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Download or read book Catalogue of the Printed Books in the Library of the British Museum written by British Museum. Department of Printed Books and published by . This book was released on 1881 with total page 960 pages. Available in PDF, EPUB and Kindle. Book excerpt:

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Download or read book Catalogue of Autographs Etc written by Dobell, P. J. & A. E., booksellers, London and published by . This book was released on 1923 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt:

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Download or read book General Catalogue of Printed Books written by British Museum. Department of Printed Books and published by . This book was released on 1971 with total page 1038 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Twin rivals a Comedy Etc The Dedication Signed G Farquhar written by George Farquhar and published by . This book was released on 1760 with total page 104 pages. Available in PDF, EPUB and Kindle. Book excerpt:

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Download or read book General Catalogue of Printed Books written by British Museum. Department of Printed Books and published by . This book was released on 1969 with total page 1138 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Revisiting Shakespeare s Lost Play written by Deborah C. Payne and published by Springer. This book was released on 2017-02-02 with total page 147 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays centres on Double Falsehood, Lewis Theobald’s 1727 adaptation of the “lost” play of Cardenio, possibly co-authored by John Fletcher and William Shakespeare. In a departure from most scholarship to date, the contributors fold Double Falsehood back into the milieu for which it was created rather than searching for traces of Shakespeare in the text. Robert D. Hume’s knowledge of theatre history permits a fresh take on the forgery question as well as the Shakespeare authorship controversy. Diana Solomon’s understanding of eighteenth-century rape culture and Jean I. Marsden’s command of contemporary adaptation practices both emphasise the play’s immediate social and theatrical contexts. And, finally, Deborah C. Payne’s familiarity with the eighteenth-century stage allows for a reconsideration of Double Falsehood as integral to a debate between Theobald, Alexander Pope, and John Gay over the future of the English drama.

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