Download or read book The Early Italian Schools Before 1400 written by Martin Davies and published by National Gallery of Art. This book was released on 1994-06 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: The National Gallery catalogues are among the essential reference works for an art-historical scholarship. Each picture is examined, with a discussion of subject matter, authorship, provenance and art-historical significance. This text concerns the early Italian schools before 1400.
Download or read book The Italian Schools Before 1400 written by National Gallery (Great Britain) and published by . This book was released on 2001 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edition of Martin Davies's work, revised by Dillian Gordon, incorporates the advances made in the study of Trecento painting, involving new attributions, the reconstruction of the original appearance of altarpieces, and information on patronage, original location and iconography. The catalogue also takes account of the results of technical investigation by the National Gallery's Scientific and Conservation Departments after the cleaning of some of the paintings.
Download or read book The Italian Schools Before 1400 written by Martin Davies and published by National Gallery Publications Limited. This book was released on 2001-09-01 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Early Italian Schools Before 1400 written by Martin Davies and published by . This book was released on 1986 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Development of the Italian Schools of Painting written by Raimond van Marle and published by . This book was released on 1926 with total page 474 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Humanism and Education in Medieval and Renaissance Italy written by Robert Black and published by Cambridge University Press. This book was released on 2001-09-20 with total page 507 pages. Available in PDF, EPUB and Kindle. Book excerpt: Based on the study of over 500 surviving manuscript school books, this comprehensive 2001 study of the curriculum of school education in medieval and Renaissance Italy contains some surprising conclusions. Robert Black's analysis finds that continuity and conservatism, not innovation, characterize medieval and Renaissance teaching. The study of classical texts in medieval Italian schools reached its height in the twelfth century; this was followed by a collapse in the thirteenth century, an effect on school teaching of the growth of university education. This collapse was only gradually reversed in the two centuries that followed: it was not until the later 1400s that humanists began to have a significant impact on education. Scholars of European history, of Renaissance studies, and of the history of education will find that this deeply researched and broad-ranging book challenges much inherited wisdom about education, humanism and the history of ideas.
Download or read book The Development of the Italian Schools of Painting written by Raimond Van Marle and published by Springer Science & Business Media. This book was released on 2012-12-06 with total page 520 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Development of the Italian Schools of Painting written by Raimond Van Marie and published by Springer Science & Business Media. This book was released on 2013-06-29 with total page 526 pages. Available in PDF, EPUB and Kindle. Book excerpt: At the outset of this work I thought it possible that I might have to lay down my pen at the end of the fifth volume, but it is with con siderable pleasure I learn that my readers have been in great enough number and sufficiently satisfied with the work for my editor and myself to continue the enterprise and undertake a study of the fifteenth century, similar to that which has already appeared on the fourteenth. The spontaneous manifestations of sympathy that I have received from many different countries give me the impression that there exists a group of readers who will not be disappointed to hear of my intention to continue this history of Italian painting, at least until the end of the fifteenth century which is a period not rn any way less glorious than those with which I have already dealt. I should like to give one word of warning to the authorities of galleries and to private collectors who of late have started buying pictures of the thirteenth century. Notwithstanding the fact that the interest in this form of art is of recent date, the amount of facticious paintings of this period is already very considerable. Many of them are half-length figures of the Madonna painted on late Byzantine panels of the same subject; Greek Madonnas of the sixteenth and seven teenth centuries are in this way transformed into Italian pictures of the thirteenth.
Download or read book The Development of the Italian Schools of Painting The local schools of north Italy of the 14th century written by Raimond van Marle and published by . This book was released on 1924 with total page 562 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Women s Writing in Italy 1400 1650 written by Virginia Cox and published by JHU Press. This book was released on 2008-06-16 with total page 495 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner, 2009 Best Book Award, Society for the Study of Early Modern WomenWinner, 2008 PROSE Award for Best Book in Language, Literature, and Linguistics. Professional and Scholarly Publishing Division of the Association of American Publishers This is the first comprehensive study of the remarkably rich tradition of women’s writing that flourished in Italy between the fifteenth and early seventeenth centuries. Virginia Cox documents this tradition and both explains its character and scope and offers a new hypothesis on the reasons for its emergence and decline. Cox combines fresh scholarship with a revisionist argument that overturns existing historical paradigms for the chronology of early modern Italian women’s writing and questions the historiographical commonplace that the tradition was brought to an end by the Counter Reformation. Using a comparative analysis of women's activities as artists, musicians, composers, and actresses, Cox locates women's writing in its broader contexts and considers how gender reflects and reinvents conventional narratives of literary change.
Download or read book The Earlier Italian Schools written by National Gallery (Great Britain) and published by . This book was released on 1961 with total page 634 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The present catalogue deals with the pictures of the Earlier Italian Schools in the National Gallery ... its main subject is the Italian pictures up to the end of the Early Renaissance"--Page 3.
Download or read book Painting and Illumination in Early Renaissance Florence 1300 1450 written by Laurence B. Kanter and published by Metropolitan Museum of Art. This book was released on 1994 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt: . By way of introduction to the objects themselves are three essays. The first, by Laurence B. Kanter, presents an overview of Florentine illumination between 1300 and 1450 and thumbnail sketches of the artists featured in this volume. The second essay, by Barbara Drake Boehm, focuses on the types of books illuminators helped to create. As most of them were liturgical, her contribution limns for the modern reader the medieval religious ceremonies in which the manuscripts were utilized. Carl Brandon Strehlke here publishes important new material about Fra Angelico's early years and patrons - the result of the author's recent archival research in Florence.
Download or read book National Gallery catalogues The early Italian schools before 1400 written by Martin Davies and published by . This book was released on 1988 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Siena Florence and Padua Interpretative essays written by ed. Norman and published by Yale University Press. This book was released on 1995-01-01 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: Siena, Florence and Padua were all major centres for the flowering of early Italian Renaissance art and civic culture. The three communities shared a common concern for the embelishment of their cities by means of painting, sculpture and architecture. The eleven papers in this volume re-examine and re-assess the artistic legacy of the three cities during the 14th century amd locate the various works of art considered within their broader cultural, social and religious contexts. Contributors include: D Norman (Patrons, politics and art) ; C Harrison (Giotto and the `rise of painting') ; C King (The arts of carving and casting) ; T Benton (The building trades and design methods) ; D Norman (Art and religion after the Black Death) ; C King (The trecento: New ideas, new evidence) .
Download or read book Methods and Materials of Painting of the Great Schools and Masters written by Charles Lock Eastlake and published by Courier Corporation. This book was released on 2001-03-30 with total page 1041 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sir Charles Eastlake, a former president of the British Royal Academy and director of the National Gallery, was one of the world's foremost experts on the techniques of painting. A painter of considerable renown himself, he devoted years to traveling throughout England and Europe, where he searched through museums, monasteries, universities, and libraries, gradually amassing a collection of rare manuscripts from which he was able to reconstruct the technical secrets of the great painters of the past. In this comprehensive treasury (two volumes bound as one), Eastlake presents the results of his researches. He offers detailed discussions of Greek and Roman art methods, medieval techniques, tempera painting, the revolutionary use of oil paints by Hubert van Eyck, Flemish methods of preparing colors, and the methods of Reynolds and other 18th-century British masters. The second volume focuses on the technical secrets of members of various Italian schools, including such masters as Leonardo, Raphael, Perugino, Correggio, Andrea del Sarto, and many others. Rounding off the book are more than 100 pages of professional essays covering a wide range of subjects—from "Life in Inanimate Things" and "Neutral Tints in White and Other Draperies" to "Venetian Process" and "How to Compose and Paint a Single Head." Students, painters, art historians, and any lover of fine art will find Eastlake's work invaluable, both for its source material and its painstaking coverage of the technical evolution of painting. Dover (2001) unabridged republication in one volume of the work originally published by Longman, Brown, Green, and Longmans in two volumes in 1847 as Materials for a History of Oil Painting.
Download or read book Painting in Late Medieval and Renaissance Siena 1260 1555 written by Diana Norman and published by Yale University Press. This book was released on 2003-01-01 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: The city of Siena, one of Italy's major artistic centers, was home to many celebrated painters, among them Duccio, Simone Martini, Ambrogio and Pietro Lorenzetti, Sassetta and Beccafumi. This generously illustrated book provides a survey of Sienese painting from 1260 to 1555, an era of extraordinary artistic creativity in the Tuscan city. Art historian Diana Norman addresses the style and artistic technique of Sienese painters throughout the three centuries and explores why paintings were made, where they were originally seen, and how they were used and enjoyed by their audiences. The book focuses on works of art made for Siena itself, many of which are still to be seen within the city. Norman organizes the discussion around types of commissions and throughout the book situates the paintings within the context of the political, social, and religious circumstances of late medieval and renaissance Siena.
Download or read book Siena and the Virgin written by Diana Norman and published by Yale University Press. This book was released on 1999-01-01 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Celebrating the Virgin Mary as both an object of religious affection and a focus of civic pride, artists of fourteenth-century Siena established for their city a vibrant tradition that continued into the early decades of the next century. Such celebratory portraits of the Virgin were also common in Siena's extensive subject territories, the contado. This richly illustrated book explores late medieval Sienese art--how it was created, commissioned, and understood by the citizens of Siena. Examining political, economic, and cultural relations between Siena and the contado, Diana Norman offers a new understanding of Marian art and its political function as an expression of civic ideology. Drawing on extensive unpublished archives, Norman reconstructs the circumstances surrounding the commission of Marian art in the three most prestigious locations of fourteenth-century Siena: the cathedral, the Palazzo Pubblico, and the hospital of Santa Maria della Scala. She analyzes similarly important commissions in the contado towns of Massa Marittima, Montalcino, and Montepulciano. Casting new light on such topics as the original site for the reliquary tomb of Saint Cerbone, patron saint of Massa Marittima, and the identity of the patrons of the Marian frescoes in the rural hermitage of San Leonardo al Lago, the author deepens our insight into the origins and meanings of Sienese art production of the late medieval period.
