarly debate took, and the responses which ordered the direction of research. The history of collections is also of importance to this study as the contents of collections can reveal how certain types of figured vases were favoured over others and were disseminated to a wider audience, thereby gaining more prominence and being more closely studied. Vases could not be studied at leisure until they were placed in a safe, permanent environment, so collections were the basis of vase study and subsequent publications. Finally, the author looka at how ancient vases were (and to a certain extent still are) regarded compared with the more
