Download or read book The Perception of Consonance and Dissonance written by Constantine Frithiof Malmberg and published by . This book was released on 1914 with total page 82 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Perception of Music written by Robert Frances and published by Psychology Press. This book was released on 2014-03-05 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: This translation of this classic text contains a balance of cultural and biological considerations. While arguing for the strong influence of exposure and of formal training on the way that music is perceived, Frances draws on the literature concerning the amusias to illustrate his points about the types of cognitive abstraction that are performed by the listener.
Download or read book Pitch Harmonics and the Perception of Consonance and Dissonance in Music written by John Hidalgo and published by Lulu.com. This book was released on 2015-01-05 with total page 101 pages. Available in PDF, EPUB and Kindle. Book excerpt: An investigation of the nature of musical sound and how we hear it. The study looks at the physics of consonance and dissonance in music and our perception of it, and analyzes examples from music literature in terms of their use of consonance and dissonance. Originally written and submitted as partial fulfillment of requirements for a Master of Arts in Music Composition from California State University, East Bay.
Download or read book Understanding the Perception of Consonance and Dissonance written by Hanneke Els and published by . This book was released on 2003 with total page 114 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Tuning Timbre Spectrum Scale written by William A. Sethares and published by Springer Science & Business Media. This book was released on 2013-06-05 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tuning, Timbre, Spectrum, Scale focuses on perceptions of consonance and dissonance, and how these are dependent on timbre. This also relates to musical scale: certain timbres sound more consonant in some scales than others. Sensory consonance and the ability to measure it have important implications for the design of audio devices and for musical theory and analysis. Applications include methods of adapting sounds for arbitrary scales, ways to specify scales for nonharmonic sounds, and techniques of sound manipulation based on maximizing (or minimizing) consonance. Special consideration is given here to a new method of adaptive tuning that can automatically adjust the tuning of a piece based its timbral character so as to minimize dissonance. Audio examples illustrating the ideas presented are provided on an accompanying CD. This unique analysis of sound and scale will be of interest to physicists and engineers working in acoustics, as well as to musicians and psychologists.
Download or read book A History of Consonance and Dissonance written by James Tenney and published by New York : Excelsior. This book was released on 1988-01 with total page 117 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.
Download or read book Perception of Musical Consonance and Dissonance an Outcome of Neural Synchronization written by Inbal Lots and published by . This book was released on 2007 with total page 55 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Consonance and Dissonance in Music written by Theodor Lipps and published by . This book was released on 1995 with total page 156 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music Science written by Marcelo Sampaio de Alencar and published by . This book was released on 2019 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book presents the fundamentals of music science, followed by a discussion on the historical evolution of music. An introduction to the analysis of signals in time and frequency is presented, which includes sound and noise. Features and mathematical aspects of the sound are discussed, including vibration and timbre. The book presents a review of existing voice models and discusses the voice production, sound perception, music characteristics and acoustics, tempo, rhythm and harmony. Musical theory is presented, including staff, notes, alterations, keys and intervals, tones and associated frequencies and wavelengths. The creation of major and minor scales is emphasized, along with a study on consonance and dissonance, measure, metric, tempo markings, dynamics, modulation. The book also explains the chord formation, and discusses melody and composition. The book has four appendices, including an appendix on the basic differentiation and integration theorems, another with useful Fourier tables, and an appendix featuring the notes, their frequencies and wavelengths. The book also has a glossary of music terms.
Download or read book Introduction to the Psychology of Music written by Géza Révész and published by Courier Corporation. This book was released on 2001-01-01 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: Comprehensive introduction by noted musicologist covers physical and physiological bases of sound and hearing, elements of tone, pitch, musical ability, origins of music, psychology of music, much more.
Download or read book Quantifying Music written by H.F. Cohen and published by Springer Science & Business Media. This book was released on 2013-11-11 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: The soul rejoices in perceiving harmonious sound; when the sound is not harmonious it is grieved. From these affects of the soul are derived the name of consonances for the harmonic proportions, and the name of dissonances for the unharmonic proportions. When to this is added the other harmonie proportion whieh consists of the longer or shorter duration of musical sound, then the soul stirs the body to jumping dance, the tongue to inspired speech, according to the same laws. The artisans accommodate to these harmonies the blows of their hammers, the soldiers their pace. As long as the harmonies endure, everything is alive; everything stiffens, when they are disturbed.! Thus the German astronomer, Johannes Kepler, evokes the power of music. Where does this power come from? What properties of music enable it to stir up emotions which may go far beyond just feeling generally pleased, and which may express themselves, for instance, in weeping; in laughing; in trembling over the whole body; in a marked acceleration of breathing and heartbeat; in participating in the rhythm with the head, the hands, the arms, and the feet? From the beginning of musical theory the answer to this question has been sought in two different directions.
Download or read book On the Sensations of Tone as a Physiological Basis for the Theory of Music written by Hermann von Helmholtz and published by . This book was released on 1885 with total page 608 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Multisensory Flavor Perception written by Betina Piqueras-Fiszman and published by Woodhead Publishing. This book was released on 2016-04-14 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: Multisensory Flavor Perception: From Fundamental Neuroscience Through to the Marketplace provides state-of-the-art coverage of the latest insights from the rapidly-expanding world of multisensory flavor research. The book highlights the various types of crossmodal interactions, such as sound and taste, and vision and taste, showing their impact on sensory and hedonic perception, along with their consumption in the context of food and drink. The chapters in this edited volume review the existing literature, also explaining the underlying neural and psychological mechanisms which lead to crossmodal perception of flavor. The book brings together research which has not been presented before, making it the first book in the market to cover the literature of multisensory flavor perception by incorporating the latest in psychophysics and neuroscience. - Authored by top academics and world leaders in the field - Takes readers on a journey from the neurological underpinnings of multisensory flavor perception, then presenting insights that can be used by food companies to create better flavor sensations for consumers - Offers a wide perspective on multisensory flavor perception, an area of rapidly expanding knowledge
Download or read book A Theory of Cognitive Dissonance written by Leon Festinger and published by Stanford University Press. This book was released on 1962 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published: Evanston, Ill.: Row, Peterson, c1957.
Download or read book Cognitive Foundations of Musical Pitch written by Carol L. Krumhansl and published by Oxford University Press. This book was released on 2001-11-15 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book addresses the central problem of music cognition: how listeners' responses move beyond mere registration of auditory events to include the organization, interpretation, and remembrance of these events in terms of their function in a musical context of pitch and rhythm. Equally important, the work offers an analysis of the relationship between the psychological organization of music and its internal structure. Combining over a decade of original research on music cognition with an overview of the available literature, the work will be of interest to cognitive and physiological psychologists, psychobiologists, musicians, music researchers, and music educators. The author provides the necessary background in experimental methodology and music theory so that no specialized knowledge is required for following her major arguments.
Download or read book Thinking in Sound written by Stephen McAdams and published by Oxford University Press. This book was released on 1993 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: The realm of auditory cognition is beginning to affirm itself as a new research orientation. Until now, no volume has existed that covers in a didactic fashion the whole range of subjects in this domain. To rectify this situation a special tutorial workshop organized by the French Acoustical Society was held at IRCAM, the music research institute founded by Pierre Boulez. Specialists in perceptual organization, memory, attention, music psychology, neurospsychology, and developmental psychology were invited from Europe and North America. The chapters of this book present the materials from their lectures. The book will be useful to advanced students in the cognitive sciences and scientists specializing in many fields as well as in auditory psychology.
Download or read book Harmony A Psychoacoustical Approach written by Richard Parncutt and published by Springer Science & Business Media. This book was released on 2012-12-06 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: My first encounter with the theory of harmony was during my last year at school (1975). This fascinating system of rules crystallized the intuitive knowledge of harmony I had acquired from years of piano playing, and facilitated memorization, transcription, arrangement and composition. For the next five years, I studied music (piano) and science (Physics) at the Univer sity of Melbourne. This "strange combination" started me wondering about the origins of those music theory "rules". To what extent were they determined or influenced by physics? mathematics? physiology? conditioning? In 1981, the supervisor of my honours project in musical acoustics, Neville Fletcher, showed me an article entitled "Pitch, consonance, and harmony", by a certain Ernst Terhardt of the Technical University of Munich. By that stage, I had devoured a considerable amount of (largely unsatisfactory) material on the nature and origins of harmony, which enabled me to recognize the significance of Terhardt's article. But it was not until I arrived in Munich the following year (on Terhardt's invitation) that I began to appreciate the conse quences of his "psychoacoustical" approach for the theory of harmony. That is what this book is about. The book presents Terhardt's work against the broad context of music perception research, past and present. Music perception is a multidisciplinary mixture of physics, psychology and music. Where different theoretical ap proaches appear contradictory, I try to show instead that they complement and enrich one another.
