Download or read book The Poetics of Poesis written by Felicia Bonaparte and published by University of Virginia Press. This book was released on 2016-01-11 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examining novels written in nineteenth-century England and throughout most of the West, as well as philosophical essays on the conception of fictional form, Felicia Bonaparte sees the novel in this period not as the continuation of eighteenth-century "realism," as has commonly been assumed, but as a genre unto itself. Determined to address the crises in religion and philosophy that had shattered the foundations by which the past had been sustained, novelists of the nineteenth century felt they had no real alternative but to make the world anew. Finding in the new ideas of the early German Romantics a theory precisely designed for the remaking of the world, these novelists accepted Friedrich Schlegel’s challenge to create a form that would render such a remaking possible. They spoke of their theory as poesis, etymologically "a making," to distinguish it from the mimesis associated with "realism." Its purpose, however, was not only to embody, as George Eliot put it in Middlemarch, "the idealistic in the real," giving as faithful an account of the real as observation can yield, but also to embody in that conception of the real a discussion of ideas that are its "symbolic signification," as Edward Bulwer-Lytton described it in one of his essays. It was to carry this double meaning that the nineteenth-century novelist created, Bonaparte concludes, the language of mythical symbolism that came to be the norm for this form, and she argues that it is in this doubled language that nineteenth-century fiction must be read.
Download or read book The Poetics of Aristotle written by Aristotle and published by Createspace Independent Publishing Platform. This book was released on 2017-03-07 with total page 82 pages. Available in PDF, EPUB and Kindle. Book excerpt: In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama - comedy, tragedy, and the satyr play - as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: 1. Differences in music rhythm, harmony, meter and melody. 2. Difference of goodness in the characters. 3. Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles," Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions."
Download or read book 12 X 12 written by Christina Mengert and published by University of Iowa Press. This book was released on 2009-04-16 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book includes the poetry by and interviews with : Jennifer K. Dick, Laura Mullen, Jon Woodward, Rae Armantrout, Sabrina Orah Mark, Claudia Rankine, Christina Hawkey,Tomaž Šalamun, Christine Hume, Rosemarie Waldrop, Srinkath Reddy, Mark Levine, Karen Volkman, Allen Grossman, Paul Fattaruso, Dara Wier, Mark Yakich, Mary Leader, Michelle Robinson, Paul Auster, Sawako Nakayasu, Carla Harryman, Ben Lerner, and Aaron Kunin.
Download or read book Poetic Knowledge written by James S. Taylor and published by SUNY Press. This book was released on 1998-01-01 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reveals the neglected mode of knowing and learning, from Socrates to the middle ages and beyond, that relies more on the integrated powers of sensory experience and intuition, rather than on modern narrow scientific models of education.
Download or read book The Poetry of Philosophy written by Michael Davis and published by Carthage Reprint. This book was released on 1999 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although Aristotle's Poetics is the most frequently read of his works, philosophers and political theorists have, for the most part, left analysis of the text to literary critics and classicists. In this book Michael Davis argues convincingly that in addition to teaching us something about poetry, Poetics contains an understanding of the common structure of human action and human thought that connects it to Aristotle's other writings on politics and morality. Davis demonstrates that the duality of Poetics reaches out to the philosopher, writer, and political theorist and shows the importance of the ideal in our imaginings of and goals for the future.
Download or read book Digital Poetics written by Loss Pequeño Glazier and published by University of Alabama Press. This book was released on 2002 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Digital Poetics, Loss Glazier argues that the increase in computer technology and accessibility, specifically the World Wide Web, has created a new and viable place for the writing and dissemination of poetry. Glazier's work not only introduces the reader to the current state of electronic writing but also outlines the historical and technical contexts out of which electronic poetry has emerged and demonstrates some of the possibilities of the new medium. Glazier examines three principal forms of electronic textuality: hypertext, visual/kinetic text, and works in programmable media. He considers avantgarde poetics and its relationship to the on-line age, the relationship between web pages and book technology, and the way in which certain kinds of web constructions are in and of themselves a type of writing. With convincing alacrity, Glazier argues that the materiality of electronic writing has changed the idea of writing itself. He concludes that electronic space is the true home of poetry and, in the 20th century, has become the ultimate space of poesis. Digital Poetics will attract a readership of scholars and students interested in contemporary creative writing and the po
Download or read book Social Poesis written by Rachel Zolf and published by Laurier Poetry. This book was released on 2019 with total page 88 pages. Available in PDF, EPUB and Kindle. Book excerpt: Social Poesis: The Poetry of Rachel Zolf introduces readers to the work of one of Canada's most challenging and exciting poets. The selection of poems is framed by an introduction by Heather Milne and an afterword by Rachel Zolf that situate Zolf's poetry in relation to the philosophical and ethical concepts that inform it.
Download or read book Averroes Middle Commentary on Aristotle s Poetics written by Averroës and published by . This book was released on 2000 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: Aristotle's Poetics has held the attention of scholars and authors through the ages, and Averroes has long been known as "the commentator" on Aristotle. His Middle Commentary on Aristotle's Poetics is important because of its striking content. Here, an author steeped in Aristotle's thought and highly familiar with an entirely different poetical tradition shows in careful detail what is commendable about Greek poetics and commendable as well as blameworthy about Arabic poetics.
Download or read book The Poetics of Aristotle written by Aristotle and published by . This book was released on 2022-09-19 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Aristotle's Poetics (c. 335 BC) is the earliest surviving work of Greek dramatic theory and first extant philosophical treatise to focus on literary theory. In this text Aristotle offers an account of ποιητική, which refers to poetry and more literally "the poetic art," deriving from the term for "poet; author; maker," ποιητής. Aristotle divides the art of poetry into verse drama (to include comedy, tragedy, and the satyr play), lyric poetry, and epic. The genres all share the function of mimesis, or imitation of life, but differ in three ways that Aristotle describes: Differences in music rhythm, harmony, meter and melody. Difference of goodness in the characters. Difference in how the narrative is presented: telling a story or acting it out. Aristotle's work on aesthetics consists of the Poetics, Politics (Bk VIII) and Rhetoric. The Poetics was lost to the Western world for a long time. The text was restored to the West in the Middle Ages and early Renaissance only through a Latin translation of an Arabic version written by Averroes. The accurate Greek-Latin translation made by William of Moerbeke in 1278 was virtually ignored. At some point during antiquity, the original text of the Poetics was divided in two, each "book" written on a separate roll of papyrus. Only the first part - that which focuses on tragedy and epic (as a quasi-dramatic art, given its definition in Ch 23) - survives. The lost second part addressed comedy. Some scholars speculate that the Tractatus coislinianus summarises the contents of the lost second book
Download or read book The Poetics of the Occasion written by Marian Zwerling Sugano and published by Stanford University Press. This book was released on 1992 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Although Mallarme is commonly viewed as the high priest of the autonomous work of art, by far the bulk of his actual poetic writing was occasional verse. With few exceptions the works written after 1873 manifest a reinvestment in the world subsequent to the metaphysical crises of the 1860's. In addition to the "Tombeaux," the toasts, and certain of the "Eventails," Mallarme composed the Vers de circonstance, more than 450 quatrains and distichs inscribed on envelopes, postcards, calling cards, Easter eggs, small stones, photographs, and jugs of Calvados. This is the first comprehensive reading and analysis of the neglected late poetry, heretofore dismissed as of marginal interest." "This book has a dual purpose. By exploring the occasional verse of Mallarme, which itself thematizes the problematics of the occasion, the author seeks to rehabilitate such writing for critical study. She does this not by proclaiming its high seriousness, but by insisting on its casual, amenable, public nature. Unlike previous critics, who have often apologized for straying into the fringes of the canon, the author delights in the marginal, insisting that in a poetics of the occasion, traditional oppositions such as center/margin become skewed and break down." "The author's second purpose is to come to a better understanding of Mallarme in light of what he actually wrote, rather than the work projected in his correspondence and prose articles, which has claimed so much critical attention. Each of the chapters of the book highlights one aspect of occasional poetry through an investigation of representative texts, both canonical and occasional. The author also discusses the relationship between Mallarme's poetics and the plastic arts, tracing the changing conception of the representation of the monument from the nineteenth to the twentieth century, as well as the correspondences between the more radical aspects of Mallarme's practice of writing and the contemporary arts." "Far more than a study of a single writer, this book is the first to propose a pragmatic definition of occasional literature, to undertake a broad study of the problem of occasion in literature, and to trace the historical trajectory of occasional writing as a specific discourse. The book is illustrated with 27 halftones."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Download or read book A Cinema of Poetry written by Joseph Luzzi and published by JHU Press. This book was released on 2016-03-30 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Cinema of Poetry brings Italian film studies into dialogue with fields outside its usual purview by showing how films can contribute to our understanding of aesthetic questions that stretch back to Homer. Joseph Luzzi considers the relation between film and literature, especially the cinematic adaptation of literary sources and, more generally, the fields of rhetoric, media studies, and modern Italian culture. The book balances theoretical inquiry with close readings of films by the masters of Italian cinema: Roberto Rossellini, Vittorio De Sica, Luchino Visconti, Michelangelo Antonioni, Federico Fellini, Pier Paolo Pasolini, Bernardo Bertolucci, and others. Luzzi's study is the first to show how Italian filmmakers address such crucial aesthetic issues as the nature of the chorus, the relation between symbol and allegory, the literary prehistory of montage, and the place of poetry in cinematic expression—what Pasolini called the "cinema of poetry." While Luzzi establishes how certain qualities of film—its link with technological processes, capacity for mass distribution, synthetic virtues (and vices) as the so-called total art—have reshaped centuries-long debates, A Cinema of Poetry also explores what is specific to the Italian art film and, more broadly, Italian cinematic history. In other words, what makes this version of the art film recognizably "Italian"? "A thought-provoking and well-written investigation of the role of history and realism in Italian cinema and the role played by the centuries-long tradition of poetry (or more precisely, poesis) in this quest."—H-Italy "Ambitious, inventive, learned . . . A Cinema of Poetry . . . brilliantly analyzes the art in the art film by showing how Italian cinema uses a chorus or expresses itself through allegory . . . This impressively intelligent re-description of the tradition surely takes its place alongside other necessary histories of Italian cinema."—Choice Joseph Luzzi is a professor of comparative literature at Bard College. He is the author of Romantic Europe and the Ghost of Italy, which received the MLA’s Scaglione Prize for Italian Studies; My Two Italies, a New York Times Book Review Editors' Choice; and In a Dark Wood: What Dante Taught Me about Grief, Healing, and the Mysteries of Love.
Download or read book The Princeton Encyclopedia of Poetry and Poetics written by Roland Greene and published by Princeton University Press. This book was released on 2012-08-26 with total page 1678 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rev. ed. of: The Princeton encyclopedia of poetry and poetics / Alex Preminger and T.V.F. Brogan, co-editors; Frank J. Warnke, O.B. Hardison, Jr., and Earl Miner, associate editors. 1993.
Download or read book Poetics before Plato written by Grace M. Ledbetter and published by Princeton University Press. This book was released on 2009-01-10 with total page 143 pages. Available in PDF, EPUB and Kindle. Book excerpt: Combining literary and philosophical analysis, this study defends an utterly innovative reading of the early history of poetics. It is the first to argue that there is a distinctively Socratic view of poetry and the first to connect the Socratic view of poetry with earlier literary tradition. Literary theory is usually said to begin with Plato's famous critique of poetry in the Republic. Grace Ledbetter challenges this entrenched assumption by arguing that Plato's earlier dialogues Ion, Protagoras, and Apology introduce a distinctively Socratic theory of poetry that responds polemically to traditional poets as rival theorists. Ledbetter tracks the sources of this Socratic response by introducing separate readings of the poetics implicit in the poetry of Homer, Hesiod, and Pindar. Examining these poets' theories from a new angle that uncovers their literary, rhetorical, and political aims, she demonstrates their decisive influence on Socratic thinking about poetry. The Socratic poetics Ledbetter elucidates focuses not on censorship, but on the interpretation of poetry as a source of moral wisdom. This philosophical approach to interpreting poetry stands at odds with the poets' own theories--and with the Sophists' treatment of poetry. Unlike the Republic's focus on exposing and banishing poetry's irrational and unavoidably corrupting influence, Socrates' theory includes poetry as subject matter for philosophical inquiry within an examined life. Reaching back into what has too long been considered literary theory's prehistory, Ledbetter advances arguments that will redefine how classicists, philosophers, and literary theorists think about Plato's poetics.
Download or read book Poetics written by Aristotle and published by Penguin. This book was released on 1997-03-01 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essential reading for all students of Greek theatre and literature, and equally stimulating for anyone interested in literature In the Poetics, his near-contemporary account of classical Greek tragedy, Aristotle examine the dramatic elements of plot, character, language and spectacle that combine to produce pity and fear in the audience, and asks why we derive pleasure from this apparently painful process. Taking examples from the plays of Aeschylus, Sophocles and Euripides, the Poetics introduced into literary criticism such central concepts as mimesis ('imitation'), hamartia ('error') and katharsis, which have informed serious thinking about drama ever since. Aristotle explains how the most effective tragedies rely on complication and resolution, recognition and reversals, while centring on chaaracerts of heroic stature, idealised yet true to life. One of the most perceptive and influential works of criticism in Western literary history, the Poetics has informed serious thinking about drama ever since. Malcolm Heath's lucid translation makes the Poetics fully accessible to the modern reader. In this edition it is accompanied by an extended introduction, which discusses the key concepts in detail, and includes suggestions for further reading. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Download or read book Sentient Flesh written by R. A. Judy and published by Duke University Press. This book was released on 2020-10-02 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Sentient Flesh R. A. Judy takes up freedman Tom Windham’s 1937 remark “we should have our liberty 'cause . . . us is human flesh" as a point of departure for an extended meditation on questions of the human, epistemology, and the historical ways in which the black being is understood. Drawing on numerous fields, from literary theory and musicology, to political theory and phenomenology, as well as Greek and Arabic philosophy, Judy engages literary texts and performative practices such as music and dance that express knowledge and conceptions of humanity appositional to those grounding modern racialized capitalism. Operating as critiques of Western humanism, these practices and modes of being-in-the-world—which he theorizes as “thinking in disorder,” or “poiēsis in black”—foreground the irreducible concomitance of flesh, thinking, and personhood. As Judy demonstrates, recognizing this concomitance is central to finding a way past the destructive force of ontology that still holds us in thrall. Erudite and capacious, Sentient Flesh offers a major intervention in the black study of life.
Download or read book The Poiesis of History written by Keala Jane Jewell and published by . This book was released on 1992 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Although in recent decades literary theorists have explored the interrelations between narrative and historical discourse, the relationship between history and poetry has remained largely unexamined. In The Poiesis of History, Keala Jewell offers insightful readings of three innovative postwar Italian poets - Pier Paolo Pasolini, Attilio Bertolucci, and Mano Luzi - who, she maintains, have developed a historicized "content of the form" with complex implications for postmodernist poetics and genre theory." "Jewell considers the historical dimensions of works by Pasolini (better known outside Italy as a film-maker), Bertolucci, and Luzi in such genres as sepulchral verse, elegy, lament, ballad, the novel in verse, and verse epic. Placing the poetry in its historical and cultural contexts, she shows how it reconceptualizes such pivotal events in twentieth-century Italian history as the agricultural strikes of 1908, the rise of Fascism in Emilia-Romagna, the death of the communist leader Antonio Gramsci, Italy's postwar reconstruction and social upheavals, and the assassination of ex-premier Aldo Moro by terrorist Red Brigades. In the light of the movement away from Hermeticism and Neorealism which has dominated Italian literature since the fifties, she examines the contributions of the three poets to literary and cultural criticism as well as to poetics." "This bold and original book will be welcomed by Italianists, literary theorists, comparatists, film historians, and theorists interested in post-modernism, genre studies, and the relations between history and literature."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Download or read book The Poetics of Adonis and Yves Bonnefoy written by Kareem James Abu-Zeid and published by Lockwood Press. This book was released on 2021-06-15 with total page 171 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the work of two major poets who wrote in the second half of the twentieth century, Yves Bonnefoy of France and the Syrian-born Adonis (born Ali Ahmed Said). In conducting close readings of key moments from their respective poetry, the author illustrates how both of these writers, in their own unique ways, construct poetry as a form of spiritual practice, that is, as a way of transforming both the poet's and the implied reader's ontological, perceptual, and creative relationships with their internal and external worlds.
