Download or read book The Myth of Modernism and Twentieth Century Literature written by Bernard Bergonzi and published by . This book was released on 1986 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Literature Modernism and Myth written by Michael Bell and published by Cambridge University Press. This book was released on 1997-01-28 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: The use of myth in Modernist literature is a misleadingly familiar theme. Joyce's appropriation of Homer's Odyssey and Eliot's of Frazer's Golden Bough are, like Lawrence's primitivism or Yeats's nationalist folklore, attempts to discover an underlying metaphysic in an increasingly fragmented world. In Literature, Modernism and Myth Michael Bell also examines the relationship of myth and modernism to postmodernism. Myth, Bell shows, is inherently flexible; it was used to justify Pound's totalizing vision of society which eventually descended into fascism, and the liberal, ironic vision of human existence Joyce and Mann expressed. Those theorists who present myth as another form of mystification, a search for false origins, ignore its use by modernists to emphasise the ultimate contingency of all values. This anti-foundational element, Bell claims, enables myth to act as a corrective to the claims of ideological critique. Bell shows how postmodern concerns with political and social responsibility, and the role literature plays in formulating this, have in fact been inherited from modernism.
Download or read book Myth and the Making of Modernity written by Michael Bell and published by Rodopi. This book was released on 1998 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: The contributors to this collection of essays on the literary use of myth in the early twentieth century and its literary and philosophical precedents from romanticism onwards draw on a range of disciplines, from anthropology, comparative literature, and literary criticism, to philosophy and religious studies. The underlying assumption is that modernist myth-making does not retreat from modernity, but projects a mode of being for the future which the past could serve to define. Modernist myth is not an attempted recovery of an archaic form of life so much as a sophisticated self-conscious equivalent. Far from seeking a return to an earlier romantic valorizing of myth, these essays show how the true interest of early twentieth-century myth-making lies in the consciousness, affirmative as well as tragic, of living in a human world which, in so far as it must embody value, can have no ultimate grounding. Although myth may initially appear to be the archaic counterterm to modernity, it is thus also the paradigm on which modernity has repeatedly reconstructed, or come to understand, its own life forms. The very term myth, by combining, in its modern usage, the rival meanings of a grounding narrative and a falsehood, encapsulates a central problem of modernity: how to live, given what we know.
Download or read book Minos and the Moderns written by Theodore Ziolkowski and published by Oxford University Press. This book was released on 2008-07-17 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: Minos and the Moderns considers three mythological complexes that enjoyed a unique surge of interest in early twentieth-century European art and literature: Europa and the bull, the minotaur and the labyrinth, and Daedalus and Icarus. All three are situated on the island of Crete and are linked by the figure of King Minos. Drawing examples from fiction, poetry, drama, painting, sculpture, opera, and ballet, Minos and the Moderns is the first book of its kind to treat the role of the Cretan myths in the modern imagination.Beginning with the resurgence of Crete in the modern consciousness in 1900 following the excavations of Sir Arthur Evans, Theodore Ziolkowski shows how the tale of Europa-in poetry, drama, and art, but also in cartoons, advertising, and currency-was initially seized upon as a story of sexual awakening, then as a vehicle for social and political satire, and finally as a symbol of European unity. In contast, the minotaur provided artists ranging from Picasso to Durrenmatt with an image of the artist's sense of alienation, while the labyrinth suggested to many writers the threatening sociopolitical world of the twentieth century. Ziolkowski also considers the roles of such modern figures as Marx, Nietzsche, and Freud; of travelers to Greece and Crete from Isadora Duncan to Henry Miller; and of the theorists and writers, including T. S. Eliot and Thomas Mann, who hailed the use of myth in modern literature.Minos and the Moderns concludes with a summary of the manners in which the economic, aesthetic, psychological, and anthropological revisions enabled precisely these myths to be taken up as a mirror of modern consciousness. The book will appeal to all readers interested in the classical tradition and its continuing relevance and especially to scholars of Classics and modern literatures.
Download or read book Music and Myth in Modern Literature written by Josh Torabi and published by Routledge. This book was released on 2020-12-20 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first major study that explores the intrinsic connection between music and myth, as Nietzsche conceived of it in The Birth of Tragedy (1872), in three great works of modern literature: Romain Rolland’s Nobel Prize winning novel Jean-Christophe (1904-12), James Joyce’s modernist epic Ulysses (1922), and Thomas Mann’s late masterpiece Doctor Faustus (1947). Juxtaposing Nietzsche’s conception of the Apollonian and Dionysian with narrative depictions of music and myth, Josh Torabi challenges the common view that the latter half of The Birth of Tragedy is of secondary importance to the first. Informed by a deep knowledge of Nietzsche’s early aesthetics, the book goes on to offer a fresh and original perspective on Ulysses and Doctor Faustus, two world-famous novels that are rarely discussed together, and makes the case for the significance of Jean-Christophe, which has been unfairly neglected in the Anglophone world, despite Rolland’s status as a major figure in twentieth-century intellectual and literary history. This unique study reveals new depths to the work of our most enduring writers and thinkers.
Download or read book The Cambridge History of Twentieth Century English Literature written by Laura Marcus and published by Cambridge University Press. This book was released on 2004 with total page 912 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher Description
Download or read book The Modernist Nation written by Michael Soto and published by University of Alabama Press. This book was released on 2004-05-18 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fresh look at American literary modernism.
Download or read book The Originality of the Avant Garde and Other Modernist Myths written by Rosalind E. Krauss and published by MIT Press. This book was released on 1986-07-09 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Co-founder and co-editor of October magazine, a veteran of Artforum of the 1960s and early 1970s, Rosalind Krauss has presided over and shared in the major formulation of the theory of postmodernism. In this challenging collection of fifteen essays, most of which originally appeared in October, she explores the ways in which the break in style that produced postmodernism has forced a change in our various understandings of twentieth-century art, beginning with the almost mythic idea of the avant-garde. Krauss uses the analytical tools of semiology, structuralism, and poststructuralism to reveal new meanings in the visual arts and to critique the way other prominent practitioners of art and literary history write about art. In two sections, "Modernist Myths" and "Toward Postmodernism," her essays range from the problem of the grid in painting and the unity of Giacometti's sculpture to the works of Jackson Pollock, Sol Lewitt, and Richard Serra, and observations about major trends in contemporary literary criticism.
Download or read book Oedipus Against Freud written by Bradley W. Buchanan and published by University of Toronto Press. This book was released on 2010-01-01 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sigmund Freud's interpretation of the Oedipus myth - that subconsciously, every man wants to kill his father in order to obtain his mother's undivided attention - is widely known. Arguing that the pervasiveness of Freud's ideas has unduly influenced scholars studying the works of Modernist writers, Bradley W. Buchanan re-examines the Oedipal narratives of authors such as D.H. Lawrence, T.S. Eliot, W.B. Yeats, Virginia Woolf, and James Joyce in order to explore their conflicted attitudes towards the humanism that underpins Freud's views. In the alternatives to the Freudian version of Oedipus offered by twentieth-century authors, Buchanan finds a complex examination of the limits of human understanding. Following the analyses of philosophers such as G.W.F. Hegel and Frederick Nietzsche and anticipating critiques by writers such as Jacques Derrida and Gilles Deleuze, British Modernists saw Oedipus as representative of the embattled humanist project. Closing with the concept of posthumanism as explored by authors such as Zadie Smith, Oedipus Against Freud demonstrates the lasting significance of the Oedipus story.
Download or read book The Modernist Self in Twentieth Century English Literature written by Dennis Brown and published by Palgrave Macmillan. This book was released on 1989-05-15 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of how key modern writers challenged conventional ways of characterizing selfhood, thus developing a discourse expressive of the subtleties of experience in a post-Freudian world long before the self-representation theories of the post-structuralists and post-modernists.
Download or read book Afterimages of Modernity written by Henry Sussman and published by . This book was released on 1990 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Difficulties of Modernism written by Leonard Diepeveen and published by Psychology Press. This book was released on 2003 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Download or read book Modernism written by Peter Childs and published by Routledge. This book was released on 2007-11-05 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: The modernist movement radically transformed the late nineteenth- and early twentieth-century literary establishment, and its effects are still felt today. Modernism introduces and analyzes what amounted to nothing less than a literary and cultural revolution. In this fully updated and revised second edition, charting the movement in its global and local contexts, Peter Childs: details the origins of the modernist movement and the influence of thinkers such as Darwin, Marx, Freud, Nietzsche, Saussure and Einstein explores the radical changes which occurred in the literature, drama, art and film of the period traces 'modernism at work' in Anglophone literatures, especially in writings by a range of key figures including James Joyce, Virginia Woolf, Samuel Beckett, Nella Larsen, Gertrude Stein, Katherine Mansfield, T. S. Eliot, and many others reflects upon the shift from modernism to postmodernism. At once accessible and critically informed, Modernism guides readers from first steps in the field to an advanced understanding of one of the most important cultural movements of the last centuries.
Download or read book Incredible Modernism written by John Attridge and published by Routledge. This book was released on 2016-05-23 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: With the twentieth century came a new awareness of just how much an individual was obliged to accept on trust, and this heightened awareness of social trust in turn prompted new kinds of anxiety about fraudulence and deception. Beginning with the premise that the traditional liberal concept of trust as a ’bond of society’ entered a period of crisis around the turn of the twentieth century, this collection examines the profound influence of this shift on a wide range of modernist writers, including James Joyce, Marcel Proust, Gertrude Stein, Ezra Pound, Wyndham Lewis, H.D., Ford Madox Ford, Samuel Beckett, Ralph Ellison and Wallace Stevens. In examining the importance of trust and fraudulence during the period, the contributors take up a diverse set of topics related to reception, the institutions of modernism, the history of authorship, the nature of representation, authenticity, genre, social order and politics. Taken as a whole, Incredible Modernism provides concrete historical coordinates for the study of twentieth-century trust, while also arguing that a problem of trust is central to the institutions and formal innovations of modernism itself.
Download or read book Modernism written by Anna Anselmo and published by EDUCatt - Ente per il diritto allo studio universitario dell'Università Cattolica. This book was released on 2014-10-01 with total page 52 pages. Available in PDF, EPUB and Kindle. Book excerpt: The term “modernism” serves as a label for a variety of tendencies, attitudes, convictions, and for works of art disparate in quality and meaning, but alike in spirit and, sometimes, conception. Critics have been at pains to define modernism; some even wonder whether it should be defined at all. This introduction aims at presenting a number of critical attitudes to modernism in the hope of offering readers both a critical landscape and the necessary coordinates for the discovery of the literary and cultural patchwork of which modernism is composed. The Oxford English Dictionary identifies “modernism” as the portmanteau term for “[a]ny of various movements in art, architecture, literature, etc., generally characterized by a deliberate break with classical and traditional forms or methods of expression;” moreover, ‘modernism’ refers to “the work or ideas of the adherents of such a movement”. The definition is sufficiently informative, but it offers no chronological coordinates and is rather general. Every new artistic movement is characterized by “a deliberate break with classical and traditional forms or methods of expression”; in this respect, the Elizabethans were modernists, as were the Romantics; moreover, the definition not only considers “modernism” as referring to “various movements”, but also mentions such disparate fields as “art, architecture, literature, etc.”. In pointing out the limits of the OED definition, I do not intend to question the lexicographers’ ability; on the contrary, I intend to set forth a hypothesis: when attempting to define modernism, every effort, even the most accurate and refined, falls short of the mark, because modernism simply defies definition, as would any artistic movement which counts relative chronological indeterminateness and inherent diversity among its more interesting peculiarities. Furthermore, the idea of modernism is perhaps more enticing and familiar than the reality of it, it is thus hard to step away from prejudices and commonplaces to look at the object of study itself. “Modernism,” Lawrence Rainey writes, “is preceded by its reputation, or even by several reputations: it is endowed with authority so monumental that a reader is tempted to overlook the very experience of encountering modernist works; or it is attended with such opprobrium (the modernists were all fascists or anti-Semites, or if not that, “elitists”) that one might wonder why anyone had bothered to read them at all. It is easy, too easy, to slight the grisly comedy or miss the mordant wit, to skim the surface of dazzling surprises, to neglect the sheer wildness and irredeemable opacity at the heart of modernist work”. Tratto dall'Introduzione dell'Autrice
Download or read book Modernism s Mythic Pose written by Carrie J. Preston and published by OUP USA. This book was released on 2011-09-05 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: The ancient world served as an unconventional source of inspiration for a generation of modernists. Drawing on examples from literature, dance, photography, and film, Modernism's Mythic Pose argues that a strain of antimodern-classicism permeates modernist celebrations of novelty, shock, and technology.The touchstone of Preston's study is Delsartism--the popular transnational movement which promoted mythic statue--posing, poetic recitation, and other hybrid solo performances for health and spiritual development. Derived from nineteenth-century acting theorist Francois Delsarte and largely organized by women, Delsartism shaped modernist performances, genres, and ideas of gender. Even Ezra Pound, a famous promoter of the "new," made ancient figures speak in the "old" genre of the dramatic monologue and performed public recitations. Recovering precedents in nineteenth-century popular entertainments and Delsartism's hybrid performances, this book considers the canonical modernists Pound and T. S. Eliot, lesser-known poets like Charlotte Mew, the Russian filmmaker Lev Kuleshov, Isadora Duncan the international dance star, and H.D. as poet and film actor.Preston's interdisciplinary engagement with performance, poetics, modern dance, and silent film demonstrates that studies of modernism often overemphasize breaks with the past. Modernism also posed myth in an ambivalent relationship to modernity, a halt in the march of progress that could function as escapism, skeptical critique, or a figure for the death of gods and civilizations.
Download or read book Rewriting the Thirties written by Keith Williams and published by Routledge. This book was released on 2014-09-25 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rewriting the Thirties questions the myth of the 'anti-modernist' decade. Conversely, the editors argue it is a symptomatic, transitional phase between modern and post-modern writing and politics, at a time of cultural and technological change. The text reconsiders some of the leading writers of the period in the light of recent theoretical developments, through essays on the ambivalent assimilation of Modernist influences, among proletarian and canonical novelists including James Barke and George Orwell, and among poets including Auden, MacNeice, Swingler and Bunting, and in the work of feminist writers Vera Brittain and Winifred Holtby. In this substantial remapping, the complexity and scope of literary-critical debate at the time is discussed in relation to theatrical innovation, audience attitudes to the mass medium of modernity - cinema - the poetics of suburbia, consumerism and national ideology, as well as the discursive strategies of British and American documentarism.
