Download or read book The kings prophecie or Weeping ioy expressed in a poem to the honor of Englands too great solemnities ed by W E Buckley written by Joseph Hall (bp. of Norwich.) and published by . This book was released on 1882 with total page 82 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book P Z Single engravings Manuscripts written by John Rylands Library and published by . This book was released on 1899 with total page 664 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Catalogue of books written by Bernard Quaritch (Firm) and published by . This book was released on 1910 with total page 1062 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue written by Bernard Quaritch (Firm) and published by . This book was released on 1909 with total page 1222 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sotheran s Price Current of Literature written by Henry Sotheran Ltd and published by . This book was released on 1894 with total page 514 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Bibliotheca Lindesiana written by James Ludovic Lindsay Earl of Crawford and published by . This book was released on 1910 with total page 1572 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Kings Prophecie written by Joseph Hall and published by . This book was released on 1882 with total page 110 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Catalogue of Books in English Literature and History written by Bernard Quaritch (Firm) and published by . This book was released on 1915 with total page 490 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Re Attribution of the British Renaissance Corpus written by Anna Faktorovich and published by Anaphora Literary Press. This book was released on 2023-05-02 with total page 700 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first accurate quantitative re-attribution of all central texts of the British Renaissance. Describes and applies the first unbiased and accurate method of computational-linguistics authorial-attribution. Covers 303 texts with 8,106,059 words, 123 authorial bylines, a range of genres, and a timespan between 1510 and 1662. Includes helpful diagrams that visually show the quantitative-matches and the identical most-frequent phrases between the texts in each linguistic-signature-group. Detailed chronologies for each of the six ghostwriters and the bylines they wrote under, including their dates of birth, death, publications, and other biographical markers that explain why each of them was the only logical attribution. A full bibliography of the 303 tested texts. All of the raw and processed data, not only in summary-tables inside of the book, but also in-full on a publicly-accessible website: https://github.com/faktorovich/Attribution. One table includes all of the data from the first-edition title-pages (byline, printer, bookseller, date, proverbs), and the first-performance (date, troupe). A table on structural elements across all “Shakespeare”-bylined texts summarizes their plot-movements, character-types, settings, slang-usage, primary sources, and poetic design (percentage of rhyme and hendiadys). To explain why these are the first truly accurate re-attributions, numerous reasons for discrediting previous attribution claims are provided throughout. Re-Attribution of the British Renaissance Corpus describes a newly invented for this study computational-linguistics authorial-attribution method and applies it and several other approaches to the central texts of the British Renaissance. All of the attribution steps are described precisely to give readers replicable instructions on how they can apply them to any text from any period that they are interested in determining an attribution for. This method can be applied to solving criminal linguistic mysteries such as who wrote the Unabomber Manifesto, or theological mysteries such as if any of the Dead Sea Scrolls might have been forged by a modern author. This method is uniquely accurate because it uses 27 different quantitative tests that measure a text’s dimensions and its similarity or divergence to other texts automatically, without the statisticians being able to skew the outcome by altering the experiment’s analytical design. Re-Attribution guides researchers not only on how to perform the basic calculations, but also how to perform the biographical and documentary research to derive who among the potential bylines in a single signature-group is the ghostwriter, while the others are merely ghostwriter-contractors or pseudonyms. Reliable accuracy is achieved by also performing other types of attribution tests to check if these alternative approaches validate or contradict the 27-tests’ findings. Non-quantitative tests discussed include deciphering the hidden implications of contemporary pufferies, as well as comparing structural elements such as characters, plot, and element borrowings. Part II presents a revised version of the history of the birth of the theater in Britain by reviewing forensic accounting evidence in Philip Henslowe’s Diary, and the documented history of homicidal lending practices and government corruption connected with troupes and theaters. Parts III-VIII explain precisely how this series derived that the British Renaissance was ghostwritten by only six linguistic-signatures: Richard Verstegan, Josuah Sylvester, Gabriel Harvey, Benjamin Jonson, William Byrd and William Percy. The parts on each of these ghostwriters, not only explain how their biographies fit with the timelines of the texts being attributed to them, but also provide various types of evidence that explains their motives for ghostwriting. And Part IX returns for an intricate analysis of a few pseudonyms or ghostwriting-contractors who were uniquely difficult to exclude as potential ghostwriters; in parallel, these chapters question the reasons these individuals would have needed to purchase ghostwriting services. “The complete series on British Renaissance Re-Attribution and Modernization by Anna Faktorovich is a remarkable accomplishment. Based on her own unbiased method of computational-linguistic authorial-attribution, she has critically examined an entire collection of texts, many previously inaccessible and untranslated to modern English. From a variety of distinct factors that have been ignored or unnoticed in the past, she identifies a group of ghost writers behind many miss-attributed Renaissance works. Of particular interest are works traditionally attributed to William Shakespeare. Dr. Faktorovich is a prolific writer, very well informed in English literature, philology, and literary criticism, and she is clearly thorough and detail-oriented. Her re-attribution and modernization series demonstrates solid scholarship, fresh perspective, and willingness to challenge conventional thought and methodology.” —Midwest Book Review, Lesly F. Massey (December 2021) “I have long had an interest in linguistics and enjoy reading the frequent ‘Who really wrote Shakespeare’s works?’ Therefore, this book was extremely interesting to me… So, my recommendation is that if you have an interest in linguistics and scholarly research you will love this book… Very interesting and well laid out book. *****” —LibraryThing, Early Reviewers, February 2022 Anna Faktorovich, PhD, is an English professor who previously published Rebellion as Genre and Formulas of Popular Fiction. She is also the Director and Founder of Anaphora Literary Press.
Download or read book The Antiquarian Magazine Bibliographer written by and published by . This book was released on 1883 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Walford s Antiquarian Magazine and Bibliographical Review written by and published by . This book was released on 1883 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Walford s Antiquarian written by Edward Walford and published by . This book was released on 1883 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A life of Joseph Hall Bishop of Exeter and Norwich by the Rev George Lewis written by George Lewis and published by . This book was released on 1886 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Life of Joseph Hall D D written by George Lewis and published by . This book was released on 1886 with total page 474 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Life of Joseph Hall D D Bishop of Exeter and Norwich written by George Lewis and published by London : Hodder and Stoughton. This book was released on 1886 with total page 510 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Emotional Excess on the Shakespearean Stage written by Bridget Escolme and published by A&C Black. This book was released on 2013-12-16 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: Emotional Excess on the Shakespearean Stage demonstrates the links made between excess of emotion and madness in the early modern period. It argues that the ways in which today's popular and theatrical cultures judge how much is too much can distort our understanding of early modern drama and theatre. It argues that permitting the excesses of the early modern drama onto the contemporary stage might free actors and audiences alike from assumptions that in order to engage with the drama of the past, its characters must be just like us. The book deals with characters in the plays of Shakespeare and his contemporaries who are sad for too long, or angry to the point of irrationality; people who laugh when they shouldn't or make their audiences do so; people whose selfhood has broken down into an excess of fragmentary extremes and who are labelled mad. It is about moments in the theatre when excessive emotion is rewarded and applauded - and about moments when the expression of emotion is in excess of what is socially acceptable: embarrassing, shameful, unsettling or insane. The book explores the broader cultures of emotion that produce these theatrical moments, and the theatre's role in regulating and extending the acceptable expression of emotion. It is concerned with the acting of excessive emotion and with acting emotion excessively. And it asks how these excesses are produced or erased, give pleasure or pain, in versions of early modern drama in theatre, film and television today. Plays discussed include Hamlet, Romeo and Juliet, The Spanish Tragedy, Twelfth Night, Much Ado About Nothing, Measure for Measure, and Coriolanus.
Download or read book Catalogue of the Printed Books and Manuscripts in the John Rylands Library Manchester written by John Rylands Library and published by . This book was released on 1899 with total page 664 pages. Available in PDF, EPUB and Kindle. Book excerpt:
