Download or read book The Jew in Drama written by Myer Jack Landa and published by London : P.S. King. This book was released on 1926 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the portrayal of the Jew in British drama, as well as Jewish dramatic works and Jewish actors who were prominent on the Jewish and non-Jewish stage. Discusses, with particular emphasis, antisemitic depictions of the Jew from the Middle Ages to the present, including the passion plays, Marlowe's "The Jew of Malta", Shakespeare's "The Merchant of Venice", the figures of Judas and of the Wandering Jew, Richard Cumberland's "The Jew" as an attempt to counter the antisemitic depictions (produced in 1794), and several works of the 19th century. The 19th century saw the development of sympathetic depictions of Jews as well, and of a thriving Jewish theater (both in English and Yiddish).
Download or read book The Jew in English drama written by Edward Davidson Coleman and published by . This book was released on 1970 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Jew in English Drama written by Edward Davidson Coleman and published by New York : New York Public Library. This book was released on 1970 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Jew in English Drama written by New York Public Library and published by . This book was released on 1938 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Jew in English Drama written by Edward D. Coleman and published by . This book was released on 1968 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Jew in English Drama written by Edward D. Coleman and published by . This book was released on 1938 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Two Jewish Plays written by Gotthold Lessing and published by Bloomsbury Publishing. This book was released on 2002-02-27 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gotthold Lessing (1729-81), playwright, critic, humanist philosopher and polemicist was a leading figure of the German enlightenment era. From his immense literary output two plays stand out - The Jews and Nathan the Wise - for the passion of the writing and the timeless urgency of the message. Though differing greatly in form and content, both plays are eloquent pleas for human beings to desist from mutual persecution on racial or religious grounds. The relevance of Lessing's thinking in today's world is all too clear. They are published here in new English versions by the award-winning translator, Noel Clark.
Download or read book The Jew in English drama written by Edward D. Coleman and published by . This book was released on 1970 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Shakespeare and the Jews written by James Shapiro and published by Columbia University Press. This book was released on 2016-03-08 with total page 351 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1996, James Shapiro's pathbreaking analysis of the portrayal of Jews in Elizabethan England challenged readers to recognize the significance of Jewish questions in Shakespeare's day. From accounts of Christians masquerading as Jews to fantasies of settling foreign Jews in Ireland, Shapiro's work delves deeply into the cultural insecurities of Elizabethans while illuminating Shakespeare's portrayal of Shylock in The Merchant of Venice. In a new preface, Shapiro reflects upon what he has learned about intolerance since the first publication of Shakespeare and the Jews.
Download or read book Constructions of the Jew in English Literature and Society written by Bryan Cheyette and published by Cambridge University Press. This book was released on 1995-10-26 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: Combining cultural theory, discourse analysis and new historicism with readings of the works of major contemporary authors, this study concludes that "the Jew" is characterized unstereotypically as the embodiment of uncertainty within English literature and society.
Download or read book The Jew in English Literature written by Edward Nathaniel Calisch and published by . This book was released on 1909 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bibliography: p. [9]-10. "A list of non-Jewish authors who have written on or about the Jews": p. [199]-221. "A list of Jewish authors": p. [222]-265.
Download or read book From Stereotype to Metaphor written by Ellen Schiff and published by State University of New York Press. This book was released on 2012-02-01 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: Who is a Jew? What is a Jew? In this all-encompassing study, Dr. Schiff probes these questions to help explain the prominence of Jewish characters in drama since World War II. The Jew has evolved into one of the most popular personages on the contemporary stage.Dramatists, both Jew and Gentile, in the United States and Europe, have been mining recently introduced concepts of the Jew to create a highly diversified and unfamiliar breed of dramatis personae. From Stereotype to Metaphor tracks the evolution of the Jewish persona on the stage. From the debut of the Jew on the Western stage in the Middle Ages to the present century, Dr. Schiff investigates how the Jew has evolved from the stereotypical figures of biblical patriarchs, moneymen and villains into latter-day everyman. This book traces the line of descent of the stage Jew from church drama, Shakespeare, Milton, and Racine to modern playwrights, including Miller, Gibson, Pinter, Wesker, Anouilh, Grumberg, and Woody Allen, concentrating on the development of the stage Jew since 1945.
Download or read book The Jew of Malta written by Christopher Marlowe and published by Broadview Press. This book was released on 2011-12-02 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: First performed by Shakespeare’s rivals in the 1590s, Christopher Marlowe’s The Jew of Malta was a trend-setting, innovative play whose black comedy and final tragic irony illuminate the darker regions of the Elizabethan cultural imagination. Although Jews were banished from England in 1291, the Jew in the form of Barabas, the play’s protagonist, returns on the stage to embody and to challenge the dramatic and cultural anti-Semitic stereotypes out of which he is constructed. The result is a theatrically sophisticated but deeply unsettling play whose rich cultural significance extends beyond the early modern period to the present day. The introduction and historical documents in this edition provide a rich context for the world of the play’s composition and production, including materials on Jewishness and anti-Semitism, the political struggles over Malta, and Christopher Marlowe’s personal and political reputation.
Download or read book Shakespeare and the Jew written by Gerald Friedlander and published by . This book was released on 1921 with total page 96 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Masculinity Anti Semitism and Early Modern English Literature written by Matthew Biberman and published by Routledge. This book was released on 2017-03-02 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offering a profound re-assessment of the conceptual, rhetorical, and cultural intersections among sexuality, race and religion in English Renaissance texts, this study argues that antisemitism is a by-product of tensions between received Classical conceptions of masculinity and Christianity's strident critique of that ideal. Utilizing works by Shakespeare, Milton, Marlowe and others, Biberman illustrates how modern antisemitism develops as a way to stigmatize hypermasculine behavior, thus facilitating the transformation of the culture's gender ideal from knight to businessman. Subsequently, the function of antisemitism changes, becoming instead the mark of effeminate behavior. Consequently, the central antisemitic image changes from Jew-Devil to Jew-Sissy. Biberman traces this shift's repercussions, both in renaissance culture and what followed it. He also contends that as a result of this linkage between Jewishness and the limits of masculine behavior, the image of the Jewish woman remains especially unstable. In concluding, Biberman argues that the Gothic resurrects the Jew-Devil (bequeathing it to the Nazis), and that the horror genre is often a rewriting of Renaissance discourse about Jews. In the course of making this larger argument, Biberman introduces a series of more limited claims that challenge the conventional wisdom within the field of literary studies. First, Biberman overturns the assumption that Jewishness and femininity are always associated in the cultural imagination of Western Europe. Second, Biberman provides the historical context needed to understand the emergence of the stereotype of the pathological Jewish woman. Third, Biberman revises the incorrect notion that divorce was not practiced in Renaissance England. Fourth, Biberman argues for the novel claim that serial monogamy in Western culture is a practice understood to possess a Jewish "taint." Fifth, Biberman contributes a major advance in scholarship devoted to T. S. Eliot, illustrating how Eliot's famous critical argument against Milton is an expression of his antisemitism, and a coherent compliment to the antisemitic touches in his poetry. Sixth, in his discussion of Gothic literature, Biberman introduces novel readings of Frankenstein and Dracula, persuasively arguing that Mary Shelley's monster bears the mark of the Jew according to modern antisemitic discourse; and that, in Stoker, both the vampire and the vampire-killer represent Jews executing a scenario of self-policing that was realized in the ghettos and the concentration camps. Biberman's final contribution in this study is to provide a definition for postmodern antisemitism and to apply it to various contemporary incidents, including September 11th and the Arab-Israeli conflict.
Download or read book The English Drama written by Angelo Solomon Rappoport and published by . This book was released on 1906 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Reading the Jewish Woman on the Elizabethan Stage written by Dr Michelle Ephraim and published by Ashgate Publishing, Ltd.. This book was released on 2013-04-28 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first book-length examination of Jewish women in Renaissance drama, this study explores fictional representations of the female Jew in academic, private and public stage performances during Queen Elizabeth I's reign; it links lesser-known dramatic adaptations of the biblical Rebecca, Deborah, and Esther with the Jewish daughters made famous by Christopher Marlowe and William Shakespeare on the popular stage. Drawing upon original research on early modern sermons and biblical commentaries, Michelle Ephraim here shows the cultural significance of biblical plays that have received scant critical attention and offers a new context with which to understand Shakespeare's and Marlowe's fascination with the Jewish daughter. Protestant playwrights often figured Elizabeth through Jewish women from the Hebrew scripture in order to legitimate her religious authenticity. Ephraim argues that through the figure of the Jewess, playwrights not only stake a claim to the Old Testament but call attention to the process of reading and interpreting the Jewish bible; their typological interpretations challenge and appropriate Catholic and Jewish exegeses. The plays convey the Reformists' desire for propriety over the Hebrew scripture as a "prisca veritas," the pure word of God as opposed to that of corrupt Church authority. Yet these literary representations of the Jewess, which draw from multiple and conflicting exegetical traditions, also demonstrate the elusive quality of the Hebrew text. This book establishes the relationship between Elizabeth and dramatic representations of the Jewish woman: to "play" the Jewess is to engage in an interpretive "play" that both celebrates and interrogates the religious ideology of Elizabeth's emerging Protestant nation. Ephraim approaches the relationship between scripture and drama from a historicist perspective, complicating our understanding of the specific intersections between the Jewess in Elizabethan drama, biblical commentaries, political discourse, and popular culture. This study expands the growing field of Jewish studies in the Renaissance and contributes also to critical work on Elizabeth herself, whose influence on literary texts many scholars have established.
