Download or read book The Industrial Arts of India written by George Christopher Molesworth Birdwood and published by . This book was released on 1884 with total page 174 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Indian Empire written by William Wilson Hunter and published by Asian Educational Services. This book was released on 2005 with total page 790 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Spons Encyclop dia of the Industrial Arts Manufactures and Commercial Products written by Edward Spon and published by . This book was released on 1882 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Spons Encyclop dia of the Industrial Arts Manufactures and Commercial Products Photography Woollen manufactures index written by Edward Spon and published by . This book was released on 1882 with total page 626 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Material Cultures 1740 920 written by Alla Myzelev and published by Routledge. This book was released on 2017-07-05 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: Interweaving notions of identity and subjectivity, spatial contexts, materiality and meaning, this collection makes a significant contribution to debates around the status and interpretation of visual and material culture. Material Cultures, 1740-1920 has four primary theoretical and historiographic lines of inquiry. The first is how concepts of otherness and difference inform, imbricate, and impose themselves on identity and the modes of acquisition as well as the objects themselves. The second concern explores the intricacies of how objects and their subjects negotiate and represent spatial narratives. The third thread attempts to unravel the ideological underpinnings of collections of individuals which inevitably and invariably rub up against the social, the institutional, and the political. Finally, at the heart of Material Cultures, 1740-1920 is an intervention moving beyond the disciplinary ethos of material culture to argue more firmly for the aesthetic, visual, and semiotic potency inseparable from any understanding of material objects integral to the lives of their collecting subjects. The collection argues that objects are semiotic conduits or signs of meanings, pleasures, and desires that are deeply subjective; more often than not, they reveal racial, gendered, and sexual identities. As the volume demonstrates through its various case studies, material and visual cultures are not as separate as our current disciplinary ethos would lead us to believe.
Download or read book The Oxford History of the British Empire Volume V Historiography written by Robin Winks and published by OUP Oxford. This book was released on 2001-07-26 with total page 756 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford History of the British Empire is a major new assessment of the Empire in the light of recent scholarship and the progressive opening of historical records. From the founding of colonies in North America and the West Indies in the seventeenth century to the reversion of Hong Kong to China at the end of the twentieth, British imperialism was a catalyst for far-reaching change. The Oxford History of the British Empire as a comprehensive study helps us to understand the end of Empire in relation to its beginning, the meaning of British imperialism for the ruled as well as for the rulers, and the significance of the British Empire as a theme in world history. This fifth and final volume shows how opinions have changed dramatically over the generations about the nature, role, and value of imperialism generally, and the British Empire more specifically. The distinguished team of contributors discuss the many and diverse elements which have influenced writings on the Empire: the pressure of current events, access to primary sources, the creation of relevant university chairs, the rise of nationalism in former colonies, decolonization, and the Cold War. They demonstrate how the study of empire has evolved from a narrow focus on constitutional issues to a wide-ranging enquiry about international relations, the uses of power, and impacts and counterimpacts between settler groups and native peoples. The result is a thought-provoking cultural and intellectual inquiry into how we understand the past, and whether this understanding might affect the way we behave in the future.
Download or read book Monuments Objects Histories written by Tapati Guha-Thakurta and published by Columbia University Press. This book was released on 2004-08-05 with total page 431 pages. Available in PDF, EPUB and Kindle. Book excerpt: Art history as it is largely practiced in Asia as well as in the West is a western invention. In India, works of art-sculptures, monuments, paintings-were first viewed under colonial rule as archaeological antiquities, later as architectural relics, and by the mid-20th century as works of art within an elaborate art-historical classification. Tied to these views were narratives in which the works figured, respectively, as sources from which to recover India's history, markers of a lost, antique civilization, and symbols of a nation's unique aesthetic, reflecting the progression from colonialism to nationalism. The nationalist canon continues to dominate the image of Indian art in India and abroad, and yet its uncritical acceptance of the discipline's western orthodoxies remains unquestioned, the original motives and means of creation unexplored. The book examines the role of art and art history from both an insider and outsider point of view, always revealing how the demands of nationalism have shaped the concept and meaning of art in India. The author shows how western custodianship of Indian "antiquities" structured a historical interpretation of art; how indigenous Bengali scholarship in the late 19th and early 20th centuries attempted to bring Indian art into the nationalist sphere; how the importance of art as a representation of national culture crystallized in the period after Independence; and how cultural and religious clashes in modern India have resulted in conflicting "histories" and interpretations of Indian art. In particular, the author uses the depiction of Hindu goddesses to elicit conflicting scenarios of condemnation and celebration, both of which have at their core the threat and lure of the female form, which has been constructed and narrativized in art history. Monuments, Objects, Histories is a critical survey of the practices of archaeology, art history, and museums in nineteenth- and twentieth-century India. The essays gathered here look at the processes of the production of lost pasts in modern India: pasts that come to be imagined around a growing corpus of monuments, archaeological relics, and art objects. They map the scholarly and institutional authority that emerged around such structures and artifacts, making of them not only the chosen objects of art and archaeology but also the prime signifiers of the nation's civilization and antiquity. The close imbrication of the "colonial" and the "national" in the making of India's archaeological and art historical pasts and their combined legacy for the postcolonial present form one of the key themes of the book. Monuments, Objects, Histories offers both an insider's and an outsider's perspective on the growth of these scholarly fields and their institutional apparatus, analyzing the ways they have constituted and recast their objects of study. The book moves from a period that saw the consolidation of western expertise and custodianship of India's "antiquities," to the projection over the twentieth century of varying regional, nativist, and national claims around the country's architectural and artistic inheritance, into a current period that has pitched these objects and fields within a highly contentious politics of nationhood. Monuments, Objects, Histories traces the framing of an official national canon of Indian art through these different periods, showing how the workings of disciplines and institutions have been tied to the pervasive authority of the nation. At the same time, it addresses the radical reconfiguration in recent times of the meaning and scope of the "national," leading to the kinds of exclusions and chauvinisms that lie at the root of the current endangerment of these disciplines and the monuments and art objects they encompass.
Download or read book Spons Encyclopaedia of the Industrial Arts Manufactures and Raw Commercial Products written by Edward Spon and published by . This book was released on 1882 with total page 622 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Journal of the Royal Society for the Encouragement of Arts Manufactures and Commerce written by and published by . This book was released on 1907 with total page 1238 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Reference Catalogue of Current Literature written by and published by . This book was released on 1902 with total page 1232 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Journal of the Royal Society of Arts written by and published by . This book was released on 1889 with total page 946 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book British Art and the East India Company written by Geoff Quilley and published by Boydell & Brewer. This book was released on 2020 with total page 371 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the role of the East India Company in the production and development of British art, demonstrating how art and related forms of culture were closely tied to commerce and the rise of the commercial state. This book examines the role of the East India Company in the production and development of British art during the eighteenth and early nineteenth centuries, when a new "school" of British art was in its formative stages with the foundation of exhibiting societies and the Royal Academy in 1768. It focuses on the Company's patronage, promotion and uses of art, both in Britain and in India and the Far East, and how the Company and its trade with the East were represented visually, through maritime imagery, landscape, genre painting and print-making. It also considers how, for artists such as William Hodges and Arthur William Devis, the East India Company, and its provision of a wealthy market in British India, provided opportunities for career advancement, through alignment with Company commercial principles. In this light, the book's main concern is to address the conflicted and ambiguous nature of art produced in the service of a corporation that was the "scandal of empire" for most of its existence, and how this has shaped and distorted our understanding of the history of British art in relation to the concomitant rise of Britain as a self-consciously commercial and maritime nation, whose prosperity relied upon global expansion, increasing colonialism and the development of mercantile organisations.
Download or read book Journal of the Society of Arts written by and published by . This book was released on 1895 with total page 1068 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Journal of the Royal Society of Arts written by Royal Society for the Encouragement of Arts, Manufactures and Commerce and published by . This book was released on 1868 with total page 882 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Journal of Indian Art and Industry written by and published by . This book was released on 1886 with total page 558 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Journal of the Society of Arts written by Royal Society of Arts (Great Britain) and published by . This book was released on 1904 with total page 914 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book No Touching No Spitting No Praying written by Saloni Mathur and published by Routledge. This book was released on 2017-07-05 with total page 694 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together a range of essays that offer a new perspective on the dynamic history of the museum as a cultural institution in South Asia. It traces the museum from its origin as a tool of colonialism and adoption as a vehicle of sovereignty in the nationalist period, till its role in the present, as it reflects the fissured identities of the post-colonial period.
